THE UNIVERSE of KEITH HARING Press Notes
Total Page:16
File Type:pdf, Size:1020Kb

Load more
Recommended publications
-
Town & Country April, 2011 the Culture: Art
Town & Country April, 2011 The Culture: Art Shows of the Season Rachel Wolf Who'll claim contemporary art supremacy this month: L.A. or New York? California's newest art impresario, Los Angeles's Museum of Contemporary Art director Jeffrey Deitch, is finally making waves in his new home. Along with a team of graffiti gurus, he'll launch the country's first full-scale museum survey of street art. "ART IN THE STREETS" (April 17-Aug. 8 at the Geffen Contemporary) traces the movement from its roots-with works by Keith Haring and Jean-Michel Basquiat to contemporary practitioners like Banksy and Shepard Fairey. It's already deliciously controversial: In December, Deitch was accused of censorship when he painted over a MoCA-commissioned mural by the street artist Blu meant to promote the April exhibition. (Deitch thought residents would be offended by the antiwar work, which depicted coffins shrouded in $1 bills.) And contentiousness won't be in short supply on the East Coast either, thanks to KARA WALKER, the New York artist best known for her raunchy silhouettes and stop-motion animations about race and womanhood. On April 23, Walker mounts her largest exhibition of new work since 2008, a two-venue show at Chelsea's Sikkema Jenkins gallery and Lehmann Maupin's Lower East Side locale (through June 4). Of particular interest is a new video that builds on the scenic work Walker did for Lincoln Center's recent production On the Levee, a drama about the worst river flood, pre-Katrina, in U.S. history. . -
Frameworks for the Downtown Arts Scene
ACADEMIC REGISTRAR ROOM 261 DIVERSITY OF LONDON 3Ei’ ATE HOUSE v'Al i STREET LONDON WC1E7HU Strategy in Context: The Work and Practice of New York’s Downtown Artists in the Late 1970s and Early 1980s By Sharon Patricia Harper Submitted in fulfilment of the requirements for the degree of Doctor of Philosophy in the Department of the History of Art at University College London 2003 1 UMI Number: U602573 All rights reserved INFORMATION TO ALL USERS The quality of this reproduction is dependent upon the quality of the copy submitted. In the unlikely event that the author did not send a complete manuscript and there are missing pages, these will be noted. Also, if material had to be removed, a note will indicate the deletion. Dissertation Publishing UMI U602573 Published by ProQuest LLC 2014. Copyright in the Dissertation held by the Author. Microform Edition © ProQuest LLC. All rights reserved. This work is protected against unauthorized copying under Title 17, United States Code. ProQuest LLC 789 East Eisenhower Parkway P.O. Box 1346 Ann Arbor, Ml 48106-1346 Abstract The rise of neo-conservatism defined the critical context of many appraisals of artistic work produced in downtown New York in the late 1970s and early 1980s. Although initial reviews of the scene were largely enthusiastic, subsequent assessments of artistic work from this period have been largely negative. Artists like Keith Haring, Jean-Michel Basquiat and Kenny Scharf have been assessed primarily in terms of gentrification, commodification, and political commitment relying upon various theoretical assumptions about social processes. The conclusions reached have primarily centred upon the lack of resistance by these artists to post industrial capitalism in its various manifestations. -
The Death of Postfeminism : Oprah and the Riot Grrrls Talk Back By
The death of postfeminism : Oprah and the Riot Grrrls talk back by Cathy Sue Copenhagen A thesis submitted in partial fulfillment of the requirements for the degree of Master of Arts in English Montana State University © Copyright by Cathy Sue Copenhagen (2002) Abstract: This paper addresses the ways feminism operates in two female literary communities: the televised Oprah Winfrey talk show and book club and the Riot Grrrl zine movement. Both communities are analyzed as ideological responses of women and girls to consumerism, media conglomeration, mainstream appropriation of movements, and postmodern "postfeminist" cultural fragmentation. The far-reaching "Oprah" effect on modem publishing is critiqued, as well as the controversies and contradictions of the effect. Oprah is analyzed as a divided text operating in a late capitalist culture with third wave feminist tactics. The Riot Grrrl movement is discussed as the potential beginning of a fourth wave of feminism. The Grrrls redefine feminism and femininity in their music and writings in zines. The two sites are important to study as they are mainly populated by under represented segments of "postfeminist" society: middle aged women and young girls. THE DEATH OF "POSTFEMINISM": OPRAH AND THE RIOT GRRRLS TALK BACK by Cathy Sue Copenhagen A thesis submitted in partial fulfillment of the requirements for the degree of Master of Arts in English MONTANA STATE UNIVERSITY Bozeman, MT May 2002 ii , ^ 04 APPROVAL of a thesis submitted by Cathy Sue Copenhagen This thesis has been read by each member of a thesis committee and has been found to be satisfactory regarding content, English Usage, format, citations, bibliographic style, and consistency, and is ready for submission to the College of Graduate Studies. -
Writing the Future: Basquiat and the Hip-Hop Generation, Museum of Fine Arts, Boston, Panorama: Journal of the Association of Historians of American Art 7, No
ISSN: 2471-6839 Cite this article: Peter R. Kalb, review of Writing the Future: Basquiat and the Hip-Hop Generation, Museum of Fine Arts, Boston, Panorama: Journal of the Association of Historians of American Art 7, no. 1 (Spring 2021), doi.org/10.24926/24716839.11870. Writing the Future: Basquiat and the Hip-Hop Generation Curated by: Liz Munsell, The Lorraine and Alan Bressler Curator of Contemporary Art, and Greg Tate Exhibition schedule: Museum of Fine Arts, Boston, October 18, 2020–July 25, 2021 Exhibition catalogue: Liz Munsell and Greg Tate, eds., Writing the Future: Basquiat and the Hip-Hop Generation, exh. cat. Boston: Museum of Fine Arts, Boston, 2020. 199 pp.; 134 color illus. Cloth: $50.00 (ISBN: 9780878468713) Reviewed by: Peter R. Kalb, Cynthia L. and Theodore S. Berenson Chair of Contemporary Art, Department of Fine Arts, Brandeis University It may be argued that no artist has carried more weight for the art world’s reckoning with racial politics than Jean-Michel Basquiat (1960–1988). In the 1980s and 1990s, his work was enlisted to reflect on the Black experience and art history; in the 2000 and 2010s his work diversified, often single-handedly, galleries, museums, and art history surveys. Writing the Future: Basquiat and the Hip-Hop Generation attempts to share in these tasks. Basquiat’s artwork first appeared in lower Manhattan in exhibitions that poet and critic Rene Ricard explained, “made us accustomed to looking at art in a group, so much so that an exhibit of an individual’s work seems almost antisocial.”1 The earliest efforts to historicize the East Village art world shared this spirit of sociability. -
Cveigh, Roisin
JACOLBY SATTERWHITE b. 1986, Columbia, SC Lives and works in Brooklyn, NY EDUCATION 2010 MFA, University of Pennsylvania, Philadelphia, PA 2009 Skowhegan School of Painting and Sculpture, Skowhegan, ME 2008 BFA, Maryland Institute College of Art, Baltimore, MD SOLO EXHIBITIONS 2020 We Are In Hell When We Hurt Each Other, Mitchell-Innes & Nash, New York, NY 2019 Room for Living, Fabric Workshop and Museum, Philadelpia, PA You’re at home, Pioneer Works, Brooklyn, NY 2018 Saturn Returns, Lundgren Gallery, Palme de Mallorca, Spain Birds in Paradise, Jacolby Satterwhite, Patricia Satterwhite, and Nick Weiss, Atlanta Contemporary, Atlanta, GA Jacolby Satterwhite, Morán Morán at Statements/Art Basel, Basel, Switzerland Blessed Avenue, Gavin Brown’s Enterprise, New York, NY 2017 Jacolby Satterwhite, Moran Bondaroff at NADA NY, New York, NY En Plein Air: Music of Objective Romance, Performance in Progress, San Francisco Museum of Modern Art, San Francisco, CA 2014 How Lovely Is Me Being As I Am, OHWOW Gallery, Los Angeles, CA WPA Hothouse Video: Jacolby Satterwhite, Curated by Julie Chae, Capitol Skyline Hotel, Washington, DC 2013 Island of Treasure, Mallorca Landings, Palma, Spain Triforce, The Bindery Projects, Minneapolis, MN Grey Lines, Recess Activities, New York, NY The House of Patricia Satterwhite, Mallorca Landings, Palma, Spain The Matriarch’s Rhapsody, Monya Rowe Gallery, New York, NY 2012 Jacolby Satterwhite, Hudson D. Walker Gallery, Provincetown, MA GROUP EXHIBITIONS 2022 FRONT Triennial, Cleveland, OH 2021 Gwangju Biennial, Gwangju, -
You Don't Immediately Think of Jeffrey Deitch and Larry Gagosian As
Pogrebin, Robin. Jeffrey Deitch and Larry Gagosian to Collaborate in Miami, The New York Times, October 15, 2015. You don’t immediately think of Jeffrey Deitch and Larry Gagosian as collaborators. Indeed, the two were historically competitors, dealers who represented some of the same artists at different points in their careers. But these art world heavyweights — both protégés of the dealer Leo Castelli — have known each other for years and de- cided for the first time to collaborate. The result is an ambitious exhibition on figurative painting and sculpture in Miami in December. “Larry and I have wanted to do a project together for some time,” Mr. Deitch said. “Everything came together.” The show, “Unrealism,” opens on Dec. 1 in a 20,000-square-foot space in the Moore Building in the Miami Design District and will remain through the week of Art Basel Miami Beach (Dec. 3 through 6). Craig Robins, the developer who spear- headed the district, offered Mr. Gagosian the space, and Mr. Gagosian said he thought of Mr. Deitch. “He’s one of the most imaginative, innovative curators out there,” he said. “My gallery represents a lot of figurative artists. I think it’s a very important part of what’s going on now.” Mr. Deitch had long wanted to explore the subject in a show, but said he never had the chance as the director of the Mu- seum of Contemporary Art in Los Angeles. When he returned to New York, he was struck by the work of emerging figurative painters — many of them women — like Ella Kruglyanskaya, Jamian Juliano-Villani and Tala Madani. -
Arias with a Twist Created Byjoey Arias Andbasil Twist
Johnnie Moore (Associate Producer) recently was Alex in I Love A Piano, an Irving Berlin Revue, one of The J-Men in Yehuda Duenyas’ One Million Forgotten Moments in Manhattan, the Narrator in Amoveo (a new dance work choreographed by Benjamin Millepied set to Philip Glass’ Einstein on the Beach at the Palais Garnier in Paris and conducted by Nico Muhly); Captain von Trapp in Doug Elkins’ restaging of The Sound of Music at Joe’s Pub@The Public; and Mather in Michael Portnoy’s The K Sound at the Kitchen. He is involved with Gotham Chamber Opera (Founding Board Member), Tandem Otter Productions (Chairman), and New York Theater Workshop (Usual Suspect). He is proud to have been the producer of Basil Twist’s Symphonie Fantastique in San Francisco in 1999. Johnnie is currently at work on a number of projects, including The J-Men (with Jason MacMahon), and Fspamaninye (Russian Remembrance). His Banana Bread Rules! ARIAS WITH A TWIST CREATED BY JOEY ARIAS AND BASIL TWIST November 18–21, 2009 | 8:30 pm November 24–25, 2009 | 8:30 pm November 27–28, 2009 | 8:30 pm November 22 and 29, 2009 | 7:00 pm December 2–5, 2009 | 8:30 pm December 9–12, 2009 | 8:30 pm December 6 and 13, 2009 | 7:00 pm presented by REDCAT Roy and Edna Disney/CalArts Theater California Institute of the Arts ARIAS WITH A TWIST Neelam Vaswani (Production Stage Manager) Previous work with Basil Twist include Master CREATED BY JOEY ARIAS AND BASIL TWIST Peter’s Puppet Show (Disney Concert Hall, LA), ASM: La Bella (Spoleto, Lincoln Center); NY Credits: PSM: Voice 4 Vision Puppet Festival (4 yrs, TFNC), Song for New York (Mabou Mines); starring Joey Arias Ghosts (Juilliard School), Peter & Wendy (Arena Stage, Mabou Mines); The Adventures of with Charcoal Boy (TFNC and HERE) Uncle Vanya (Juilliard School); ASM: The Beard of Avon Eli Presser (NYTW), Don Juan (TFNA), and La Cenerentola, Venice (Juilliard School). -
Keith Haring. Artre Per Tutti Curtis Carter Marquette University, [email protected]
Marquette University e-Publications@Marquette Philosophy Faculty Research and Publications Philosophy, Department of 1-1-2007 Keith Haring. Artre per Tutti Curtis Carter Marquette University, [email protected] Published version. "Keith Haring. Artre per Tutti," in Keith Haring Il Murale di Milwaukee. Ed. A. Calabrese. Milano: Skira (2007): 13-21. Permalink. © 2007 Skira Editore. All Rights Reserved. Published version in Italian. Haring II murale di Milwaukee . Keith Haring II murale di Milwaukee a cura di Curtis L. Carter Curtis L. Carter Keith Haring. Arte per tutti Haring, I'artista Keith Haring (1958-1990) nasce a Reading in Pennsylvania e trascorre I'infanzia nella cittadina rurale di Kutztown. Terminata la scuola superiore, si trasferisce a Pittsburgh per iscriversi alia Ivy School of Professional Art, dove studia belle arti e arti applicate. Suscitano in lui particolare interesse i dipinti di Pierre Alechinsky in mostra al Carne gie Institute nel 1977. Da Pittsburgh, dove vive, parte con un amico per un viaggio che 10 portera da un capo aWaltro del Paese alia ricerca di una scuola d'arte migliore e a caccia di avventura. Facendo I'autostop raggiunge Minneapolis, Berkeley, Los An geles e ritorna infine a Pittsburgh. Qui continua a coltivare Ie sue doti di artista al Cen ter for the Arts e presso altri istituti, cogliendo ogni occasione per ampliare Ie cono scenze in campo artistico e per creare ed esporre Ie proprie opere. Nel 1978 si tra sferisce a New York e si iscrive alia School of Visual Arts dove studia arte e semioti ca, 0 teo ria dei segni. -
ART WORLD AIDS DAY December 1, 2012
DAY WITH(OUT) ART WORLD AIDS DAY December 1, 2012 To mark its 23rd annual observance of Day Without Art and World AIDS Day, l.a.Eyeworks invited dozens of friends from the arts and services communities to select a song they would like to have played to commemorate this important day. Each person was invited to submit not only a song, but a description of themselves and a note about the selection if they liked. l.a.Eyeworks thanks each person who took time to participate in this project, and expresses the deepest gratitude to every musician who has created the magic of these songs. Neil Denari Architect Periel Aschenbrand Author, Entrepreneur Keep Your Dreams • Suicide I Say a Little Prayer • Aretha Franklin Tom Knechtel Artist Weba Garretson Singer, Songwriter and Singing Teacher Can’t Get Used To Losing You • Andy Williams A Salty Dog • Procol Harum “We lost Andy Williams this year; and even though it seems to “The orchestration and vocal on this song is by Gary Brooker, be about romantic love, the sentiment holds true for many situations.” and it is one of the best; a true example of vocal expression in service Bruce Yonemoto of telling a moving story. Though it's about a sea adventure gone awry, Artist it reminds me of the questing spirit we had before AIDS, and the many Storm Sequence • The Red Krayola friends who embodied that spirit that we've loved and lost.” Liz Young Artist Jeff Gauntt Artist and Feline Aficionado The Windmills of Your Mind • Dusty Springfield Don’t Think • Lali Puna Kyle Fitzpatrick Writer, Dog Lover, and Sometimes Actor Roy Dowell Artist Ball’r (Madonna - Free Zone) • DJ Sprinkles Ngiyakuthanda Papa Wemba • Brenda Fassie & Papa Wemba “Admittedly a Madonna LP superfan, this song represents all “This year I am selecting a very happy song. -
Four Star Films, Box Office Hits, Indies and Imports, Movies A
Four Star Films, Box Office Hits, Indies and Imports, Movies A - Z FOUR STAR FILMS Top rated movies and made-for-TV films airing the week of the week of June 27 - July 3, 2021 American Graffiti (1973) Cinemax Mon. 4:12 a.m. The Exorcist (1973) TMC Sun. 8 p.m. Father of the Bride (1950) TCM Sun. 3:15 p.m. Finding Nemo (2003) Freeform Sat. 3:10 p.m. Forrest Gump (1994) Paramount Mon. 7 p.m. Paramount Mon. 10 p.m. VH1 Wed. 4 p.m. VH1 Wed. 7:30 p.m. Giant (1956) TCM Mon. 3 a.m. Glory (1989) Encore Sun. 11:32 a.m. Encore Sun. 9 p.m. The Good, the Bad and the Ugly (1967) Sundance Sun. 3:30 p.m. L.A. Confidential (1997) Encore Sun. 7:39 a.m. Encore Sun. 11:06 p.m. The Lady Vanishes (1938) TCM Sun. 3:30 a.m. The Man Who Knew Too Much (1956) TCM Sun. 10:45 a.m. The Man Who Knew Too Much (1934) TCM Sun. 11:15 p.m. Monsieur Hulot's Holiday (1953) TCM Mon. 8:30 p.m. North by Northwest (1959) TCM Sat. 12:15 p.m. Once (2006) Cinemax Mon. 2:44 a.m. Ordinary People (1980) EPIX Tues. 3:45 p.m. Psycho (1960) TCM Sun. 5 p.m. Rear Window (1954) TCM Sat. 7:15 p.m. Saving Private Ryan (1998) BBC America Wed. 8 p.m. BBC America Thur. 4 p.m. Shadow of a Doubt (1943) TCM Sat. 9:15 p.m. -
DAVID WOJNAROWICZ (1954–1992) B
DAVID WOJNAROWICZ (1954–1992) b. 1954, Red Bank, NJ d. 1992, New York, NY SOLO EXHIBITIONS 2020 I is Someone Else, Morán Morán, Los Angeles CA David Wojnarowicz, Photography & Film, Morris and Helen Belkin Art Gallery, Vancouver, BC 2019 History Keeps Me Awake at Night, Museum Reina Sofia, Madrid David Wojnarowicz, Photography & Film, Kunst-Werke Institute for Contemporary Art, Berlin 2018 History Keeps Me Awake at Night, The Whitney Museum of American Art, New York, NY Soon All This Will be Picturesque Ruins: The Installations of David Wojnarowicz, P·P·O·W, New York, NY David Wojnarowicz: Video and Photography, KW Institute for Contemporary Art, Berlin, Germany. David Wojnarowicz: Flesh of My Flesh, Iceberg Projects, Chicago, IL 2016 Raging Through: The Art of David Wojnarowicz, Zimmerli Art Museum, Rutgers University, New Brunswick, NJ 2011 Spirituality, P·P·O·W, New York, NY 2009 David Wojnarowicz, Supportico Lopez, Berlin, Germany 2006 Rimbaud in New York, CABINET, London, England David Wojnarowicz, Between Bridges, London, England 2004 Out of Silence: Artworks with Original Text by David Wojnarowicz, P·P·O·W, New York, NY David Wojnarowicz: Rimbaud in New York, Roth Horowitz Gallery, New York, NY Close Up sur David Wojnarowicz, Forum des Halles Espace Rencontres, Paris, France 2001 Featured Works VI: David Wojnarowicz: The Elements, Fire and Water, Earth and Wind, Krannert Art Museum, University of Illinois, Urbana-Champaign, IL 1999 Fever: The Art of David Wojnarowicz, New Museum, New York, NY David Wojnarowicz: The Boys Go Off -
Walter Robinson
PRESS RELEASE GALLERIA MAZZOLI WALTER ROBINSON New Paintings and Works on Paper, 2013-2020 Curated and with a book A Kiss Before Dying: Walter Robinson – A Painter of Pictures and Arbiter of Critical Pleasures by Richard Milazzo FROM NOVEMBER 14TH, 2020 Galleria Mazzoli in Modena, Italy, presents Walter Robinson: New Paintings and Works on Paper, 2013-2020: 13 large new paintings, including Robinson’s masterpiece Pulp Romance, and works on paper and canvas of various dimensions featuring dramatic images of hamburgers, cigarettes, lovers, painkillers, Warholian stacks of money, and Ferrari at the head of the pack! As a critical analysis of Robinson’s work, Galleria Mazzoli has published the monograph A Kiss Before Dying: Walter Robinson – A Painter of Pictures and Arbiter of Critical Pleasures by Richard Milazzo, with an Italian translation by Ginevra Quadrio Curzio. Both as the curator and the author of this major monograph on the artist, A Kiss Before Dying, Milazzo writes: “I have tried to write a book that would give a comprehensive picture of this major and quintessential American artist who has functioned both as a painter and a critic (in the tradition of Fairfield Porter, but with a bite as big as his bark). Robinson, in his capacity of artist-as-critic, was one of the earliest and most seminal exponents of Picture Theory art, invested in the postmodern critique of representation, and yet who decided to paint rather than employ photography as his primary medium, even where many of his ‘paintings-as-pictures’ are based on photography and drawn from various photographic sources such as the covers of cheap romance and detective novels and the onslaught of images generated by the advertising industry.