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Goodbye Cinema, Hello Cinephilia Other Books by Jonathan Rosenbaum
Goodbye Cinema, Hello Cinephilia Other Books by Jonathan Rosenbaum Rivette: Texts and Interviews (editor, 1977) Orson Welles: A Critical View, by André Bazin (editor and translator, 1978) Moving Places: A Life in the Movies (1980) Film: The Front Line 1983 (1983) Midnight Movies (with J. Hoberman, 1983) Greed (1991) This Is Orson Welles, by Orson Welles and Peter Bogdanovich (editor, 1992) Placing Movies: The Practice of Film Criticism (1995) Movies as Politics (1997) Another Kind of Independence: Joe Dante and the Roger Corman Class of 1970 (coedited with Bill Krohn, 1999) Dead Man (2000) Movie Wars: How Hollywood and the Media Limit What Films We Can See (2000) Abbas Kiarostami (with Mehrmax Saeed-Vafa, 2003) Movie Mutations: The Changing Face of World Cinephilia (coedited with Adrian Martin, 2003) Essential Cinema: On the Necessity of Film Canons (2004) Discovering Orson Welles (2007) The Unquiet American: Trangressive Comedies from the U.S. (2009) Goodbye Cinema, Hello Cinephilia Film Culture in Transition Jonathan Rosenbaum the university of chicago press | chicago and london Jonathan Rosenbaum wrote for many periodicals (including the Village Voice, Sight and Sound, Film Quarterly, and Film Comment) before becoming principal fi lm critic for the Chicago Reader in 1987. Since his retirement from that position in March 2008, he has maintained his own Web site and continued to write for both print and online publications. His many books include four major collections of essays: Placing Movies (California 1995), Movies as Politics (California 1997), Movie Wars (a cappella 2000), and Essential Cinema (Johns Hopkins 2004). The University of Chicago Press, Chicago 60637 The University of Chicago Press, Ltd., London © 2010 by The University of Chicago All rights reserved. -
The Dracula Film Adaptations
DRACULA IN THE DARK DRACULA IN THE DARK The Dracula Film Adaptations JAMES CRAIG HOLTE Contributions to the Study of Science Fiction and Fantasy, Number 73 Donald Palumbo, Series Adviser GREENWOOD PRESS Westport, Connecticut • London Recent Titles in Contributions to the Study of Science Fiction and Fantasy Robbe-Grillet and the Fantastic: A Collection of Essays Virginia Harger-Grinling and Tony Chadwick, editors The Dystopian Impulse in Modern Literature: Fiction as Social Criticism M. Keith Booker The Company of Camelot: Arthurian Characters in Romance and Fantasy Charlotte Spivack and Roberta Lynne Staples Science Fiction Fandom Joe Sanders, editor Philip K. Dick: Contemporary Critical Interpretations Samuel J. Umland, editor Lord Dunsany: Master of the Anglo-Irish Imagination S. T. Joshi Modes of the Fantastic: Selected Essays from the Twelfth International Conference on the Fantastic in the Arts Robert A. Latham and Robert A. Collins, editors Functions of the Fantastic: Selected Essays from the Thirteenth International Conference on the Fantastic in the Arts Joe Sanders, editor Cosmic Engineers: A Study of Hard Science Fiction Gary Westfahl The Fantastic Sublime: Romanticism and Transcendence in Nineteenth-Century Children’s Fantasy Literature David Sandner Visions of the Fantastic: Selected Essays from the Fifteenth International Conference on the Fantastic in the Arts Allienne R. Becker, editor The Dark Fantastic: Selected Essays from the Ninth International Conference on the Fantastic in the Arts C. W. Sullivan III, editor Library of Congress Cataloging-in-Publication Data Holte, James Craig. Dracula in the dark : the Dracula film adaptations / James Craig Holte. p. cm.—(Contributions to the study of science fiction and fantasy, ISSN 0193–6875 ; no. -
Canal Studio, Les Membres Du Conseil Horaires L’Association Le Journal Du Fresnoy D’Administration Du Fresnoy D’Ouverture Des Amis Du Fresnoy
2020 2021 № 22 P 18 INFORMATIONS PRATIQUES ÉDITO P 4 EMANUELE ALAIN FLEISCHER DIRECTEUR DU FRESNOY CAROLINE BOURGEOIS COCCIA ET PASCALE PRONNIER AVEC ENRIQUE RAMÍREZ P 15 JUSQUE-LÀ EXEPOSITION REPORTÉE DU 4 FÉVRIER 2022 AU 9 MAI 2022 P 5 Il est encore bien difficile de prévoir ce que sera accord de collaboration entre Le Fresnoy et le It is still very difficult to tell what shadow the sad Our graduates continue to score some spectac- JOAN l’ombre portée de la triste année 2020 sur 2021. ministère de la Culture d’Arabie saoudite, que year of 2020 will cast on 2021. So let’s dwell on ular successes. Bertille Bak, a recent resident at Préférons évoquer les plages de lumière. nous devons à notre président Bruno Racine. Ce the areas of light instead. the Fondation Pinault in Lens, has been invited partenariat devrait bientôt ouvrir sur de nou- to show her work at the Palazzo Grassi in Venice; FONTCUBERTA Le dernier concours d’entrée au Fresnoy a attiré velles perspectives. The last round of admissions for Le Fresnoy Randa Maroufi has been collecting awards at film un nombre record de candidatures, en prove- attracted record numbers, with applicants from festivals around the world, and the same kind of nance de quelques 45 pays sur tous les conti- Nos étudiants sortants continuent de connaître des some forty-five countries and every continent. thing has been happening to Melisa Liebenthal, nents. Nous aurons ainsi le plaisir d’accueillir succès spectaculaires : Bertille Bak, récente rési- It will be our pleasure to welcome fourteen Mili Pecherer, etc., while Nicolas Gourault, 14 étudiants étrangers et 10 Français, avec un dente de la Fondation Pinault à Lens, est invitée foreign students and ten French ones, perfectly Claire Williams, Hicham Berrada and others are parfait équilibre entre filles et garçons. -
Frameworks for the Downtown Arts Scene
ACADEMIC REGISTRAR ROOM 261 DIVERSITY OF LONDON 3Ei’ ATE HOUSE v'Al i STREET LONDON WC1E7HU Strategy in Context: The Work and Practice of New York’s Downtown Artists in the Late 1970s and Early 1980s By Sharon Patricia Harper Submitted in fulfilment of the requirements for the degree of Doctor of Philosophy in the Department of the History of Art at University College London 2003 1 UMI Number: U602573 All rights reserved INFORMATION TO ALL USERS The quality of this reproduction is dependent upon the quality of the copy submitted. In the unlikely event that the author did not send a complete manuscript and there are missing pages, these will be noted. Also, if material had to be removed, a note will indicate the deletion. Dissertation Publishing UMI U602573 Published by ProQuest LLC 2014. Copyright in the Dissertation held by the Author. Microform Edition © ProQuest LLC. All rights reserved. This work is protected against unauthorized copying under Title 17, United States Code. ProQuest LLC 789 East Eisenhower Parkway P.O. Box 1346 Ann Arbor, Ml 48106-1346 Abstract The rise of neo-conservatism defined the critical context of many appraisals of artistic work produced in downtown New York in the late 1970s and early 1980s. Although initial reviews of the scene were largely enthusiastic, subsequent assessments of artistic work from this period have been largely negative. Artists like Keith Haring, Jean-Michel Basquiat and Kenny Scharf have been assessed primarily in terms of gentrification, commodification, and political commitment relying upon various theoretical assumptions about social processes. The conclusions reached have primarily centred upon the lack of resistance by these artists to post industrial capitalism in its various manifestations. -
The Death of Postfeminism : Oprah and the Riot Grrrls Talk Back By
The death of postfeminism : Oprah and the Riot Grrrls talk back by Cathy Sue Copenhagen A thesis submitted in partial fulfillment of the requirements for the degree of Master of Arts in English Montana State University © Copyright by Cathy Sue Copenhagen (2002) Abstract: This paper addresses the ways feminism operates in two female literary communities: the televised Oprah Winfrey talk show and book club and the Riot Grrrl zine movement. Both communities are analyzed as ideological responses of women and girls to consumerism, media conglomeration, mainstream appropriation of movements, and postmodern "postfeminist" cultural fragmentation. The far-reaching "Oprah" effect on modem publishing is critiqued, as well as the controversies and contradictions of the effect. Oprah is analyzed as a divided text operating in a late capitalist culture with third wave feminist tactics. The Riot Grrrl movement is discussed as the potential beginning of a fourth wave of feminism. The Grrrls redefine feminism and femininity in their music and writings in zines. The two sites are important to study as they are mainly populated by under represented segments of "postfeminist" society: middle aged women and young girls. THE DEATH OF "POSTFEMINISM": OPRAH AND THE RIOT GRRRLS TALK BACK by Cathy Sue Copenhagen A thesis submitted in partial fulfillment of the requirements for the degree of Master of Arts in English MONTANA STATE UNIVERSITY Bozeman, MT May 2002 ii , ^ 04 APPROVAL of a thesis submitted by Cathy Sue Copenhagen This thesis has been read by each member of a thesis committee and has been found to be satisfactory regarding content, English Usage, format, citations, bibliographic style, and consistency, and is ready for submission to the College of Graduate Studies. -
High Concept Music for Low Concept Minds
High concept music for low concept minds Music | Bittles’ Magazine: The music column from the end of the world: August/September New albums reviewed Part 1 Music doesn’t challenge anymore! It doesn’t ask questions, or stimulate. Institutions like the X-Factor, Spotify, EDM and landfill pop chameleons are dominating an important area of culture by churning out identikit pop clones with nothing of substance to say. Opinion is not only frowned upon, it is taboo! By JOHN BITTLES This is why we need musicians like The Black Dog, people who make angry, bitter compositions, highlighting inequality and how fucked we really are. Their new album Neither/Neither is a sonically dense and thrilling listen, capturing the brutal erosion of individuality in an increasingly technological and state-controlled world. In doing so they have somehow created one of the most mesmerising and important albums of the year. Music isn’t just about challenging the system though. Great music comes in a wide variety of formats. Something proven all too well in the rest of the albums reviewed this month. For instance, we also have the experimental pop of Georgia, the hazy chill-out of Nils Frahm, the Vangelis-style urban futurism of Auscultation, the dense electronica of Mueller Roedelius, the deep house grooves of Seb Wildblood and lots, lots more. Somehow though, it seems only fitting to start with the chilling reflection on the modern day systems of state control that is the latest work by UK electronic veterans The Black Dog. Their new album has, seemingly, been created in an attempt to give the dispossessed and repressed the knowledge of who and what the enemy is so they may arm themselves and fight back. -
Infinity Magazine
INFINITY - THE INDEX - VOLUME 1 (ISSUES 1-12) From Alien to Z.P.G. - via Creepozoids, Blake’s 7 and Bunty - here’s an exhaustive index from INFINITY contributor Mark Campbell. It includes everything in the first 12 issues of your favourite Sci-Fi / Nostalgia magazine NB: Interviews and features will only appear in the following categorised lists if they give the subject more than just a passing mention. I know this is subjective, but I’ve tried to use my judgement as to what constitutes ‘meat on the bone’, if you see what I mean. You’ll find wide-ranging interviews and articles that cover many subjects in the Miscellaneous section at the end. What follows is strictly alphabetical, except with franchises like Star Wars where you’ll find them chronologically listed for ease. Reviews will normally be of the DVD, Blu-ray or cinema release. If it says ‘Feature’ then that will be solely on the subject in question; if, say, ‘John Carpenter feature’, then it will be part of a wider article. Contributors’’ initials are in brackets. CONTRIBUTORS AB: Allan Bryce DB: David Brilliance JA: Jon Abbott MP: Mark Phillips RF: Robert Fairclough AJ: Adrian James DF: David Flint JM: John Martin MR: Martin Ruddock RH: Richard Holliss AL: Andrew Llewellyn DM: Denis Meikle JO: Joseph Oldham NP: Neil Pettigrew RME: Rick Melton AP: Andy Pearson DR: David Ryan JW: John Walsh PF: Peter Fuller RM: Richard Molesworth API: Andrew Pixley ES: Eugene Smith KC: Kevin Coward PJ: Pat Jankiewicz SG: Steve Green BJR: Brian J Robb GL: Giacomo Lee LR: Liam Ronan PM: Paul Mount -
A Study of Microtones in Pop Music
University of Huddersfield Repository Chadwin, Daniel James Applying microtonality to pop songwriting: A study of microtones in pop music Original Citation Chadwin, Daniel James (2019) Applying microtonality to pop songwriting: A study of microtones in pop music. Masters thesis, University of Huddersfield. This version is available at http://eprints.hud.ac.uk/id/eprint/34977/ The University Repository is a digital collection of the research output of the University, available on Open Access. Copyright and Moral Rights for the items on this site are retained by the individual author and/or other copyright owners. Users may access full items free of charge; copies of full text items generally can be reproduced, displayed or performed and given to third parties in any format or medium for personal research or study, educational or not-for-profit purposes without prior permission or charge, provided: • The authors, title and full bibliographic details is credited in any copy; • A hyperlink and/or URL is included for the original metadata page; and • The content is not changed in any way. For more information, including our policy and submission procedure, please contact the Repository Team at: [email protected]. http://eprints.hud.ac.uk/ Applying microtonality to pop songwriting A study of microtones in pop music Daniel James Chadwin Student number: 1568815 A thesis submitted to the University of Huddersfield in partial fulfilment of the requirements for the degree of Master of Arts University of Huddersfield May 2019 1 Abstract While temperament and expanded tunings have not been widely adopted by pop and rock musicians historically speaking, there has recently been an increased interest in microtones from modern artists and in online discussion. -
Itamar Gov CV 26.08.21
August 2021 ITAMAR GOV b. 1989, Tel-Aviv, Israel Lives and works in Berlin EDUCATION 2014 –2017 Master of Arts: Cinema Studies, Freie Universität, Berlin 2015 –2016 MA (Erasmus exchange) in Cinema, Philosophy, Università di Bologna 2011 –2014 Bachelor of Arts in Cinema Studies, History, French Literature, Freie Universität, Berlin 2012-2013 BA (Erasmus exchange) in Literature, Cinema, Sorbonne Nouvelle, Paris RESIDENCIES / CONFERENCES / EXHIBITIONS (SELECTION) Forthcoming Cité Internationale des Arts: One of the ten recipients of the TRAME prize. Three month long residency and development of a project dedicated to “memory of spaces” at the Marais, Paris. Forthcoming An Dún Riabhach: One month long residency for artistic creation with a project revolving around life forms in the North Atlantic Ocean, organised by ArtLink at Fort Dunree, Ireland. Forthcoming AirWG / Wilhelmina-Gasthuis: Three month long residency at the former hospital Wilhelmina- Gasthuis, which turned into a compound of artist studios and galleries in Amsterdam, Netherlands. 2021 Room to Bloom: Member in a cohort of 100 artists working towards Eco-Feminist and Anti-colonial artistic practice. Organised by European Alternatives, Studio Rizoma and Museum of World Culture, Göteborg, Sweden. 2021 How do we learn to love each other while we are embattled on so many fronts?: Participant in an ongoing project dedicated to artistic forms of care and empathy. Led and curated by Nomaduma Rosa Masilela and Thiago de Paula Souza, organised by Tankstation, Enschede, Netherlands. 2021 In Ruins: Residency for artistic research, realisation and exhibition of "The Mausoleum of Rejected Citrons”, a site specific installation at the archeological site of the Chiesetta Gotica of Squillace, Calabria, Italy. -
Film, Philosophy Andreligion
FILM, PHILOSOPHY AND RELIGION Edited by William H. U. Anderson Concordia University of Edmonton Alberta, Canada Series in Philosophy of Religion Copyright © 2022 by the authors. All rights reserved. No part of this publication may be reproduced, stored in a retrieval system, or transmitted in any form or by any means, electronic, mechanical, photocopying, recording, or otherwise, without the prior permission of Vernon Art and Science Inc. www.vernonpress.com In the Americas: In the rest of the world: Vernon Press Vernon Press 1000 N West Street, Suite 1200, C/Sancti Espiritu 17, Wilmington, Delaware 19801 Malaga, 29006 United States Spain Series in Philosophy of Religion Library of Congress Control Number: 2021942573 ISBN: 978-1-64889-292-9 Product and company names mentioned in this work are the trademarks of their respective owners. While every care has been taken in preparing this work, neither the authors nor Vernon Art and Science Inc. may be held responsible for any loss or damage caused or alleged to be caused directly or indirectly by the information contained in it. Every effort has been made to trace all copyright holders, but if any have been inadvertently overlooked the publisher will be pleased to include any necessary credits in any subsequent reprint or edition. Cover design by Vernon Press. Cover image: "Rendered cinema fimstrip", iStock.com/gl0ck To all the students who have educated me throughout the years and are a constant source of inspiration. It’s like a splinter in your mind. ~ The Matrix Table of contents List of Contributors xi Acknowledgements xv Introduction xvii William H. -
Art & Culture 1900-2000 : Part II
WHITNEY MUSEUM OF AMERICAN ART The American Century: Art & Culture 1900-2000 Part 11: 1950-2000 The Cool World: Film & Video in America 1950-2000 Curated by Chrissie Iles, curator of film and video, Whitney Museum of American Art. Film Program for the 1950s, 1960s, and early 1970s co-curated with Mark Webber; 1970s, 1980s and 1990s programs co-curated with Mark MacElhatten, Brian Frye, and Bradley Eros. The Cool Worldsurveys the development of avant-garde film and video in America, from the Beats of the to the 1950s recent innovations of the 1990s. The exhibition includes experiments in abstraction and the emergence of a new, "personal" cinema in the 1950s, the explosion of underground film and multimedia experiments in the 1960s, the rigorous Structural films of the early 1970s, and the new approaches to filmmaking in the 1980s and 1990s. The program also traces the emergence of video as a new art form in the 1960s, its use as a conceptual and performance tool during the 1970s, and its exploration of landscape, spirituality, and language during the 1980s . The Cool World concludes in the 1990s, with experiments by artists in projection, digital technology, and new media. The series is divided into two parts. Part I (September 26-December 5, 1999) presents work from the 1950s and 1960s . Part II (December 7, 1999-February 13, 2000) surveys the 1970s, 1980s, and 1990s. Each month is devoted to a specific decade. All films are 16mm. Those marked (v) are shown on videotape. Asterisked films are shown in both the repeating weekly programs and the Thursday/weekend theme programs. -
Mitl62 Pages.V3 Web.Indd
pioneers and pathbreakers artist’s article @Caltech Art, Science and Technology, 1969–1971 S T e p h e n n o w l i n In 1969, the vision of a handful of professors at California Institute of nological achievements. Marshall McLuhan bombed pop Technology resulted in an initiative to bring artists and scientists together culture with The Medium Is the Message, and the Yale School to “see what happens.” The experiment embodied insurgent notions of of Architecture charted an emerging techno postmodern that era—ideas that would once again become manifest a generation ABSTRACT later in the young 21st century’s art-science fusion. Out of this venture landscape in its 1967 edition of the journal Perspecta 11. It came hints of new visual vocabularies and ways of making, as well was all exciting stuff. as an awareness of fault lines between the two cultures. To one young Virtually none of this was reflected in my classes at CCAC, student who found his way into it, the Caltech experience became a a testament to the difficulty for cumbersome institutions to transforming moment. keep pace with the nimble mischief of social change. So I left my Christmas-card assignment un-silkscreened and de- parted in the middle of a semester. Back in Southern Cali- In 1969 I was a college dropout, having rebounded to Los fornia I went to work for the Pasadena architectural firm of Angeles one semester before I might have graduated from Ladd & Kelsey, which had managed to acquire two of the California College of Arts and Crafts (CCAC) in Oakland, most important West Coast architectural commissions of California.