Al Pacino Scarface Images
Total Page：16
File Type：pdf, Size：1020Kb
Load more
Recommended publications
-
Koel Chatterjee Phd Thesis
Bollywood Shakespeares from Gulzar to Bhardwaj: Adapting, Assimilating and Culturalizing the Bard Koel Chatterjee PhD Thesis 10 October, 2017 I, Koel Chatterjee, hereby declare that this thesis and the work presented in it is entirely my own. Where I have consulted the work of others, this is always clearly stated. Signed: Date: 10th October, 2017 Acknowledgements This thesis would not have been possible without the patience and guidance of my supervisor Dr Deana Rankin. Without her ability to keep me focused despite my never-ending projects and her continuous support during my many illnesses throughout these last five years, this thesis would still be a work in progress. I would also like to thank Dr. Ewan Fernie who inspired me to work on Shakespeare and Bollywood during my MA at Royal Holloway and Dr. Christie Carson who encouraged me to pursue a PhD after six years of being away from academia, as well as Poonam Trivedi, whose work on Filmi Shakespeares inspired my research. I thank Dr. Varsha Panjwani for mentoring me through the last three years, for the words of encouragement and support every time I doubted myself, and for the stimulating discussions that helped shape this thesis. Last but not the least, I thank my family: my grandfather Dr Somesh Chandra Bhattacharya, who made it possible for me to follow my dreams; my mother Manasi Chatterjee, who taught me to work harder when the going got tough; my sister, Payel Chatterjee, for forcing me to watch countless terrible Bollywood films; and my father, Bidyut Behari Chatterjee, whose impromptu recitations of Shakespeare to underline a thought or an emotion have led me inevitably to becoming a Shakespeare scholar. -
CLASSIFIED ADVERTISING 643-2711 Woman's Body Found In
Ik" M - MANCHESTER HERALD. Friday. May 2. 1986 I CLASSIFIED ADVERTISING 643-2711 CONNECTICUT WEEKEND PLUS , - s ^ Hartford parade Cheney tightens Young comedian "'V CARS T oH CAMPERS/ IB0AT8/MARINE I keeps on truckin’ CONOOMIWUMS « 7 y MISCELLANEOUS TAB SALES TA6 SALES FOR SALE IS^THAILEBS / salutes Whalers conference lead I EQUIPMENT FOR RENT I FURNITURE \o i\m SALE 1978 Chrysler Le Baron Four Place Trailer ( For ^ ... page 10 ... p age 11 ... magazine inside 16 foot Mad River canoe, Results of Spring Clean snowmobile, ATV, trac Brown Plold Couch. Al ing! Lots of household Station wagon, new tires, most New. Excellent con paddles Included. Used new transmission, leather tors etc.) Excellent condi four fimes. Excellent con miscellaneous. Check It tion, rear swing gate dition. $100 or best otter. Tag Sale. Moving - 1 out. Saturday May 3rd, Interior, air, $1199 or best 649-5614. dition. $800. Pleose coll Wooden Storm windows offer. 649-8158. available, 3500 lb. capac Two bedroom townhouse 643-4942 after 6pm or 647- and screens, and 150 feet Franklin Street. Manches 9-4. 24 O'Leary Drive Man ity. $1,000 649-4098 after for rent. Convenient loca 9946 8:30 - 5:30. Ask for ter 10-4, Saturday May 3rd chester Whitnev maple dining of Vj Inch PVC tubing. Call 1979 Chew Chevette, blue, 6pm^_________ tion to 1-84. Call 646-8352, Bob. 647-9221. and Sunday May 4th. osk for Don. room set. Complete only. Tag Sale - Saturday. Fur looks great, excellent run Jayco Popup - Sleeps 6, Best offer. 644-2063. ning condition. -
Universidade De São Paulo Escola De Comunicações E Artes
UNIVERSIDADE DE SÃO PAULO ESCOLA DE COMUNICAÇÕES E ARTES SÉRGIO EDUARDO ALPENDRE DE OLIVEIRA O mal-estar da sociedade americana e sua representação no cinema (1975-1978) São Paulo 2013 SÉRGIO EDUARDO ALPENDRE DE OLIVEIRA O mal-estar da sociedade americana e sua representação no cinema (1975-1978) Dissertação apresentada ao Programa de Pós- Graduação em Meios e Processos Audiovisuais, Linha de Pesquisa História, Teoria e Crítica, da Escola de Comunicações e Artes da Universidade de São Paulo, como requisito parcial para obtenção do título de Mestre em Meios e Processos Audiovisuais, sob orientação do Prof. Dr. Eduardo Victorio Morettin São Paulo 2013 Aos meus pais, Maria dos Anjos e Manoel Ao meu irmão Ricardo À Eide Sandra Azevedo Abreu Agradecimentos Agradeço especialmente ao Prof. Dr. Eduardo Victorio Morettin, que me ensinou a ser menos um crítico de cinema e mais um pesquisador acadêmico nestes dois anos e meio de trabalho. À CAPES, pela concessão da bolsa de mestrado, fundamental para a realização desta pesquisa. Aos meus pais, Maria dos Anjos e Manoel, por entenderem que a diminuição do número de visitas se devia ao término dos prazos de qualificação e entrega da dissertação. Ao meu irmão Ricardo, por me ajudar sempre com algumas dúvidas gramaticais. À Eide Sandra Azevedo Abreu, por ter me incentivado a trilhar novamente o caminho acadêmico e pela ajuda inestimável na redação do projeto. Aos amigos Cléber Eduardo, Luiz Carlos Oliveira Jr. e Pedro Faissol, pelas sugestões e questionamentos feitos durante a pesquisa. Resumo: Neste trabalho investigamos em que medida o mal-estar da sociedade americana, entre 1975 e 1978, causado por uma série de acontecimentos dos anos 1970 (fim da Guerra do Vietnã, reivindicações das chamadas minorias sociais, crise da OPEP e Watergate, entre outros), foi representado em filmes comerciais, feitos dentro de Hollywood e sem maiores ambições autorais. -
QUARTERLY NEWSLETTER 3Q 2021 DON't GET HIGH on YOUR OWN SUPPLY Elvira Hancock to Tony Montoya in the 1983 Film, Scarface
3Q 2021 DON'T3Q 2020 GET IsHIGH Value ONInvesting YOUR Dead? OWN SUPPLY Capital Management QUARTERLY NEWSLETTER 3Q 2021 DON'T GET HIGH ON YOUR OWN SUPPLY Elvira Hancock to Tony Montoya in the 1983 film, Scarface Chart 1. Index Performance as of 06.30.2021 INDEX PERFORMANCE Returns as of 06.30.2021 S&P 500 (SPX) 8.55% Dow Jones Indus. Avg (INDU) 5.08% Bloomberg 1K Growth 10.45% Bloomberg 1K Value 5.22% Bloomberg Developed Ex 5.25% North America & Mid Cap Bloomberg World Index 7.46% U.S. Corp High Yield 2.74% Alerian MLP 21.23% Source: Bloomberg as of 06.30.2021 Investors are facing a wall of worry with Inflation, the Delta Variant, China, and U.S. Fed policy being top of mind. The wall of worry is indeed real, yet even in the face of these headwinds, markets continue to remain resilient. Throughout the second quarter, market participants grappled with these themes dominating headlines, with each emerging at different times. In this newsletter, we focus on inflation risks, as all of the issues mentioned above are linked to one another and affect future capital market returns. Tracking #LFCM-0721-2084 1 3Q 2021 DON'T GET HIGH ON YOUR OWN SUPPLY THE CURRENT COVID NARRATIVE COVID-induced supply disruptions, coupled with massive government stimulus on the demand side, have led to an increase in prices that could lead to permanent inflation. The rising inflation scenario could push the U.S. economy into a double dip recession if the U.S. Fed is forced to act earlier than anticipated by reducing the amount of the bond purchases and/or raising interest rates. -
Tony Montana's Paradise Pie in Scarface Kim
The World Is Yours: Tony Montana’s Paradise Pie in Scarface Kim Nicolini (LONG MESSY UNCUT VERSION OF THE ESSAY) In Harmony Korine’s recent film Spring Breakers (2012), the film’s central anti-hero “Alien” dies face down on a dock during a shootout with a rival gang in St. Petersburg, Florida. Alien is a complete American mash-up -- a white guy who talks, acts and raps like a black man; a self-created gangster who was born poor and made his way to the American Dream by dealing in drugs and firearms. In one scene, he brings the four young white girls who star in the film to his house, and he boasts about all his material acquisitions. “Look at all my shit!” he says, walking through his sprawling house on the Florida coast and showing off everything from his gun collection to his alien- shaped bong to his designer sneakers. "This is my fuckin' dream y'all. I got shit! I got fuckin' shorts y'all! I got Scarface on repeat y'all! I got Calvin Klein Escape!" The girls are in awe that Scarface plays repeat, and they acknowledge it as the greatest movie ever. Never mind Calvin Klein. Never mind Nike tennis shoes. It’s Scarface that counts. When Alien dies at the end of Spring Breakers, the effect on the audience is not unlike that of the death of his hero Tony Montana at the end of Scarface. We find that against everything we think we believe in, we care about this gangster a lot more than we think we should or could. -
Absent Presence: Women in American Gangster Narrative
Absent Presence: Women in American Gangster Narrative Carmela Coccimiglio Thesis submitted to the Faculty of Graduate and Postdoctoral Studies in partial fulfilment of the requirements for a doctoral degree in English Literature Department of English Faculty of Arts University of Ottawa © Carmela Coccimiglio, Ottawa, Canada, 2013 TABLE OF CONTENTS Abstract iii Acknowledgements v Introduction 1 Chapter One 27 “Senza Mamma”: Mothers, Stereotypes, and Self-Empowerment Chapter Two 57 “Three Corners Road”: Molls and Triangular Relationship Structures Chapter Three 90 “[M]arriage and our thing don’t jive”: Wives and the Precarious Balance of the Marital Union Chapter Four 126 “[Y]ou have to fucking deal with me”: Female Gangsters and Textual Outcomes Chapter Five 159 “I’m a bitch with a gun”: African-American Female Gangsters and the Intersection of Race, Sexual Orientation, and Gender Conclusion 186 Works Cited 193 iii ABSTRACT Absent Presence: Women in American Gangster Narrative investigates women characters in American gangster narratives through the principal roles accorded to them. It argues that women in these texts function as an “absent presence,” by which I mean that they are a convention of the patriarchal gangster landscape and often with little import while at the same time they cultivate resistant strategies from within this backgrounded positioning. Whereas previous scholarly work on gangster texts has identified how women are characterized as stereotypes, this dissertation argues that women characters frequently employ the marginal positions to which they are relegated for empowering effect. This dissertation begins by surveying existing gangster scholarship. There is a preoccupation with male characters in this work, as is the case in most gangster texts themselves. -
26B Scarface Humidor Press Release Universal
THE POP CULTURE PHENOMENON THAT REDEFINED THE GANGSTER GENRE COMES TO BLU-RAYTM FOR THE FIRST TIME EVER SEPTEMBER 6, 2011 SCARFACE Special Limited Edition Blu-RayTM Kicks-Off with a National Fan Art Contest & Will Feature Collectible Packaging, New Bonus Content and Digital Copy Plus the Ultimate Fan Gift: A Limited-Run Scarface-Themed Humidor Specially Crafted by the Renowned Daniel Marshall Universal City, California, March 24, 2011—With machine guns blazing, the explosive underworld epic Scarface arrives on Blu-rayTM Hi-Def September 6, 2011 from Universal Studios Home Entertainment. Considered one of the most influential gangster films ever made, Scarface’s gritty depiction of Tony Montana’s lethal ambition has made it a cultural touchstone that spans generations. Now, fans can experience the film’s raw power in the newly restored, high-resolution, high-definition picture and explosive 7.1 audio for the first time ever. Exclusive new bonus content created especially for this release reveals the film’s iconic legacy as one of the greatest crime sagas of all time. For a limited time only, Scarface Special Limited Edition Blu-rayTM comes with collectible SteelBookTM packaging, ten exclusive art cards, a digital copy of the film and a DVD of the original 1932 Scarface, making it a must-own addition to every film fan’s library. And, for the ultimate collector and cigar enthusiast, an elegantly hand-crafted Scarface-themed humidor will be made available in an exclusive, never-before-available, limited edition. Created by the renowned Daniel Marshall, the humidor’s exterior is hand painted and polished with the Marshall’s trademark “1000 coat brilliant finish.” The interior – made with untreated Spanish cedar – will properly condition and age approximately 100 cigars at optimal humidity levels. -
1 Yeşim Yiğitbaşı 20201701044 KHAS130 Video Essay Script 24.05
1 Yeşim Yiğitbaşı 20201701044 KHAS130 Video Essay Script 24.05.2021 Description: A short video essay on the use of costume in Brian De Palma’s 1983 film, Scarface. See link below. Link to video: https://youtu.be/97pVVyuvZRE Meaning of costumes in Scarface (1983) [ME] Have you ever heard about Al Pacino’s Scarface (1983)? Even if you haven’t watched it, you would probably recognize this scene and this quote. [Tony Montana] The eyes chico they never lie. [ME] Or this scene and the quote. [TONY MONTANA] Say hello to my little friend! [ME] Scarface directed by Brian De Palma tells the story about a Cuban guy, Tony Montana who builds a drug empire in Miami. In this video essay I want to talk about the meaning of costumes in Scarface, how costumes reveal or conceal a character’s personality and personal life and how they give hints about the events that will happen throughout the movie. Let’s get started. Al Pacino’s character Tony Montana… his clothes definitely reveal him and his lifestyle. He is an immigrant from Cuba in America. He wears casual clothes at the beginning of the 2 movie like colorful flowery shirts, loose pants, he seems normal. However, the scar on his face shows his unsurprising secrets. He doesn’t tell how got the scar but according to his actions and killings throughout the movie it is most likely that he got the scar in a bad fight. Even if the scenario of the movie makes the audience sympathize with him, he is a bad guy. -
Representações Cinematográficas Da Máfia Norte-Americana E Suas Relações Com a História
UNIVERSIDADE FEDERAL DE PELOTAS Programa de Pós-Graduação em História Dissertação Representações Cinematográficas da Máfia Norte-Americana e suas relações com a História Vitor Bernardi Bündchen Pelotas, 2015. 2 VITOR BERNARDI BUNDCHEN Representações Cinematográficas da Máfia Norte-Americana e suas relações com a História Dissertação apresentada ao Programa de Pós-Graduação em História da Universidade Federal de Pelotas, como requisito parcial à obtenção do título de Mestre em História. Orientador(a): Prof. Dr. Aristeu Elisandro Machado Lopes Pelotas, 2015 3 4 Data da Defesa: 06/07/2015. BANCA EXAMINADORA: Prof. Dr. Aristeu Elisandro Machado Lopes (UFPel-orientador) Profa. Dra. Larissa Patron Chaves (UFPel) Profa. Dra. Clarice Gontarski Speranza (UFPel) Prof. Dr. Eduardo Ferreira Veras (UFRGS) 5 Ofereço este trabalho aos que por algum momento compartilharam experiências comigo e me tornaram uma pessoa melhor. 6 AGRADECIMENTOS Agradeço aos meus pais, Ivanir e Cátia, que sempre estimularam o meu desenvolvimento como pessoa e são até hoje minhas principais referências. Não tenho palavras para agradecer a dedicação em provir um ambiente saudável de convivência. Eu amo vocês! Ao Programa de Pós-Graduação em História pela oportunidade concedida e aos professores que ministraram as disciplinas do mestrado e contribuíram de forma determinante para a construção de convicções que levarei para toda vida: Ana Inês Klein, Alexandre de Oliveira Karsburg, Sebastião Peres e Larissa Patron Chaves. Aos meus tios, tias, primos e primas, afilhadas, amigos e amigas. A gigantesca família unida não somente pelo sangue, mas pela sintonia. Estaremos sempre juntos. Ao professor Aristeu Elisandro Machado Lopes, pela orientação sempre dedicada, estando de prontidão para ajudar em qualquer situação, tanto na confecção do projeto quanto no desenvolvimento do trabalho ao longo destes dois anos. -
Kültürlerin Kesişim Noktasında Minyatür Sanatının Sinemasal
Sinem Tuna, “Kültürlerin Kesişim Noktasında Minyatür Sanatının Sinemasal Bağlamda Yorumlanışı: Murat Palta Minyatürleri”, ART/icle: Sanat ve Tasarım Dergisi, 1 (1), Haziran 2021, ss. 139-168. Kültürlerin Kesişim Noktasında Minyatür Sanatının Sinemasal Bağlamda Yorumlanışı: Murat Palta Minyatürleri Sinem TUNA* Öz 2020 yılının Aralık ayında UNESCO tarafından “Somut Olmayan Kültürel Miras Temsili Listesi”ne alınan minyatür sanatı, Doğu ile Batı’nın kültürel kesişiminde yüzlerce yıllık birikimi aktarıyor. Farklı tarzların sunumu olan minyatür, gerçeğin resmedilmesinde hayal gücünün sınırlarını zorlarken, bir taraftan da tarihe tanıklık ediyor. Görsel hikâyelerin ve görsel gerçeklerin sunumunda minyatür gibi kültürlerarası kesişimin ürünü olan bir diğer sanat dalı da sinemadır. Günümüzün post-modern sanat yorumları içinde minyatür ve sinemayı harmanlayan Murat Palta’nın çalışmaları dikkat çekmektedir. Türk ve Dünya sinemasından seçtiği filmleri bir minyatür sahnesine dönüştüren Palta, 37. İstanbul Film Festivali’nin afişini de tasarladı. İki ayrı görsel sanat dalının ilişkisini, tarihsel süreçteki yolculuklarını ve güncel formlarını Murat Palta’nın minyatür örnekleri üzerinden değerlendirmek ve yorumlamak çalışmamızın amacını oluşturmaktadır. Alanda minyatür ve sinema sanatlarının ilişkisini gerçeğin yansıtılması ilkesi üzerinden ele alan çalışmalar az sayıda olmakla birlikte, minyatür sanatının sinemasal bağlamda yorumlanışını göstergebilimsel yöntemle inceleyen başka bir çalışma bulunmamaktadır. Bu bağlamda makalenin sonraki çalışmalara -
Automatic Identity Recognition in the Semantic Web *
Automatic Identity Recognition in the Semantic Web ? Alfio Ferrara, Davide Lorusso, Stefano Montanelli Universit`adegli Studi di Milano, DICo, 10235 Milano, Italy, fferrara, lorusso, [email protected] Abstract. The OKKAM initiative1 has recently highlighted the need of moving from the traditional web towards a \web of entities", where real-world objects descriptions could be retrieved, univocally identified, and shared over the web. In this paper, we propose our vision of the entity recognition problem and, in particular, we propose methods and techniques to capture the \identity" of a real entity in the Semantic Web. We claim that automatic techniques are needed to compare different RDF descriptions of a domain with the goal of automatically detect heterogeneous descriptions of the same real-world objects. Problems and techniques to solve them are discussed together with some experimental results on a real case study on web data. 1 Introduction The Semantic Web is a web of data2, but, we could add, it is (or should be) also a web on entities. In the Semantic Web context, people and organizations provide a explicit and semantically rich descriptions of their contents on the web, enabling human and machine interaction as well as data integration. In doing this, concrete and abstract real-world entities (e.g., persons, products, locations) are searchable on the web by exploiting their RDF descriptions. But, obviously, people perceive and describe the same real entity in many different ways. The risk of this is to produce the so-called \archipelago of semantic islands" [1], where each description of the same entity is different form the others and where data and information cannot be integrated and re-used. -
Murder on the Orient Express 24 Shooting on 65Mm 25 Building the Mountain 26 Moving to Malta 28 the Orient Express 29 Creating the Costumes 32
TWENTIETH CENTURY FOX PRESENTS DIRECTED BY KENNETH BRANAGH SCREENPLAY BY MICHAEL GREEN BASED ON THE NOVEL BY AGATHA CHRISTIE STARRING TOM BATEMAN, LUCY BOYNTON, KENNETH BRANAGH, OLIVIA COLMAN, PENÉLOPE CRUZ, WILLEM DAFOE, JOHNNY DEPP, JUDI DENCH, JOSH GAD, MANUEL GARCIA-RULFO, DEREK JACOBI, MARWAN KENZARI, LESLIE ODOM JR., MICHELLE PFEIFFER, SERGEI POLUNIN, DAISY RIDLEY PRODUCERS RIDLEY SCOTT, p.g.a. MARK GORDON, p.g.a. SIMON KINBERG, p.g.a. KENNETH BRANAGH, p.g.a. JUDY HOFFLUND, p.g.a. MICHAEL SCHAEFER, p.g.a. EXECUTIVE PRODUCERS ADITYA SOOD MATTHEW JENKINS JAMES PRICHARD HILARY STRONG DIRECTOR OF PHOTOGRAPHY HARIS ZAMBARLOUKOS BSC, GSC PRODUCTION DESIGNER JIM CLAY FILM EDITOR MICK AUDSLEY COSTUME DESIGNER ALEXANDRA BYRNE HAIR & MAKE-UP DESIGNER CAROL HEMMING CONTENTS Introduction 3 About the Production: Everyone is a suspect 4 The Detective 10 The Gangster 13 The Assistant 14 The Butler 14 The Widow 15 The Missionary 16 The Professor 17 The Countess 17 The Count 18 The Princess 19 The Maid 20 The Governess 20 The Doctor 21 The Sidekick 22 The Train Conductor 23 The Red Herring 23 About the Production Design: The Production Design of Murder on the Orient Express 24 Shooting on 65mm 25 Building the Mountain 26 Moving to Malta 28 The Orient Express 29 Creating the Costumes 32 Background: Agatha Christie 34 Some world events in 1934 35 Cast bios 36 About the crew 50 2 INTRODUCTION In the most timeless of whodunits, MURDER ON THE ORIENT EXPRESS follows renowned detective Hercule Poirot (KENNETH BRANAGH) as he attempts to solve what would become one of the most infamous crimes in history.