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Enduring Legacy 20,000 COPIES ello May 2015 hmilano Contact Hello Milano The complete, free guide to getting the most out of Milan. City Map (Mon-Fri 9,30-18,00), and Useful Tel. (+39) 02.2952.0570 Information Mobile (+39) 348.600.6297 updated ! [email protected] Tourist Assistance for getting the most out of Milan. More information on ARTIDEA pag 12. www.artidea.co.uk www.friendinmilan.co.uk translations • graphics • free press www.hellomilano.it Enduring Legacyhello As the city comes to life with the excitement of seen last, the back of the Madonna benthello over Expo, this month Hello Milano takes a look at the rest of Milan to see what changes the event has her son Christ. There wrought on our museums, parks and public spac- is a new emotional in- es. tensity, and one can feel Michelangelo’s sor- For centuries Milan suffered in her land-locked row as he worked on status and ingeniously used the Navigli to sail off this marble grouping, through the Po and on towards the sea. Monks thinking perhaps of his were the first to build and exploit this route and own immanent depar- the waterways were modernized by Leonardo ture from the world. himself. Along the Navigli now there are 75 thou- In fact the two figures, sand square meters of walkways, a scrubbed-up left unfinished, seem marina and a completely renovated marketplace; somehow embracing so canoeing to Venice is once more on the cards. each other in a sort of The 20 million euro project, which has taken 18 preparation to climb months to complete, has also brought the an- into the sky. cient Ticinello canal back to life after 85 years, following a deep cleaning operation on the canal Back down on earth bed and reconstruction of the banks. Two ancient there is a new café, the bridges are back in business; one dating from Calicantus Sforzesco, the 1700s, and an older, three-arch construction set in the Ducal Court, dating from the 1500s and known as the bridge a little garden in The recently restored Spanish Hospital of Taxes. Roads have been rerouted to create a front of the Sforzesco In the centre the Pietà by Michelangelo wide-open pedestrian space around Piazza XXIV Museum for you to Maggio, preserve an historic oak located in the try. Contemporary and lower part of the square, and leave space for 17 cosy it is open all day. In addition outside and all living room; albeit the kind of parlor where the new plane trees. The square borders the new, re- around the Castle there is a large new pedestrian latte’s and literature are for sale. placement, market which is now made up of 30 belt with children’s play areas, and other spaces stalls inside a steel and glass structure, which is for events and grown-up activities. Inside the Expo site the largest remnant will cer- expected to host a mixture of familiar faces and tainly be the Italian pavilion itself, serving as a new traders. Just up the road on via Manzoni another new café centre for technological innovation. The “Tree of space has opened up at the Poldi Pezzoli home- Life”, sculpture situated in the Lake Arena outside Great changes are also afoot at the Sforza museum, called ‘Terrace Pollaiolo” after the Dama the Italian Pavilion will also remain. This 35-me- Castel. An entire long wing known as the Spanish del Pollaiolo whose profile became the symbol of tre long complex structure made out of woven Hospital, closed for centuries and reused as a the museum. An unmissable part of Milan’s cul- wood and steel is intended to demonstrate the warehouse, has been recently rediscovered and tural heritage, this museum was created out of industrial excellence and creativity Italy is capa- gloriously restored. It was constructed during the the 18th century home of one of the city’s most ble of, and follows a design inspired by an exem- Spanish period of rule during the 16th century prodigious collectors. It is the home of two beau- plary work of the Italian Renaissance: the floor to house suffers from the deadly plague which tiful Botticelli, a library of perfect Japanese net- of the Piazza del Campidoglio in Rome designed struck Milan not long after Michelangelo’s death suke and an awe-inspiring private armory. In a by Michelangelo. Official sources are suggesting, in 1564, and decorated with delicate frescoes culmination of an ambitious design project which rather breathlessly, that the tree could be con- and inscriptions designed to offer hope and suc- has been ten years in the completion, the winning sidered as a new symbol of today’s Italy, with cor to the dying, such as: “(He) ascended into design encloses the first-floor terrace to create a the country’s roots sunk deep in the fertile soil of heaven and is seated at the right hand of God the bright, airy modern café and restaurant. Striving her cultural heritage, trunk and branches reach- Almighty Father”. to retain the air of this neoclassical 18th century ing forward into a technologically creative future. home, the café is imagined to be its 21st century Alison Micklem It seems now the most fitting new home to accom- modate Milan’s Michelangelo, and discover the in- credible pathos shrouded by Michelangelo in his last Pietà, so different from his famous first work in Saint Peter in Rome. In Milan, upon entering, visitors will approach the sculpture’s shoulders and see first what Michelangelo sculpted to be historical buildings; 9 inside the Expo2015 clusters; 1st May 2015: Friday 94 in galleries; 12 in the outskirts of Milan. www. Labor Day, National Italian holiday what’s on photofestival.it. 15.00-20.00: Photo award. The World Press Photo Opening event. From 2nd to 10th May. A great Foundation of Amsterdam, chooses the winner from celebration at the Sforza Castle, to mark the thousands of photos sent from every part of the world by ello page 2 beginning of ExpoinCittà, the organization working to photo-journalists, agencies, newspapers and magazines. h May 2015 enrich Milanese cultural life throughout the Universal For 2014 the judges have chosen an image by a Danish milano Exposition. To kick off on 2nd May the new space photographer working for the Swedish daily paper Politiken, “Antico Ospedale degli Spagnoli” (Antique Hospital represented by Panos Pictures. During the event Mads of the Spanish), which has recently become home Nissen will be present together with Alessia Glaviano, May highlights to the Pietà by Michelangelo (see front page article), senior photo editor of “Vogue Italia” and “L’Uomo Vogue”. will be open free to the public from 14.00 to 23.00. www.worldpressphoto.org. Admission free. Galleria Carla After which admission will be free from Mon-Sun Sozzani, Corso Como 10 • M2 Moscova ATM, public transport app 9.00 – 19.00 until the 10th May. From the 11th one 18.00: Great concert for the Expo opening. The big A free ATM Mobile app -available for Android, comprehensive ticket to all the Castle Museums Duomo Bell will ring to start the event, followed by the BlackBerry, iPhone, Nokia and Windows Mobile- will will cost only 3/5€. Castello Sforzesco, Antico Banda dell’Esercito Italiano (Italian Army Band), conducted help you find your way around Milan. And now it Ospedale degli Spagnoli, First courtyard • M1 Cairoli by the female capitain Antonella Bona, in front of some also enables you to buy all types of ATM tickets. international Authorities, with an Italian music repertoire. th Until 6 January an annual BikeMi card €4 is The music played from the Duomo roofs, will certainly be available at the Metro newspaper kiosks. The reMI-VEri From 16th to 24th May. An event organized by the heard free in the Piazza. Piazza Duomo • M1/3 Duomo card can be activated online at www.bikemi.it at a 20.00: Opera premiere. “Turandot” by Giacomo Puccini th Milanese rowers from Cus Canottieri San Cristoforo to discounted price of €25. After January 6 the price with final part by Luciano Berio. La Scala Orchestra, Choir, will be €32. re-experience a long lost nautical tradition in Milan. For centuries there have been 450 km of navigable and trebles choir conducted by Riccardo Chailly. €15/250. A new stretch of Metro5 “Lilla” has opened, with Teatro alla Scala, Piazza della Scala • M1/3 Duomo the following stops: Domodossola, interconnected waterways along the river Po that cross 12 cities with Ferrovie Nord, Lotto, interconnected with M1; and 3 regions. An ancient route where people and Segesta, San Siro Ippodromo (racecourse) and barges travelled between Milan and Venice. The San Siro Stadio (football). event this year has seven stages, some of which include transporting the canoes on wheels (which absolutely must be pulled by people) to pass some BikeMi transports locks, particularly in the Milanese “Navigli”, to the To help Expo tourists enjoy Milan at its best, 1000 Po in Pavia. They are expected to arrive in Venice new electrical booster bikes and 3740 new normal on 24th May, just in time to take part in the famous bikes are being provided. A total of 750 new bicycle Vogalonga. www.canottierisancristoforo.it. Starting stands will be installed not only in the city centre point: Darsena • M2 Porta Genova but even in the outskirts, and 44 along the way from the city center to Rho Expo. From May, Milan will be the first city in the world with a bike-sharing Italian Panorama st st integrated system with a total of 8.000 bikes.
Recommended publications
  • Newsletter Nov 2015
    Leonardo da Vinci Society Newsletter Editor: Matthew Landrus Issue 42, November 2015 Recent and forthcoming events did this affect the science of anatomy? This talk discusses the work of Leonardo da Vinci, The Annual General Meeting and Annual Vesalius and Fabricius and looks at how the Lecture 2016 nature of the new art inspired and shaped a new wave of research into the structure of the Professor Andrew Gregory (University College, human body and how such knowledge was London), will offer the Annual Lecture on Friday, transmitted in visual form. This ultimately 13 May at 6 pm. The lecture, entitled, ‘Art and led to a revolution in our under-standing of Anatomy in the 15th & 16th Centuries’ will be anatomy in the late 16th and early 17th centu- at the Kenneth Clark Lecture Theatre of the ries. Courtauld Institute of Art (Somerset House, The Strand). Before the lecture, at 5:30 pm, the annual Lectures and Conference Proceedings general meeting will address matters arising with the Society. Leonardo in Britain: Collections and Reception Venue: Birkbeck College, The National Gallery, The Warburg Institute, London Date: 25-27 May 2016 Organisers: Juliana Barone (Birkbeck, London) and Susanna Avery-Quash (National Gallery) Tickets: Available via the National Gallery’s website: http://www.nationalgallery.org.uk/whats- on/calendar/leonardo-in-britain-collections-and- reception With a focus on the reception of Leonardo in Britain, this conference will explore the important role and impact of Leonardo’s paintings and drawings in key British private and public collec- tions; and also look at the broader British context of the reception of his art and science by address- ing selected manuscripts and the first English editions of his Treatise on Painting, as well as historiographical approaches to Leonardo.
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    The Da Vinci Code Personal Unedited Research By: Josh McDowell © 2006 Overview Josh McDowell’s personal research on The Da Vinci Code was collected in preparation for the development of several equipping resources released in March 2006. This research is available as part of Josh McDowell’s Da Vinci Pastor Resource Kit. The full kit provides you with tools to equip your people to answer the questions raised by The Da Vinci Code book and movie. We trust that these resources will help you prepare your people with a positive readiness so that they might seize this as an opportunity to open up compelling dialogue about the real and relevant Christ. Da Vinci Pastor Resource Kit This kit includes: - 3-Part Sermon Series & Notes - Multi-media Presentation - Video of Josh's 3-Session Seminar on DVD - Sound-bites & Video Clip Library - Josh McDowell's Personal Research & Notes Retail Price: $49.95 The 3-part sermon series includes a sermon outline, discussion points and sample illustrations. Each session includes references to the slide presentation should you choose to include audio-visuals with your sermon series. A library of additional sound-bites and video clips is also included. Josh McDowell's delivery of a 3-session seminar was captured on video and is included in the kit. Josh's personal research and notes are also included. This extensive research is categorized by topic with side-by-side comparison to Da Vinci claims versus historical evidence. For more information and to order Da Vinci resources by Josh McDowell, visit josh.davinciquest.org. http://www.truefoundations.com Page 2 Table of Contents Introduction: The Search for Truth..................................................................................
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  • Léonard De Vinci
    Léonard de Vinci Léonard de Vinci (Leonardo di ser Piero da Vinci écouter, dit Leonardo da VinciNote 2), né à Vinci (Toscane) le 15 avril 1452 et mort à Amboise (Touraine) le 2 mai 1519, est un peintre Léonard de Vinci florentin et un homme d'esprit universel, à la fois artiste, organisateur de spectacles et de fêtes, scientifique, ingénieur, inventeur, anatomiste, peintre, sculpteur, architecte, urbaniste, botaniste, musicien, poète, philosophe et écrivain. Après son enfance à Vinci, Léonard est élève auprès du célèbre peintre et sculpteur florentin Andrea del Verrocchio. Ses premiers travaux importants sont réalisés au service du duc Ludovic Sforza à Milan. Il œuvre ensuite à Rome, Bologne et Venise et passe les dernières années de sa vie en France, à l'invitation du roi François Ier. Léonard de Vinci est souvent décrit comme l’archétype et le symbole de l’homme de la Renaissance, un génie universel, un philosophe humaniste, observateur et expérimentateur, avec un « rare don de l’intuition de l’espace »Note 3, et dont la curiosité infinie est seulement égalée par la force d’invention2. Nombre d'auteurs et d'historiens le considèrent comme l'un des plus grands peintres de tous les temps et certains comme la personne la plus talentueuse dans le plus grand nombre de domaines différents ayant jamais vécuNote 4, Note 5. C'est d'abord comme peintre que Léonard de Vinci est reconnu. Deux de ses œuvres, La Joconde et La Cène, sont des peintures mondialement célèbres, souvent copiées et parodiées2, et son dessin de l’Homme de Vitruve est également repris dans de nombreux travaux dérivés.
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  • The Lost Manuscripts of Leonardo Da Vinci
    THE LOST MANUSCRIPTS OF LEONARDO DA VINCI A history of Leonardo da Vinci’s manuscripts and a calculation of how many remain lost by RICHARD SHAW POOLER Submitted in accordance with the requirements for the degree of DOCTOR OF LITERATURE AND PHILOSOPHY in the subject of ART HISTORY at the UNIVERSITY OF SOUTH AFRICA Promoter: Prof Bernadette Van Haute -------------------------------------- OCTOBER 2014 DECLARATION I declare that THE LOST MANUSCRIPTS OF LEONARDO DA VINCI is my own work and that all the sources that I have used or quoted have been indicated or acknowledged by means of complete references. ……………………………. Richard Shaw Pooler Date ………………………….. Title: THE LOST MANUSCRIPTS OF LEONARDO DA VINCI A history of Leonardo da Vinci’s manuscripts and a calculation of how many remain lost Summary: This thesis investigates the history of Leonardo da Vinci’s manuscripts, explains the recovery of some of those that were lost, and calculates what proportion of his work remains lost. It does this by researching the following four main topics: the compilation of his manuscripts; the dispersal and loss of his manuscripts; the recovery and reconstruction of some manuscripts; and an estimate of what remains lost. Most of Leonardo’s manuscripts were written in the last thirty years of his life. The first part of this thesis traces which manuscripts were written and when. After his death, his manuscripts dispersed and it is not known how many were lost. The next section details the dispersal. Recovery of some manuscripts took place followed by further dispersal and loss. Part of the recovery was due to key collectors such as Pompeo Leoni.
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  • Archivio Storico Civico Biblioteca Trivulziana
    Archivio Storico Civico Biblioteca Trivulziana Leonardo da Vinci’s Notebook at the Sforza Castle A significant episode of Milanese collecting Leonardo da Vinci’s Notebook (Codex Trivulzianus 2162) is a paper manuscript, small in size, dating back to 1487-1490 during the artist’s first stay in Milan, in which the artist drew physiognomic sketches, architectural drafts for the Duomo and other Milanese buildings, and also mechanical sketches and designs for war machines. On seven of the pages there are drawings made using a metal stylus that are clearly visible when the pages are illuminated at a low angle. In some cases the impressions have been drawn over, imprecisely, by another hand. The manuscript is distinctive for its long lists of words written in Leonardo’s characteristic cursive script from right to left. The lists record the artist’s attempt to enrich his vocabulary with words of Latin origin, so as to make his scientific writings appear more authoritative and so as to be able to better grasp the writings of other humanists and men of science. After the death of the artist, the Notebook was left to his pupil Francesco Melzi. Together with other Leonardo’s manuscripts, the Notebook came into the possession of Pompeo Leoni. In 1632 it was acquired by Galeazzo Arconati, who then donated it to the Biblioteca Ambrosiana in 1637, taking it back at a later date in exchange for another of Leonardo’s writings, Manuscript D. All traces of the codex are lost until the mid-18th century, when Don Carlo Trivulzio (1715-1789) bought it from Don Gaetano Caccia of Novara in exchange for a second-hand “silver repeating clock”.
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  • Appendix I: Notable Personages
    Appendix I: Notable Personages Villard de Honnecourt (thirteenth century?) –– Livre de portraiture (ca. 1230) Petrus Peregrinus of Maricourt (thirteenth century?) –– Epistola Petri Peregrini de Maricourt ad Sygerum de Foucaucourt, militem, de magnete (Letter of Peter Peregrinus of Maricourt to Sygerus of Foucaucourt, Soldier, on the Magnet) (1269) Guido da Vigevano, (Pavia, ca. 1280–Paris, after 1349) –– Texaurus regis Francie (1335) –– Liber notabilium illustrissimi principis Philippi septimi, Francorum regis, a libris Galieni per me Guidonem de Papia, medicum suprascripti regis atque consortis eius inclite Iohanne regine, extractus, anno Domini 1345 (1345) Giovanni Dondi dell’Orologio (Chioggia, ca. 1330–Abbiategrasso, 1388) –– Completion of the astronomical clock Astrarium (1364) –– Tractatus astrarii (fourteenth century) Konrad Kyeser (1366–after 1405) –– Bellifortis (ca. 1405) Filippo Brunelleschi (Florence, 1377–1446) –– Cupola (Dome) of Duomo of Florence (1420–1436) Anonymous of the Hussite Wars –– Manuscript of the Anonymous of the Hussite Wars (after 1472) Mariano Daniello di Jacopo (Taccola) (Siena, 1381–ca. 1458) –– De Ingeneis (ca. 1419–1450) –– De Machinis (1449) © Springer International Publishing AG, part of Springer Nature 2019 343 P. Innocenzi, The Innovators Behind Leonardo, https://doi.org/10.1007/978-3-319-90449-8 344 Appendix I: Notable Personages –– Copy of De Machinis from Paolo Santini (colored manuscript version, second half of the fifteenth century) Ms. Lat 7239, Bibliothèque Nationale, Paris. Giovanni Fontana (Venice, 1395?–after 1454) –– Bellicorum instrumentorum liber (ca. 1430) –– Nova compositio horologi 1418) –– De horologio aqueo (ca. 1417) Leon Battista Alberti (Genoa, 1404–Rome, 1472) –– Ludi mathematici (1448) –– De re aedificatoria (1450) Roberto Valturio (Rimini, 1405–1475) –– De re militari (1472) printed version in Latin –– De re militari (1483) printed version in Italian Piero della Francesca (Borgo Sansepolcro, ca.
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  • Submitted by Arash Yavari on Wed, 2008-04-16 05:00
    Response to « interesting? » Submitted by Arash_Yavari on Wed, 2008-04-16 05:00. Michele CIAVARELLA, Ecole Polytechnique. I am shocked that you say Leonardo, Mandelbrot and Feynman (and Bui) are "trivial history". I start from Leonardo. Today I have no time to go on with Mandelbrot, Feynman, and Bui. But I promise later I will. Maybe you should consider that Leonardo did not publish anything. You may well see most of the 500 years of "history of mechanics" already contained in his codes! Leonardo da Vinci (b April 15, 1452 in Vinci, Florence, in present-day Italy, and d. May 2, 1519 aged 67 in Amboise, Indre-et-Loire, in present-day France). It may seem surprising the reference to this man, dead already almost 500 years ago, in a site which attempts to classify science by papers. Leonardo doesn't have citations! But did you forget Leonardo was ahead of his time 500 years at least? Who between the Timoshenko medallist is 500 years ahead of his time? Probably agrees with me also one of the richest and most innovative man of our times, Bill Gates, if he bought one of Leonardo's Codex Leicester in 1994 for $30.8 million, making it the most expensive book ever. I don't know if he ever read ANY of the Timoshenko medallist papers, not even for free! At more recent prices, and considering there are other 9 codes1, we can imagine that the order of magnitude of their “market value” is close to a $1 billion. And this is only the codes! That the value of these old books with machines and drawings certainly today not state-of-the-art in technology is surprising.
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  • Leonardo Da Vinci: INGENIERO
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