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Revista De Extensión Cultural 65 Diciembre 2020

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Revista De Extensión Cultural 65 Diciembre 2020 5 6 Revista de Extensión Cultural 65 | diciembre 2020 Revista de Extensión Cultural Revista de Extensión Sede Medellín PANTONE 7416 C Revista de Extensión Cultural Universidad Nacional de Colombia • Sede Medellín 5 Revista de Extensión Cultural 6 Universidad Nacional de Colombia • Sede Medellín diciembre 2020 Rectora Dirección Dolly Montoya Castaño Juan David Chávez Giraldo Vicerrector de Sede Comité Editorial Honorario Juan Camilo Restrepo Gutiérrez Marta Elena Bravo de Hermelin Darío Valencia Restrepo Director Académico Darío Ruiz Gómez Juan Carlos Ochoa Botero Jorge Alberto Naranjo Mesa (q.e.p.d.) Secretaria de Sede Comité Editorial Ejecutivo Catalina Ceballos París Mónica Reinartz Estrada José Fernando Jiménez Mejía Juan Felipe Gutiérrez Flórez Aforismos Miguel Ángel Ruiz García Leonardo da Vinci Román Eduardo Castañeda Sepúlveda Diseño y diagramación Practicante de Comunicación Social Rodrigo Lenis León Natalia Granada Bermúdez Sección de Publicaciones Solicitud de canje ] Corrección de textos Biblioteca Efe Gómez, Bloque 41 Silvia Vallejo Garzón 3 Dirección Impresión Carrera 65 N.° 59 A 110, Bloque 24, Ofcina 208 – 02 Editorial Artes y Letras [email protected] http://medellin.unal.edu.co/revista-extension-cultural/ ISSN 0120-2715 La responsabilidad de las opiniones contenidas en los artículos corresponde a sus autores Imagen de carátula* y separadores Edith Arbeláez Jaramillo [ Universidad Nacional de Colombia | Sede Medellín Edith Arbeláez Jaramillo (Colombia, 1960-v.) Maestra en Artes Plásticas, Magíster y Doctora en Filosofía de la Uni- versidad de Antioquia. Profesora Asociada de la Universidad Nacional de Colombia. Autora de varios artículos y algunos libros y capítulos. Ponente en diversos eventos académicos nacionales. Ha recibido va- rias distinciones docentes. Como artista ha sido acreedora a varios premios y menciones, entre los que se destacan el segundo premio en el XXXI Salón Anual de Artistas Colombianos (1987) y el segundo premio en el Salón Nacional de Artes Plásticas Universidad de Antio- quia (2001). Expone individual y colectivamente tanto a nivel nacional como internacional desde 1986. * Imagen de carátula: Edith Arbeláez, Albura, Serie #6, Blanco, 2010-2015. Fotografía impresa digitalmente sobre papel de algodón MOAB de 290 gramos con tintas Vivera, 38 centímetros de diámetro (Fuente: imagen suministrada por la autora). Edith Arbeláez. Albura, Serie, 2010-2015. Instalación, cuarenta fotografías impresas digitalmente sobre papel de algodón MOAB de 290 gramos, con tintas Vivera, cada una con 38 centímetros de diámetro. Galería Banasta, Rione- gro, Colombia, 2015. (Fuente: imagen suministrada por la autora). 8 « Presentación 16 « Da Vinci y el corazón Jorge Reynolds Pombo Conferencia pronunciada en la Universidad Nacional de Colombia, Sede Medellín, el 30 de agosto de 2019 en la cátedra “Saberes con sabor” 24 « Leonardo da Vinci y el Renacimiento Nicolás Naranjo Boza Texto basado en la conferencia pronunciada en la Universidad Nacional de Colombia, Sede Medellín, el 24 de septiembre de 2019 en el ciclo “Da Vinci debería estar vivo” 46 « Leonardo da Vinci y la ingeniería José Fernando Jiménez Mejía Texto basado en la conferencia pronunciada en la Universidad Nacional de Colombia, Sede Medellín, el 14 de noviembre de 2019 en el ciclo “Da Vinci debería estar vivo” 64 « La ciencia de Leonardo da Vinci Gabriel Jaime Gómez Carder Conferencia pronunciada en la Universidad Nacional de Colombia, Sede Medellín, el 27 de noviembre de 2019 en el ciclo “Da Vinci debería estar vivo” 76 « Leonardo da Vinci un artista problemático Carlos Arturo Fernández Uribe Conferencia pronunciada en la Universidad Nacional de Colombia, Sede Medellín, el 12 de marzo de 2020 en el ciclo “Da Vinci debería estar vivo” 92 « Leonardo da Vinci y la incertidumbre Pere Salabert Soler 100 « Arquitectura, arte, paisaje y ciudad: Luca Bullaro la concatenación holística de Leonardo da Vinci La utilidad del inútil urbanismo de Leonardo da Vinci 108 « Samuel Ricardo Vélez González 120 « Los tiempos de Leonardo Juan David Chávez Giraldo 132 « Normas para los autores Edith Arbeláez, Órbita, 2008. Fotografía digital sobre MDF, 130 × 86 cm. (Fuen- te: imagen suministrada por la autora). No debemos desear lo imposible El amor es tanto más ferviente cuanto más cierto es el conocimiento; pero la certidumbre nace del conocimiento integral de todas las partes, que reunidas forman el todo que debe ser amado Presentación ablar de Leonardo da Vinci no es fácil. Es un personaje supremamente complejo y enigmático que ha despertado toda clase de sentimientos a lo largo de la historia. A Leonardo se le conoce sobre todo como pintor, a pesar de la poca cantidad de obras que produjo ―no más de veinte―, pero fue un polímata renacentista que encarnó el arquetipo humanista del genio creador. HSus inquietudes intelectuales lo impulsaron a recorrer la ingeniería, la flosofía, la medicina, la poesía, la música, la culinaria, la biología, la mecánica, la óptica, la hidrodinámica, las matemáticas, la geometría, la astronomía, el dibujo, la pintura, la escultura, el urbanismo y la ] arquitectura. Sin educación formal, Leonardo no tuvo que desaprender 9 lo enseñado en la escuela y logró hacer importantes aportes a la tecnología, la ciencia, las humanidades y el arte gracias a su espíritu investigativo, su curiosidad insaciable y su imaginación inagotable. Sus ideas e inventos se adelantaron enormemente a su época con los obvios obstáculos, rechazos e impedimentos para concretarse. Podría decirse que fue un visionario que predijo algunos de los avances de la cultura y basó su vida en la búsqueda incansable del conocimiento. Para Da Vinci no había límites disciplinares, espaciales ni de tiempo. Su trabajo es un ejemplo de profundidad, hondura y rigurosidad que sirve de inspiración en los actuales tiempos de superfcialidad y apariencias. Leonardo nació el 15 de abril de 1452 en Vinci, Italia, cerca de Florencia, donde pasó su infancia; luego fue aprendiz en el taller del artista forentino Andrea del Verrocchio. Sus primeros trabajos representativos los realizó en Milán bajo la tutela del mecenas Ludovico Sforza y [ Universidad Nacional de Colombia | Sede Medellín posteriormente trabajó en Roma, Bolonia y Venecia. Pasó sus últimos años de vida en Francia con la protección del rey Francisco I y falleció a los 67 años en Amboise, Francia, el 2 de mayo de 1519. En 2019 se celebraron los quinientos años de su muerte y se realizaron numerosos homenajes y eventos en todo el mundo dedicados al erudito hombre universal de febril inventiva. En el marco de dicha conmemoración, la Universidad Nacional de Co- lombia, en su Sede Medellín, llevó a cabo varias actividades, lideradas particularmente y con gran entusiasmo por el profesor de la Facultad de Minas Sergio Andrés Restrepo Moreno, actual Director de Bienestar de la Sede. Un concurso de fotografía, un taller de cometas, la proyec- ción de documentales, algunos conciertos y otras actividades culturales animaron el ambiente universitario, entre las cuales se destaca el ciclo de conferencias y conversatorios “Da Vinci debería estar vivo” con la participación de distintas personalidades, académicos e investigadores, que mostraron la vigencia de los valores encarnados por el genio vin- ciano. Las cuatro conferencias centrales del evento hacen parte de este nuevo número de la Revista de Extensión Cultural, cuyo motivo es la vida, obra y legado del artista. Así mismo, la cátedra de la Sede “Saberes con sabor” presentó otra conferencia incluida en esta entrega, cuyo ponente fue el reconocido doctor Jorge Reynolds Pombo, quien tituló su presentación “Da Vinci y el corazón”, pronunciada el 30 de agosto de 2019, en la que subrayó el importante papel que jugó Leonardo en los avances médicos sobre la anatomía y el funcionamiento del corazón humano. Y de igual manera, muestra que, desafando todos los prejuicios de la época, este artista y científco del Renacimiento italiano se atrevió a diseccionar cadáveres ] para estudiar con precisión el cuerpo en su afán de conocimiento expe- riencial de la Naturaleza para benefcio de la ciencia y el arte. 10 La primera conferencia del programa “Da Vinci debería estar vivo”, titulada “Leonardo da Vinci y el Renacimiento”, llevada a cabo el 24 de septiembre de 2019, contextualizó la labor de Leonardo dentro de una cultura que redescubría el mundo tras un largo periplo de espiritualidad que cubrió la atmósfera europea y todas sus manifestaciones. Su orador, el profesor Nicolás Naranjo Boza, presenta un texto basado en su intervención, en el cual pone en evidencia la capacidad infnita de Leonardo para abordar integralmente cualquier aspecto de la realidad bajo el lente de lo que fuera una nueva perspectiva intelectual para la época. Posteriormente, se ha incluido un artículo del profesor de la Facultad [ Revista de Extensión Cultural | Número 65 de Minas de la Universidad Nacional de Colombia José Fernando Jiménez Mejía, que amplía su charla del 14 de noviembre del 2019 en el mencionado ciclo. Pocos personajes de la historia han manifestado su ingenio de manera tan extraordinaria como Leonardo, y precisamente el título de la disertación fue “Da Vinci y la ingeniería”, y como sabemos, ingeniería viene de ingenio. De tal manera, el profesor José Fernando hace un recorrido por el aspecto ingenioso del italiano para identifcar sus contribuciones en este campo de la ciencia y el conocimiento, destacando su multiplicidad tópica y la singular capacidad de descubrir en el detalle la posibilidad de la innovación.
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