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Activities Did you know?... Leonardo da Vinci was left handed He dissected over 30 people and many animals He painted some of the most famous paintings in the world He was a vegetarian He was from the town of Vinci in Italy, da Vinci means ‘of Vinci’ He was an artist, scientist, inventor, composer and more! He designed a robot He was fascinated by birds and flight He bought caged birds to set them free Leonardo Da Vinci made lots of discoveries many years before things were ‘invented’ Follow in Leonardo da Vinci’s footsteps and design your own fantastic flying machine. What parts will you use for your invention? Why do you think that Which Leonardo da Vinci Dundee was chosen as drawing is your favorite? the only Scottish place to see this exhibition? Which of the ten drawings If Leonardo da Vinci were do you think would have alive today, what do you been hardest to create? think he would he invent? discuss Create a mural for a grand royal banquet hall Leonardo da Vinci often wrote in mirror image. Hold a mirror against the line to see the whole picture. Can you think of A more symmetrical shapes to draw? C H M Q Which of these letters are symmetrical? - - - Can you draw Leonardo’s horse using only the shapes below? Mona Lisa Renaissance Sfumato Leonardo’s Dream Machines Aerial Screw Florence, Italy The Louvre Leonardo’s Robot The Last Supper Viola Organista Vitruvian Man research Bird’s Eye View! Create a map of your classroom Can you design a theatre set and some fancy costumed actors? Did you know that Leonardo da Vinci loved geometry? His sketchbooks were full of diagrams & drawings of geometric shapes. He even invented his own compasses to help him create perfect shapes. Use these templates to make your own 3D shapes. What 2D shapes can you see? Try filling these objects with sand; which one holds the most? This is the one with the biggest volume. What is the name of this object? How many faces can you count?.

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Viola Organista
Viola Organista Revolutionary Keyboard Instrument Invented by Leonardo da Vinci Implementation effort still being continued Akio Obuchi Keyboard Instruments • Piano, Celesta, Carillon – Hit with a hammer • Harpsichord, Spinet, Virginal – Pluck with a plectrum • Clavichord – Thrust (push) with a tangent • Organ, Harmonium, Melodeon – Blow or suck Festival della Scienza 2004 AO 2/36 Hit with hammer Celesta Piano Carillon Festival della Scienza 2004 AO 3/36 Pluck with plectrum Harpsichord Virginal Spinet Festival della Scienza 2004 AO 4/36 Thrust (push) with tangent Clavichord Festival della Scienza 2004 AO 5/36 Blow or Suck Organ Melodeon Harmonium Festival della Scienza 2004 AO 6/36 Limitation of Keyboard Instrument 1 • Sound only attenuates. (Piano, Harpsichord, Clavichord) Festival della Scienza 2004 AO 7/36 Limitation of Keyboard Instrument 2 • Sound continues, but no musical expression can be added. (Organ, Harmonium, Melodeon) Organ waveform Recorder waveform Festival della Scienza 2004 AO 8/36 Limitation of Keyboard Instrument 3 Frequency ratioonaLogscale. • Contradiction in Temperament 2 15/8 Equal temperament 5/3 3/2 : Scale based on natural harmonics 4/3 5/4 9/8 1 cdefgahc’ Festival della Scienza 2004 AO 9/36 Keyboard Instruments With most of the keyboard instruments, one can play a complex music like a symphony orchestra piece, with a limited ability of delicate expressions for each note. Festival della Scienza 2004 AO 10/36 Leonardo da Vinci might have already predicted potential limitations of keyboard instruments discussed in the previous pages and invented Viola Organista as an instrument which can overcome these restrictions, in >500 years ago !? Festival della Scienza 2004 AO 11/36 Variations of Viola Organista Geigenwerk Piano-Quatuor Streichklavier Festival della Scienza 2004 AO 12/36 Geigenwerk Hans Haiden 1600 Raymundo Truchado 1625 Festival della Scienza 2004 AO 13/36 Streichklavier Anonymous 1800? Courtesy of Carolyn W.
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Super-Brainiac Quiz Episode 9: Weird Instruments
Super-Brainiac Quiz Episode 9: Weird Instruments 1. Which inventor and artist designed the viola-organista? …………………….. 2. How is the spooky-sounding theremin played? (Circle the answer) a. by pressing its keys b. by waving your hand above it c. by shouting at it 3. What vegetable can be made into a recorder? ……….. 4. American musician John Cage wrote a piece consist- ing of 4 minutes and 33 seconds of what? ……………………… 5. In 1987, Cage wrote a piece called …………………………………………………….. 6. Leroy Anderson composed a piece of music to be played on what? ……………………. Super-Brainiac Quiz Episode 9: Weird Instruments 7. What tool did Giuseppe Verdi have the musicians play in his 1853 opera Il Trovatore? ………………………….. 8. Stockhausen’s wrote a string quartet for the musicians to play whilst flying in what? ……………………………………. 9. In what composition are real toys used as instruments? ……….…………………………………. 10. The earliest recording of what sound dates back to 1860? …………………… 11. The song Cantus Arcticus features the voices of ………………. 12. Benjamin Franklin built what beautiful instrument? ……………………………… Super-Brainiac Quiz ANSWER SHEET (no peeking!) 1. Which inventor and artist designed the viola-organista? Leonardo da Vinci 2. How is the spooky-sounding theremin played? b. by waving your hand above it 3. What vegetable can be made into a recorder? A carrot 4. American musician John Cage wrote a piece consist- ing of 4 minutes and 33 seconds of what? Silence 5. In 1987, Cage wrote a piece called… As Slow as Possible 6. Leroy Anderson composed a piece of music to be played on what? A typewriter 7.
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Alla Scoperta Di Leonardo Da Vinci
Scuola Primaria – classe quinta LABORATORIO DIDATTICO ALLA SCOPERTA DI LEONARDO DA VINCI Finalità del percorso Questo percorso nasce dalla volontà di promuovere e incrementare le abilità manuali e la creatività, nonché lo spirito d’inventiva attraverso la figura di Leonardo Da Vinci. DISCIPLINA: arte e immagine TRAGUARDI DI COMPETENZA: l’alunno utilizza le conoscenze e le abilità relative al linguaggio visivo per produrre varie tipologie di testi visivi (espressivi, narrativi, rappresentativi e comunicativi) e rielaborare in modo creativo le immagini con molteplici tecniche, materiali e strumenti (grafico-espressivi, pittorici, plastici); è in grado di osservare, esplorare, descrivere e leggere immagini (opere d’arte, fotografie, manifesti, fumetti). OBIETTIVI DI APPRENDIMENTO Esprimersi e comunicare: trasformare immagini e materiali ricercando soluzioni figurative originali; sperimentare strumenti e tecniche diverse per realizzare prodotti grafici, plastici, pittorici. Osservare e leggere le immagini: guardare e osservare con consapevolezza un’immagine e gli oggetti presenti nell’ambiente descrivendo gli elementi formali, utilizzando le regole della percezione visiva e l’orientamento nello spazio. 1 Comprendere e apprezzare le opere d’arte: individuare in un’opera d’arte, sia antica che moderna, elementi essenziali della forma, del linguaggio, della tecnica e dello stile dell’artista per comprenderne il messaggio e la funzione. DISCIPLINA: musica TRAGUARDO DI COMPETENZA: improvvisa liberamente e in modo creativo, imparando gradualmente
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La “Viola Organista” Posterior Leonardo
La “viola organista” posterior Leonardo Fig 1 Praetorius “Sintagma Musicum” (1618.1619) Cap. XLIV, Geigenwerk o viola organista de Hans Hayden. Al igual que tantas otras de sus invenciones, la viola organista no llegó, como dijimos, seguramente nunca, a ser realizada por Leonardo, teniendo que intervenir el paso del tiempo para que la genial obra del gran precursor llegara a ser de evidente necesidad en el contexto de un natural progresivo devenir musical organológico. Algunos tratadistas datan y documentan erróneamente la construcción de instrumentos de esta índole por algunos autores en una época próxima a la muerte de Leonardo, basándose en los términos tasti o tastatura aplicados a unos instrumentos de arco, siendo que Leonardo había también llamado viola a tasti (CM Fol 76 r.) a su viola organista. Tal el caso de Lanfranco (15) quien, a propósito de la afinación de la viola de seis cuerdas, habla dei violoni da tasti et da arco; o de Ganassi (16) quien en el título de la primera pare de su "Regola rubertina", menciona la viola d'arco tastada y el violone d'arco da tasti en la segunda. El error estriba en que el término tasto, su plural tasti y el colectivo tastatura se aplicaban entonces indistintamente a las teclas y a los trastes de los instrumentos y que los autores precitados llamaban viole o violoni a tasti a los instrumentos de cuerda de estos nombres que tenían trastes en su díapasón. Caso distinto es el de Vicentino de Vicenza (17) quien en su obra L´antica musica ridotta alla moderna pratica (1555) habla de su arcicembalo que producía, al parecer, tres timbres distintos de imitación de instrumentos de arco, añadiendo más tarde una Descrizione dell´ arciorgano (1561), otro instrumento de su invención.
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Música Sacra Para Acompañar La Semana Santa
DEL 16/3 AL 1/4 2018 DEL PARA ACOMPAÑAR LA SEMANA SANTA El sentimiento religioso, el recogimiento espiritual y el disfrute de la contemplación han inspirado gran parte de las obras que componen nuestra tradición musical. La llamada música sacra ha ocupado –y sigue ocupando- un lugar importantísimo en el ámbito de la creación musi- cal. En este ciclo de ‘Música sacra para acompañar la Semana Santa’, ofrecemos un recorrido por la música de inspiración religiosa desde el Renacimiento hasta el siglo XX, de la mano de compositores españoles y europeos y de obras tanto para voz e instrumentos como sólo para voz o sólo instrumentales. La tradicional buena acogida que tiene este ciclo por parte del público nos lleva a seguir buceando en lo mejor de nuestra tradición musical, buscando ofrecer un equili- brio entre repertorios muy conocidos y otros menos. Los músicos e intérpretes, todos ellos de primera línea, perte- necen en su mayoría a formaciones y agrupaciones resi- dentes en nuestra ciudad. Deseamos, de este modo, impulsar el trabajo de los jóvenes y veteranos que se dedican a la música clásica en Madrid. Este año conta- mos también con la presencia de dos formaciones inter- nacionales: e New Baroque Times (Bruselas) y el Coro Ortodoxo del Patriarcado Ruso (Moscú). Continuando con la iniciativa que se ensayó el año pasado, cada concierto será precedido por una breve presentación a cargo de una especialista, intentando ofrecer así cierta contextualización y claves para el disfrute. Todos los conciertos son de entrada libre. Debido a que el interés por el ciclo y la aﬂuencia de público es cada vez mayor, este año la mayoría de los conciertos se presentan dos días.
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The Lost Manuscripts of Leonardo Da Vinci
THE LOST MANUSCRIPTS OF LEONARDO DA VINCI A history of Leonardo da Vinci’s manuscripts and a calculation of how many remain lost by RICHARD SHAW POOLER Submitted in accordance with the requirements for the degree of DOCTOR OF LITERATURE AND PHILOSOPHY in the subject of ART HISTORY at the UNIVERSITY OF SOUTH AFRICA Promoter: Prof Bernadette Van Haute -------------------------------------- OCTOBER 2014 DECLARATION I declare that THE LOST MANUSCRIPTS OF LEONARDO DA VINCI is my own work and that all the sources that I have used or quoted have been indicated or acknowledged by means of complete references. ……………………………. Richard Shaw Pooler Date ………………………….. Title: THE LOST MANUSCRIPTS OF LEONARDO DA VINCI A history of Leonardo da Vinci’s manuscripts and a calculation of how many remain lost Summary: This thesis investigates the history of Leonardo da Vinci’s manuscripts, explains the recovery of some of those that were lost, and calculates what proportion of his work remains lost. It does this by researching the following four main topics: the compilation of his manuscripts; the dispersal and loss of his manuscripts; the recovery and reconstruction of some manuscripts; and an estimate of what remains lost. Most of Leonardo’s manuscripts were written in the last thirty years of his life. The first part of this thesis traces which manuscripts were written and when. After his death, his manuscripts dispersed and it is not known how many were lost. The next section details the dispersal. Recovery of some manuscripts took place followed by further dispersal and loss. Part of the recovery was due to key collectors such as Pompeo Leoni.
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Presentazione Standard Di Powerpoint
I.C. VIRGILIO L‘ Uomo Vitruviano disegno a penna e inchiostro su carta (34x24 cm) di Leonardo da Vinci, conservato nel Gabinetto dei Disegni e delle Stampe delle Gallerie dell'Accademia di Venezia. Importante rappresentazione delle proporzioni ideali del corpo umano, dimostra come esso possa essere armoniosamente inscritto nelle due figure "perfette" del cerchio, che rappresenta il Cielo cioè la perfezione divina, e del quadrato, che simboleggia la Terra I.C. VIRGILIO viA Giulia 25 - Roma Presentazione LEONARDO DA VINCI (Vinci, Firenze, 15 aprile 1452 - castello di Cloux, od. Clos-Lucé presso Amboise, 2 maggio 1519) Leonardo di ser Piero da Vinci, uomo d'ingegno e talento universale del Rinascimento, è considerato uno dei più grandi geni dell’umanità. È stato pittore, scultore, inventore, ingegnere militare, scenografo, anatomista, musicista, uomo di scienza e pensatore. Ha studiato con notevole intelligenza tutte le materie, perfino pedagogia, lasciando infiniti appunti di grande interesse tecnico e scientifico. Leonardo è nato nel 1452 nel comune di Vinci, in provincia di Firenze, e morto in Francia ad Amboise nel 1519. Il 2019 è dunque l’anno nel quale ricorre il cinquecentenario della scomparsa di questo grande personaggio ed è per questo che in tutto il mondo sono in corso numerose iniziative per ricordare le sue opere artistiche e ingegneristiche. Noi non abbiamo voluto essere da meno nel voler celebrare il brillante e vulcanico studioso che ha osservato, sperimentato e creato opere di ogni genere, lasciandoci un patrimonio artistico e tecnico-scientifico di grande valore educativo. La sua mente geniale è ancora oggi in grado lasciarci a bocca aperta e a stupirci è anche la sua capacità di esplorare e indagare, partecipare in modo attivo e ragionato, analizzare, porre domande e verificare.
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Rassegna Degli Studi Vinciani Dal 1952 Al 1968
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Unique Keyboard-Bowed Instrument Constructed on the Basis of Leonardo Da Vinci’S Sketches
UNIQUE KEYBOARD-BOWED INSTRUMENT CONSTRUCTED ON THE BASIS OF LEONARDO DA VINCI’S SKETCHES READY TO CONCERT “…BEAUTIFUL COLOURS AND SURPRISING TONES…” VIOLA ORGANISTA It is a unique design in musical world. The premiere recital of viola organista took place At first, no one believes that the sound he hears on 18 October 2013 in Cracow, during the International Royal Cracow Piano Festival. It was a spectacular artistic comes from the instrument he sees. success and received a lot of publicity in the international Based on Leonardo da Vinci’s original idea, media. the instrument was constructed by the Polish pianist and craftsman Sławomir Zubrzycki in 2009-2012. Da Vinci combined together two separate types of instruments: keyboard and bowed strings. He made many sketches of it, which are preserved in Codice Atlantico, but he never built it. Through the centuries many took up the challenge of bringing da Vinci’s idea to life, but no one fully succeeded. Viola organista became forgotten instrument until 21st century. The video report of the first-ever viola organista recital is available here: youtu.be/sv3py3Ap8_Y SŁAWOMIR ZUBRZYCKI – pianist, clavichordist, claviolinist, composer, and constructor of musical instruments, born and living in Cracow. He graduated from the Academy of Music in Cracow, (1988 – Professor Tadeusz Żmudziński’s piano class, and Professor Adam Kaczyński’s modern music class). Having received a grant from The Fulbright Program, he continued to study piano at The Boston Conservatory of Music under the supervision of Janice Weber in 1990–91. He has been giving concerts both as a soloist, and as a chamber musician in Poland, Germany, Great Britain, Spain, Ukraine, and USA.
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Revista De Extensión Cultural 65 Diciembre 2020
5 6 Revista de Extensión Cultural 65 | diciembre 2020 Revista de Extensión Cultural Revista de Extensión Sede Medellín PANTONE 7416 C Revista de Extensión Cultural Universidad Nacional de Colombia • Sede Medellín 5 Revista de Extensión Cultural 6 Universidad Nacional de Colombia • Sede Medellín diciembre 2020 Rectora Dirección Dolly Montoya Castaño Juan David Chávez Giraldo Vicerrector de Sede Comité Editorial Honorario Juan Camilo Restrepo Gutiérrez Marta Elena Bravo de Hermelin Darío Valencia Restrepo Director Académico Darío Ruiz Gómez Juan Carlos Ochoa Botero Jorge Alberto Naranjo Mesa (q.e.p.d.) Secretaria de Sede Comité Editorial Ejecutivo Catalina Ceballos París Mónica Reinartz Estrada José Fernando Jiménez Mejía Juan Felipe Gutiérrez Flórez Aforismos Miguel Ángel Ruiz García Leonardo da Vinci Román Eduardo Castañeda Sepúlveda Diseño y diagramación Practicante de Comunicación Social Rodrigo Lenis León Natalia Granada Bermúdez Sección de Publicaciones Solicitud de canje ] Corrección de textos Biblioteca Efe Gómez, Bloque 41 Silvia Vallejo Garzón 3 Dirección Impresión Carrera 65 N.° 59 A 110, Bloque 24, Ofcina 208 – 02 Editorial Artes y Letras [email protected] http://medellin.unal.edu.co/revista-extension-cultural/ ISSN 0120-2715 La responsabilidad de las opiniones contenidas en los artículos corresponde a sus autores Imagen de carátula* y separadores Edith Arbeláez Jaramillo [ Universidad Nacional de Colombia | Sede Medellín Edith Arbeláez Jaramillo (Colombia, 1960-v.) Maestra en Artes Plásticas, Magíster y Doctora en Filosofía de la Uni- versidad de Antioquia. Profesora Asociada de la Universidad Nacional de Colombia. Autora de varios artículos y algunos libros y capítulos. Ponente en diversos eventos académicos nacionales. Ha recibido va- rias distinciones docentes.
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America's Name Baptized on a Globe in 1510 Leonardo Da Vinci's
Advances in Historical Studies, 2021, 10, 93-133 https://www.scirp.org/journal/ahs ISSN Online: 2327-0446 ISSN Print: 2327-0438 America’s Name Baptized on a Globe in 1510. Leonardo da Vinci’s Blueprint for the Jagiellonian Armillary Sphere Discovered. Stefaan Missinne Professor, Fellow of the Royal Geographical Society, London, UK How to cite this paper: Missinne, S. (2021). Abstract America’s Name Baptized on a Globe in 1510. Leonardo da Vinci’s Blueprint for the The treasure room at the Collegium Maius of the Jagiellonian Museum in Jagiellonian Armillary Sphere Discovered. Cracow contains an armillary sphere dating from 1510. This scientific object Advances in Historical Studies, 10,93-133. of excellent French workmanship contains the Jagiellonian Globe, which looks https://doi.org/10.4236/ahs.2021.101008 surprisingly like the Lenox Globe, a sibling of the da Vinci Globe. The fact Received: January 10, 2021 that the Jagiellonian Globe is mounted in an armillary sphere supports the Accepted: March 26, 2021 hypothesis that the Lenox, cast from reddish copper, was most likely the cen- Published: March 29, 2021 tral part of a lost armillary sphere. A horologist copied the cartography of the Lenox Globe. It is hypothesized that he also copied the decorative artistic de- Copyright © 2021 by author(s) and sign of the armillary sphere as a blueprint. Using primary data in his research, Scientific Research Publishing Inc. This work is licensed under the Creative the author describes the compelling Jagiellonian instrument. He concentrates Commons Attribution International on aspects of epigraphy, toponymy, orthography, iconography, cosmography, License (CC BY 4.0).
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PANNEAU 01 Leonardo – Le Génie Gentil Exposition À L'occasion Du
PANNEAU 01 Leonardo – Le génie gentil Exposition à l’occasion du 500ème anniversaire de la mort de Leonardo da Vinci (1452-1519) Exposition conçue par Stefano Baldi Textes réalisés par Stefano Baldi et Luigina Peddi Graphisme avec la collaboration de Ivan Sabchev PANNEAU 02 Leonardo – La vie, les premières années BOX 1. Fils illégitime d’un notaire et d’une paysanne, il nait le 15 avril 1452 à Vinci, près de Florence. Il passe son enfance à la campagne, avant de regagner la maison paternelle, où il a accès à la bibliothèque sans pour autant recevoir une véritable éducation formelle. BOX 2. Adolescent, il travaille cinq ans comme apprenti dans l’atelier du fameux sculpteur et peintre Andrea del Verrocchio, à Florence. A trente ans, il commence à travailler comme ingénieur, sculpteur, peintre et architecte pour le Gouverneur de Milan: le duc Ludovic Sforza. Il y reste jusqu’en 1499, lorsque la famille Sforza est contrainte de fuir suite à l’invasion des français. CITATION “La vie bien employée est longue”. LEGENDES 1. Autoportrait, 1515, Sanguine sur papier, Bibliothèque royale, Turin; 2. Homme de Vitruve, 1490, Plume et encre sur papier, Galerie de l'Académie, Venise; 3. L’Annonciation, 1472 – 1475, Huile et détrempe sur bois, Galerie des Offices, Florence. PANNEAU 03 Leonardo – La vie, l’âge mûr BOX 1. Il erre entre Venise et Mantoue, Florence, Milan et Rome pour s’occuper de peinture, de questions militaires, d’ingénierie et de nouvelles études scientifiques, notamment le codex sur le vol des oiseaux. En 1516, à la mort du mécène Giuliano de’ Medici, il accepte de s’installer en France auprès du roi François I.
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