$QQD0DULD%UL]LR        5DVVHJQDGHJOLVWXGLYLQFLDQL GDODO                        ,Q³/¶$UWH´0LODQRD,QPDU]RSS ,Q³/¶$UWH´0LODQRD,QPDU]RSS

 *OL VWXGL YLQFLDQL GHJOL XOWLPL TXLQGLFL YHQW DQQL VRQR DQGDWL SUHYDOHQWHPHQWHRULHQWDQGRVLYHUVRO HVSORUD]LRQHVHPSUHSLDQDOLWLFDSXQWXDOHH FDSLOODUH GHOO LPSRQHQWH PDVVD GHL PDQRVFULWWL H GLVHJQL OHRQDUGHVFKL 'DO PRPHQWRLQFXLQHVRQRFRPLQFLDWHOHWUDVFUL]LRQLHOHSXEEOLFD]LRQLLQIDFVLPLOH QHOOD VHFRQGD PHWj GHOO RWWRFHQWR TXHVW RUGLQH GL ULFHUFKH QRQ KD FHVVDWR GL FUHVFHUH H GL HVSDQGHUVL QHOO XQR H O DOWUR IDWWRULVXOWDQGR DG XQ WHPSR FDXVD HG HIIHWWR 6XSHUDWD OD SULPD IDVH HVDOWDQWH GHOOD ORUR ULVFRSHUWD FRQ JOL LQHYLWDELOL HFFHVVLGLHQWXVLDVPRTXDVLPLWL]]DQWHSHULOJHQLRLQYHQWLYRHULYROX]LRQDULRGL /HRQDUGR TXHVWL PDQRVFULWWL YDQQR RUD VFRSUHQGR XQ DOWUD IDFFLD QRQ PHQR LQWHUHVVDQWH /D FRQVWDWD]LRQH FKH WDQWD SDUWH GHOOH ULFHWWH ³SURSRVL]LRQL´ ³FDVL´ FRQJHJQLLQHVVHFRQWHQXWLQRQVRQRXVFLWLLQWHUDPHQWHGDOODPHQWHGL/HRQDUGR PDVRQRDSSXQWLGLFRJQL]LRQLHFRQJHJQLFRUUHQWLDOODVXDHWjQRQGLPLQXLVFHLO ORURYDORUHHLQWHUHVVHPDDQ]LIDGLHVVLXQ HQFLFORSHGLDVWUDRUGLQDULDDQFKHVH ODFXQRVD H DVLVWHPDWLFD GHO VDSHUH H GHOOD SUDWLFD GHO WHPSR RIIUH QXRYL YDVWL FDPSL GL ULFHUFD LQ VLQJRODUH VLQWRQLD FRQ JOL LQGLUL]]L SL DWWXDOL GHOOD FXOWXUD PRGHUQDHORVYLOXSSRWXWWRUHFHQWHGHOODVWRULDGHOODVFLHQ]DHGHOODWHFQLFD 6HPSUHQHJOLVWXGLYLQFLDQLDQFKHQHOODSULPDPHWjGHOVHFROROHULFHUFKHH ULVXOWDWL GHL YDUL 0DUFRORQJR )DYDUR %DUDWWD*LDFRPHOOL 8FFHOOL VL VRQR SRVWL FRQ SDUL GLJQLWj H LQFLGHQ]D G DSHUWXUD DFFDQWR D TXHOOL VSHFLILFL GHOOD VWRULD GHOO¶DUWH 0D QHJOL XOWLPL GHFHQQL JOL VWXGL VXOO DQDWRPLD GL /HRQDUGR VXOOD PHFFDQLFDLGUDXOLFDYRORFRQJHJQLPLOLWDULPDFFKLQHG RJQLVSHFLHVXOODILVLFD FKLPLFDHFRVuYLDVRQRDQGDWLSURSRU]LRQDOPHQWHDFTXLVWDQGRVHPSUHPDJJLRUH HVWHQVLRQHGLLPSRUWDQ]DPHQWUHIUDLQRQPROWLVWRULFLGHOO DUWHGHGLFDWLVLDVWXGL YLQFLDQLSLG¶XQRYLqJLXQWRSHUODYLDGHLPDQRVFULWWL±SHQVRVRSUDWWXWWRDPH VWHVVDPDDQFKHDJOLVWXGLGL$&KDVWHOVXO7UDWWDWRGHOODSLWWXUDHDGDOWUL(G RYYLDPHQWHDQFKHOHWWHUDWLHILORVRILKDQQRVHJXLWRODVWHVVDVWUDGD $FFDQWR DOOD YDVWD HVSORUD]LRQH VFLHQWLILFD H WHFQRORJLFD GHL PDQRVFULWWL OHRQDUGHVFKLQHqRJJLLQFRUVRHLQHVSDQVLRQHXQ DOWUDGLFDUDWWHUHFURQRORJLFR ILORORJLFRULFRVWUXWWLYRFKHKDSRFKLSUHFHGHQWLVHQRQTXHOORYHUDPHQWHLQVLJQH HIRQGDPHQWDOHGL*&DOYL 1RQVRORLPDQRVFULWWLGL/HRQDUGRVRQRQDWLDVLVWHPDWLFLHIUDPPHQWDULPD LOGLVRUGLQHqVWDWRLQFRPPHQVXUDELOPHQWHDFFUHVFLXWRILQRDOODFRQIXVLRQHGDOOH PDQLSROD]LRQLSRFRVFUXSRORVHGHLYDUL3RPSHR/HRQLFKHQRQKDQQRHVLWDWRD VPHPEUDUH IDVFLFROL SHU ULFRPSRUOL LQ FRPELQD]LRQL GLYHUVH D VWDFFDUH VLQJROL IRJOL D PXWLODUH DQFKH L IRJOL SHU ULFDYDUQH UDFFROWH GL VRJJHWWR GLYHUVR PDFFKLQH GD XQD SDUWH H ILJXUH GDOO DOWUD DG HVHPSLR FRPH q DYYHQXWR SHU LO &RGLFH$WODQWLFRHJOLIRJOLGHOOD5R\DO/LEUDU\GL:LQGVRU

  3HUODVWRULDGHLFRGLFLHGHOOHORURHGL]LRQLFIU$0$5,121, I Manoscritti di L. da V. e le loro edizioniLQ³/HRQDUGR VDJJLHULFHUFKH´5RPD  *&$/9, I manoscritti di Leonardo dal punto di vista cronologico, storico e biografico%RORJQD

  ,Q³/¶$UWH´0LODQRD,QPDU]RSS

,O PXWDPHQWR GHL SURFHGLPHQWL H GL PLUH LQWHUYHQXWR QHJOL VWXGLYLQFLDQL G RJJLULVSHWWRDTXHOOLGLIUDOHGXHJXHUUHqPHVVRDQFRUDSLLQHYLGHQ]DGDOOR LDWR GL VRVSHQVLRQH GHOOD VHFRQGD JXHUUD PRQGLDOH H GDOO DFFHQWUDPHQWR FKH JOL VWXGLYLQFLDQLKDQQRWURYDWRLQWRUQRDGXHFHQWHQDULVXVVHJXLWLVLDGLQWHUYDOORGL SRFR SL GL WUHQW DQQLLO TXDUWR FHQWHQDULR GHOOD PRUWH QHO LO TXLQWR GHOOD QDVFLWDGHO &RPH JLj LQWRUQR DO  LQWRUQR DO  VL LQILWWLVFRQR VWXGLH SXEEOLFD]LRQL LQ FXL YLQFLDQL YHFFKL H QXRYL VL LQFRQWUDQR 1HO  H LO  DSSDLRQR OH VHFRQGH HGL]LRQL GHOOH GXH SL QRWH PRQRJUDILH VX /HRQDUGR GHO GHFHQQLR SUHFHGHQWH TXHOOD GL . &ODUN FRQ SRFKH YDULDQWL QHO WHVWR PD FRQ XQ LQWURGX]LRQHQXRYDLQFXLO $VXSHUDODVHSDUD]LRQHSUHFHGHQWHPHQWHLVWLWXLWD IUD DWWLYLWj DUWLVWLFD H DWWLYLWj VFLHQWLILFD LQ /HRQDUGR q TXHOOD GL /+ +(<'(15(,&+ SL YDVWD H DVVDL PXWDWD H DPSOLDWD QHO WHVWR PD LQYDULDWD QHL ULJXDUGL GHOOD TXHVWLRQH VRSUDFFHQQDWD SRLFKp KD VHPSUH SURSXJQDWR OD LQWHUUHOD]LRQHIUDDWWLYLWjDUWLVWLFDHVFLHQWLILFDLQ/HRQDUGR(QWUDPELJOLDXWRUL VRQRWXWWRUDLQSULPRSLDQRQHJOLVWXGLYLQFLDQL (VFRQR QHJOL DQQL GHO FHQWHQDULR DQFKH DOFXQL YROXPL GL DUJRPHQWR VFLHQWLILFR LQ FXL KD DFFXPXODWR XQ OXQJR ODYRUR DQWHULRUH GHOOD 6 (6&+( VXOO RSHUDDQDWRPLFDQHOVXRFRPSOHVVRVWXGLDWDQHOVXRVYLOXSSRFURQRORJLFRGL  $8FFHOOLFRQODFROODERUD]LRQHGL&=$00$77,2VXOYRORGHJOLXFFHOOL  8VFLYD DQFKH QHO  XQD WHU]D HGL]LRQH GHOOD IRUWXQDWD DQWRORJLD GHOOD  )80$*$//,Leonardo “omo sanza lettere´ HXQDUDFFROWDGHJOLVFULWWLOHWWHUDULGL  /HRQDUGRFXUDWDGD$0$5,121, FKHDYUHEEHGRYXWRFRVWLWXLUHLOSULPRYROXPH GL³7XWWLJOLVFULWWLGL/HRQDUGR´SUHVHQWDWLLQHGL]LRQHDWXWWLDFFHVVLELOHPDVLq DUUHVWDWDSXUWURSSRDTXHVWRSULPRYROXPH,OULJRUHILORORJLFRGHOODWUDVFUL]LRQH GHO 0DULQRQL q HVHPSODUH SHU QXOOD DOOHQWDWR GDO FDUDWWHUH GLYXOJDWLYR GHOOD HGL]LRQH $QFKH VXOOD OLQHD GHOOD PLQX]LRVD DQDOLVL GHL SXQWXDOL ULVFRQWUL GHL WHVW LO 0$5,121, V HUD JLj DYYLDWR GD WHPSR FRQ L GXH YROXPL VXJOL DSSXQWL OHVVLFDOL JUDPPDWLFDOL GL /HRQDUGR 4XDOL FRQVHJXHQ]H DQFKH LQ FDPSR LQWHUSUHWDWLYR SRVVRQR DYHUH ULFHUFKH LQ DSSDUHQ]D WDQWR SDUWLFRODULVWLFKH q SURYDWR GD TXHVWR OLEUR ,O 0DULQRQL KD ULVFRQWUDWR FKH OH OLVWH GL YRFDEROL GHO &RGLFH WULYXO]LDQR VRQRWUDWWHGDOYROJDUL]]DPHQWRGHO³'H5H0LOLWDUL´GHO9DOWXULRHFRQTXHVWD   .&/$5.&DPEULGJH DHG ,'L. da V. a note on the relation between his science and his artLQ³+LVWRU\WRGD\´W,,/RQGRQ  /++(<'(15(,&+Leonardo da Vinci%DVHO YROO  DHG ,'Leonardo da Vinci±Art and Science in his DrawingsLQ³*UDSKLV´Q,'Le dessin scientifique de LéonardLQ³/HV$UWV3ODVWLTXHV´9L  6(6&+(L. da V. – Das anatomische Werk%DVHOFIUDQFKH&'2¶0$//(<DQG-%6DXQGHUVL. da V. on the human Body1HZ

  ,Q³/¶$UWH´0LODQRD,QPDU]RSS

VHPSOLFHRELHWWLYDFRQVWDWD]LRQHKDIDWWRFDGHUHODWHVLGHO0RUDQGLFKH/HRQDUGR DYHVVH SURJHWWDWR GL FRPSLODUH XQ GL]LRQDULR FLz FKH OR SUHVHQWDYD DQFKH LQ FDPSR ILORORJLFR FRPH XQ LQL]LDWRUH 0ROWR SL VHPSOLFHPHQWH /HRQDUGR WUDVFULYHYD YRFDEROL D VFRSR DXWRGLGDWWLFR H OR VWHVVR YDOH DQFKH SHU L VXRL DSSXQWL JUDPPDWLFDOL ,Q XQ DOWUR YROXPHWWR LO 0$5,121, FRQ XJXDOH HUXGLWD SD]LHQ]DUDFFRJOLHHLQWHUSUHWDLUHEXVGL/HRQDUGR7XWWDYLDHJOLQRQVLqPDL QHJDWR QHSSXUH WHPL WHRULFL QHOOR VWHVVR YROXPH LQFOXVR LO VDJJLR ³8QD YLUW VSLULWXDOH´LQWHUSUHWDWDLQFKLDYHQHRSODWRQLFD $FHUQLHUDGHOFRUVRGHJOLVWXGLYLQFLDQLSULPDGRSRLOFHQWHQDULRGHO YRUUHLSUHQGHUHWUHUDFFROWHGLVDJJLXVFLWLLQTXHOO RFFDVLRQHTXHOODGHOFRQYHJQR GHOOXJOLRD3DULJLO DOWUDGHO&RQYHJQRGL)LUHQ]H3LVD6LHQDGHO JHQQDLRµHLOJURVVRYROXPHHGLWRGDO&RPLWDWR1D]SHUOHRQRUDQ]HD  /HRQDUGRFXUDWRGD*&$67(/)5$1&2  1HOSULPRODSDURODqDJOLVFLHQ]LDWLFRQUHOD]LRQLGLYDULLQWHUHVVLPDWXWWH YHUWHQWLVXWHPLVSHFLILFLLe dissections anathomiques de L. de V.GL(%(/7L. de V. et les mathématiquesGL36(5*(6&8HWF FIUO¶DFXWRRapportfinalGL$ .2<5e 8QDQRWDGLYHUVDSRUWDLOVDJJLRGL3)5$1&$67(/La prospective de L. de V GHFLVDPHQWH LQWHUSUHWDWLYD H QRQ WHFQLFR ,Q DSSHQGLFH XQ VDJJLR GL $ &+$67(/ Léonard et la culture WUDFFLD JLj L OLQHDPHQWL SULQFLSDOL LQ FXL VL VYROJHUDQQRSLDPSLDPHQWHLFDSLWROLGLArt et HumanismeFLWDWRLQDYDQWL ,O FRQYHJQR GL )LUHQ]H HEEH LQYHFH SUHYDOHQWHPHQWH FDUDWWHUH XPDQLVWLFR FRQUHOD]LRQLGL))/25$$0$5,121,(*$5,1*)80$*$//,&/8325,1, HGDOWUL)DHFFH]LRQH5*,$&20(//,FRQGXHVDJJLGHOO XVXDOHDFXWH]]DHULJRUH VXL. da V. aerodinamicoHLa scienza dei venti in L. da V. ,O YROXPH GL ³6DJJL H ULFHUFKH´ VL ULFROOHJD SLXWWRVWR TXHVWR VHFRQGR LQGLUL]]RYLVLLQFRQWUDQRSDUHFFKLGHJOLVWHVVLQRPLGHO&RQYHJQRGL)LUHQ]HPD DQFKHQRPLQXRYLFKHLQWURGXFRQRDOFRUVRGHJOLVWXGLVXFFHVVLYLÊULYHODWRUHGHO PXWDPHQWRULOHJJHUHRJJLLOEHOVDJJLRGL*&$67(/)5$1&2GHGLFDWRDJOLVWXGL GHLGHFHQQLSUHFHGHQWLMomenti della recente critica vinciana6WRULFLGHOO DUWHH ILORVRILYLGRPLQDQRGDOODIDPRVDFRQIHUHQ]DGL%&URFHGHOVX/HRQDUGR ILORVRIRGDOOHEHOOHSDJLQHGL(&DVVLUHULQ³'DV(UNHQQWQLVSUREOHP´,%HUOLQ HVRSUDWWXWWR³,QGLYLGXXPXQG.RVPRVLQGHU3KLORVRSKLHGHU5HQDLVVDQFH´ /HLS]LJDOO LQWHUSUHWD]LRQHQHRSODWRQLFDGHO6DLWWDFKHO¶$FRQGLYLGH)UD JOLVWRULFLGHOO¶DUWHGRSRLO%HUHQVRQDGDSHUWXUDSDUWLFRODUHULOLHYRqGDWRHFRQ  UDJLRQH DO OLEUR GL / 9(1785, VXOOD FULWLFD H O¶DUWH GL /HRQDUGR  GLUDUD LQWHOOLJHQ]DHYLWDOLWjORJLXGLFDLO&DVWHOIUDQFRDQFKHVHQHGLVVHQWHVXXQSXQWR   $0$5,121,I rebus di L. da V. raccolti e interpretati. Con un saggio su “Una virtù spirituale”)LUHQ]H  Lèonard de Vinci et l’expérience au seizième siècle3DULV FRQVDJJLGL*6$57210-2+16213+0,&+(/ *'(6$17,//$1$ 3 )5$1&$67(/ 3 6(5*(6&8 5 '8*$6 9 521&+, 0 '80$6 % *,//( 6 7$

  ,Q³/¶$UWH´0LODQRD,QPDU]RSS

IRQGDPHQWDOHODVHSDUD]LRQHDQ]LFRQWUDSSRVL]LRQHIUDDWWLYLWjDUWLVWLFDHDWWLYLWj VFLHQWLILFDLQ/HRQDUGR HDOO¶RSHUDGDYYHURPRQXPHQWDOHSRUWDWDDYDQWLVHQ]D  FHGLPHQWLSHUXQTXDUDQWHQQLRGL$9(1785, 5LFHYRQRDQFKHODUJDDWWHQ]LRQH JOL VFULWWL VX /HRQDUGR GHL OHWWHUDWL * )XPDJDOOL ) )ORUD $ 0RPLJOLDQR $ 0DULQRQL /D UDVVHJQD GHO &DVWHOIUDQFR LQVRPPD DQFKH VH QRQ GLPHQWLFD L FRQWULEXWL ILORORJLFL H VFLHQWLILFL V¶DSSXQWD VRSUDWWXWWR VXJOL VWXGL GL FDUDWWHUH LQWHUSUHWDWLYRFULWLFRHILORVRILFRLQDFFRUGRGHOUHVWRFRQO¶LQGLUL]]RSUHYDOHQWH GHJOLVWXGLYLQFLDQLIUDOHGXHJXHUUHHQRQVRORFRQLSURSULLQWHUHVVLSHUVRQDOL $QFKHIUDJOLVWXGLUHFHQWLVVLPLDGGLULWWXUDGHOFK¶HJOLULHVFHDQFRUDDG LQFOXGHUHQHOODVXDUDVVHJQDFRJOLHTXHOOLGLFDUDWWHUHILORVRILFRHLQWHUSUHWDWLYR JOL LQWHUYHQWL SHU LO FHQWHQDULR GL ( *$5,1 $ &+$67(/ 5 021'2/)2 $  %$1),HLOYROXPHGL&/8325,1,  /D ULFFKH]]D GHJOL DSSRUWL GHOOD SULPD PHWj GHO VHFROR ID VFULYHUH DO &DVWHOIUDQFRNon può dirsi che questo V Centenario di Leonardo sia giunto in un momento facile per gli studi vinciani. I disegni di Leonardo sono ormai accessibili in quella grande opera di storia dell’arte e di arte tipografica che è i “corpus" di Adolfo Venturi; e la maggior parte di essi, quelli di Windsor, sono stati studiati a fondo nel catalogo di Kenneth Clark; dei manoscritti abbiamo ormai l’edizione che può dirsi completa, in gran parte recente « H FRVu GL VHJXLWRTXDVLFKHVWUHWWRFDPSRULPDQHVVHDQFRUDSHUJOLVWXGLIXWXUL0DQRQHUD QHOOH VXH SUHYLVLRQL EXRQ SURIHWD 0LJOLRUH RUJDQL]]DWRUH VL PRVWUD QHOOD UHGD]LRQH GHOOR VWHVVR YROXPH GL 6DJJL H 5LFHUFKH GRYH DFFDQWR D VWXGLRVL YLQFLDQLGLYHFFKLDIDPDTXDOL$(3RSKDP&HFLO*RXOG:6XLGD*LXVHSSLQD )XPDJDOOLODUJRSRVWRqIDWWRDLQXRYLJLRYDQLRQRPDGLUHFHQWHDSSURGDWLD TXHVWLVWXGLFKHVLPRVWUDQRGLYHUVDPHQWHRULHQWDWL )UDTXHOOLVFLHQWLILFLLOVDJJLRSLQXRYRHVDOLHQWHSHUDUJRPHQWRHULVXOWDWL qTXHOORGL/5(7,VXLa chimica di Leonardo6HEEHQHVROWDQWRULDVVXQWRDFXUD GHO&DVWHOIUDQFRGDDOWURSLDPSLRqDFFRPSDJQDWRGDXQDSUH]LRVDWDEHOODLQ FXLVRQRHOHQFDWLLQRPLGHOOHVRVWDQ]HFKLPLFKHHVWUDWWLGDO5HWLFRQXQOXQJRH SD]LHQWH ODYRUR GDL PVV OHRQDUGHVFKL DIILDQFDWL GDOOH FRUULVSRQGHQWL GHQRPLQD]LRQL PRGHUQH H TXDQG¶q LO FDVR GDOOD IRUPXOD FKLPLFD $OWUL VDJJL VFLHQWLILFL YHUWRQR TXHOOR GL 9 620(1=, VXOOD ULFRVWUX]LRQH GL PDFFKLQH SHU LO YRORHLSULQFLSLGHOODGLQDPLFDTXHOORGL/7856,1,VXQDYLHVFDIDQGULTXHOOR 9 521&+, VXOO RWWLFD XQD VHULH GL UHOD]LRQL VL ULIHULVFH D UHVWDXUL H DQDOLVL GL ODERUDWRULR ) :,77*(16 V RFFXSD GHO ³&HQDFROR´ 0 +2856 GHL TXDGUL GHO

  $9(1785,Storia dell’arte italianaYROO9,,  9,,  ,;  ;  ;,  ,'Leonardo pittore%RORJQD,'I manoscritti e disegni di L. da V., pubbl. dalla R. Commissione Vinciana«DisegniIDVF, ± 9,, 5RPD  ± , GLVHJQL IXURQR VFHOWL H OD SUHID]LRQH H OH QRWH VFULWWH GD $ 9(1785, *OL XOWLPL GXH IDVFLFROL O¶XOWLPRGLLQGLFL QRQIXURQRSLFXUDWLGDOXL  (*$5,1La cultura fiorentina nell’età di LLQ³%HOIDJRU´PDJJLR,'Il problema delle fonti del pensiero di L LQ³$WWLGHO&RQYHJQRGL6WXGL9LQFLDQL´)LUHQ]H$&+$67(/Marcile Ficin et l’ArtLQ³$UFKLYLRGL)LORVRILD´ 5RPD FIUDQFKH$&+$67(/Marcile Ficin et l’Art*HQqYH/LOOH 5021'2/)2L. teorico dell’arte e della scienzaLQ³,O3RQWH´DJVHWW$%DQILL. e l’uomo modernoLQ³$WWLGHO&RQYHJQRGLVWXGL9LQFLDQL )LUHQ]H&/8325,1,La mente di Leonardo)LUHQ]H  /5(7,Le arti chimiche in L. da VLQ³/DFKLPLFDHO¶LQGXVWULD´QRY,'L. e l’alchimia H Alcune interessanti anticipazioni tecnologiche di LLELGHPGLF

  ,Q³/¶$UWH´0LODQRD,QPDU]RSS

/RXYUH 9 6$13$2/(6, GH L GLSLQWL GHJOL 8IIL]L TXHVW XOWLPR VDJJLR ULFFR GL LQWHUHVVDQWL RVVHUYD]LRQL VXOOD SURVSHWWLYD GHOO ´$QQXQFLD]LRQH´ H GHOOD  ³$GRUD]LRQHGHL0DJL´ $FXWHHRULJLQDOLOHRVVHUYD]LRQLGL(*20%5,&+VXOOH WHVWH JURWWHVFKH GL /HRQDUGR LQ Leonardo’s grottesque Heads $OO DUFKLWHWWXUD JXDUGD GD XQ DQJROD]LRQH SDUWLFRODUH LQ FKLDYH IXQ]LRQDOH & 0$/7(6( Il pensiero architettonico e urbanistico di LHLQWHPDGLVFXOWXUD0%%58*12/, Documenti, notizie e ipotesi sulla scultura di L.'DOOHEUHYLQRWHHGLVHJQLGHJQL IRHGL:LQGVRUWUDHFRQDFXWDDQDOLVLODGHGX]LRQHFKHSHUJHWWDUHLO FDYDOORGL0LODQR/HRQDUGRDYHYDJLjPHVVRDSXQWRROWUHPH]]RVHFRORSULPD GHO &HOOLQL H GHO 9DVDUL LO VLVWHPD GL IXVLRQH D IRUPD FDYD D WDVVHOOL /H VXH DUJRPHQWD]LRQLVRQRVWDWHFRQIHUPDWHDSSLHQRGDXQLQWHURIDVFLFRORGHGLFDWRDOOD IXVLRQH GHO FDYDOOR LQ XQR GHL FRGLFL ULWURYDWL OR VFRUVR DQQR DOOD %LEOLRWHFD 1D]LRQDOHGL0DGULG 5LFRUGHUzTXLGLVHJXLWRXQDOWURVDJJLRGHOODVWHVVD%UXJQROLVXO³%ROOHWWLQR G $UWH´GHOO DQQRVXFFHVVLYRULIHUHQWHVLHVVRSXUHDO/HRQDUGRVFXOWRUHLQUDSSRUWR DO0LFKHODQJHORHODULFRVWUX]LRQHGHOPRQXPHQWRVHSROFUDOHD**7ULYXO]LR WHQWDWDGDO*&DVWHOIUDQFRLQEDVHDOPLQXWLVVLPRSUHYHQWLYRVWHVRGD/HRQDUGRDO IRUDGHO&RG$WOFRQO HOHQFD]LRQHGLRJQLVLQJRODSDUWHHVXHPLVXUH/D ULFRVWUX]LRQH GHO &DVWHOIUDQFR QRQ VL GLVFRVWD PROWR GD TXHOOD JLj SURSRVWD QHO GDO%HOWUDPLVHQRQQHOEDVDPHQWRFKHULVXOWDVHQVLELOPHQWHSLDOWR 1HO YROXPH GL 6DJJL H ULFHUFKH DQFK¶LR SXEEOLFDYR XQ VDJJLR Sulle Acque,VHJXHQGR JOL VWHVVL FULWHUL FURQRORJLFL VX FXL DYHYR LPSRVWDWR GXH DQQL  SULPDODPLDDQWRORJLD$0%5,=,2Leonardo, Scritti scelti XVFLWDLQSXQWXDOH FRQWHPSRUDQHLWjFRQODDHGGLLeonardo omo sanza lettereGHOOD)XPDJDOOLPD QRQVLSXzSLGLYHUVDSHUFDUDWWHULFULWHULHULVXOWDWL/¶LGHDGHOODFURQRORJLDPL HUDQDWDQHOFRUVRGHOODYRURSHUHVLJHQ]DVWHVVDGLFRVH0¶HURPHVVDDOHJJHUHL PVV GL /HRQDUGR H QH HUR ULPDVWD DIIDVFLQDWD PD DQFKH GLVRULHQWDWD &RPH JLXQJHUH DG DIIHUUDUH LO SHQVLHUR LO PRWR GHOOD PHQWH GL /HRQDUGR LQ TXHO JURYLJOLRGLSURSRVL]LRQLGLYHUVHFKHVLDFFDYDOODYDQRLQWHUIHULYDQROHXQHFRQOH DOWUHVSHVVRDSHUWDPHQWHVLFRQWUDGGLFHYDQR"0DLVDUHLULXVFLWDDFDSLUHVHQRQ ULXVFLYRDVWDELOLUHFLzFKH/HRQDUGRDYHYDGHWWRGRSR(FRVuLOILORFURQRORJLFR PLDSSDUYHFRPHLOILORG¶$ULDQQDLQTXHOODELULQWR(DPDQRDPDQRFKHULXVFLYR D GHWHUPLQDUH OD FURQRORJLD GHL SDVVL OHRQDUGHVFKL LO VROR IDWWR GL GLVSRUOL LQ VHTXHQ]D FURQRORJLFD EDVWDYD VHQ]D ELVRJQR GL ORTXDFL H OLULFLFRPPHQWLD FRPSRUUH XQ¶LPPDJLQH EHOOLVVLPD LQ FUHVFHQGR HG HVSDQVLRQH GHOO¶Opus Vincianum GDSSULPD VHPSOLFL DSSXQWL GL ULFHWWH H FRQJHJQL SURPHPRULD GL ERWWHJD H PHVWLHUH SRL YLD YLD JOL VFULWWL VL LQILWWLVFRQR UDPLILFDQR LQYHVWRQR

  $TXHVWHUHOD]LRQLGLUHVWDXURHGLDQDOLVLWHFQLFKHGLVLQJROHRSHUHYLQFLDQHYDQQRDJJLXQWHLa Dame à l’hermine de L. de V. , Étude technologiqueSDU..:,$7.2:6.,9DUVDYLDH0$*8.296.-La de L. da V. à l’Érmitage0RVFD   0 9 %58*12/, Note sul rapporto Leonardo-Michelangelo LQ ³%ROOHWWLQR G¶$UWH´ DSULOHJLXJQR  * &$67(/)5$1&2Il preventivo di L. per il monumento sepolcrale di Gian Giacomo TrivulzioLQ³%ROOHWWLQRG¶$UWH´OXJOLR VHWW  ULSXEEOLFDWR LQ ³6WXGL 9LQFLDQL´ 5RPD  FKH UDFFRJOLH L SULQFLSDOL VDJJL GL &DVWHOIUDQFR VX /HRQDUGR VFULWWLWUDLOHLOULVWDPSDWLVHQ]DDOFXQPXWDPHQWR  $0%5,=,2Scritti scelti di Leonardo da Vinci7RULQRULVWDPSD

  ,Q³/¶$UWH´0LODQRD,QPDU]RSS

DUJRPHQWL HG HVSHULHQ]H VHPSUH SL YDVWH GDOO¶XRPR SDVVDQR DJOL HOHPHQWL DVVXPHQGRVYLOXSSLHLPSOLFD]LRQLVHPSUHPDJJLRUL%DVWDYDVURWRODUHLOILORGHOOD FURQRORJLDHODVFLDUSDUODUH/HRQDUGR )RUVHSHUHVVHUHFRVuVSRJOLDHFRPSRVWDFRQFULWHULGHOWXWWRGLYHUVLGDOOH SUHFHGHQWL DQWRORJLH FKH DYHYDQR VHPSUH SXQWDWR VXL SDVVL SL EHOOL H SL EULOODQWLOHWWHUDULDPHQWHLSLDGDWWLDIDUFLVXFRPPHQWLHGLVFRUVLLQWHUSUHWDWLYL JOLScritti sceltiQRQHEEHURLPPHGLDWDPHQWHPROWDULVRQDQ]D0DSRFKLDQQLGRSR  $&+$67(/ OLJLXGLFDYDla contribution la plus notable des dernières années à l’intelligence de l’Opus Vincianum, e la bonne manière de concevoir l’édition des écrits de Léonard 0D O¶DXVSLFDWD HGL]LRQH GHJOL VFULWWL YLQFLDQL YLVWD QHO VXR FRPSOHVVRVLFDULFDG¶DOWULSUREOHPLDQFRUD  &RQ UDSLGR LQWXLWR DYHYD LPPHGLDWDPHQWH DIIHUUDWR O¶LPSRUWDQ]D GHOO¶HOHPHQWR JHQHUDWRUH GHOOD PLD DQWRORJLD OD FURQRORJLD &3('5(77, FKH PHVVRVL SHU TXHOOD YLD GL OL D SRFKL DQQL SRWHYD JLj GDUH XQ Saggio della cronologia dei fogli del Codice Atlantico, QHOO¶LQVLHPH FHQWUDWR H YDOLGR SXU HVVHQGR LO SULPR WHQWDWLYR JOREDOH IDWWR LQ WDO VHQVR ,O VDJJLR q SXEEOLFDWR LQ DSSHQGLFHD6WXGL9LQFLDQLXQDUDFFROWDGLDUWLFROLJLjDSSDUVLVXGLYHUVHULYLVWH HGLDUWLFROLQXRYLVXDUJRPHQWLYDUL3DUWLFRODUHLQWHUHVVHRIIURQRROWUHDOFLWDWR VDJJLR VXOOD FURQRORJLD GHO &RG $WO TXHOOL VX XQ &RGLFH GL %HQHYHQWR GHOOD *ROSDLD H VXL SURJHWWL GHOOD PDFFKLQD LGUDXOLFD SHU %HUQDUGR 5XFHOODL FKH SURYDQRROWUHLOUHVWRFKH/HRQDUGRV¶DSSOLFzDQFKHDFRVWUXLUHPDFFKLQHHQRQ VROR D GLVHJQDUQH  H LO VDJJLR VX I disegni fantasma del Codice Atlantico XQD FLQTXDQWLQD GL GLVHJQL RJJL D :LQGVRU FKH LO 3HGUHWWL GLPRVWUD ULWDJOLDWL GD 3RPSHR/HRQLGDIRJOLGHO&RGLFH$WODQWLFR/RVWHVVRWHPDDPSOLDWRqWUDWWDWR DQFKHLQXQDSSRVLWRYROXPHRYHLVLQJROLIUDPPHQWLFDWDORJDWLHLOOXVWUDWLDG XQRDGXQRVRQRLQSDUWHULSURGRWWLULFROORFDWLFRQXQIRWRPRQWDJJLRQHOOHODFXQH ODVFLDWHGDOODORURDEOD]LRQHQHLIRJOLRULJLQDULGHO&RGLFH$WODQWLFR ,Q TXHVW¶RSHUD]LRQH GL HVSORUD]LRQH SXQWXDOH H RY¶q SRVVLELOHGL UHLQWHJUD]LRQH QHOOH FRQGL]LRQL RULJLQDULH GHOO¶Opus Vincianum LO 3HGUHWWL DWWLYLVVLPRKDFRQVHJXLWRHFFHOOHQWLULVXOWDWL/¶XOWLPRVXRUDJJLXQJLPHQWRqVWDWD OD ULFRPSRVL]LRQH DGGLULWWXUD GL XQ FRGLFH SHUGXWR LO PV FRQWUDVVHJQDWR /ƒ$ QHOOD OLVWD GHL  PVV DSSRVWD DOOD ILQH GHO &RG 8ELQDWH  GD FXL LO FRPSLODWRUHGHO7UDWWDWRGHOODSLWWXUDKDWUDWWRLSDVVLSHULOWUDWWDWRVWHVVR8Q LQGL]LRFRVuWHQXHFRPHODWUDVFUL]LRQHUHSOLFDWDGXHYROWHSHUHUURUHGHOODVWHVVD ULJDqEDVWDWRDOO¶$SHUGHGXUQHODOXQJKH]]DGHOODULJDHTXLQGLLOIRUPDWRGHO &RGLFH SURVVLPRDTXHOORGHJOLDWWXDOLPVV()* 4XLQGLHJOLKDULXQLWRWXWWLL SDVVLGHO&RG8UELQDWHFRQWUDVVHJQDWLLQPDUJLQH/R$ FROQXPHURGHOIRJOLR  DOWUHWWDQWRKDIDWWRGHLSDVVLXJXDOPHQWHFRQWUDVVHJQDWLQHO&RGLFH/HLFHVWHUHOL KDGLVSRVWLQHOODVHTXHQ]DRULJLQDULD5LVXOWDWRXQFRGLFHGLFDUWH QHPDQFD   $&+$67(/ Les traveaux sur L. de VLQ³%LEOLRWKqTXHG¶+XPDQLVPHHW5HQDLVVDQFH´;;,,  &3('5(77,Studi Vinciani*HQqYH  &3('5(77,Leonardo da Vinci, Fragments at Windsor Castle from the /RQGRQ  &3('5(77,Leonardo da Vinci. On Painting. A lost Book libro A %HUNHOH\DQG/RV$QJHOHV'HOSUREOHPD GHOODFURQRORJLDGHO7UDWWDWRLO3DYHYDFRPLQFLDWRDGRFFXSDUVLGDWHPSR9HGL³/¶$UWH´JHQQDLRJLXJQRH

  ,Q³/¶$UWH´0LODQRD,QPDU]RSS

SHUzFLUFDXQDTXDUDQWLQD ILQRDOIRULIHUHQWLVLDOODSLWWXUDOHDOWUHDOOHDFTXH Ê VWUDRUGLQDULR FRPH QRQRVWDQWH OH ODFXQH LO WHVWR ULWURYDQGR OD VHTXHQ]D RULJLQDULDULWURYLIUHVFKH]]DHPRUGHQWH /DULFRPSRVL]LRQHGHO/ƒ$GDWDELOHDOFLUFDGjDOO¶$XQQXRYR SXQWR GL SDUWHQ]D SHUULSUHQGHUH LOGLVFRUVR VXOO¶LQWHUR 7UDWWDWR GHOOD SLWWXUD /D VXDLQGDJLQHPXRYHVXXQDOLQHDGLULFHUFKHFKHWURYDLVXRLSUHFHGHQWLVRSUDWWXWWR QHJOLVWXGLGHO&DUXVLHGHOOD3LHUDQWRQLHSLWDUGLQHLPLHL   1HOHLO&$586, HOD3,(5$1721, DYHYDQRDYXWRO¶LGHDGLIDUH XQULVFRQWURGHLSDVVLGHO7UDWWDWRGHOODSLWWXUDFRQLPVVDXWRJUDILGL/HRQDUGRH QHDYHYDQRULQWUDFFLDWRFLUFDXQTXDUWRFRQVWDWDQGRLQSDULWHPSRODIHGHOWjGHOOD WUDVFUL]LRQH1HOWXWWRUDRFFXSDWDGDOSUREOHPDGHOODFURQRORJLDLRDYHYR SUHVRLQHVDPHLO&RGLFH8UELQDWHGDOSXQWRGLYLVWDFURQRORJLFRGHGXFHQGRQH FKHDQFKHLOFRPSLODWRUHDYHYDVHJXLWRJURVVRPRGRXQDVXFFHVVLRQHFURQRORJLFD QRQFHUWRSHUFKpVHORIRVVHHVSOLFLWDPHQWHSURSRVWRPDSHUFKp±HTXLLULVFRQWUL &DUXVL3LHUDQWRQL ± PL GDYDQR OD FKLDYH DYHYD FRPLQFLDWR GDL PVV FKH FRQWHQHYDQROHQRWHGLSLWWXUDSLHVWHVHHGHODERUDWHHTXHVWLHUDQRGHOSHULRGR VIRU]HVFR SRL YLD YLD HUD SDVVDWR DL PVV SRVWHULRUL DO  H LQILQH DYHYD UDFFROWROHQRWHSLUDGHHVSDUVHFK¶HUDQRQHLPVVLQWRUQRHGROWUHLO 0D LO /ƒ$ ULFRVWUXLWR GDO 3HGUHWWL GDWDELOH LQWRUQR DO  H FRQWHQHQWH DQFK¶HVVROXQJKHHGHODERUDWHQRWHGLSLWWXUDULDSULYDLOSUREOHPD ( WXWWDYLD DQFKH VH /HRQDUGR q WRUQDWR SL WDUGL VXO WHPD GHOOD SLWWXUD ± FRP¶HUDVROLWRIDUHSHUWDQWLDOWULWHPL±O¶LPSRUWDQWHDOODILQHqGHILQLUHTXDQWR QHOODQXRYDULHODERUD]LRQHqULSUHVRGDOODSUHFHGHQWHHTXDQWRqQXRYR3UHQGRDG HVHPSLRLOOLEURGHO3DUDJRQH/DWHVLGHO3HGUHWWLqFKHLOFRPSLODWRUHGHO7UDWWDWR OR DEELD WUDWWR QRQ GDO 3DUDJRQH FKH /XFD 3DFLROL DWWHVWD VFULWWRDULFKLHVWDGL /XGRYLFR LO 0RUR PD GD XQD UHGD]LRQH SL WDUGD DQ]L DYDQ]D O¶LSRWHVL FKH OD SULPD UHGD]LRQH FRQWHQHVVH VROWDQWR LO SDUDJRQH IUD SLWWXUD H VFXOWXUD ( TXL QRQRVWDQWHLQXRYLDSSRUWLFRQWLQXDDGDSSDULUPLSLSUREDELOHDQFKHDPPHVVD XQD UHGD]LRQH VXFFHVVLYD FKH TXHVW¶XOWLPD LQ VRVWDQ]D QRQ GRYHVVH GLVFRVWDUVL PROWRGDOODSULPD FKHULPDUUHEEHSHUFLzO¶XQLFDFKHYHUDPHQWHLPSRUWL SHUFKpL SHQVLHUL GHO 3DUDJRQH PL VHPEUDQR SL FRQJHQLDOL DOOD VLWXD]LRQH PHQWDOH GL /HRQDUGR LQ SHULRGR VIRU]HVFR FKH GRSR H SHUFKp FLUFRVWDQ]H HVWHUQH SRVVRQR DYHUVWLPRODWRDOORUDLOSDUDJRQHFRQOHDOWUHDUWLVLYHGDLQSURSRVLWRTXDQWRq GHWWRQHOVDJJLRGL&'LRQLVRWWLFLWDWRSLDYDQWL 1HOHHUDQRXVFLWLDQFKHGXHOLEULGLYHQXWLVXELWRVWUXPHQWLG¶XVR LQGLVSHQVDELOL QHJOL VWXGL VXO 7UDWWDWR OD SXEEOLFD]LRQH LQ IDFVLPLOH GHO &RGLFH 8UELQDWHFRQSUHID]LRQHGL/++(<'(15(,&+WUDGX]LRQHLQLQJOHVHHQRWHGL  $3 0F 0$+21  H XQD ELEOLRJUDILD GL WXWWH OH HGL]LRQL D VWDPSD GHO 7UDWWDWR

  (&$586,Per il “Trattato della Pittura” di L. da VLQ³3HULO,9&HQWHQDULRGHOODPRUWHGL/GD9´%HUJDPR  &$3,(5$1721,Studi sul Libro della Pittura di L. da V5RPD  $0%5,=,2Il Trattato della Pittura di LeonardoLQ³6FULWWLGL6WRULDGHOO¶$UWHLQRQRUHGL/LRQHOOR9HQWXUL´5RPD YRO,  Treatise on Painting by Leonardo da Vinci7UDQVOHWHGDQGDQQRWDWHGE\$30&0$+21:LWKDQ,QWURGXFWLRQE\/ ++(<'(15(,&+9RO,textYRO,,Facsimile3ULQFHWRQ

  ,Q³/¶$UWH´0LODQRD,QPDU]RSS

 UHGDWWDGD.767(,1,7= ELEOLRWHFDULDGHOOD(OPHU%HOW/LEUDU\RI9LQFLDQDGL /RV$QJHOHVSUHFHGXWDGDXQDSULPDSDUWHSLQXRYDHGDQFKHSLLPSRUWDQWHLQ FXLVRQRHOHQFDWHHGHVFULWWHFRQULFFKH]]DGLSDUWLFRODULHGLQRWL]LHWXWWHOHFRSLH PDQRVFULWWHGHO7UDWWDWRULQWUDFFLDWHGDOOD6WHLQLW]VWHVVDLQOXQJKHULFHUFKHQHOOH ELEOLRWHFKH GL WXWWR LO PRQGR ,O UDJJUXSSDPHQWR GHOOH YDULH FRSLH q IDWWR FRQ FULWHUL FKH UHQGRQR GLIILFLOH VWDELOLUH IDPLJOLH H JHQHDORJLH PD LO PDWHULDOH q ULFFKLVVLPR H SUH]LRVR/D 67(,1,7= KD FRQWLQXDWR DG DJJLXQJHUH FRQWULEXWL DOOD VXDELEOLRJUDILDDSSRUWLKDQQRUHFDWRDQFKHOD7.$0(16.$<$HULSHWXWDPHQWH  &3('5(77,  $OWULVWXGLRVLKDQQRJXDUGDWRDO7UDWWDWRGHOODSLWWXUDGDDOWULSXQWLGLYLVWD 6LYHGDLQ5DFFROWD9LQFLDQD;,;ODEHOODDQDOLVLFKH05=(3,16.$IDGHL SDVVLULJXDUGDQWLO¶RPEUDHODOXFHQHJOLVFULWWLWDUGLGL/HRQDUGRO¶DUWLFRORqSDUWH GLXQSLYDVWRVWXGLRVFULWWRLQSRODFFRPDFRQXQVXQWRLQIUDQFHVHVXOOHWHRULH GL/HRQDUGRVXOODOXFHRPEUDFRORUHFRQVLGHUDWHVXSDVVLWUDWWLGDLPDQRVFULWWL VHFRQGRODVXFFHVVLRQHFURQRORJLFD 0DLO7UDWWDWRGHOODSLWWXUD±DQFKHODUHGD]LRQHGLJUDQOXQJDODSLHVWHVDH IHGHOHFRQWHQXWDQHO&RGLFH8UELQDWH±QRQqFKHXQDFRPSLOD]LRQHHQRQLQFOXGH WXWWL L SDVVL GL /HRQDUGR FKH ULJXDUGDQR OD SLWWXUD $ &+$67(/ QHO  LQ FROODERUD]LRQHFRQ5./(,1KDWHQWDWRTXHVWDSLYDVWDUDFFROWDGHJOLXQLHGHJOL DOWUL UDJJUXSSDQGROL SHU DUJRPHQWR PD QRQ q GDWR LO WHVWR RULJLQDOH VROR OD WUDGX]LRQH IUDQFHVH  8Q¶DPSLD LQWURGX]LRQH H SUHPHVVH SL EUHYL DL VLQJROL UDJJUXSSDPHQWLPLUDQRDIDUHPHUJHUHODSUREOHPDWLTXHGH/pRQDUGDGDUHGHO WUDWWDWRXQHUHFRQVWUXFWLRQLQWHUQH/DOLQHDLQWHUSUHWDWLYDqQHLJUDQGLWUDWWL TXHOOD VWHVVD VHJXLWD GDOO¶$ QHL FDSLWROL H QHOOH PROWH SDJLQH VSDUVH GHGLFDWH D /HRQDUGR QHO VXR YROXPH VXOO¶DUWH H O¶XPDQHVLPR D )LUHQ]H LQ WHUPLQL FLRq SUHYDOHQWHPHQWH GL QHRSODWRQLVPR LQ FXL WXWWDYLD OD YLYD FRQVDSHYROH]]D GHOO¶$GHOO¶LPSRUWDQWLVVLPRUXRORDYXWRGDOOHERWWHJKHDUWLVWLFKHLQWURGXFHFRPH IRU]DHYHUVLYDODFXOWXUHGHVDWHOLHUVOHVLQWpUrWVFRQFUHWVGHVDWHOLHUV 6HEEHQH QRQ ULJXDUGL GLUHWWDPHQWH LO 7UDWWDWR ± PD ULJXDUGD D IRQGR OD SLWWXUDHODFXOWXUHGHVDWFOLHUV±PLVHPEUDTXLLOSRVWRSHUSDUODUHDQFKHGHJOL VWXGL VXOOD SURVSHWWLYD FKH GD TXDQGR GLHGH ORUR IRUWH LPSXOVR O¶RUPDL FODVVLFR VDJJLRGHO3DQRIVN\GHOProspektive al symbolische FormQHJOLXOWLPLDQQL QRQKDQQRIDWWRFKHFUHVFHUH3HUFKLYRJOLDUHQGHUVLFRQWRGHLGXHSROLHQWURFXL VLPXRYHLOGLEDWWLWRLQGLFKLDPRFRPHSXQWLGLULIHULPHQWRRSSRVWLJOLVWXGLGL-

  .767(,1,7=Leonardo da Vinci. Trattato della Pittura$%LEOLRJUDSK\&RSHQKDJHQ   . 7 67(,1,7= Bibliography never ends « LQ ³5DFFROWD 9LQFLDQD´ ;9,,  ,' Trattato Studies, II. Second supplement LELG ;,;   7 .$0(16.$<$ Le manuscrit du Traité de la Peinture de L. de V. au Musée de l’ÉrmitageLELG;,;&3('5(77,Copies of Leonard’s lost writings in the ms. H. 227 inf. of the Ambrosiana Library0LODQLELG;,;  05=(3,16.$Light and shadow in the late writings of L. da VLQ³5DFFROWD9LQFLDQD´;,;,'Dwa Studia o Teorii Malarskiej L. da V. Deux etudes sur la théorie picturale dans les écrits de L. da V  LQ ³5RF]QLN +LVWRULL 6]WXNL´,,,  $&+$67(/Léonard de Vinci. Traité de la Peinture&OXEGHV/LEUDLUHVGH)UDQFH  $&+$67(/Art et Humanisme à Florence au temps de Laurent le Magnifique3DULV±(GL],W7RULQR

  ,Q³/¶$UWH´0LODQRD,QPDU]RSS

  :+,7( H'*,26()), FKLYRJOLDLQIRUPDUVLVXJOLVYLOXSSLHLSXQWLVDOLHQWLGHO GLEDWWLWRWURYHUjOHPLJOLRULIRQWLG¶LQIRUPD]LRQHQHOVDJJLRGHOOD0'$/$,FKH  DFFRPSDJQDODWUDGX]LRQHLWDOLDQDGHO3$12)6.< HQHOO¶DPSLRUHVRFRQWRGL5  ./(,1  3HUOLPLWDUFL D/HRQDUGR LO SXQWR SLGLEDWWXWRULJXDUGDOD SURVSHWWLYD FXUYD 3L FLUFRVFULWWR H PHQR SUREOHPDWLFR LO WHPD GHOOH DQDPRUIRVL  ,PSRVVLELOH TXL DSSURIRQGLUH L WHUPLQL WHFQLFL H WHRULFL GHO GLEDWWLWR PD YRUUHL UDFFRJOLHUH XQD VXJJHVWLRQH DYDQ]DWD GDO 0$/7(6( DO WHUPLQH GHO VDJJLR GL 5DFFROWD 9LQFLDQD ;,; FLWDWR LQ QRWD Si è dimenticato che la ricerca di conversione delle grandezze angolari in lineari e viceversa riempie di sé la fine del ’400 e tutto il ‘500 e culmina finalmente nell’invenzione di quella proiezione cilindrico-equatoriale isogonica di Mercatore, che … era destinata a permettere di tracciare rettilinee e in piano le curve rotte di navigazione sulla sfera terrestre. È da chiedersi se le meditazioni di L. sulla prospettiva curva non abbiano correlazione colla sua attività di cartografo. ( TXHVWD GRPDQGD LQWURGXFH DG XQ SUREOHPD DQFRU SL YDVWR H FRVu LPSRUWDQWHFKHKRVHQWLWRLOELVRJQRGLSURSRUORQHOODPLDLettura VincianaGHO  SXU FRQVDSHYROH GL QRQ SRWHUOR DQFRUD VYROJHUH DGHJXDWDPHQWH FKH O¶LQWHUHVVH SHU OD SURVSHWWLYD LQ / WUDYDOLFD LO ODWR ILJXUDWLYR GHOOD UDSSUHVHQWD]LRQH GHOOR VSD]LR SHU GLYHQLUH VWUXPHQWR G¶LQGDJLQH H VSHULPHQWD]LRQHVFLHQWLILFDÊTXHVWRLOFROSRG¶DODGL/HRQDUGRSDUDJRQDELOHD TXHOO¶DOWUR GHO %UXQHOOHVFKL DG DSHUWXUD GHO VHFROR TXDQGR VFDUWDQGR GUDVWLFDPHQWH JOL LQQXPHUDELOL FDVL GHOO¶RWWLFD PHGLHYDOH H SXQWDQGR HVFOXVLYDPHQWH VXOO¶DVSHWWR JHRPHWULFR GHOOD SURVSHWWLYD HUD VERFFDWR QHOOD UD]LRQDOL]]D]LRQHGHOODYLVLRQH/HRQDUGRYLFHYHUVDWRUQDDGLQWHUHVVDUVLGHLFDVL H ILVLFL H RWWLFL PD TXHVWD YROWD PXQLWR GL XQ QXRYR VWUXPHQWR GL DQDOLVL H GL PLVXUD]LRQH FRVWDQWH FK¶HJOL QRQ YHGH SL XQLFDPHQWH LQ IXQ]LRQH RWWLFD H UDSSUHVHQWDWLYD PD DSSXQWR GL PLVXUD]LRQH WDQW¶q YHUR FKH O¶DSSOLFD DOOD GHWHUPLQD]LRQH H GL GLVWDQ]H H GL WUDLHWWRULH H GL TXDQWLWj LQ TXHVWH RSHUD]LRQL PRGLILFDQGRSURJUHVVLYDPHQWHDQFKHORVWUXPHQWRFLRqODSURVSHWWLYD6¶LQWHQGH DOORUD FRPH LO VXR EXWWDUVL LQ RJQL GLUH]LRQH LO GLUDPDUVL FRQWLQXR GHOOH VXH    - :+,7( Birth and Rebirth of Pictorial Space /RQGRQ  0D FIU $QFKH LO VDJJLR DQWHULRUH Developments in Renaissance PerspectiveLQ³-RXUQDORIWKH:DUEXUJDQG&RXUWDXOG,QVWLWXWHV´;,,  '*,26()),Perspectiva Artificialis. Per la storia della Prospettiva – Spigolature e Appunti.,VWLWXWRGL6WRULDGHOO¶$UWH 8QLYHUVLWjGL7ULHVWH&IUDQFKHGHOORVWHVVRDXWRUHODYRFHProspettivaQHOO¶(QFLFORS8QLYHUV'HOO¶$UWH´YRO ;,9HQH]LD5RPD  (3$12)6.<La prospettiva come “forma simbolica” e altri scritti0LODQR7UDGLW$FXUDGL*'1(5,FRQ XQDQRWDGL0'$/$,  5./(,1Études sur la prospective à la Renaissance 1956-1963. ,Q³%LEOLRWKqTXHG¶+XPDQLVPHHW5HQDLVVDQFH´W ;;,9LVLDJJLXQJDO¶LQWHUHVVDQWHVDJJLRSXUWURSSRVFULWWRLQUXVVRGL93=8%29VXJOLVWXGLHOHGHULYD]LRQLGL /HRQDUGR GD 9 QHJOL ³$WWL GHOO¶,VWLWXWR GL 6WRULD GHOOD 6FLHQ]D H GHOOD 7HFQLFD GHOO¶$FFDGHPLD GHOOH 6FLHQ]H GHOO¶8566´0RVFDW,   & 0$/7(6( Per Leonardo prospettico LQ ³5DFFROWD 9LQFLDQD´ ;,;  & 3('5(77, Leonardo on curvilinear ProspectiveLQ³%LEOG¶+XPDQLVPHHW5HQDLVVDQFH´;;9LOWHPDqULSUHVRQHOYROFLWL. da V. On Painting 2VVHUYD]LRQL VSRUDGLFKH VXOOD SURVSHWWLYD GL /HRQDUGR DQFKH LQ 3 6$13$2/(6, Studi di prospettiva LQ ³5DFFROWD 9LQFLDQD´;9,,,)RQGDPHQWDOHSHULOPDWHULDOHSURSRVWRHLOFRPPHQWR(3$12)6.<The Codex Huygens and L. da V.’s Art Theory/RQGRQ  &3('5(77,Un soggetto anamorficoLQ³6WXGL9LQFLDQL´*LQHYUD  $0%5,=,2Razzi incidenti e razzi refressi. III Lettura Vinciana 9LQFLDSULOH )LUHQ]H

  ,Q³/¶$UWH´0LODQRD,QPDU]RSS

ULFHUFKHQRQIRVVHURXQDGLVSHUVLRQHPDXQDQHFHVVLWjLQWULQVHFDGHOSURFHVVRH FRPH O¶LQFRPSLXWH]]D H VSHVVR O¶LQFRQFOXGHQ]D GHL VXRL WHQWDWLYL IRVVHUR DQFK¶HVVH OR VFRWWR LQHYLWDELOH GD SDJDUH SHU XQ¶RSHUD]LRQH GL FRVu LPPHQVR UDJJLR H SRUWDWD WXWWD GD IRQGDUH O¶LPSRUWDQWH HUD GL RULHQWDUH LQ TXHO VHQVR OD ULFHUFD(O¶RULHQWDPHQWRGL/qVWDWRGHWHUPLQDQWHSHULVHFROLIXWXUL 5HVWHUHEEH SULPD GL FKLXGHUH LO GLVFRUVR VXO 7UDWWDWR GD DFFHQQDUH DO SUHFHGHQWHGHOO¶$OEHUWLIRQGDPHQWDOHSHU/HRQDUGR5LPDQGLDPRSHUTXHVWDSDUWH  DJOL VWXGL GHO &/$5.HGHOOR=28%29  ULFRUGDQGR SHU LQFLVR FKH PHQWUH QHL FRGLFL OHRQDUGHVFKL ILQRUD FRQRVFLXWL LO QRPH GHOO¶$OEHUWL QRQ DSSDULYD HVVR DSSDUHQHOOXQJRLPSRUWDQWLVVLPRHOHQFRGLOLEULFRQWHQXWRLQXQRGHLFRGLFLGL 0DGULG 'D TXDQWR GHWWR PL SDUH JLj ULVXOWL OD ULFFKH]]D GL WHPL H GLODYRUR GHJOL VWXGL YLQFLDQL G¶RJJL H LO ORUR SUHYDOHQWH LQGLUL]]R 0D O¶DUJRPHQWR q OXQJL GDOO¶HVVHUH HVDXULWR 2OWUH DJOL VWXGL JLj ULFRUGDWL VXJOL HOHPHQWL JUDPPDWLFDOL H OHVVLFDOL H VXL UHEXV GL /HRQDUGR q GD GDU ULOLHYR DOOD RSHUD FRPSOHVVLYD G¶HVSORUD]LRQHDODUJRUDJJLRFKHLO0$5,121,FRQWLQXDDFRQGXUUHHQWURLWHVWL YLQFLDQL 5HFHQWHPHQWH HJOL KD SUHVR DG HVDPLQDUH VLVWHPDWLFDPHQWH WXWWH OH RSHUD]LRQL DULWPHWLFKH VSDUVH QHL YDUL PDQRVFULWWL D FRPLQFLDUH GDO &RG $UXQGHO Nulla da dire sul modo di eseguire la somma e la sottrazione; poco sulla moltiplicazione: molto sulla divisioneSHUODTXDOHLO0DULQRQLqULXVFLWRD ULFRVWUXLUHLSURFHGLPHQWLVHJXLWLGD/HRQDUGRDVVDLGLYHUVLGDLQRVWUL ,Q XQ VHFRQGR DUWLFROR VRQR L QXPHUL IUD]LRQDUL RJJHWWR GHOO¶HVDPH GHO 0DULQRQL FKH SURYD FRGLFL DOOD PDQR FKH /HRQDUGR VROR LQWRUQR DL FLQTXDQW¶DQQLLPSDUzGD/XFD3DFLROLDFDOFRODUHOHIUD]LRQLFLzFKHDJJLXQJHXQ DOWUR DUJRPHQWR D GLPRVWUDUH L OLPLWL GHOOH VXH FRQRVFHQ]H PDWHPDWLFKH /¶DYHU LQGLYLGXDWR LO PHWRGR GL FDOFROR GLYLVLRQDOH GL /HRQDUGR Gj LQROWUH DO 0DULQRQL XQDFKLDYHSHUODGDWD]LRQHGLSDUHFFKLIRJOLHJOLSHUPHWWHGLFRUUHJJHUHPROWL HUURUL QHOOD WUDVFUL]LRQH GHO FRGLFH $UXQGHO SXEEOLFDWD GDOOD &RPPLVVLRQH 9LQFLDQDFRQWULEXWRQRWHYROHDTXHOODSLFRUUHWWDHGL]LRQHGHLWHVWLGL/HRQDUGR FKHVWDSXUVHPSUHLQFLPDDLVXRLHDLQRVWULSHQVLHUL (TXLVRUJHLOJURVVRSUREOHPDGHLFULWHULGDVHJXLUHQHOOHWUDVFUL]LRQLFKH GRYUj HVVHUH DIIURQWDWR GLUHWWDPHQWH H D IRQGR VH FRPH VL VSHUD SRWUj HVVHUH ULDWWLYDWDOD&RPPLVVLRQH9LQFLDQD,FULWHULGHO0DULQRQL±QRQSHUFKpVLDQRVROR VXRLPDSHUFKpHJOLPHJOLRG¶RJQLDOWURYLQFLDQROLLPSHUVRQDQHOODVXDDXWRULWj GLILORORJR±WURYDQRGLVVHQ]LHQWHO¶DOWURPDJJLRUOHWWRUHYLQFLDQR1'(721,D FXLODIDPLOLDULWjFRQODVFULWWXUDGL/HRQDUGRGLVFHQGHSHUOLUDPLHVVHQGRHJOL ILJOLRGL*LDQ%DWWLVWD0DLQJHJQHUHHQRQILORORJRHJOLPRVWUDLQWROOHUDQ]DGHL ULJRULILORORJLFLHSDUWHJJLDSHUXQDWUDVFUL]LRQH±PDVDUHEEHSLDSSURSULDWRGLUOD

  &IU.&/$5.L. B. Alberti on PaintingLQ³3URFHGLQJRIWKH%ULWLVK$FDGHP\´;;;93=28%29Léon- Battista Alberti et L. de VLQ³5DFFROWD9LQFLDQD´;9,,,3HUODVWHVVDTXHVWLRQHGDDOWURSXQWRGLYLVWDFIU DQFKH&',21,6277,art. citSLDYDQWL   $ 0$5,121, Le operazioni aritmetiche nei Manoscritti Vinciani±Parte I. Il Codice Arundel ³5DFFROWD 9LQFLDQD´;,;  ,' La teoria dei numeri frazionari nei manoscritti vinciani. Leonardo e Luca Pacioli LQ ³5DFFROWD9LQFLDQD´;;

  ,Q³/¶$UWH´0LODQRD,QPDU]RSS

WUDGX]LRQH ± LQ LWDOLDQR PRGHUQR LQFXUDQWH GHOO¶DOWHUD]LRQH LQWULQVHFD FKH QH YLHQHDOVDSRUHSLDXWHQWLFRHRULJLQDOHGHOGHWWDWROHRQDUGHVFR 8Q VDJJLR GL TXHVWR VXR PRGR GL WUDVFULYHUH HJOL KD RIIHUWR QHOOD QXRYD HGL]LRQHGHLFRGLFLGHOO¶,QVWLWXWGH)UDQFHSURPRVVDGD$&RUEHDXDQRPH GHOO¶,QVWLWXW  /pRQDUG GH 9LQFL G¶$PERLVH GL FXL VRQR XVFLWL ILQRUD L &RGLFL %&'1HPPHQRODULSURGX]LRQHLQIDFVLPLOHVHJXHLPRGXOLGHOOHSUHFHGHQWL HGL]LRQL GHOOD &RPPLVVLRQH 9LQFLDQD PD TXHVWD YROWD VL WUDWWD GL XQ PLJOLRUDPHQWRFKHqDXVSLFDELOHYHQJDVHJXLWRFRLQHFHVVDULSHUIH]LRQDPHQWLLO FRGLFHqULSURGRWWRLQYROXPHDSDUWHLGHQWLFRDOO¶RULJLQDOHFLzFKHSHUPHWWHGL PHJOLRFRJOLHUQHWXWWLLGDWLGLVWUXWWXUDHLPSDJLQD]LRQH'DDFFRJOLHUHDQFKHLO SURJHWWRG¶XQLQGLFHJHQHUDOHVDOYRDSSURIRQGLUHLFULWHULHLPHWRGLGDVHJXLUH /¶LQGLVFXVVD SULRULWj GHO 0$5,121, LQ FDPSR GL ILORORJLD YLQFLDQD JOL q YDOVDGLWHQHUHQHOODSULPDGHOOH/HWWXUH9LQFLDQHD9LQFLSURPRVVHGDO &RPXQHHGDOOD%LEOLRWHFD/HRQDUGLDQDGL9LQFLGLUHWWDGD5HQ]R&LDQFKLFKHKD VDSXWR IDUQH XQ FHQWUR GL VWXGL H GL LQFRQWUL YLYDFLVVLPR H GDOO¶(QWH 5DFFROWD 9LQFLDQD GL 0LODQR (VVH VL ULSHWRQR GL DQQR LQ DQQR QHO JLRUQR QDWDOH GL /HRQDUGR H VRQR GLYHQXWH RUPDL XQ¶LVWLWX]LRQH ,O SDVVR VFHOWR GDO 0DULQRQL /¶HVVHUH GHO QXOOD q GD OXL FRPPHQWDWR HQWUR XQD ILWWD UHWH GL ULFKLDPL H FRQIURQWLFRQILQLVVLPHDQDOLVLGHOSHQVLHUROHRQDUGHVFRSRLFKpLO0DULQRQLSXU SRQHQGRDOFHQWURGHLVXRLVWXGLXQODYRURHVVHQ]LDOPHQWHILORORJLFRQRQVLqPDL QHJDWR DOOD PHGLWD]LRQH FULWLFD H LQWHUSUHWDWLYD GHO SHQVLHUR HGHOODILJXUDGL /HRQDUGRVLYHGDQRLFDSLWROLGHGLFDWLD/HRQDUGRQHOYROXPHGHL0LQRULQHOOD 6WRULD GHOOD OHWWHUDWXUD 0LODQR  H TXHOOL QHOOD *UDQGH $QWRORJLD )LORVRILFD 0LODQR  LQ FXL O¶LQWHUSUHWD]LRQH GHO SHQVLHUR OHRQDUGHVFR VL GHWHUPLQD LQ PRGR GLDOHWWLFR DWWUDYHUVR LO GLEDWWLWR H OD FRQWHVWD]LRQH GL JLXGL]L GDWLGDDOWULVWXGLRVLFRLTXDOLLO0DULQRQLQRQULIXJJHGDOYHQLUHWDOYROWDLQDSHUWD HYLYDFHSROHPLFDFRPHqDYYHQXWRFRO7URLORDGHVHPSLRRFRQOD)XPDJDOOLOD TXDOHKDFRQWLQXDWRILQRDOO¶XOWLPRFRQQRQPDLVSHQWRIHUYRUHDSRUWDUFRQWULEXWL DJOLVWXGLYLQFLDQLDOFXQLQRWHYROLFRPHORVWXGLRVXOOHPDVFKHUDWHGL/HRQDUGR DOWULSLGLVFXWLELOLFRPHO¶DFFRVWDPHQWRIUD/HRQDUGRH3ROL]LDQRDSHUWDPHQWH HYLYDFHPHQWHFRQWHVWDWRGDXQRVWXGLRVRFKHYLQFLDQRQRQqPDFKHQHOODVXD LQFXUVLRQHLQFDPSRYLQFLDQRKDSRUWDWRO¶DXWRULWjGLXQDHFFH]LRQDOHFRQRVFHQ]D GHOOD OHWWHUDWXUD TXDWWURFHQWHVFD H GHO 3ROL]LDQR LQ LVSHFLH ,O VDJJLR GL &  ',21,6277,  VXRQD SROHPLFR ILQ GDO WLWROR Leonardo uomo di lettere FKH   Léonard de Vinci, Manuscrit B de l’Institut de France WUDG)UDQoDLVHGH)$87+,(57UDQFULSWLRQGH1'(721, LQWURGXFWLRQG¶$&285%$8 *UHQREOHL. de V., Manuscrit C et manuscript D HWFFRPHVRSUD *UHQREOH   $0$5,121,L’essere del nulla – dal Cod. Arundel fo.r±,/HWWXUD9LQFLDQD 9LQFLDSULOH LQ ³5LQDVFLPHQWR´;,   $ 0$5,121, Leonardo da Vinci LQ ³/HWWHUDWXUD ,WDOLDQD , 0LQRUL´ 0LODQR  ,' Leonardo da Vinci QHOOD ³*UDQGH $QWRORJLD )LORVRILFD´ GLUHWWD GD 0 ) 6&,$&&$ YRO 9, 0LODQR  LG L’interpretazione del pensiero leonardesco in E. TroiloLQ³5DFFROWD9LQFLDQD´;9,,,,'Ancora su LeonardoHWFLQ³&RQYLYLXP´QU   *)80$*$//,Gli “omini salvatichi” di LeonardoLQ³5DFFROWD9LQFLDQD´;9,,,LGLeonardo e PolizianoLQ ³,O 3ROL]LDQR H LO VXR WHPSR ± $WWL GHO ,9 &RQYHJQR ,QW 'L 6WXGL VXO 5LQDVFLPHQWR´ )LUHQ]H  VHWW   )LUHQ]H  &',21,6277,Leonardo, uomo di lettereLQ³,WDOLD0HGLHYDOHH8PDQLVWLFD´9

  ,Q³/¶$UWH´0LODQRD,QPDU]RSS

LPPHGLDWDPHQWH ULFKLDPD LO Leonardo omo sanza lettere GHOOD )XPDJDOOL 0D O¶LQYHUVLRQHGDQHJDWLYDDSRVLWLYDqVRORQHOODIRUPDJUDPPDWLFDOH,QUHDOWjTXHO VDQ]DOHWWHUHqSHUOD)XPDJDOOLXQDUWLILFLRUHWRULFRSHUSUHQGHUHORVODQFLRDG XQD HVDOWD]LRQH VHQ]D OLPLWL GHOOD SURVD OLULFD GL /HRQDUGR HOD GHILQL]LRQH FKH 'LRQLVRWWLGjGHOOHOHWWHUHGL/HRQDUGRULVXOWDDGXQDORURDQFKHWURSSRGUDVWLFD ULGX]LRQHDOLYHOORSRSRODUHJJLDQWH0DqXQJRGLPHQWRVHJXLUHLOVXRGLVFRUVRSHU WXWWL L PHDQGUL GHOOD OHWWHUDWXUD PLQRUH GHO 4XDWWURFHQWR JUHPLWR GL ULIHULPHQWL SXQWXDOLHGLLQFLVLYHDQDOLVL3HUXQDSLDPSLDGLVDPLQDVLYHGDODPLDOXQJD UHFHQVLRQHLQ5DFFROWD9LQFLDQD;;LQFXLIDFHYRWXWWDYLDREELH]LRQHDO UDSSRUWR LVWLWXLWR GDOO¶$ IUD OD SXEEOLFD]LRQH GHO YROJDUL]]DPHQWR DG RSHUD GHO /DQGLQRGHO'H*HVWLV)UDQFLVFL6IRUWLDHGHO6LPRQHWWDVWDPSDWRD0LODQRQHO OHLOPDQLIHVWDUVLGHOODYRFD]LRQHOHWWHUDULDGL/HRQDUGR/HRQDUGRDYHYDJLj FRPLQFLDWRTXDOFKHDQQRSULPDDVFULYHUHL&RGLFL%H7ULYXO]LDQRVRQRHQWUDPEL DQWHULRULDO Ê ULPDVWR ILQRUD IXRUL GHOOH PDJOLH GHO GLVFRUVR XQ OLEUR FKH LQ HIIHWWL HVRUELWD GHO WXWWR GDOOH GLUHWWULFL GHJOL DWWXDOL VWXGL YLQFLDQL LO YROXPH GL -  *$171(5VXOOHYLVLRQLOHRQDUGHVFKHGLGLOXYLHFDWDFOLVPL 3HUHVVHUHPHVVRD IXRFRHVVRDQGUHEEHSLXWWRVWRULIHULWRDOFRQWHVWRGHLSURFHVVLPHQWDOLGHOVXR$H DL ORUR FRQFDWHQDPHQWL TXDOL VL FROJRQR DQFKH LQ 5RGLQ XQG 0LFKHODQJHOR 9LHQQD   H LQ DOFXQL VDJJL GHO YROXPH 6FKLFNVDOH GHO¶0HQVKHQELOGHU %HUQD   ,O WHVWR GHOOH /HRQDUGRV 9LVLRQHQ q ULFFR GL XQD TXDQWLWj GL QRWD]LRQL DFXWH H SHQHWUDQWL OD FRVWDQWH FRUUHOD]LRQH IUD FUHD]LRQH DUWLVWLFD H FUHD]LRQHVFLHQWLILFDQHOO¶RSHUDOHRQDUGHVFDODSHUSHWXDWUDVPXWD]LRQHGHOOHVXH IRUPH H LO YDORUH LQ Vp GHOO¶RSHUD FKH SUHFHGH O¶RSHUD ILQLWD GLVHJQL DEER]]L IUDPPHQWLO¶XQDHO¶DOWUDUHFLSURFDPHQWHLQSHUSHWXRFRQIOXLUH0DLOFRQFHWWRGL SUHILJXUD]LRQH FRVu FRPH q LQWHVR GDOO¶$ DEELVRJQHUHEEH GL XQD OXQJD GLVFXVVLRQH FIUODPLDUHFHQVLRQHLQ5DFFROWD9LQFLDQD;9,,, $QFKH O¶DYHUFHQWUDWRWXWWRLOGLVFRUVRLQWHUSUHWDWLYRGL/HRQDUGRVXOO¶LGHDGHOOHYLVLRQL FRVPLFKHSUHFLSLWDQWLLQFDWDFOLVPLPLVHPEUDWHQGHQ]LRVRHDOODILQHVYLDQWH 7DQWL DOWUL WHPL H ULVXOWDWL DQFRUD GHJOL VWXGL YLQFLDQL UHFHQWL UHVWDQR GD LQGLFDUH QRQRVWDQWH O¶DPSLH]]D FKH KD JLj DVVXQWR TXHVWD UDVVHJQD (UR SDUWLWD VRWWROLQHDQGR O¶LPSRUWDQ]D GHOO¶HVSORUD]LRQH VFLHQWLILFD H WHFQRORJLFD GHL PVV OHRQDUGHVFKLHVRQRJLXQWDILQTXLDYHQGRQHVROWDQWRVDOWXDULDPHQWHSDUODWR/D UDJLRQHqXQLFDPHQWHODPLD PROWRPLQRUFRPSHWHQ]DLQTXHVWRFDPSRFKHPL SHUPHWWHVROWDQWRDFFHQQLLQIRUPDWLYLHQRQUHDOLDSSURIRQGLPHQWL 0DGLGXHVDJJLGL/5(7,JLjULFRUGDWRSHULVXRLVWXGLVXOODFKLPLFDGL /HRQDUGR YRUUHL DQFRUD SDUODUH DQFKH SHU O¶LQWHUHVVH GHL SURFHGLPHQWL VHJXLWL ROWUH FKH SHU L ULVXOWDWL ,O SULPR SDUWH GD XQR VSXQWR DVVDL OLPLWDWR O¶LGHQWLILFD]LRQH GHOOR VWUXPHQWR VX FXL q LQILVVD OD EXVVROD QHL GXH GLVHJQL GL :LQGVRUQHFRPHGLXQDJLUDQWHLGUDXOLFDRQGHULFHYHSLLQWHQVR   -*$171(5Leonardos Visionen von der Sintflut und von Untergang der Welt%HUQ  /5(7,³Non si volta chi a stella è fisso´LQ³%LEOLRWKqTXHG¶+XPDQLVPHHW5HQDLVVDQFH´;;,,'³Tracce dei progetti perduti di Filippo Brunelleschi nel Cod. Atl. di L. da Vinci, IV Lettura Vinciana 9LQFL  DSULOH   )LUHQ]H

  ,Q³/¶$UWH´0LODQRD,QPDU]RSS

VLJQLILFDWRLOPRWWRGHOO¶LPSUHVDGHVWLQDWRULJRUH,QWRUQRDTXHVWRQXFOHRO¶$ VYROJH SRL O¶DQDOLVL DQFKH GL DOWUL GLVHJQL IUD L TXDOL LO IDPRVR Q  GL :LQGVRU FRQ LO OXSR LQ EDUFD H G¶DOWUL PHFFDQLVPL IUD FXL XQ RULROR DG DFTXD /¶DOWURVXRVWXGLRFKHKDFRVWLWXLWRLOWHPDGHOOD,9/HWWXUD9LQFLDQDULPRQWD DWWUDYHUVRXQDVHULHGLGLVHJQLVLPLOLIUDORURGHO7DFFRODGL%RQDFFRUVR*KLEHUWL GL*LXOLDQRGD6DQJDOORHLQILQHGHOJLRYDQH/HRQDUGR LQIRJOLGHO&RG$WO  ILQRDLGLVHJQLSHUGXWLGHO%UXQHOOHVFKLGHLFRQJHJQLGDOXLLQYHQWDWLSHUYROWDUHOD FXSRODRPHJOLRSHUDO]DUHILQRDTXHOOHDOWH]]HLPDWHULDOLVSHVVRSHVDQWLVVLPL SHUODFXSRODHODODQWHUQD1HULVXOWDXQDLPPDJLQHDVVDLLOOXPLQDQWHGHOOHDWWLYLWj PHFFDQLFKHFKHVLVYROJHYDQRQHOOHERWWHJKHILRUHQWLQHHGHOSHUGXUDQWHLQIOXVVR GHOOHJUDQGLLQYHQ]LRQLEUXQHOOHVFKLDQHSHUWXWWRLO4XDWWURFHQWR'HJOLDOWULVWXGL  GHO5(7,PLOLPLWRDFLWDUHTXDOFKHWLWRORLQQRWD  /D9/HWWXUD9LQFLDQDIXWHQXWDO¶DQQRVXFFHVVLYRGD1'(721,FKHWUDWWz XQWHPDSUHWWDPHQWHFDUWRJUDILFRLOOXVWUDQGRHLQWHUSUHWDQGRLULOLHYLGHOPV/SHU &HVHQD H 8UELQR /¶$ DYHYD JLj VWXGLDWR L ULOLHYL WRSRJUDILFL GL &HVHQD FRQ  ULIHULPHQWLDSUHFHGHQWLULFHUFKHGHO'¶$55,*2VX&HVHQDWLFR  $VHJXLWRGHJOLVWXGLVXOO¶DQDWRPLDGL/HRQDUGRFLWDWLDOO¶LQL]LRPLOLPLWHUz D ULFRUGDUH TXHOOL GL ( %(/7 SHU JOL DOWUL ULPDQGDQGR DOOD ELEOLRJUDILD GL ³5DFFROWD9LQFLDQD´;9,,;; 8Q¶RSHUDGLDOWRYDORUHVXOODVFLHQ]DHODWHFQLFDGL/HRQDUGRqO¶DQWRORJLD GLEUDQLVFLHQWLILFLGL/HRQDUGRVFHOWLGD93=8%29HGDOXLLOOXVWUDWLFRQXQ FRPPHQWRDFLDVFXQRGHLFDSLWROLLQFXLVRQRUDJJUXSSDWLSHUDUJRPHQWRHFRQ XQ OXQJR DUWLFROR FRPSOHVVLYR $WWXDOPHQWH LO SL DWWLYR FXOWRUH GL VWXGL OHRQDUGHVFKL LQ 5XVVLD q 0$ *8.296.- DVVLGXR FROODERUDWRUH GL 5DFFROWD 9LQFLDQD 8Q YROXPHWWR GDO GHWWDWR GL WRQR GLYXOJDWLYR PD LQ FXL q LQYHFH UDFFKLXVDXQDDFFXUDWLVVLPDLQIRUPD]LRQH±VLOHJJDQRVRSUDWWXWWROHOXQJKHQRWH± HXQDVHULDPHGLWD]LRQHGHOO¶DUJRPHQWRqTXHOORGL/%8/)(5(77,VX/HRQDUGR VFLHQ]LDWR9LVWRULDVVXQWLYDPHQWHQHOVXRFRPSOHVVR 1RQULHQWUDQRDSURSULDPHQWHSDUODUHQHOODFDWHJRULDGHJOLVWXGLVFLHQWLILFL JOLVWXGLVXOODPXVLFDLQ/HRQDUGR LQYHURDVVDLVFDUVLILQRDJOLXOWLPLWHPSL PD SRLFKpGLPDVVLPDHVVLVLULIHULVFRQRDJOLVWUXPHQWLPXVLFDOLGDOXLLQYHQWDWLH GLVHJQDWLODORURPHQ]LRQHSXzEHQWURYDUHTXLLOVXRSRVWRDVHJXLWRGHJOLVWXGL GL PHFFDQLFD ,O PHULWR SULQFLSDOH QH YD D ( :,17(51,7=FKHLQWUHVDJJLVX ³5DFFROWD9LQFLDQD´KDVWXGLDWRXQDVHULHGLGLVHJQLVSDUVLLQXQDGHFLQDGLIRJOL GHL &RG % + $WO H $UXQGHO H OL KD ULIHULWL D WUH WLSL GL VWUXPHQWL OD YLROD    / 5(7, L. da V. nella storia della macchina a vapore LQ ³5LYLVWD G¶LQJHJQHULD´ JHQQIHEE  ,' Il mistero dell’”Architronitro”.,Q³5DFFROWD9LQFLDQD´;,;,'Helicopters and whirlingsLELG;;  1'(721,L. da Vinci e i rilievi topografici di CesenaLQ³6WXGL5RPDJQROL´9,,,,'I rilievi cartografici di L. per Cesena e Urbino nel ms. L. dell’Ist. Di Francia9/HWWXUD9LQFLDQD 9LQFLDSULOH )LUHQ]H  $'¶$55,*2L. da Vinci e il regime della spiaggia di CesenaticoLQ³$QQDOLGHL/DYRUL3XEEOLFL´IDVF;,H;,, HIDVF,9LGUn frammento inedito di L. sul moto ondosoLQ³5LYLVWD0DULWWLPD´QRY  Leonardo da Vinci – Isbrannie estestvennonauchie proisvedenia Opere scientifiche scelte di L. da V.  ± Redazione, traduzione, saggio e commentari di93=8%29$FFDGHPLDGHOOH6FLHQ]HGHOO¶85660RVFD  0$*8.296.-Contribution à l’étude de la méthode scientifique de L. de VLQ³5DFFROWD9LQFLDQD´;,;,' Bibl. degli scritti in lingua russa apparsi negli anni 1952-59 su L. d. VLELGHP;,;  /%8/)(55(77,Leonardo. L’uomo e lo scienziato7RULQR

  ,Q³/¶$UWH´0LODQRD,QPDU]RSS

RUJDQLVWD JLjLGHQWLILFDWDPROWLDQQLIDGDOOR=$00$77,2YLOYROXPHLeonardo da Vinci1RYDUD YDULWLSLGLWDPEXUL ³PHORGLFFKRUGDODQGRWKHUV´ H PHFFDQLVPLDFKLDYHWWDSHUVWUXPHQWLDILDWR ( LQILQH ULPDQJRQR GD FRQVLGHUDUH JOL VWXGL FKHLQ SDVVDWRVDUHEEHUR VWDWL IDWWLSUHFHGHUHDGRJQLDOWURTXHOOLVSHFLILFDPHQWHGHGLFDWLDOODSLWWXUDRVFXOWXUDR DUFKLWHWWXUD ,O ELODQFLR SL VFDUVR WRFFD IRUVH DOOD SLWWXUD ±EHQLQWHVRRYHVL HVFOXGDQR OH PRQRJUDILH R L FDSLWROL GHGLFDWL D /HRQDUGR LQ VWRULH SL JHQHUDOL WLSR LO JLj FLWDWR Art et HumanismeL  GL &KDVWHO FXL YDQQR DJJLXQWL L FDSLWROL GHGLFDWL D /HRQDUGR QHO UHFHQWH YROXPH GL 6 - )5(('%(5* VXOOD ³+LJK 5HQDLVVDQFH´'DULFRUGDUHDQFKHLOEUHYHPDDVVDLPHGLWDWRYROXPHWWRGL*  &$67(/)5$1&2 HOHDQDOLVLVHPSUHDFXWHHILQLGL.&/$5.LQYDULDUWLFROLH VDJJLROWUHFKHQHOODJLjFLWDWDPRQRJUDILD $QGUj SRL ULSUHVR H GLEDWWXWR LO WHPD GL SULPDULD LPSRUWDQ]D DIIURQWDWR GDOOR 6+($50$1 GHO FRORUH H FKLDURVFXUR GL /HRQDUGR PD ULWHQJR WUDVSRQHQGROR VX XQ SLDQR SL HVSOLFLWDPHQWH VWRULFR ,QWHUHVVDQWL VWXGL  SDUWLFRODUL VRQR VWDWL GHGLFDWL D SLWWXUH VLQJROH GL /HRQDUGR & *28/' KD DYDQ]DWR LSRWHVL VXOOD ULFRVWUX]LRQH GHO JUXSSR FHQWUDOH GHOOD ORWWD LQWRUQR DOOR VWHQGDUGRQHOOD³%DWWDJOLDGL$QJKLDUL´XQWHPDFKHqVHPSUHDOO¶DWWHQ]LRQHGHL YLQFLDQL2.85=KDSXEEOLFDWRXQGLVHJQRSURSULHWjGHOFRQWH5XFHOODLFKHSHU HVVHUH YLFLQLVVLPR DOO¶RULJLQDOHULYHVWH SDUWLFRODUH YDORUH GL WHVWLPRQLDQ]DH KD LPSRVWDWRFRQO¶DELWXDOHULJRUHLOSUREOHPDGHOOHFRSLHJLXQWHILQRDQRLGHOODORUR FURQRORJLDGHOORURJUDGRGLIHGHOWj,QTXHVWRVWHVVRIDVFLFRORGH³/¶$UWH´OD QRWDGHO3HGUHWWLDGHULVFHDOOHFRQFOXVLRQLGHO.XU] 6FDUVD ULVRQDQ]D KD DYXWR IUD L YLQFLDQL OD VFRSHUWD GHL JUDQGLIUDPPHQWL PRQRFURPL GL UDGLFL URFFH H XQ SULQFLSLR GL WURQFR FKH SXU VRQR DVVDL EHOOL YHQXWLLQOXFHGXUDQWHODYRULGLUHVWDXURVXXQDSDUHWHGHOOD6DODGHOOH$VVHQHO &DVWHOOR 6IRU]HVFR 1XPHURVH OH SXEEOLFD]LRQL GL GLVHJQL LQHGLWL D 1DQWHV %D\RQQH:HLPDUHFF WDOYROWDVLWUDWWDVRORGHLYHUVLGLGLVHJQLFRQRVFLXWL DG RSHUD GL 5 &LDQFKL & 3HGUHWWL & GH 7ROQD\ 1HOO¶DUWLFROR GL & '( 72/1$< O¶DWWULEX]LRQH SL LQWHUHVVDQWH FKp GL DWWULEX]LRQH VL WUDWWD QRQ GL LQHGLWR  VL ULIHULVFH DO 6 *LRYDQQL %DWWLVWD GHO PXVHR GHO 6DQWXDULR GHO 6DFUR 0RQWH GL 9DUHVH ILQRUD WURSSR WUDVFXUDWR FKH q LQYHFH GL TXDOLWj DVVDL DOWD GD HVVHUH XOWHULRUPHQWH VWXGLDWR 9LFHYHUVD LR KR UHVSLQWR O¶DWWULEX]LRQH D /HRQDUGR GHO   (:,17(51,7=Leonardo’s invention of the viola organista,'Melodic, choral and others drums invented by L.da V ,'Leonardo’s invention of key-mechanism for wind-instrumentsWXWWLHWUHLVDJJLLQ³5DFFROWD9LQFLDQD´;;  6-)5(('%(5*Painting of the High Renaissance in Rome and Florence&DPEULGJH  *&$67(/)5$1&2La pittura di L. da V0LODQR  .&/$5.Looking at Pictures/RQGRQ  -6+(50$1Leonardo’s colour and chiaro-scuroLQ³=HLWVFKULIWIU.XQVWJHVFKLFKWH´  &*28/'L.‘s great Battle-Piece. A conjectural ReconstructionLQ³$UW%XOOHWLQ´   2 .85= An early copy of the Battle of Anghiari LQ ³5DFFROWD 9LQFLDQD´ ;,;  LG Dürer, Leonard and the invention of the elipsograph, e Forgeries of marginal drawings in the style of L. da VLQ³5DFFROWD9LQFLDQD´;9,,,   &%$521,Tracce leonardesche recuperate al Castello SforzescoLQ³5HQGLFRQWLGHOO¶,VW/RPEDUGRGL6FLHQ]HH /HWWHUH´  &+'(72/1$<Quelques dessins inédits de L. de VLQ³5DFFROWD9LQFLDQD´;,;

  ,Q³/¶$UWH´0LODQRD,QPDU]RSS

EHQQRWRGLVHJQRGHOO¶$FFDGHPLDGL9HQH]LDSHUO¶Ultima CenaJLXGLFDQGRORXQD IDOVLILFD]LRQH FRPH JLj DYHYD SHQVDWR * 1LFRGHPL /+ +(<'(15(,&+ LQ XQ HUXGLWR DUWLFROR GL 5DFFROWD 9LQFLDQD DWWUDYHUVR LO FRQIURQWR G¶XQD VHULH GL GHULYD]LRQL ULVDOH FRQJHWWXUDOPHQWH D XQ SURWRWLSR OHRQDUGHVFRGHO6DOYDWRU 0XQGL ,Q DOWUR VDJJLR GHGLFDWR DOOH VWDWXH HTXHVWUL GHO 0DUFR$XUHOLRHGHO 5HJLVROH GL 3DYLD ULFRVWUXLVFH DWWUDYHUVR L ULFRUGL LFRQRJUDILFL FKH QH UHVWDQR O¶DVSHWWR GHO PRQXPHQWR SDYHVH GHILQHQGRQH LO WLSR H LQGDJDQGR TXDQWR SRWp WUDUQH /HRQDUGR ,QILQH UHFHQWHPHQWH KD GHGLFDWR XQ DPSLR VWXGLRULFFRGL ULIHULPHQWL ELEOLRJUDILFL DL YDUL FRPSOHVVL SUREOHPL UHODWLYL DO 0RQXPHQWR 7ULYXO]LR 0DGL/++(<'(15(,&+LOFDPSRGHJOLVWXGLYLQFLDQLGRY¶HJOLKDGDWRL FRQWULEXWLHVVHQ]LDOLqVWDWRILQGDSULQFLSLRTXHOORGHOO¶DUFKLWHWWXUDGDOORQWDQR IRQGDPHQWDOH VDJJLR GHO µ VXJOL HGLILFL VDFUL D SLDQWD FHQWUDOH GRQGH XVFu OD IHFRQGDVXJJHVWLRQHFKHLIRJOLGHO&RGLFH%FRVWLWXLVVHURXQSULPRQXFOHRSHUXQ SURJHWWDWRWUDWWDWRGLDUFKLWHWWXUDILQRDOO¶DUWLFRORGHOµULJXDUGDQWHLQYHFHXQ DVSHWWRWDUGRGHOO¶DWWLYLWjDUFKLWHWWRQLFDGL/HRQDUGRDOVHUYL]LRGL)UDQFHVFR,H DOOD/HWWXUD9LQFLDQDGHOFKHDSSDUHTXDVLXQDULFDSLWROD]LRQHJOREDOHGHOOH VXHYHGXWHLQDUJRPHQWR 'RSR OR +H\GHQUHLFK ± H LO VDJJLR GHO 0DOWHVH GHO  LQ 6DJJL H 5LFHUFKH ± FKL UHFHQWHPHQWH KD GHGLFDWR PDJJLRU VRPPD GL VWXGLDWHPLGL DUFKLWHWWXUD OHRQDUGHVFD ± LQFOXVL DSSDUDWL VFHQLFL VWUXWWXUH LQGDJLQL DUFKHRORJLFKHHFRVuYLD±qVWDWR&3('5(77,$QFKHLVXRLVWXGLVXOO¶DUFKLWHWWXUD GL/HRQDUGRVRQRXQDGHOOHIDFFHGHOO¶LQLQWHUURWWRODYRURG¶HVSORUD]LRQHFKHHJOL GDDQQLFRQGXFHHQWURODJUDQPDVVDGHLPVVOHRQDUGHVFKLHFKHDPDQRDPDQR YD RUJDQL]]DQGRVL LQWRUQR D GHWHUPLQDWL DUJRPHQWL VSHFLILFL /H FKLDULILFD]LRQL VRYHQWH YHQJRQR IXRUL VHPSOLFHPHQWH GDOOD ULFRVWUX]LRQH GL IRJOL R ULXQLRQH GL IRJOLLQRULJLQHFRQWLJXLHSRLGLVSHUVLRSHUD]LRQHLQFXLLO3HGUHWWLHFFHOOH1HO VDJJLRVXONeron da Sancto AndreaGDOODULXQLRQHGLIRJOLXQWHPSRFRQWLJXLRUD ORQWDQLHQWURLO&RGLFH$WODQWLFRRSHUDWDVXOOHWUDFFHGLDOFXQHRVVHUYD]LRQLGHO &DOYLHPHUJHSLFKLDURHVLFXURLOORURULIHULPHQWRDOSURJHWWRSHUXQSDOD]]RSHU &KDUOHV G¶$PERLVH H DOOD WRSRJUDILD H DOOR VWXGLR LGULFR GHOOD ]RQD GRYH LO SDOD]]RGRYHYDVRUJHUHQHOOD]RQDFLRqGHOLPLWDWDGDOOHDFTXHGHO6HYHVRHGHO 1LURQH FRUULVSRQGHQWH DOO¶DWWXDOH ]RQD IUD 6 %DELOD 0RQWH 1DSROHRQH H 6 $QGUHD $OFXQL GL TXHVWL VDJJL GHO 3HGUHWWL VRQR VWDWL SXEEOLFDWL VXJOL XOWLPL IDVFLFROL GL 5DFFROWD 9LQFLDQD PD OD PDJJLRU SDUWH GHL VXRL ULVXOWDWL q VWDWD UDFFROWDLQXQYROXPHGHGLFDWRDJOLVWXGLDUFKLWHWWRQLFLGL/HRQDUGRSRVWHULRULDO A Chronology of L. da V.’s Architectural Studies after 1500HJOLLQWLWRODLO

  /++(<'(15(,&+Leonardo’s “Salvator Mundi´LQ³5DFFROWD9LQFLDQD´;;,'Marc Aurel und Regisole LQ³)HVWVFKULIWIüU(ULFK0H\HU´+DPEXUJ,'Bemerkungen zu den Entwürfen Leonardos für das Grabmal des G. G. Trivulzio,LQ©6WXGLHQ]XU*HVFKLFKWHGHU(XURSlLVFKHQ3ODVWLN)HVWVFKULIWIU0OOHU0QFKHQ  /++(<'(15(,&+Die Sakralbau – Studien L. da V.‘s/HLS]LJ,'L. da V. architekt of Francis ILQ³7KH %XUOLQJWRQ0DJD]LQH³RWW,'Leonardo architetto, II Lettura Vinciana 9LQFLDSULOH )LUHQ]H   & 3('5(77, ,O ³Neron da Sancto Andrea´ LQ ³5DFFROWD 9LQFLDQD´ ;9,,,  ,' Leonardo’s plans for the enlargement of the City of Milan LELGHP ;,;  ,' An “Arcus Quadrifons for Leo X H La ³Cappella del Perdono´LELGHP;;,'$&KURQRORJ\RI/GD9¶V$UFKLWHFWXUDO6WXGLHVDIWHU*HQqYH

  ,Q³/¶$UWH´0LODQRD,QPDU]RSS

OLEURPDLOWLWRORQRQULVXOWDGHOWXWWRDGHJXDWRDOFRQWHQXWRSRLFKpQRQVRORGL FURQRORJLD VL WUDWWD VHEEHQH HVVD ULPDQJD SXU VHPSUH ILQDOLWj FHQWUDOH GHOOD ULFHUFD PD GL XQ ULHVDPH GHL SURJHWWL H GHOOH LGHH DUFKLWHWWRQLFKH GL /HRQDUGR GRSRLOQHOVXRFRPSOHVVR8Q¶DXWHQWLFDVFRSHUWDqO¶LGHQWLILFD]LRQHGLXQ SURJHWWRSHUXQSDOD]]RPHGLFHRD)LUHQ]HLQWRUQRDOQHLIRUEHUD GHO&RG$WOPDLILQRUDLQGLYLGXDWRGDJOLVWXGLRVLQpFLWDWRGDOOHIRQWLDQWLFKH $OWULSXQWLVDOLHQWLGHOODWUDWWD]LRQHULJXDUGDQRLOSDOD]]RGL&KDUOHVG¶$PERLVH JLjVWXGLDWRQHOO¶DUWLFRORFLWDWRVXONeron da Sancto AndreaHLOSURJHWWRSHU9LOOD 0HO]L D 9DSULR G¶$GGD OD FXL ULFRVWUX]LRQH DSSDUH SHUVXDVLYD PD ULPDQH LSRWHWLFD $QFKH LQ TXHVWR OLEUR DOFXQL GHL ULVXOWDWL SL IHOLFL GLVFHQGRQR GDOOD ULXQLRQHGLIRJOLPXWLODWLRGLVSHUVLFDVuO¶$ULFRPSRQHLQXQXQLFRJUDQGHIRJOLR SLHJDWRLQGXHUHFWRHYHUVRLIRUIHYGUEHYEYEH UEGHO&RG$WOQHULVXOWDXQDPLJOLRUOHWWXUDLQWHJUDQGRVLLIRJOLDYLFHQGD GHL GLVHJQL UHODWLYL DOO¶DQWLFR SRUWR GL &LYLWDYHFFKLD DO UHFWR H XQD GDWD]LRQH VLFXUD LQWRUQR DO  GHJOL VFKL]]L GHO YHUVR FLRq ROWUH YHQW¶DQQL GRSR OD GDWD ILQRUD VXSSRVWD LQWRUQR DO  /D PHVVH PLJOLRUH GHO OLEUR FRQVLVWH DSSXQWR QHO ILWWR VXVVHJXLUVL GL TXHVWH ULFRPSRVL]LRQL GL IRJOL SUHFLVD]LRQL FURQRORJLFKHOHWWXUDDWWHQWLVVLPDGLGLVHJQLHGLVFULWWH3RFDDWWHQ]LRQHqLQYHFH ULYROWD DL GDWL JLj IRUQLWL GDOOD SUHFHGHQWH ELEOLRJUDILD LQ DUJRPHQWR H DO ORUR GLEDWWLWRHDOODFRUUHOD]LRQHGHLQHVVLVWRULFLHQWURXQSLULFFRFRQWHVWRGLIDWWLH GLFXOWXUDQpTXDQGRFLzqWHQWDWROHFRQVHJXHQ]HULVXOWDQRHIILFDFLHGLQFLVLYH TXDQWROHLQGDJLQLHVSORUDWLYHVXLWHVWLYLQFLDQL8QDFKLDUDLPSRVWD]LRQHVWRULFDH XQD YDVWD SURIRQGD FXOWXUD VWDQQR DOOD EDVH LQYHFH H FRVWLWXLVFRQR LO PDJJLRU SUHJLRGLXQEUHYHOLPSLGRYROXPHWWRLQFXL/),532RIIUHXQDUDSLGDUDVVHJQDGL TXDQWRVLFRQRVFHVX/HRQDUGRDUFKLWHWWRHXUEDQLVWDFRQPROWHULSURGX]LRQLOD FLWD]LRQHGLPROWLSDVVLPROWREHQVFHOWLGHLPVVOHRQDUGHVFKLHXQDELEOLRJUDILD DOWUHWWDQWR EHQH VFHOWD 8Q OLEUR FKH ULHVFH D GDUH XQ TXDGUR G¶LQVLHPH DVVDL DJJLRUQDWR H LQWHOOLJHQWH XWLOLVVLPR SHU O¶LQIRUPD]LRQH 0D ODYLDPDHVWUDSHU SRUWDUHDYDQWLJOLVWXGLYLQFLDQLSDVVDSXUVHPSUHRJJLDWWUDYHUVRO¶HVSORUD]LRQH SUHFLVD SXQWXDOH H VLD SXU SDUWLFRODULVWLFD GHOO¶Opus Vincianum 6ROR GRSR TXHVWR FLFOR GL LQGDJLQL HVSORUDWLYH VDUj SURILFXR WRUQDUH DL SURFHVVL FULWLFL H LQWHUSUHWDWLYLPDVXLQXRYLGDWLHPHUVL ,O UHFHQWLVVLPR ULWURYDPHQWR QHOOD %LEOLRWHFD 1D]LRQDOH GL 0DGULG GL GXH VWXSHQGL FRGLFL OHRQDUGHVFKL LQWDWWL ULPDVWL SHU VHFROL ILQRDLHULFKLXVL TXDGHUQLqYHQXWRDIRUQLUHG¶XQFROSRVRORHFFH]LRQDOHULFFKH]]DGL PDWHULD SHUQXRYHLQGDJLQLHQXRYRVWLPRORDULSUHQGHUHXQGLVFRUVRG¶LQVLHPH 1RQqXQFDVRFKHSURSULRLQ6SDJQDVLDQRULDSSDUVLTXHVWLFRGLFLSRLFKp TXLDOSULQFLSLRGHOIXSRUWDWRGD3RPSHR/HRQLLOJURVVRGHOO¶HUHGLWjODVFLDWD GD/HRQDUGRD)UDQFHVFR0HO]LSHUSRWHUODYHQGHUHDOOHPLJOLRULFRQGL]LRQL(GL TXL H GDOOH VXH LUULJXDUGRVH PDQLSROD]LRQL FRPLQFLz OR VPHPEUDPHQWRHOD GLVSHUVLRQH GHO SDWULPRQLR YLQFLDQR 1HJOL XOWLPL WHPSL DOFXQL LQGL]L DYHYDQR PHVVRLQDOODUPHGXHVWXGLRVLFKHHUDQRHQWUDPELSDUWLWLDOODULFHUFDGHOWHVRUR

  /),532 Leonardo architetto e urbanista7RULQR

  ,Q³/¶$UWH´0LODQRD,QPDU]RSS

EDWWHQGR YLH GLYHUVH $ &25%($8 DYHYD VHJXLWR OD SLVWD GHJOL DUFKLYL H GRFXPHQWL H GHOOH VXH LQGDJLQL DYHYD GDWR XQ OXQJR UHVRFRQWR LQ 5DFFROWD  9LQFLDQD /5(7,V¶HUDSRVWRLQYHFHDOODULFHUFDGLUHWWDGHLPVVHQWURODVWHVVD %LEOLRWHFD1D]LRQDOHGL0DGULG1pO¶XQRQpO¶DOWURDUULYDURQRSHUSULPLDUULYzLO FDVR 0D QRQ F¶q GXEELR FKH LO FDVR QRQ VDUHEEH VFDWWDWR VH QRQ IRVVH VWDWR SURYRFDWR 7RFFz D / 5(7, GL SUHQGHUH YLVLRQH SULPR IUD L YLQFLDQL GHL GXH FRGLFL H FRQVWDWDUQH O¶DXWHQWLFLWj H OD EHOOH]]D H VWDWR GL FRQVHUYD]LRQH HFFH]LRQDOL H O¶HFFH]LRQDOH LPSRUWDQ]D (JOL VWHVVR ILQDOPHQWH GRSR XQ LQWHUR DQQRGDOULWURYDPHQWRGRSRFKHWDQWLDUWLFROLGLJLRUQDOLHULYLVWHEHQHLQIRUPDWLH QRV¶HUDQRDFFDYDOODWLHVXVVHJXLWLQHKDGDWRXQDPSLRHOXFLGRUHVRFRQWRLQGXH SXQWDWHVXO%XUOLQJWRQ0DJD]LQH ,O&RGLFHQQRQKDFRQIURQWLLQWXWWDO¶RSHUDFRQVHUYDWDGL/HRQDUGR SHU OD EHOOH]]D H ILQLWH]]D GHL VXRL GLVHJQL GL PDFFKLQH FRVu SHUIHWWDPHQWH LPSDJLQDWL FRO WHVWR GD IDU SHQVDUH FKH LO FRGLFH IRVVH VWDWR SUHSDUDWR SHU OD VWDPSD H O¶LQFLVLRQH 6L WUDWWD IRUVH GHO OLEUR ULSHWXWDPHQWH FLWDWR GD /HRQDUGR VXJOL HOHPHQWL PDFFKLQDOL" ,O FRGLFH UHFD SHUz LQ WHVWD XQ¶DOWUD VFULWWD OLEUR WLWRODWR GL TXDQWLWj H SRWHQWLD ,QIDWWL DL GLVHJQL GL PDFFKLQH SHUIHWWL G¶HVHFX]LRQH GHOOD SULPD SDUWH VHJXRQR IRJOL FRQ FDUDWWHUH PDJJLRUPHQWH GL DSSXQWLULIHUHQWLVLLQSUHYDOHQ]DDSULQFLSLGLVWDWLFDHGLQDPLFD,OSULPRDUWLFROR GHO 5HWL ILWWLVVLPR GL ULOLHYL ULHVFH D GDUH XQ¶HIILFDFH LGHD GHOOD VWUDRUGLQDULD ULFFKH]]D GL LQWXL]LRQL H G¶LQYHQ]LRQL UDFFKLXVD QHO FRGLFH ,O VHFRQGR DUWLFROR V¶LQFHQWUDVXOORVWXGLRGHOO¶LPSRUWDQWLVVLPDOLVWDGLOLEULFRQWHQXWDQHOFRG 4XHVWR FRGLFH q PHQR VSHWWDFRODUH GHOO¶DOWR PD SL YDULR GL DUJRPHQWL H ULFFRGLULIHULPHQWLELRJUDILFLHGLGDWHIUDFXLLOULFRUGRGLXQIXULRVRWHPSRUDOH VFDWHQDWRVL LO  JLXJQR  FKH GDQQHJJLz QHOOD 5DJLRQH LO FDUWRQH GHOOD %DWWDJOLDG¶$QJKLDULULOLHYLWRSRJUDILFLGHOODYDOOHGHOO¶$UQRSHUGHYLDUHO¶DFTXD GHO ILXPH OLHYL GLVHJQL GL SDHVDJJLR IRUWLILFD]LRQL QRWH GL SLWWXUD LO SUH]LRVR HOHQFRGLOLEULVXFFLWDWRXQLQWHURIDVFLFRORGHGLFDWRDOODIXVLRQHGHOJUDQFDYDOOR GL0LODQRA dì 20 dicembre 1493 conchiudo gittare il cavallo sanza coda e a diacere, perché essendo esso cavallo braccia 12, a gittarlo per piedi arriverebbe vicino all’acqua 1° braccioFLzFKHDYUHEEHSRWXWRDFDXVDGHOIUHGGRHXPLGLWj FRQVHJXHQWL FRPSURPHWWHUH OD ULXVFLWD GHO JHWWR 6WXSHQGL GLVHJQL D VDQJXLJQD GHOOH LQFDVWHOODWXUH SHU LO WUDVSRUWR GHOOD IRUPD H GHOOD IRUPD VWHVVD DFFRPSDJQDQR LO WHVWR HVSOLFDWLYR GHL PRGL H SURFHGLPHQWL GHOOD IXVLRQH 0 526&+,FKHKDSRWXWRHVDPLQDUHLOPDQRVFULWWRVXELWRGRSRLOVXRULWURYDPHQWR KDIDWWRRJJHWWRGHOVXRVWXGLRVRSUDWWXWWRTXHVWRIDVFLFRORGHOFRGLFHULOHYDQGR FRPH HVVR FRQIHUPL DSSLHQR OH GHGX]LRQL JLj WUDWWH GDOOD %UXJQROL GDL SRFKL H SLFFROLGLVHJQLGL:LQGVRUHFKH/HRQDUGRDYHYDJLjPHVVRDSXQWR PH]]RVHFRORSULPDGHO&HOOLQLHGHO9DVDULLOVLVWHPDGLIXVLRQHDIRUPDFDYDD

  $&285%($8Les manuscrits de L. de V. Contributions hispaniques à leur histoireLQ³5DFFROWD9LQFLDQD´;;   / 5(7, The two unpublisced Manuscripts of L. da V. in the Biblioteca Nacional of Madrid LQ ³7KH %XUOLQJWRQ 0DJD]LQH´JHQQDLRHIHEEUDLR ,'Die Wiedergefundenen L. – Manuskripte, etcLQ³7HFKQLNJHVFKLFKWH´ QU  0526&,The Madrid Manuscripts of LeonardoQHOYRO³/HRQDUGR´1HZ

  ,Q³/¶$UWH´0LODQRD,QPDU]RSS

WDVVHOOL H FRPH L GLVHJQL GL 0DGULG FL GLDQR DQFKH OD YHUVLRQH ILQDOH GHO PRQXPHQWRVIRU]HVFRFROFDYDOORDOSDVVRLQSRGHURVDWHQVLRQH +DQQR JLj HVDPLQDWR L &RGLFL GL 0DGULG DQFKH 1 '( 721,H/+ +(<'(15(,&+,OSULPRVXGLHVVLKDUHGDWWRXQRGHLVXRL³)UDPPHQWL9LQFLDQL´ LO;;9,GDQGRGLFLDVFXQFRGLFHXQDVRPPDULDGHVFUL]LRQHGHOODFRPSRVL]LRQHH GHL FRQWHQXWL H XQD WUDVFUL]LRQH GHJOL ³LQFLSLW´ IRJOLR SHU IRJOLR H GL TXDOFKH EUHYHSDVVR,QDSSHQGLFHDOOXQJRHOHQFRGLOLEULGHOIRYGHOPVVRQR IDWWHVHJXLUHOHPHQ]LRQLGLOLEULFKHVLWURYDQRVSDUVHQHJOLDOWULPVVYLQFLDQL /++H\GHQUHLFKKDIDWWRGHJOLDUJRPHQWLGHLGXHFRGLFLXQDDFXWDDVVDL SUHFLVD VH SXU UDSLGD UDVVHJQD KD ULOHYDWR GDWH H QRWL]LH HG KD SXQWDWR VRSUDWWXWWRVXLWHPLGHOODIXVLRQHGHOFDYDOORGHOOHQRWHGLSLWWXUDHGHJOLVWXGLGL IRUWLILFD]LRQL $ SULPR VJXDUGR KD FROWR FKH QXPHURVL SDVVL UHODWLYL DL PRGL H FDUDWWHULVWLFKH GHOO¶HGLILFDUH VRQR WUDWWL FRQ OLHYL PRGLILFKH GDO WUDWWDWR GL )UDQFHVFRGL*LRUJLRXQDSSRUWRQRWHYROHDOORVWXGLRGHOOHIRQWLYLQFLDQH /H OXQJKH SROHPLFKH OH GLIILFROWj H L FRQWUDVWL FKH VRQR VHJXLWL DOOD VFRSHUWD GHL &RGLFL GL 0DGULG VRQR VWDWL ILQDOPHQWH VXSHUDWL /¶LQFDULFR GL SXEEOLFDUHLFRGLFLqVWDWRGDWRD/5(7,FKHqJLjDOO¶RSHUD   

   1 '( 721, Frammenti Vinciani XXVI° Contributo alla conoscenza dei Manoscritti 8936 ed 8937 della Biblioteca Nazionale di Madrid LQ ©&RPPHQWDUL GHOO¶$WHQHR GL %UHVFLD´ SHU LO  PD XVFLWHQHO¶,'Contributo alla conoscenza HWF LQ ³3KLVLV´ IDVF ,  LO WHVWR q SXQWXDOPHQWH OR VWHVVR VHQ]D OH DSSHQGLFL PD FRUUHGDWR GD QXPHURVHULSURGX]LRQL   /++(<'(15(,&+Bemerkungen zu den zwei wiedergefundenen Manuskripten L. da V. in MadridLQ³.XQVWFKURQLN´ DSULOH