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메이드 인 아시아 2016 Made in Asia 2016
메이드 인 아시아 2016 1 Made In Asia 2016 메이드 인 아시아: 아시아영화산업포럼 Made In Asia: Asian Film Industry Forum 서문 PREFACE 4 한국 KOREA 7 중국 CHINA 17 홍콩 HONG KONG 27 대만 TAIWAN 33 일본 JAPAN 43 태국 THAILAND 49 필리핀 THE PHILIPPINES 55 베트남 VIETNAM 65 인도네시아 INDONESIA 75 말레이시아 MALAYSIA 85 서문 PREFACE 4 5 메이드 인 아시아 2016 향후에도 또다시 시장을 이끌어가는 제작자로서 건승하기를, 그래서 Made in Asia 2016 the Taiwanese film THE TAG-ALONG, a 2015 Network of Asian 20회 부천국제판타스틱영화제는 확장된 산업프로그램 B.I.G를 또 다시 BIFAN에 찾아 오기를 바란다. “Made In Asia,” the newly designed film industry program, was Fantastic Films (NAFF) “It Project” grantee that ranked in the top 출범하면서 “메이드 인 아시아”라는 인더스트리 프로그램을 새로이 또한 포럼의 모더레이터를 맡아준 버라이어티 아시아 established along with the 20th edition of BIFAN launced a newly 3 of Taiwanese box office. 기획하였다. 최초의 아이디어는 “베스트 오브 아시아”라는 영화제의 지국장 패트릭 프레이터 Patrick Frater와, 책자의 마켓트렌드 원고를 extended industry program B.I.G (BIFAN Industry Gathering) We wish that all of Made In Asia invited producers 특별전으로, 아시아 10개 국가의 2015년 자국영화 박스오피스 써 준 필자들 - 영화제 상영작 <숲 The Forest> 의 감독이기도 한 including NAFF; MADE IN ASIA; KOREA NOW and NEW MEDIA. henceforth grow their respective markets sustainably, and we 탑3를 찾아서 이 작품들을 한번에 모아서 지난 해 아시아의 관객들이 태국의 마켓트렌드의 필자 폴 스퍼리어 Paul SPURRIER 감독, With the fundamental objective of examining what hope to see them again at BIFAN. 선택한 영화는 과연 무엇이었는가를 구체적으로 살펴보려는 필리핀, 인도네시아, 말레이시아의 마켓트렌드를 써 준 BIFAN의 were Asian audience’s favorite films, Made In Asia started with a We would to thank Made In Asian Forum moderator 취지였다. -
Johnnie to Kei-Fung's
JOHNNIE TO KEI-FUNG’S PTU Michael Ingham Hong Kong University Press The University of Hong Kong Pokfulam Road Hong Kong www.hkupress.org © 2009 Michael Ingham ISBN 978-962-209-919-7 All rights reserved. No portion of this publication may be reproduced or transmitted in any form or by any means, electronic or mechanical, including photocopy, recording, or any information storage or retrieval system, without prior permission in writing from the publisher. British Library Cataloguing-in-Publication Data A catalogue record for this book is available from the British Library. 10 9 8 7 6 5 4 3 2 1 Printed and bound by Pre-Press Ltd. in Hong Kong, China Contents Series Preface vii Acknowledgements xi 1 Introducing the Film; Introducing Johnnie — 1 ‘One of Our Own’ 2 ‘Into the Perilous Night’ — Police and Gangsters 35 in the Hong Kong Mean Streets 3 ‘Expect the Unexpected’ — PTU’s Narrative and Aesthetics 65 4 The Coda: What’s the Story? — Morning Glory! 107 Notes 127 Appendix 131 Credits 143 Bibliography 147 ●1 Introducing the Film; Introducing Johnnie — ‘One of Our Own’ ‘It is not enough to think about Hong Kong cinema simply in terms of a tight commercial space occasionally opened up by individual talent, on the model of auteurs in Hollywood. The situation is both more interesting and more complicated.’ — Ackbar Abbas, Hong Kong Culture and the Politics of Disappearance ‘Yet many of Hong Kong’s most accomplished fi lms were made in the years after the 1993 downturn. Directors had become more sophisticated, and perhaps fi nancial desperation freed them to experiment … The golden age is over; like most local cinemas, Hong Kong’s will probably consist of a small annual output and a handful of fi lms of artistic interest. -
View 202001.Pdf
ON THE SCREEN Premieres Wednesday, January 8 10.10 PM juga adik lelakinya. Di lain sisi, Dex Parios juga berjuang dari rasa traumatis yang ia dapat setelah bertugas sebagai marinir di Afghanistan. Saat itu Premieres, Tuesday ketika ia sedang bertugas sebagai intelijen militer, Dex Parios mengalami ledakan yang membuatnya January 21, 8 PM terluka, dan harus kehilangan orang yang ia cintai. Sementara ia meninggalkan pekerjaannya, ia Sebuah serial televisi Amerika yang pun memutuskan untuk bekerja serabutan demi bertemakan drama kriminal. Dibintangi menghidupi dirinya dan juga adiknya. Hingga oleh Cobie Smulders, Jake Johnson dan pada saatnya, Dex Parios bekerja sebagai Michael Ealy. penyelidik swasta dimana ia bertugas untuk menyelidiki masalah yang tidak bisa dicampuri Teks: Klement Galuh A oleh kepolisian. Dalam perjuangannya tersebut, ia pun mendapat dukungan dari seorang detektif ada serial ini bercerita tentang Dex Parios, bernama Miles Hoffman dan juga Gray McConnel seorang veteran militer cerdas, yang hidup yang mempekerjakan saudara lelaki Dex Parios di P dan berjuang untuk menghidupi dirinya dan bar miliknya. (LMN/MHG/LMN/FIO) 4 Acara “Sacred Sites”, kita diajak untuk mengunjungi tempat-tempat bersejarah yang masih menjadi rahasia dan misteri bagi umat manusia. Kita akan diajak untuk menemukan jawaban-jawaban tersebut melalui acara ini. Teks: Klement Galuh A pakah benar legenda raja Arthur nyata adanya? Pertanyaan tersebut akan dikupas menggunakan A terobosan ilmiah dan penelitian arkeologis untuk membawa kita kepada perspektif baru ke beberapa lokasi religi yang luar biasa, namun juga misterius. Dalam setiap episodenya, acara ini akan berfokus pada satu situs dan mengeksplorasi situs tersebut. Dimulai dari orang-orang yang membangunnya, hingga menjawab pertanyaan mendasar dari orang-orang yang melihat bangunan tersebut. -
9.3 Kg of Cocaine Seized in Major Police Operation
MAN ATTEMPTS DISCRETIONARY POWERS IN REPORTER SELF IMMOLATION LAND CONCESSIONS - WHO A 48-year-old Macau resident The Commission Against QUESTIONED reportedly tried to set himself Corruption has completed an TERRORISM on fire during the midnight mass investigation into the forfeiture service at the local cathedral of idle plots of land EXPELLED P4 P5 P10 CHINA MON.28 Dec 2015 T. 13º/ 18º C H. 70/ 95% Blackberry email service powered by CTM MOP 5.00 2465 N.º HKD 7.50 FOUNDER & PUBLISHER Kowie Geldenhuys EDITOR-IN-CHIEF Paulo Coutinho “ THE TIMES THEY ARE A-CHANGIN’ ” WORLD BRIEFS AP PHOTO 9.3 kg of cocaine seized CHINA’s rubber-stamp in major police operation P7 national legislature yesterday approved the country’s first XINHUA anti-terrorism law, amid concerns that its requirements that tech companies share information with the government could hurt business interests and further infringe upon human rights. JAPAN A court gave the go-ahead for the restart of two nuclear reactors after its operator said in an appeal that they were safe. The Fukui District Court in western Japan lifted an April injunction that was filed by a group of residents who said that a massive earthquake exceeding the facility’s quake resistance could cause a disaster similar to the Fukushima crisis following the March 2011 quake and tsunami. More on backpage With articles republished from Japan Inc: Spend, Xi Jinping says local economy spend, spend F1 is resilient to challenges P3 28.12.2015 mon th Anniversary 2 MACAU 澳聞 Advertising revenue down 30 percent Macau-US casino designer Advertising companies report that revenue has dropped nearly 30 opens up on life’s work percent from last year. -
Johnnie to Kei-Fung's
JOHNNIE TO KEI-FUNG’S PTU Michael Ingham Hong Kong University Press The University of Hong Kong Pokfulam Road Hong Kong www.hkupress.org © 2009 Michael Ingham ISBN 978-962-209-919-7 All rights reserved. No portion of this publication may be reproduced or transmitted in any form or by any means, electronic or mechanical, including photocopy, recording, or any information storage or retrieval system, without prior permission in writing from the publisher. British Library Cataloguing-in-Publication Data A catalogue record for this book is available from the British Library. 10 9 8 7 6 5 4 3 2 1 Printed and bound by Pre-Press Ltd. in Hong Kong, China Contents Series Preface vii Acknowledgements xi 1 Introducing the Film; Introducing Johnnie — 1 ‘One of Our Own’ 2 ‘Into the Perilous Night’ — Police and Gangsters 35 in the Hong Kong Mean Streets 3 ‘Expect the Unexpected’ — PTU’s Narrative and Aesthetics 65 4 The Coda: What’s the Story? — Morning Glory! 107 Notes 127 Appendix 131 Credits 143 Bibliography 147 ●1 Introducing the Film; Introducing Johnnie — ‘One of Our Own’ ‘It is not enough to think about Hong Kong cinema simply in terms of a tight commercial space occasionally opened up by individual talent, on the model of auteurs in Hollywood. The situation is both more interesting and more complicated.’ — Ackbar Abbas, Hong Kong Culture and the Politics of Disappearance ‘Yet many of Hong Kong’s most accomplished fi lms were made in the years after the 1993 downturn. Directors had become more sophisticated, and perhaps fi nancial desperation freed them to experiment … The golden age is over; like most local cinemas, Hong Kong’s will probably consist of a small annual output and a handful of fi lms of artistic interest. -
Dossier-De-Presse-2017.Pdf
SOMMAIRE 2017 Edito ................................................................................................................................... 4 BIFFF Fun Facts ................................................................................................................... 5 Programmation .................................................................................................................. 6 BIF Market .......................................................................................................................... 7 Expo ArtBIFFF ..................................................................................................................... 8 2e International Art Contest ............................................................................................... 9 Pimp My chair .................................................................................................................. 10 34EME Concours Maquillage Visage .................................................................................... 11 Gaming Madness day ....................................................................................................... 12 Le Tiercé d'Attila ............................................................................................................... 13 Tromarathon .................................................................................................................... 14 Panorama ........................................................................................................................ -
Mercredi 21 Novembre 5
4 MERCREDI 21 NOVEMBRE 5 KATORZA 1 KATORZA 2 KATORZA 3 CINÉMATOGRAPHE CONCORDE 1 CONCORDE 4 GAUMONT 6 LE GRAND T 9H 9H30 9H30 LE CAIRE, RACONTÉ THE WORLD 10H 10H 10H PAR YOUSSEF Jia Zhang-ke 10H CHAHINE FICTION / 133’ / 35MM THE FRIENDS BEAUTY * BONJOUR CHINE Shinji Sômai Daniela Seggiaro Yasujiro Ozu Youssef Chahine FICTION / 113’ / 35MM FICTION / 83’ / BLURAY FICTION / 94’ / 35MM FICTION / 23’ / 35MM JAPON ARGENTINE JAPON ÉGYPTE 11H GARE CENTRALE Youssef Chahine FICTION / 73’ / BETA SP ÉGYPTE 12H 13H 13H BOROM SARRET Ousmane Sembène 13H30 13H30 FIC / 20’ / 16 MM / SÉNÉGAL MEMORIES THE LAST FRIDAY RAPSODIA EN BOGOTA * José Maria Arzuaga LOOK AT ME * Yahya Alabdallah DOC / 24’ / 35MM / COLOMBIE 14H 14H Song Fang FICTION / 88’ / HDCAM JORDANIE, AVRIL ELECTION 1 DOC / 87’ / DCP Otar Iosseliani Johnnie To CHINE ÉMIRATS ARABES UNIS FIC / 46’ / 35MM / GÉORGIE FICTION / 101’ / 35MM HONG KONG 15H 15H CONTES PERSANS 15H30 ANIMATION / 52’ / 35MM GIMME GIMME IRAN * (À PARTIR DE 4 ANS) 16H Lawrence Ah-Mon 16H FICTION / 101’ / 35MM Q/A HONG KONG MAI MORIRE * Enrique Rivero 16H30 FICTION / 84’ / DCP THE TERRIBLE MEXIQUE COUPLE 17H Shinji Sômai FICTION / 122’ / 35MM 17H30 JAPON FAT CHOI SPIRIT * Johnnie To & Ka-Fai Wai 18H FICTION / 96’ / 35MM HONG KONG 18H15 RIO DE ORO * Pablo Aldrete FICTION / 100’ / 35MM 19H MEXIQUE 19H 19H FILATURES MOVING * Yau Nai-Hoi Shinji Sômai FICTION / 90’ / 35MM FICTION / 124’ / 35MM HONG KONG JAPON 20H 20H 20H 20H WADJDA MILLENNIUM UNE PAGE FOLLE Haifaa Al-Mansour 20H30 MAMBO Teinosuke Kinugasa FICTION / 98’ / DCP Hou Hsiao-hsien FICTION / 59’ / 35MM ARABIE SAOUDITE SLEEPLESS NIGHT * 20H45 JAPON Jang Kun-Jae FICTION / 105’ / 35MM 21H STUDENT TAÏWAN FICTION / 65’ / HDCAM Darejan Omirbaev CORÉE DU SUD 21H30 FICTION / 90’ / 35MM SAILOR SUIT AND KAZAKHSTAN MACHINE GUN * 22H 22H 22H 22H Shinji Sômai TOKYO HEAVEN EXPECT THE P.T.U. -
Acp2017 Acerp2017
______________ACP2017 ACERP2017 THE ASIAN CONFERENCE ON PSYCHOLOGY & THE BEHAVIORAL SCIENCES THE ASIAN CONFERENCE ON ETHICS, RELIGION & PHILOSOPHY ART CENTER KOBE, KOBE, JAPAN MARCH 22-25, 2017 “To Open Minds, To Educate Intelligence, To Inform Decisions” The International Academic Forum provides new perspectives to the thought-leaders and decision-makers of today and tomorrow by offering constructive environments for dialogue and interchange at the intersections of nation, culture, and discipline. Headquartered in Nagoya, Japan, and registered as a Non-Profit Organization 一般社( 団法人) , IAFOR is an independent think tank committed to the deeper understanding of contemporary geo-political transformation, particularly in the Asia Pacific Region. INTERNATIONAL INTERCULTURAL INTERDISCIPLINARY iafor The Executive Council of the International Advisory Board Mr Mitsumasa Aoyama Professor June Henton Professor Baden Offord Director, The Yufuku Gallery, Tokyo, Japan Dean, College of Human Sciences, Auburn University, Professor of Cultural Studies and Human Rights & Co- USA Director of the Centre for Peace and Social Justice Southern Cross University, Australia Lord Charles Bruce Professor Michael Hudson Lord Lieutenant of Fife President of The Institute for the Study of Long-Term Professor Frank S. Ravitch Chairman of the Patrons of the National Galleries of Economic Trends (ISLET) Professor of Law & Walter H. Stowers Chair in Law Scotland Distinguished Research Professor of Economics, The and Religion, Michigan State University College of Law Trustee of the Historic Scotland Foundation, UK University of Missouri, Kansas City Professor Richard Roth Professor Donald E. Hall Professor Koichi Iwabuchi Senior Associate Dean, Medill School of Journalism, Herbert J. and Ann L. Siegel Dean Professor of Media and Cultural Studies & Director of Northwestern University, Qatar Lehigh University, USA the Monash Asia Institute, Monash University, Australia Former Jackson Distinguished Professor of English Professor Monty P. -
PAGE a the TANGLIN CLUB the TANGLIN CLUB WISHES ALL MEMBERS a HAPPY & PROSPEROUS LUNAR NEW YEAR Gong Xi Fa Cai!
PAGE A THE TANGLIN CLUB THE TANGLIN CLUB WISHES ALL MEMBERS A HAPPY & PROSPEROUS LUNAR NEW YEAR Gong Xi Fa Cai! CHINESE NEW YEAR OPERATING HOURS CHINESE NEW YEAR CHINESE NEW YEAR CHINESE NEW YEAR EVE DAY 1 DAY 2 CHURCHILL ROOM CLOSED CLOSED CLOSED TAVERN Closed at 3.00pm Closed at 3.00pm Open as usual (Last order: 2.30pm) (Last order: 2.30pm) TAVERN BAR Closed at 3.00pm Closed at 3.00pm Open as usual (Last order: 2.30pm) (Last order: 2.30pm) FIREPLACE Closed at 3.00pm Closed at 3.00pm Open as usual (Last order: 2.30pm) (Last order: 2.30pm) WHEELHOUSE Closed at 3.00pm Closed at 3.00pm Open as usual (Last order: 2.30pm) (Last order: 2.30pm) TEA ROOM Closed at 6.00pm Closed at 6.00pm Open as usual (Last order: 5.30pm) (Last order: 5.30pm) WET BAR Open as usual Open as usual Open as usual FIREPLACE ALFRESCO CLOSED CLOSED Open as usual TANGLES Closed at 3.00pm Closed at 3.00pm Open as usual (Last order: 2.30pm) (Last order: 2.30pm) TANG YUN Closed for Lunch Open from 12 noon to 2.30pm Open as usual Open from 5.30pm to 10.00pm* Closed at 3.00pm (Last order: 9.30pm) (Last order: 2.00pm) JACKPOT ROOM 10.00am to 3.00pm 1.00pm to 8.00pm 1.00pm to 8.00pm LIBRARY Closed at 3.00pm CLOSED CLOSED JUNIOR LIBRARY Closed at 3.00pm CLOSED 12 noon to 7.00pm FRONT OFFICE Closed at 10.00pm Closed at 6.00pm Open as usual PLAYROOM 9.00am to 3.00pm 9.00am to 3.00pm 9.00am to 8.00pm SWIMMING POOL Closed at 6.00pm Closed at 6.00pm Open as usual S&R FACILITIES Closed at 6.00pm Closed at 6.00pm Open as usual S&R COUNTER Closed at 6.00pm Closed at 6.00pm Open as usual -
Da Zhi Lao Running on Karma
50 Da zhi lao Running on Karma Regie: Johnnie To, Wai Ka Fai Land: Hong Kong, China 2003. Produktion: Milkyway Image Ltd. (Hong Note Kong), Youth Film Studio (Beijing). Regie: Johnnie To, Wai Ka Fai. The Cantonese title of the film is ‘Daai chek liu’. The Eng- Buch: Wai Ka Fai, Yau Nai Hoi, Au Kin Yee, Yip Tin Shing. Regieassi- lish translation of the original title means ”Big Guy”. stenz: Albert Mak. Kamera: Cheng Siu Keung (H.K.S.C.). Visual Effects: Stephen Ma. Ton: Lee Sin Kwok. Tonschnitt, Mischung: Martin Chappell. Synopsis Musik: Cacine Wong. Ausstattung: Raymond Chan. Kostüme: Stepha- Cop Yee arrests Biggie because of his public striptease nie Wong. Martial-Arts-Choreographie: Yuen Bun. Schnitt: Law Wing show. During his escape, Biggie accidentally hinders the Cheong. Produzenten: Johnnie To, Wai Ka Fai. Administrative Produ- police in arresting a murderer. Thus, Biggie is said to be zentin: Tiffany Chen. involved in the murder and is arrested. Yee helps Biggie Darsteller: Andy Lau (Biggie), Cecilia Cheung (Lee Fung Yee), Cheung since she believes that he has no connection with the murder. Siu Fai, Chun Wong, Karen Tong, Yu Wen Zhong, Hou Lian Sheng, He Yee discovers from police records that Biggie is from main- Sheng Wei, Zhang Meng. land China and was formerly a Buddhist monk. Biggie thinks Format: 35mm, 1:1.85, Farbe. Länge: 93 Minuten, 24 Bilder/Sek. that Yee is a kind person, so he tells her that he would be Sprache: Chinesisch (Kantonesisch). able to arrest the murderer in exchange for his release. Uraufführung: 27. -
12 Golden Ducks 十二金鴨
12 Golden Ducks 十二金鴨 12 Golden Ducks 十二金鴨 Director: Matt Chow 鄒凱光 Scriptwriters: Matt Chow 鄒凱光 Cinematographer: Edmond Fung 馮遠文 Production Designer: Man Lim Chung 文念中 Costume Designer: Polly Chan 陳寶欣 Cast: Sandra Ng 吳君如 and Friends Production Budget: US$ 3.6mil Status: Completed Release Date: CNY 19 February, 2015 (Hong Kong) Production Company: Treasure Island Production Ltd Sales Company: We Distribution Ltd 17F MG Tower, 133 Hoi Bun Road, Kwun Tong, Kowloon Hong Kong Tel: 852 2366 1622 Fax: 852 2366 0661 Email: [email protected] 1 Introduction Following the phenomenal box office success of Golden Chickensss that grossed over HK$40million (US$5.3million) in its 2014 Chinese New Year release, Director Matt Chow and Actress-Producer Sandra Ng have teamed up once again to create another Hong Kong classic: 12 Golden Ducks. Combining elements of comedy, romance and action, 12 Golden Ducks is a comeback story about the misadventures of a group of gigolos (referred to in local vernacular as “ducks”) trying to make their mark in Hong Kong. As with any profession, they have all suffered their share of setbacks. But their ability to find laughter within the tears reflects the drive, passion and the indomitable spirit of the Hong Kong people. 2 Synopsis Devastated by a love affair, former in-demand gigolo Future Cheung (played by Sandra Ng) retreats to Thailand, leading the life a dissolute. Thanks to the intervention of his high school teacher, Mr. Lo, Future summons the courage to return to Hong Kong. With the help of his friend Rocky, a gym trainer, he works hard to get back into shape, determined to make a comeback in the “duck” (male escort) trade. -
A We Pictures Production
A We Pictures Production Mr. & Mrs. Incredible – production note (Eng) From the producer of BODYGUARDS AND ASSASSINS and the director who brought you CJ7 comes an action comedy of superhero proportion Produced by Peter Ho-Sun Chan Directed by Vincent Kok World Sales We Distribution Limited Unit F, 17/F, MG Tower, 133 Hoi Bun Road, Kwun Tong, Kowloon, Hong Kong Tel: +852-2366-1622 Fax: +852-2366-0661 Email: [email protected] Mr. & Mrs. Incredible – production note (Eng) ABOUT THE PRODUCTION Producer : Peter Ho-Sun Chan Director : Vincent Kok Scriptwriters : Vincent Kok, Fung Min-hang Production Design Consultant : Yee Chung Man Production Designer : Cyrus Ho Action Choreographer : Jacky Yeung Tak Ngai Director of Photography : Peter Ngor Original Music by : Raymond Wong Editor : Chung Wai Chiu Sandra Ng as Red (The Aroma Woman) Louis Koo as Huan (The Gazer Warrior) Production Budget : US$7.5 Million Production Status : Completed Release Date : February 3, 2011 (Hong Kong) Mr. & Mrs. Incredible – production note (Eng) SYNOPSIS Hong Kong No.1 box office queen Sandra Ng (Echoes of the Rainbow, Golden Chicken – Golden Horse Awards Best Actress) teams up with Johnnie To regular Louis Koo (Election I & II, Triangle, Overheard) in this larger-than-life action comedy about a retired superhero couple caught in the middle of a colossal martial arts tournament. Love is never meant to be an easy matter -- especially for superheroes. Huan aka the Gazer Warrior (Louis Koo) falls in love with Red aka the Aroma Woman (Sandra Ng) during a superhero standoff. But life as a superhero means little time for each other.