Power Storage Type Recoil Starter

Total Page:16

File Type:pdf, Size:1020Kb

Power Storage Type Recoil Starter Europaisches Patentamt 19 European Patent Office Office europeen des brevets © Publication number : 0 623 743 A1 EUROPEAN PATENT APPLICATION © Application number : 94303283.! © int. ci.5 : F02N 5/02, F02N 3/02 (22) Date of filing : 06.05.94 © Priority : 07.05.93 JP 131421/93 @ Inventor : Ohnishi, Hisao 29.10.93 JP 294542/93 1-16, Aoba-cho, Mizushima 24.02.94 JP 52883/94 Kurashiki-shi, Okayama (JP) @ Date of publication of application : @ Representative : Irons, Mark David et al 09.11.94 Bulletin 94/45 Page White & Farrer, 54 Doughty Street _ London WC1N 2LS (GB) (84) Designated Contracting States : DE FR GB IT © Applicant : NIKKARI CO., LTD. 482-1, Otami Okayama-shi, Okayama (JP) © Power storage type recoil starter. © A power storage type recoil starter used for, for example, an engine of a lawn mower includ- ing spiral springs that are wound when a starter 56 55 rope of a recoil pulley is pulled to rotate the starter wheel of the engine. The spiral spring is coiled up by a repeated pulling action of the starter rope and then suddenly recoiled by re- leasing a locking mechanism, thus rotating the main shaft of the engine powerfully to start the engine. CO co CM CO LU Jouve, 18, rue Saint-Denis, 75001 PARIS 1 EP 0 623 743 A1 2 BACKGROUND OF THE INVENTION holders by the rotation of the second drum in a direc- tion opposite to the starting direction so that the re- 1. Field of the Invention winding force of the spring is stored in the second drum as a rotational force in the starting direction, a The present invention relates to a power storage 5 locking mechanism which restrains the rotation of the type recoil starter for facilitating the start of internal second drum in the starting direction, and a release combustion engines. mechanism which releases the locking mechanism and disengages the clutch mechanism simultaneous- 2. Prior Art ly- 10 The object of the present invention is accomplish- Small internal combustion engines are equipped ed by another unique structure for a recoil starter with a recoil starter, and the starting of the engine is structure wherein a starter wheel which is attached to accomplished by pulling a starter rope that is recoiled. the main shaft of an engine and a recoil pulley which In such recoil starters, a certain amount of exper- rotates the starter wheel in the starting direction are ience is necessary to start the engine. The trick is to 15 installed separately, and between these two ele- pull the starter rope strongly at the time the air in the ments are provided: a first drum which is rotated by cylinder of the engine is compressed immediately pri- the recoil pulley in the opposite direction from the or to the firing of the plug. However, this operation is starting direction, a rotatable second drum, a speed not skillfully performed by inexperienced persons reduction mechanism which is installed between the and people who have limited strength. These people 20 recoil pulley and the first drum, a one-way clutch tend to pull the starter rope with an uneven strength mechanism which allows the rotation of the first drum and at a relatively slow speed. The result is that the in the starting direction and restrains the rotation of spark of the plug is small, and ignition does not easily the first drum in the direction opposite to the starting occur. Especially in recent engines equipped with direction, a flat spiral spring which is installed be- electronic ignition devices, the spark is small, and 25 tween the first and second drums so as to be wound starting is not easy. by the rotation of the first drum in the starting direc- The problem can be solved by an engine equip- tion so that the rewinding force of the spring is stored ped with a starter motor. However, this motor is ex- in the second drum as a rotational force in the starting pensive and increases the weight of the engine. Es- direction, a locking mechanism which restrains the ro- pecially for garden equipment which is carried and op- 30 tation of the second drum in the starting direction, and erated with the engine mounted thereon, such a a release mechanism which releases the locking weight increase is not welcome. In addition, there are mechanism. also problems in terms of power consumption. The object of the present invention is accomplish- ed by still another structure for a recoil starterwhere- SUMMARY OF THE INVENTION 35 in a starter wheel which is attached to the main shaft of an engine and a recoil pulley which rotates the star- Accordingly, it is a primary object of the present ter wheel in the starting direction are installed sepa- invention to solve the problems described above. rately, and between these two elements are provided More specifically, in the present invention, power is with: a first drum which is rotated by the recoil pulley stored in a recoil starter via flat spiral springs, and at 40 in the opposite direction from the starting direction, a the time of starting, the stored power is released all rotatable second drum, a speed reduction mecha- at once so that the starter is rotated at a high speed nism which is installed between the recoil pulley and to start the engine. the first drum, a one-way clutch mechanism which al- In order to accomplish the object, the recoil star- lows the rotation of the first drum in the starting direc- ter of the present invention uses a unique structure ts tion and restrains the rotation of the first drum in the wherein a starter wheel which is attached to the main direction opposite to the starting direction, and a flat shaft of an engine and a recoil pulley which rotates spiral spring which is installed between the first and the starter wheel in a starting direction are installed second drums so as to be wound by the rotation of the separately, and between these two elements is pro- first drum in the starting direction so that the rewind- vided: a first drum which is rotated by the recoil pulley so ing force of the spring is stored in the second drum as in the direction opposite from the starting direction, a a rotational force in the starting direction. second drum which is coupled to the first drum so as With any one of the above structures of the pres- to be rotated, a speed reduction mechanism which is ent invention, even if the recoil pulley is driven at a installed between the recoil pulley and the first drum, slow speed and in a small amount via a starter rope, a clutch mechanism which makes and releases a cou- 55 repetition of this driving for several times can cause pling between the first and second drums, flat spiral a starting force to be stored by the flat spiral spring. springs which are installed between the second drum Accordingly, an increased high-speed rotational force and spring holders so as to be wound out of the spring can be applied to the starter wheel by the spiral 2 3 EP 0 623 743 A1 4 spring, so that the engine can be started without any driving wheel 24 and rotates the driving wheel 24. failure, and energy saving is also accomplished. A first drum 26 and a second drum 36 are instal- led between the recoil pulley 16 and the starter wheel BRIEF DESCRIPTION OF THE DRAWINGS 14. 5 The first drum 26 is rotated by the recoil pulley 16 Figure 1 is a longitudinal cross sectional view of in the opposite direction (called the "anti-starting di- the power storage type recoil starter of the pres- rection") which is opposite from the starting direction ent application; of the starter wheel 14 (called the "starting direction"). Figure 2 is a perspective view thereof; The second drum 36 is rotated by the first drum 26 via Figure 3 is a right-side view of the starter wheel 10 a clutch mechanism 28 which is installed between the of the recoil starter of Figure 1 ; first drum 26 and the second drum 36. Figure 4 is a right-side cross sectional view of the When the second drum 36 is rotated, it winds out second drum and two spring holders along with flat spiral springs 32 installed between the second flat spiral springs used in the starter of Figure 1 ; drum 36 and spring holders 30 as seen in Figure 4 so Figure 5 is a right-side cross sectional view of the 15 that the rewinding force of the springs 32 is stored as ratchet used in the starter of Figure 1 ; a rotational force in the starting direction when the ro- Figure 6 is a longitudinal cross sectional view of tation of the second drum 36 in the starting direction another type of the power storage type recoil (shown by arrow B in Figure 3) is restrained by a lock- starter of the present invention; ing mechanism 34. Figure 7 is a right-side view of the one-way clutch 20 More specifically, a drive shaft 38 of the driving used in the starter of Figure 6; wheel 24 is inserted as an input shaft into a planetary Figure 8 is a right-side cross sectional view of the type speed reduction mechanism 40. The outer cir- ratchet used in the starter of Figure 6; cumference of this speed reduction mechanism 40 is Figure 9 is a right-side cross sectional view of the formed as a rotation outputting member.
Recommended publications
  • Texts G7 Sout Pole Expeditions
    READING CLOSELY GRADE 7 UNIT TEXTS AUTHOR DATE PUBLISHER L NOTES Text #1: Robert Falcon Scott and Roald Amundsen (Photo Collages) Scott Polar Research Inst., University of Cambridge - Two collages combine pictures of the British and the Norwegian Various NA NA National Library of Norway expeditions, to support examining and comparing visual details. - Norwegian Polar Institute Text #2: The Last Expedition, Ch. V (Explorers Journal) Robert Falcon Journal entry from 2/2/1911 presents Scott’s almost poetic 1913 Smith Elder 1160L Scott “impressions” early in his trip to the South Pole. Text #3: Roald Amundsen South Pole (Video) Viking River Combines images, maps, text and narration, to present a historical NA Viking River Cruises NA Cruises narrative about Amundsen and the Great Race to the South Pole. Text #4: Scott’s Hut & the Explorer’s Heritage of Antarctica (Website) UNESCO World Google Cultural Website allows students to do a virtual tour of Scott’s Antarctic hut NA NA Wonders Project Institute and its surrounding landscape, and links to other resources. Text #5: To Build a Fire (Short Story) The Century Excerpt from the famous short story describes a man’s desperate Jack London 1908 920L Magazine attempts to build a saving =re after plunging into frigid water. Text #6: The North Pole, Ch. XXI (Historical Narrative) Narrative from the =rst man to reach the North Pole describes the Robert Peary 1910 Frederick A. Stokes 1380L dangers and challenges of Arctic exploration. Text #7: The South Pole, Ch. XII (Historical Narrative) Roald Narrative recounts the days leading up to Amundsen’s triumphant 1912 John Murray 1070L Amundsen arrival at the Pole on 12/14/1911 – and winning the Great Race.
    [Show full text]
  • The Tween Ghost Story: Articulating the Tween Experience
    University of New Orleans ScholarWorks@UNO University of New Orleans Theses and Dissertations Dissertations and Theses Spring 5-17-2013 The Tween Ghost Story: Articulating the Tween Experience Erica Rostedt [email protected] Follow this and additional works at: https://scholarworks.uno.edu/td Part of the English Language and Literature Commons Recommended Citation Rostedt, Erica, "The Tween Ghost Story: Articulating the Tween Experience" (2013). University of New Orleans Theses and Dissertations. 1665. https://scholarworks.uno.edu/td/1665 This Thesis is protected by copyright and/or related rights. It has been brought to you by ScholarWorks@UNO with permission from the rights-holder(s). You are free to use this Thesis in any way that is permitted by the copyright and related rights legislation that applies to your use. For other uses you need to obtain permission from the rights- holder(s) directly, unless additional rights are indicated by a Creative Commons license in the record and/or on the work itself. This Thesis has been accepted for inclusion in University of New Orleans Theses and Dissertations by an authorized administrator of ScholarWorks@UNO. For more information, please contact [email protected]. The Tween Ghost Story: Articulating the Tween Experience A Thesis Submitted to the Graduate Faculty of the University of New Orleans in partial fulfillment of the requirements for the degree of Master of Arts in English by Erica Allison Rostedt B.A. University of Washington, 2004 May, 2013 © 2013, Erica Allison Rostedt ii Table
    [Show full text]
  • Stony Brook Press V. 19, N. 06.PDF (8.570Mb)
    B 3. Vol. XIX No. 6 Don't Let The Door Hit Ya On The Tex-Ass November 12,1997 ISSUES Beyond Bubba University EMS and Fire Volunteers Practice Heavy Rescues By Michael Yeh mary responder for fires, vehicular extrication, bondage that comes with spinal immobilization. "I and hazardous materials," said SBVAC President never, ever want to be in a KED in my life," said The Stony Brook Volunteer Ambulance Corps Tim True. Christina Freudenberg, EMT-D of the tight jacket- paid its last respects to an old veteran -- by hack- "We need a new door there anyway," said like protective device. "But everybody was pretty ing it to pieces. Deputy Chief of Operations Jason Hellmann while cool, and they did a very good job." Emergency medical technicians and firefighters surveying the metallic carnage. "Until now, some "I felt that the technicians had control of what who serve the campus community participated in people thought heavy rescue meant a really fat was going on and were taking care of details that a heavy rescue drill at the Setauket Fire EMT named Bubba!" the accident victim would not normally be aware Department's Station 3 on SBVAC participants entered the of," said Kevin Kenny, EMT-Critical Care. Thursday, October 23. This was ambulance to find two other But most importantly, this drill gave the SBVAC the first mutual training event semi-conscious patients in the and Setauket volunteers a chance to see each other between SBVAC and neighbor- back. Since high-speed car acci- in action and to learn how to work together at a ing fire departments.
    [Show full text]
  • Sandler Uccs 0892D 10567.Pdf (1.548Mb)
    EXPLORING THE EVOLUTION OF FIRST-YEAR EDUCATORS’ DISPOSITIONS TOWARD DIVERSE STUDENTS AND PERCEPTIONS OF PERFORMANCE AS CULTURALLY RESPONSIVE EDUCATORS: A PORTRAITURE CASE STUDY by HOLLY A. SANDLER B.A., University of Florida, 1983 M.S., Pace University, 1995 M.A., New York Institute of Technology, 2001 A dissertation submitted to the Graduate Faculty of the University of Colorado Colorado Springs in partial fulfillment of the requirements for the degree of Doctor of Philosophy Department of Leadership, Research, and Foundations 2020 © 2020 HOLLY A. SANDLER ALL RIGHTS RESERVED This dissertation for the Doctor of Philosophy degree by Holly A. Sandler has been approved for the Department of Leadership, Research, and Foundations by Robert Mitchell, Chair Sylvia Mendez Andrea Bingham Patricia Witkowsky Leslie Grant Date July 13, 2020 ii Sandler, Holly A. (Ph.D., Educational Leadership, Research, and Policy) Exploring the Evolution of First-year Educators’ Dispositions Towards Diverse Students and Perceptions of Performance as Culturally Responsive Educators: A Portraiture Case Study Dissertation directed by Assistant Professor Robert Mitchell ABSTRACT As we enter the year 2020 the plurality of races and ethnicities within the United States is reflected in the students attending our nation’s public schools. For the first time in American history the majority of students attending the nation’s public schools are students of color. The multiplicity of races and ethnicities of the nation’s students, however, is not mirrored in the demographics of public-school teachers who remain 77% White and 80% female. Researchers have found the absence of parity in student-teacher demographic problematic since a large number of White adults, teachers among them, are reported to accept negative racial stereotypes as truth.
    [Show full text]
  • The Body-Snatchers
    The Body-Snatchers (1884) Robert Louis Stevenson EVERY night in the year, four of us sat in the small parlour of the George at Debenham—the undertaker, and the landlord, and Fettes, and myself. Sometimes there would be more; but blow high, blow low, come rain or snow or frost, we four would be each planted in his own particular arm-chair. Fettes was an old drunken Scotchman, a man of education obviously, and a man of some property, since he lived in idleness. He had come to Debenham years ago, while still young, and by a mere continuance of living had grown to be an adopted townsman. His blue camlet cloak was a local antiquity, like the church- spire. His place in the parlour at the George, his absence from church, his old, crapulous, disreputable vices, were all things of course in Debenham. He had some vague Radical opinions and some fleeting infidelities, which he would now and again set forth and emphasise with tottering slaps upon the table. He drank rum—five glasses regularly every evening; and for the greater portion of his nightly visit to the George sat, with his glass in his right hand, in a state of melancholy alcoholic saturation. We called him the Doctor, for he was supposed to have some special knowledge of medicine, and had been known, upon a pinch, to set a fracture or reduce a dislocation; but beyond these slight particulars, we had no knowledge of his character and antecedents. One dark winter night—it had struck nine some time before the landlord joined us—there was a sick man in the George, a great neighbouring proprietor suddenly struck down with apoplexy on his way to Parliament; and the great man’s still greater London doctor had been telegraphed to his bedside.
    [Show full text]
  • The Deadly Affairs of John Figaro Newton Or a Senseless Appeal to Reason and an Elegy for the Dreaming
    The deadly affairs of John Figaro Newton or a senseless appeal to reason and an elegy for the dreaming Item Type Thesis Authors Campbell, Regan Download date 26/09/2021 19:18:08 Link to Item http://hdl.handle.net/11122/11260 THE DEADLY AFFAIRS OF JOHN FIGARO NEWTON OR A SENSELESS APPEAL TO REASON AND AN ELEGY FOR THE DREAMING By Regan Campbell, B.F.A. A Thesis Submitted in Partial Fulfillment of the Requirements for the Degree of Master of Fine Arts in Creative Writing University of Alaska Fairbanks May 2020 APPROVED: Daryl Farmer, Committee Chair Leonard Kamerling, Committee Member Chris Coffman, Committee Member Rich Carr, Chair Department of English Todd Sherman, Dean College of Liberal Arts Michael Castellini, Dean of the Graduate School Abstract Are you really you? Are your memories true? John “Fig” Newton thinks much the same as you do. But in three separate episodes of his life, he comes to see things are a little more strange and less straightforward than everyone around him has been inured to the point of pretending they are; maybe it's all some kind of bizarre form of torture for someone with the misfortune of assuming they embody a real and actual person. Whatever the case, Fig is sure he can't trust that truth exists, and over the course of his many doomed relationships and professional foibles, he continually strives to find another like him—someone incandescent with rage, and preferably, as insane and beautiful as he. i Extracts “Whose blood do you still thirst for? But sacred philosophy will shackle your success, for whatsoever may be your momentary triumph or the disorder of this anarchy, you will never govern enlightened men.
    [Show full text]
  • A Christmas Carol by Charles Dickens
    A Christmas Carol by Charles Dickens Stave IV "The Last of the Spirits" The Phantom slowly, gravely, silently approached. When it came, Scrooge bent down upon his knee; for in the very air through which this Spirit moved it seemed to scatter gloom and mystery. It was shrouded in a deep black garment, which concealed its head, its face, its form, and left nothing of it visible save one outstretched hand. But for this it would have been difficult to detach its figure from the night, and separate it from the darkness by which it was surrounded. He felt that it was tall and stately when it came beside him, and that its mysterious presence filled him with a solemn dread. He knew no more, for the Spirit neither spoke nor moved. “I am in the presence of the Ghost of Christmas Yet To Come?” said Scrooge. The Spirit answered not, but pointed downward with its hand. “You are about to show me shadows of the things that have not happened, but will happen in the time before us,” Scrooge pursued. “Is that so, Spirit?” The upper portion of the garment was contracted for an instant in its folds, as if the Spirit had inclined its head. That was the only answer he received. A Christmas Carol: Stave IV Although well used to ghostly company by this time, Scrooge feared the silent shape so much that his legs trembled beneath him, and he found that he could hardly stand when he prepared to follow it. The Spirit pauses a moment, as observing his condition, and giving him time to recover.
    [Show full text]
  • Detroit Rock & Roll by Ben Edmonds for Our Purposes, The
    "KICK OUT THE JAMS!" Detroit Rock & Roll by Ben Edmonds For our purposes, the story of Detroit rock & roll begins on September 3, 1948, when a little-known local performer named John Lee Hooker entered United Sound Studios for his first recording session. Rock & roll was still an obscure rhythm & blues catchphrase, certainly not yet a musical genre, and Hooker's career trajectory had been that of the standard-issue bluesman. A native of the Mississippi Delta, he had drifted north for the same reason that eastern Europeans and Kentucky hillbillies, Greeks and Poles and Arabs and Asians and Mexicans had all been migrating toward Michigan in waves for the first half of the 20th Century. "The Motor City it was then, with the factories and everything, and the money was flowing," Hooker told biographer Charles Shaar Murray." All the cars were being built there. Detroit was the city then. Work, work, work, work. Plenty work, good wages, good money at that time."1 He worked many of those factories, Ford and General Motors among them, and at night he plied the craft of the bluesman in bars, social clubs and at house parties. But John Lee Hooker was no ordinary bluesman, and the song he cut at the tail of his first session, "Boogie Chillen," was no ordinary blues. Accompanied only by the stomp of his right foot, his acoustic guitar hammered an insistent pattern, partially based on boogie-woogie piano, that Hooker said he learned from his stepfather back in Mississippi as "country boogie." Informed by the urgency and relentless drive of his Detroit assembly line experiences, John Lee's urban guitar boogie would become a signature color on the rock & roll palette, as readily identifiable as Bo Diddley's beat or Chuck Berry's ringing chords.
    [Show full text]
  • Tales of a 43 Year-Old Runaway Valerie Allison-Roan Susquehanna University
    Susquehanna University Scholarly Commons Education Faculty Publications 2014 Tales of a 43 Year-Old Runaway Valerie Allison-Roan Susquehanna University Follow this and additional works at: http://scholarlycommons.susqu.edu/educ_fac_pubs Part of the Education Commons Recommended Citation Allison, V. (2014). Tales of a 43 Year-Old Runaway. Life Writing Journal,, 11(2), 333-347. This Article is brought to you for free and open access by Scholarly Commons. It has been accepted for inclusion in Education Faculty Publications by an authorized administrator of Scholarly Commons. For more information, please contact [email protected]. Life Writing, 2014 Vol. 00, No. 00, 1–15, http://dx.doi.org/10.1080/14484528.2014.928765 Tales of a 43 Year-Old Runaway Valerie Allison-Roan Keywords autoethnography; depression; suicide; therapeutic writing At 43 I ran away from home. Looking back it is impossible to know if I waited too long or perhaps should have fled sooner. I knew exactly what I was doing, but a lot of my friends and family believed the lies I told them about leaving in order to pursue my professional aspirations. They thought I was going away to be the college professor I had always wanted to be. But I knew my primary motivation was leaving where and who I was, not being somewhere and someone new. I had to get away from my father. And the only way to do so was to tell others the time was ripe for me to leave my job as an elementary principal in favor of a professorship as a teacher educator 2,000 miles away.
    [Show full text]
  • Our Think Tank's White Paper on Income Inequality in America
    THE UNPRECEDENTED INCOME INEQUALITY IN AMERICA By Partha Banerjee, Humberto Restrepo, Dwight Anderson, Erland Castillo, Robert Erikson, Franklin Miranda, Jeannie Lockwood, Sally McKleinfeld, John Schafer, and Cornelius Skeahan Think Tank, IBEW Local 3, NYC This paper was written at the request of and with the support of IBEW Local 3 Business Manager Christopher Erikson and Dr. Gerald Finkel, Chairman, Joint Industry Board of the Electrical Industry, New York. ____________ (Address for correspondence: Dr. Partha Banerjee, Program Developer, Educational and Cultural Trust Fund, Joint Industry Board of the Electrical Industry, 158-11 Harry Van Arsdale Jr. Avenue, Flushing, NY 11365. E-mail: [email protected].) 1" " ABSTRACT Income inequality in America has reached an unprecedented, historic level, and American workers are experiencing an uncertain and worrisome future. The gap between the rich and poor is now at an all-time high, and the middle class is collapsing to the verge of extinction. Working men and women have witnessed their wages fall rapidly and savings wither away. Productivity has reached a pinnacle, but workers are unable to share in the prosperity they have toiled to create. A tiny 0.1% of the American population now has over 90% of the country’s wealth, which we have not seen since before World War II. Faced with high costs for education, health care, food, insurance, and necessary expenses, plus a multitude of loans and a weak economy plagued with low-skilled and low-wage jobs, America’s working people are now greatly suffering. The American Dream of home ownership, good wages, and leisure has rapidly become unsustainable; in fact, experts say the American Dream has ceased to exist.
    [Show full text]
  • Razor Gnashed His Teeth Against the Cage. the Crashing Waves of Guitars
    LIVE UNDEAD 1 Razor gnashed his teeth against the cage. The crashing waves of guitars and the squealing wash of keyboards weren’t what drove his frenzy as he thrashed against the mesh. He could smell them. The audience. The putrid stench of stale sweat and warm beer singed his nostrils. He climbed the fence, slathered his tongue over the steel, and caught sight of an irate biker as the man chucked his beer. The bottle exploded against the fence. Smiling, Razor bounded back down to the stage and raised his middle finger to the crowd. “Fuck you all,” he screeched into the microphone, his voice distorted horribly by the shitty PA. Their music would push the limits of a decent system, much less the cheap systems in the trashy dives they favored. While Razor raged, King remained anchored stage left, thrashing out riffs, head swinging in circles, his hair a blackened whip slicing through the air. The nine-inch nails that studded his leather forearm bands swayed as his hand raced up and down his fretboard. Wraith moved his pale, towering form around as if trying to seduce the audience. The burly assortment up front weren't his type. None of them were fans. They just happened to be there, regulars none too happy to see their favorite watering hole invaded by a band of misfits and freaks. He much preferred the young, lithe goth kids who would come in droves when they played the larger cities. There were a few there tonight, but sadly not enough. Knife in hand, Razor head-banged his way over to Leech, the keyboardist.
    [Show full text]
  • Things Fall Apart Vocabulary
    Things fall apart vocabulary Continue In order to continue to use our website, we ask you to confirm your identity as a person. Thank you so much for your cooperation. Menu Dictionary Stock 1000 Books Popular Book Teacher Information on Vocabulary All pages about Vocabulary (quiz words only) Chinua Achebe Further limitation of words (click / touch arrow) Restoring default Options below this button no------------------------classic literatureThe writing------------------------ of the arts q lt;3 qgt; BusinessLowLogic - Media------------------------Architecture Engineering - Ecology Science------------------------PhilosophyReligia - Christianity------------------------Leffic FinanceSport No------------------------Classic LiteratureFinance MediaHistoryHuman BehaviorSocial Politics - Politics------------------------BusinessLawLogic - ReasoningMedicina------------------------ArchitectureEngineering - EcologyScience------------------------PhilosophyReligia - SpiritualityRegia - Christianity------------------------------------------------ The personal financessport 1 2 3 4 5 6 7 8 8 to 1 2 3 4 5 6 7 8 9 (9 is the most difficult) wordGrid For other words or to sort them differently, Use options at the top of the screen. Status quiz: The editor checked all the quiz questions. † followed by this sign was not verified by the editor. Please let us know if you notice a problem. SAT® is a registered trademark of the College Board, which is not affiliated with verbalworkout.com™, and does not endorse this site. Give us the reverse verbalworkout.com™© fiercely marked by extreme and violent energy He knew he was a fierce fighter, but this year was enough to break the heart of a lion. Engaging consume all their attention or time it was this man that Okonkwo threw into battle, which the old men agreed was one of the fiercest with the founder of his city engaged in the spirit of wildlife for seven days and seven nights.
    [Show full text]