Globetrotters' Japan
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Instrucciones Para La Elaboración De Los Artículos Del Homenaje a Miguel
FACULTAD DE TRADUCCIÓN E INTERPRETACIÓN Grado en Traducción e Interpretación TRABAJO FIN DE GRADO LENGUAJE Y CULTURA: JAPÓN Y LAS GUÍAS DE VIAJE DEL SIGLO XIX Presentado por Paula Gómez García Tutelado por Lourdes Terrón Soria, 2017 RESUMEN Desde que Japón cerrara sus puertas al mundo exterior, ha significado todo un misterio para aquellos exploradores que quisieron adentrarse en el archipiélago oriental. Durante más de 200 años de relativo aislamiento, Japón consiguió satisfacer la mayor parte de sus necesidades por sí mismo. En esta investigación se presentarán dos enfoques: un enfoque histórico, donde se realizará un breve repaso a la enigmática historia de Japón, además de analizar dos de las primeras guías de viaje de habla inglesa más importantes del siglo XIX con las que se inicia una etapa trascendental en la historia del turismo en este territorio y, por otra parte, se desarrollará un enfoque lingüístico y cultural, donde se analizarán exhaustivamente las características de las guías de viaje, los textos turísticos y, se realizará una investigación del choque entre culturas, tanto en el lenguaje como en la cultura en sí, entre la lengua japonesa y la lengua inglesa. Palabras clave: enfoque histórico, cultura, turismo, guía de viaje, textos turísticos ABSTRACT Since Japan closed its doors to the outside world, it has meant a mystery for those explorers who wanted to enter the Eastern archipelago. During more than 200 years of relative isolation, Japan managed to satisfy most of its needs by itself. This research presents two approaches: -
Backstory Your Guide to Timeline Productions
BACKSTORY YOUR GUIDE TO TIMELINE PRODUCTIONS MIDWEST PREMIERE BY NAOMI IIZUKA directed by Lisa Portes YESTERDAY’S STORIES. TODAY’S TOPICS. From Artistic Director PJ Powers a message in Concerning Strange And her bold theatricality Devices from the Distant will keep you guessing, Naomi Iizuka’s writing has a mystery, West, Naomi Iizuka’s sexy piecing things together and puzzle-of-a-play that we speculating about what is intrigue, yearning and sensuality that are thrilled to introduce real, what is imagined and Dear Friends, to Chicago in only its what is fabricated. is both beguiling and entrancing. second production. It had Think back. Way back to Her exploration of the its world premiere in 2010 exotic other-world. Just passed on, carefully crafted We also invite you to join in a time that now seems unknown was quite at Berkeley Repertory as they were curious to to depict a seemingly the photographic odyssey almost incomprehensible— alluring to TimeLine’s Theatre, where our literary learn about that distant accurate snapshot of a time that Naomi ignites. While nearly the last millennium. Company Members when manager Ben Thiem saw it. culture, we explore history and place. taking photos is prohibited we read this play. We too with a similar desire for during the performance Can you recall when you But do we know better now, Born in Japan, Naomi spent are continually trying to understanding. How and inside the theater, didn’t have a camera at your armed with our own crafty much of her life traveling stretch beyond what we’ve did people dress? What more mysteries and images fingertips, seemingly at all new strange devices built the world prior to putting known and tackled before, were their lifestyles, their await you in the lobby, and times, handily embedded in into app-filled smartphones? down roots in her current always trying to take you politics, their romances? we hope you’ll peruse, your cell phone? Is there really such a thing home of California. -
ÀLBUM FOTOGRÀFIC JAPONÈS (C
ÀLBUM FOTOGRÀFIC JAPONÈS (c. 1885-1890) 1 RESUM Amb motiu del Dia Mundial del Patrimoni Audiovisual (27 d'octubre), el Museu del Cinema vol difondre i posar en valor un dels objectes més singulars de la Col·lecció Tomàs Mallol: un àlbum japonès que conté cent fotografies datades entre el 1885 i 1890. Les fotografies d'aquest àlbum estan realitzades amb el procediment fotogràfic a l'albúmina. Cada fotografia està delicadament acolorida a mà i les tapes de l'àlbum són de fusta lacada de vermell, negre i or vell. Aquests àlbums eren objectes de luxe destinats especialment a viatgers, turistes o residents estrangers al Japó. Eren un record de les costums, la gent, les ciutats, els paisatges i el patrimoni del Japó en un època, a finals del segle XIX, en què tot allò provinent de l'Orient, i especialment del Japó, estava de moda a Occident i tenia una influencia notable sobre les arts (japonisme). Alguns d'aquests àlbums s'exportaven també a Europa i Nordamèrica. Aquest tipus de fotografia fou popularitzat per l'estudi fotogràfic de Felice Beato (Yokohama) a partir de 1866. Les fotografies de Beato van tenir un gran èxit i marcaren l'estil que van seguir els estudis fotogràfics posteriors. Es caracteritzaven per l'acoloriment de fotografies a mà realitzat per artistes especialitzats en l'acoloriment dels gravats xilogràfics tradicionals del Japó. La temàtica, molt del gust occidental, era de paisatges, urbans o de la natura, gent i costums del Japó. Sol ser molt difícil identificar l'autoria de la fotografies, atès que la majoria no estan signades i molts àlbums no tenen segell ni marca de l'estudi que els va vendre. -
Steelmaking on Postcards)
ISIJ International, Vol. 37 (1 997), No. 12, pp. 1258-1 262 R"io ~ 140 Years of Blast Furnace lronmaking in Japan (lron- and Steelmaking on Postcards) Manfred M. WOLF Wolftechnology, Dolderstrasse 40, CH-8032Zurich, Switzerland. (Received on May23. 1997.• accepted in final form on August 22. /997) lron- and steelmaking motives on stampsand postcards can stimulate the interest in historical metallurgy. In the present instance, such illustrative documentation brings about the commemorationof the 140th anniversary of blast furnace ironmaking in Japan. KEYWORDS:historical metallurgy; early blast furnace works in Japan. hundred outlined in pertinent articles, l. Introduction years ago-as e.g. Refs. 3), 4). Thereafter, several attempts were madeto In our times of profound structure changesin the steei ralse productivity by meansof Western blast furnace industry, the study of "Historical Metallurgy" mayhelp technology andbasedonlumpore, of which the historical to foster the understanding of the "kinetics" of technical and technical backgroundwasreviewed recently in detail change. Such study is often stimulated by pictorial by Tate et al.4) documentation. For instance, this author being an avid A glance on Fig. I with the 1957 Centenary stamp on collector of stamps and picture postcards showing a "first day cover" (FDC) tells us that, presently, the iron- and steelmaking motives, feels attracted to study first of these attempts looks back to a 140 years' history. the "biography" of plants andequipmentshownon such The FDC-insert issued by the Postal Ministry pictures documentationl'2)-as briefiy illustrated by the example the two parts of this stamp in greater detail, Fig. 2: the of early ironmaklng in Japan. -
Felice Beato's Japan
X Portraits From the Dawn of a New Era X X X X X X X X X X X The above details all derive from the portrait album introduced in this unit. X Titled “Photographic Views of Japan with Historical and Descriptive Notes,” the photographs were taken by Felice Beato, the pioneer foreign X photographer in Yokohama, Japan’s major treaty port. The album was published shortly after 1868, the year the centuries-old feudal regime headed X by a hereditary Shogun was overthrown and a new, “modern” government under the Meiji emperor established. Through Beato’s lens, we gain an X unusually intimate view of a range of Japanese individuals on the cusp of a new era in their history. X 1 Felice A. Beato, photographer Felice A. Beato (ca. 1833–ca. 1909), a naturalized British citizen and extraordinary photographer, first arrived in Japan in 1863. Beato found the treaty port of Yokohama ideal for establishing a commercial photography studio. Once settled in Yokohama, Beato only made one trip abroad—to Korea to cover a British-U.S. military expedition in the mid 1870s. Established as a treaty port in 1859, Yokohama grew rapidly and bustled with the activity of foreign businessmen, merchants, seaman, and tourists, as well as a rapidly expanding population of Japanese attracted by its commercial opportunities. Beato's life and work are of considerable interest to scholars, curators, and collectors. His album Photographic Views Portrait of Felice A. Beato, 1860s of Japan with Historical and Descriptive by an unknown photographer (detail). Notes, published around 1869, [bjs100] introduces a dialogue between the photograph and the descriptive essay. -
5 Souvenir Albums Kimbei, Took a Number of Years to Build a Truly Representative Portfolio Which Covered the Four - Number List and Main Islands
mirrored the actual journey the tourist had taken. Some famous photographers, for example Kusakabe 5 Souvenir Albums Kimbei, took a number of years to build a truly representative portfolio which covered the four - Number List and main islands. In the meantime, Kusakabe and others solved this problem by acquiring prints and Attribution Issues negatives from other studios, effectively filling in the gaps in their own catalogues. This was perhaps Throughout the whole of the Meiji period and to be expected: a Yokohama-based studio might beyond, it was possible for Japan’s foreign visitors, well decide it was impractical, or impracticable, and of course local residents to acquire souvenir to obtain a representative range of views from as photographs of scenic views and portraits. These far away as Nagasaki or Hakodate. Kusakabe, in photographs were usually mounted in albums whose fact, advertised his business as a photographic boards were decorated with attractive lacquer work dealership in the early years of his studio and it was or Japanese silk cloth. The photos themselves were only later that he styled himself as a photographer. invariably hand coloured, but some customers Most Meiji-era studios included work from other favoured them in their original sepia tones. photographers in their souvenir albums, and The albums are sometimes today referred to as arrangements between studios to buy or exchange Yokohama Albums since most of the studios which negatives must have been commonplace. Do not produced them, at least in the early years, were expect, therefore, a souvenir album to necessarily based in that town. After the 1880s, however, an contain the work of just one artist. -
Noro Kageyoshi Y La Educación Científico-Tecnológica En Japón A
XII Congreso Internacional de ALADAA Martha Loaiza Becerra Noro Kageyoshi y la educación científico-tecnológica en Japón a finales del siglo XIX Martha Loaiza Becerra Centro Universitario de Estudios e investigaciones sobre la Cuenca del Pacífico Universidad de Colima Colima, Col., México 1. La institucionalización de la ingeniería científica El crecimiento de las instituciones de ingeniería y el aumento del número de estudiosos con grado académico de doctor ( hakushi ) señaló hacia la década de 1930 el progreso del conocimiento y el desarrollo del conocimiento científico en Japón. Fueron la medicina y la ingeniería (entre las diferentes ramas de la ciencia) las que alcanzaron un desarrollo superior. En lo que corresponde a la ingeniería, el avance se realizó en un periodo de 50 años. Varios fueron los factores que se conjugaron para provocar el desarrollo gradual de la ingeniería. Entre estos destacan los siguientes: a) el establecimiento en 1871 del Departamento de Industria como un órgano administrativo para el control de los intereses industriales y la Escuela de Ingeniería (Kogaku-ryo) ambas instituciones impulsaron el desarrollo de las industrias nacionales en un sentido moderno 1 ; b) la contratación de profesores europeos y estadounidenses para que enseñaran en las escuelas e instituciones especializadas en distintas ramas de la ingeniería y la ciencia; c) la creación de la Universidad Imperial en Tokio en 1886 mediante la fusión de la otrora Universidad de Tokio y el Colegio de Ingeniería de acuerdo con la Ordenanza Imperial No. 3. La Universidad Imperial fue organizada con los colegios de derecho, medicina, literatura, ciencias, ingeniería y agricultura. Más tarde, en junio de 1897, como consecuencia de la revisión de la Ley de la Universidad Imperial se estableció otra universidad en Kioto y la Universidad Imperial fue nombrada: Universidad Imperial de Tokio. -
Japansociety Japan-UK Review Japan Book Review - Japan Stage, Movie, Arts and Event Review Volume 2 No
japansociety Japan-UK Review Japan Book Review - Japan Stage, Movie, Arts and Event Review Volume 2 No. 2 April 2007 Editor: Sean Curtin Contents Managing Editor: Clare Barclay (1) Photography in Japan 1853-1912 n this colourful spring issue our main theme is photographic books (2) Old Japanese Photographs: about Japan and we review an excellent selection of new books on Collectors’ Data Guide the topic. We can only present a very limited number of photographs (3) Tokyo Love Hello I (4) Hokusai's Project: The Articulation from these books in the following pages, but if you visit our website you will find a host visual gems. As usual, we also have some great reviews of of Pictorial Space new historical works plus exciting general interest books. The featured (5) Innovation and Business Japanese courtyard gardens book also boasts an array of impressive on-line Partnering in Japan, Europe and the photographs. Finally, don't forget that our printed edition only represents United States a fraction of our new reviews, all of which can be found on the website (6) Philipp Franz von Siebold and The along with movie and stage reviews. Opening of Japan: A Re-Evaluation (7) A History of Japan, 1582-1941: Sean Curtin Internal and External Worlds (8) Courtyard Gardens of Kyoto's Merchant Houses New reviews: www.japansociety.org.uk/reviews.html Archive reviews: http://www.japansociety.org.uk/reviews_archive.html Japan Book Review Photography in Japan 1853-1912, Old Japanese Photographs: Collectors' Data Guide, Terry Bennett, Terry Bennett, 320 pages, 350 photographs (colour and black and white), Periplus Editions Tuttle Publishing, 2007, ISBN 080486337, £45 308 pages, over 200 illustrations, Bernard Quarritch, 2006, ISBN- 10: 0-9550852-4-1, and ISBN-13: 978-0-9550852-4-6, £65. -
Felice Beato's Japan: People”
X Portraits From the Dawn of a New Era X X X X X X X X X X X The above details all derive from the portrait album introduced in this unit. X Titled “Photographic Views of Japan with Historical and Descriptive Notes,” the photographs were taken by Felice Beato, the pioneer foreign X photographer in Yokohama, Japan’s major treaty port. The album was published shortly after 1868, the year the centuries-old feudal regime headed X by a hereditary Shogun was overthrown and a new, “modern” government under the Meiji emperor established. Through Beato’s lens, we gain an X unusually intimate view of a range of Japanese individuals on the cusp of a new era in their history. X 1 Felice A. Beato, photographer Felice A. Beato (ca. 1833–ca. 1909), a naturalized British citizen and extraordinary photographer, first arrived in Japan in 1863. Beato found the treaty port of Yokohama ideal for establishing a commercial photography studio. Once settled in Yokohama, Beato only made one trip abroad—to Korea to cover a British-U.S. military expedition in the mid 1870s. Established as a treaty port in 1859, Yokohama grew rapidly and bustled with the activity of foreign businessmen, merchants, seaman, and tourists, as well as a rapidly expanding population of Japanese attracted by its commercial opportunities. Beato's life and work are of considerable interest to scholars, curators, and collectors. His album Photographic Views Portrait of Felice A. Beato, 1860s of Japan with Historical and Descriptive by an unknown photographer (detail). Notes, published around 1869, [bjs100] introduces a dialogue between the photograph and the descriptive essay. -
50 Jahre Verband Deutsch-Japanischer Gesellschaften
50 Jahre Verband Deutsch-Japanischer Gesellschaften Inhaltsverzeichnis 1. Vorwort 2. Satzungsgeschichte 3. Kultur und Kunst 4. Bildung und Wissenschaft 5. Jugendarbeit 6. Wirtschaft und Politik 7. Gründung und Protokolle in 50 Jahren 8. Anlagen 9. Dank 10. Impressum 1. Vorwort Am Anfang stand die Nostalgie und eine Reputation der DJGen, überwiegend Traditionswerten und persönlichen Erinnerungen verhaftet zu sein. Gestatten Sie also hier einige Zitate aus den Wortschätzen eines Altvorderen: „Wie Dr. Erich Schulte in seiner liebenswürdig, humor- vollen Art den Verband 15 Jahre lang immer wieder zum Botschafteressen geleitet hatte, wie Senator Klinge in der Münchener Residenz einen zauberhaften Abend mit „gesungenen Haiku“ veranstaltete, vom prachtvollen Abendessen in der Meißener Porzellanmanufaktur, von einer beklemmenden Wanderung durch riesige Gewölbe der lothringischen Kasematten des 1. Weltkriegs, vom klangvollen Empfang in der Musikschule Weimar, vom prächtigen Auftritt des Abt Kono in vollem Ornat, von eindrucksvoller Abendveranstaltung im Grunewald, von einzigartigen Schiffsfahrten durch norddeutsche Häfen usw.“ Unzählige Anekdoten und Denkwürdiges aus der Vorzeit verdienten eine ganz eigene Festschrift. Gleiches gilt für noch zu sammelndes Fotomaterial, welches ebenfalls einen umfassenden Überblick über 50 Jahre Verbandsleben bieten könnte. Diese Chronik ist für die DJGen und somit nicht für den öffentlichen Buchhandel gedacht. Zielgruppe sind die Verbandsmitglieder und solche, die es noch werden wol- len. Bis auf die drei Jahrgänge (von der ersten, dritten und vierten Tagung) in den 60ern, wurden alle Ver- 1" " bandsprotokolle seit Bestehen aufgefunden und digitali- siert. Aufgabe war es, die Texte - teilweise stark ge- kürzt- bei Übernahme einiger Originalformulierungen abzudrucken. Aus dieser chronologischen Dokumentati- on ergab sich auch Basis für mehrere Querschnittsthemen, die den Verband im Dialog mit den DJGen durchgängig beschäftigt hatten. -
Investors and Investment Behavior in Germany, 1869 – 1955
Investors and Investment Behavior in Germany, 1869 – 1955 a dissertation presented by Andreas Neumayer, MSc to The Faculty of Economics, Business and Social Sciences Institute of Economics Chair of Economic and Social History with Agricultural History in partial fulfillment of the requirements for the degree of Doctor of Economics (Dr. oec.) University of Hohenheim, Stuttgart August 2019 1st Advisor: Prof. Sibylle Lehmann-Hasemeyer, PhD 2nd Advisor: Prof. Dr. Jochen Streb, University of Mannheim Die vorliegende Arbeit wurde im Mai 2019 von der Fakultät Wirtschafts- und Sozialwissenschaften der Universität Hohenheim als Dissertation zur Erlangung des Grades eines Doktors der Wirtschaftswissenschaften (Dr. oec.) angenommen. Datum der mündlichen Doktorprüfung: 11. Juli 2019 Dekan: Prof. Dr. Karsten Hadwich Prüfungsvorsitz: Prof. Dr. Gert Kollmer-von Oheimb-Loup Erstgutachter: Prof. Sibylle Lehmann-Hasemeyer, PhD Zweitgutachter: Prof. Dr. Jochen Streb 2 Abstract This dissertation is part of the project “Expectations and Experiences: What governed in- vestment in banking stocks (1897 – 1931)?” It belongs to the Priority Programme 1859 “Ex- pectations and Experiences: Historical Foundations of Economic Behavior” (Schwerpunkt- programm 1859 ”Erfahrung und Erwartung. Historische Grundlagen ökonomischen Han- delns”), which is funded by the German Research Foundation (Deutsche Forschungsgemein- schaft). The overall aim of the Priority Programme is to study the historical dimension of economic expectations. Economic expectations are the keystone of economic behavior, but their historical dimension has not been researched in depth so far. It studies experience and expectation as interrelated cognitive processes pointing to the past and the future which en- able economic actors to realize their decisions in the present.1 The central purpose of this dissertation is at studying investors’ characteristics, as well as investment decisions on the different German stock exchanges in the period 1869 to 1955. -
Get the Classic #1
# 01 THE SPRING 2019 CLASSICA free magazine about classic photography In this issue THE DENNIS HOPPER ARCHIVE ROBERT HERSHKOWITZ MARTIN BARNES THE ALEX NOVAK COLLECTION OF EARLY NEGATIVES FAIRS, AUCTIONS, EXHIBITIONS AND MORE 1 The photography department of the 5th ranked French auction house Millon, has been organizing exhibitions and auctions of collections, archives and estates, and specialized thematic sales for 25 years. The department’s specialty are the monographic auctions of great photographers of the 19th and 20th centuries. These auctions have resulted in record prices on the art market. Results from some of these auctions*: Succession Brassaï 2006 – 4,206,550 € Blanc & Demilly 2008 – 346,165 € Ilse Bing 2009 – 435,650 € Frédéric Barzilay 2014 – 57,250 € Edouard de Campigneulles 2016 – 334,580 € Les Frères Séeberger 2016 – 279,580 € Succession Galerie Gérard Lévy 2016 – 1,732,260 € Claude Raimond-Dityvon 2018 – 137,110 € To consign in one of our upcoming auctions please contact: Expert: Millon Head of Department: Christophe Goeury Natalia Raciborski +33 (0)6 16 02 64 91 +33 (0)7 88 09 91 86 [email protected] [email protected] MILLON, 19 rue de la Grange Batelière, 75009 Paris, France www.millon.com Bud Fraker, Audrey Hepburn for “Breakfast at Tiffany’s”, 1961. Vintage silver gelatin print. MILLON – SVV Agrément n°2002-379 *Results are indicated without the buyer’s premium 3 In this issue Distributors 04 IN BRIEF LOS ANGELES The Fahey/Klein Gallery 10 PREVIEW LONDON MAY 148 North La Brea between 1st Street The Special