University of South Florida Scholar Commons Humanities and Cultural Studies Faculty Humanities and Cultural Studies Publications 2016 Dancing with Knives: American Cold War Ideology in the Dances of West Side Story Daniel Belgrad University of South Florida,
[email protected] Ying Zhu University of South Florida Follow this and additional works at: http://scholarcommons.usf.edu/hcs_facpub Part of the Arts and Humanities Commons Scholar Commons Citation Belgrad, Daniel and Zhu, Ying, "Dancing with Knives: American Cold War Ideology in the Dances of West Side Story" (2016). Humanities and Cultural Studies Faculty Publications. 4. http://scholarcommons.usf.edu/hcs_facpub/4 This Article is brought to you for free and open access by the Humanities and Cultural Studies at Scholar Commons. It has been accepted for inclusion in Humanities and Cultural Studies Faculty Publications by an authorized administrator of Scholar Commons. For more information, please contact
[email protected]. Dancing with Knives: American Cold War Ideology in the Dances of West Side Story Author(s): Daniel Belgrad, Ying Zhu Source: Kyiv-Mohyla Humanities Journal 3 (2016): 1–22 Published by: National University of Kyiv-Mohyla Academy http://kmhj.ukma.edu.ua/ Dancing with Knives: American Cold War Ideology in the Dances of West Side Story Daniel Belgrad University of South Florida, Department of Humanities and Cultural Studies Ying Zhu University of South Florida, School of Theatre and Dance Abstract In cultural studies today, there is emerging an interpretive revolution “from below” — that is, a radical reassessment of the politics of cultural forms, based on a recovery of the embodied and affective subject as the center of meaning-making.