Legacy of Abuse: Confronting the Past, Facing the Future
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Myth and Carnival in Robert Coover's the Public Burning
ROBERTO MARIA DAINOTTO Myth and Carnival in Robert Coover's The Public Burning Certain situations in Coover's fictions seem to conspire with a sense of impending disaster, which we have visited upon us from day to day. We have had, in that sense, an unending sequence of apocalypses, long before Christianity began and up to the present... in a lot of contemporary fiction there's a sense of foreboding disaster which is part of the times, just like self reflexive fictions. (Coover 1983, 78) As allegory, the trope of the apocalypse—a postmodern version of the Aristotelian tragic catastrophe—stands at the center of Coover's choice of content, his method of treating his materials, and his view of writing. In his fictions, one observes desperate people caught in religious nightmares leading to terrible catastrophes, a middle-aged man whose life is sacrificed at the altar of an imaginary baseball game, beautiful women repeatedly killed in the Gothic intrigues of Gerald's Party, and other hints and omens of death and annihilation. And what about the Rosenbergs, whom the powers that be "determined to burn... in New York City's Times Square on the night of their fourteenth wedding anniversary, Thursday, June 18, 1953"(PB 3)?1 In The Public Burning, apocalypse becomes holocaust—quite literally, the Greek holokauston, a "sacrifice consumed by fire." What proves interesting from a narrative point of view is that Coover makes disaster, apocalypse and holocaust part of the materials of the fictions" of the times"—which he calls" self-reflexive fictions." But what is the relation between genocide, human annihilation, and self-reflexive fictions? How do fictions" of the times" reflect holocaust? Larry McCaffery suggests: 6 Dainotto in most of Coover's fiction there exists a tension between the process of man creating his fictions and his desire to assert that his systems have an independent existence of their own. -
A Quest for Historical Truth in Postmodernist American Fiction
A Quest For Historical Truth in Postmodernist American Fiction Sung, Kyung-Jun I Since the 1970's there have been ongoing debates about the nature of postmodernist American fiction. Many of the critics involved in these debates tend to think of postmoder- nist American fiction as metafiction, surfiction, or fabulation, emphasizing the self-reflexive characteristic of these fictions. We can see this trend of criticism reflected in the titles of books: Robert Scholes's Fabulation and Metajction (1979), Larry McCaffery's The Metajctional Muse (1982), and Patricia Waugh's MetaJiction (1984), which are regarded as important criticisms of postmodernist American fiction. Without denying that the metafictional trend is a conspicuous characteristic in postmodernist American fiction, it also appears to be correct to state that postmodernist American writers' concern with the social reality in which they live is an equal factor in the shaping of their works. When we examine postmodernist American fiction more closely, we find that it, though metafictional and self-reflexive in form, starts with paying serious attention to the cultural, social and political circumstances of America which have changed rapidly since the 1960's. This fact that postmodernist American writers pay close attention to the current problems and troubles of importance in America is exemplified concretely in the themes of their works. For example, E.L. Doctorow's The Book of Daniel (1971) and Robert Coover's The Public Burning (1977) deal with the case of Julius and Ethel Rosenberg who were victimized in the whirlpool of the Cold War; Thomas Pynchon's V. (1964) and Richard Brautigan's Trout Fishing in America (1967) focus on the the disorder and desolation of modern American society; John Barth's Giles Goat-Boy (1966) analyzes the ideological conflict between Capitalism and Communism and the social problems in the electronic age; Pynchon's Gravity's Rainbow (1973) gets at the heart of the nuclear war and, as a result of it, the fall of the world. -
Democratic Republicans
QUARTERLY WINTER WOODROW WILSON INTERNATIONAL CENTER FOR SCHOLARS Director, James H. Billington Deputy Director, George R. Packard Created by Act of Congress in 1968 as an institute for advanced study and as a "livin memorial ' to the 28th President, the Wilson Center supports serious scgolarship and its interaction with the world of affairs. The Center-and The Wilson Quarterly-seek diversity of scholarly enterprise and of points of view. Editor: Peter Braestruv Associate Editor (~ssays):Philip S. Cook Associate Editor (Periodicals): Cullen Murphy Associate Editor (Books): Lois Decker O'Neill Associate Editor (Production): Anna Marie Torres Assistant Editor: Fred Howard Contributing Editors: Beryl Lieff Benderly, Malcolm B. De- Bevoise, Michael J. Glennon, Steven A. Grant, Peter Kovler, Andrea MacLeod, Gustav Magrinat, Stuart A. Rohrer Administrative Assistant: Melanie Davis Editorial Secretary: Rita B. Miller Production Assistant: Lucy S. Gregg Research Associates: Edward T. Crook, Miriam Davidson, David M. Friedman, Bruce Jenks, John E. Kocjan, Kathleen O'Pella, Jane Spivak Librarian: Zdenek David Art Director: Elizabeth Dixon Business Manager: William M. Dunn Circulation Coordinator: Michael W. Frenkel Editorial Advisers: Prosser Gifford, A. E. Dick Howard, Abraham Lowenthal, Richard Seamon, Henry Nash Smith, S. Frederick Starr, Samuel F. Wells, Jr. Published in January, April, July, and October by the Woodrow Wilson Interna- tional Centerfor Scholars, Smithsonian Institution Building, Washington, D.C. 20560. Copyright 1978 by the Woodrow Wilson International Center for Scholars. Subscription rates: one year, $12; two years, $21; three years, $30. Foreign subscriptions: one year, $14; two years, $25; three years, $36. Foreign subscriptions airmail: one ear, $24, two ears, $45; three years, $66. -
La Historia Que No Se Cuenta De Arancibia Clavel Mónica González
Ex agente de la DINA asesinado en Buenos Aires La historia que no se cuenta de Arancibia Clavel Mónica González. Publicado por CIPER - 1 mayo del 2011 Treinta y cuatro puñaladas recibió Enrique Arancibia Clavel el 29 de abril pasado. La noticia impactó en Argentina, donde pasó 11 años en prisión por el crimen del general Prats y su esposa. En Chile, su huella en las operaciones represivas más brutales de la dictadura marcó a miles de sobrevivientes y familiares de desaparecidos. Una historia oculta por el mismo manto de impunidad que cubrió al crimen de Prats por más de 30 años y que quedó plasmada en el increíble archivo que guardó el jefe de la red DINA en Buenos Aires, descubierto en 1986. Esta es su historia. El peluquero y bailarín argentino Humberto Zambelli subió al auto Renault 12 y enfiló raudo hacia el aeropuerto de Ezeiza. Ese 4 de noviembre de 1978 iba al encuentro de su pareja, Enrique Arancibia Clavel, cuya tarjeta de visita indicaba que era agente del Banco del Estado en Buenos Aires. Una pantalla muy bien pagada para el jefe de la red clandestina de la Dirección Nacional de Inteligencia (DINA) en Argentina, quien regresaba conmocionado desde Santiago. El bailarín del ballet de Susana Jiménez no sospechaba que todos sus pasos eran observados y fotografiados. Zambelli estaba nervioso. La despedida había estado marcada por la tensión. Más tarde diría que “un complicado estado emocional” afectaba a su amigo íntimo. Razones tenía, Arancibia. Un terremoto se vivía en ese momento en los servicios secretos del régimen luego que el general Manuel Contreras fuera enviado a retiro y después detenido en el Hospital Militar al abrirse un proceso presionado por Estados Unidos por su responsabilidad en el asesinato del ex canciller Orlando Letelier, en Washington (1976). -
Chapter One: Postwar Resentment and the Invention of Middle America 10
MIAMI UNIVERSITY The Graduate School Certificate for Approving the Dissertation We hereby approve the Dissertation of Jeffrey Christopher Bickerstaff Doctor of Philosophy ________________________________________ Timothy Melley, Director ________________________________________ C. Barry Chabot, Reader ________________________________________ Whitney Womack Smith, Reader ________________________________________ Marguerite S. Shaffer, Graduate School Representative ABSTRACT TALES FROM THE SILENT MAJORITY: CONSERVATIVE POPULISM AND THE INVENTION OF MIDDLE AMERICA by Jeffrey Christopher Bickerstaff In this dissertation I show how the conservative movement lured the white working class out of the Democratic New Deal Coalition and into the Republican Majority. I argue that this political transformation was accomplished in part by what I call the "invention" of Middle America. Using such cultural representations as mainstream print media, literature, and film, conservatives successfully exploited what came to be known as the Social Issue and constructed "Liberalism" as effeminate, impractical, and elitist. Chapter One charts the rise of conservative populism and Middle America against the backdrop of 1960s social upheaval. I stress the importance of backlash and resentment to Richard Nixon's ascendancy to the Presidency, describe strategies employed by the conservative movement to win majority status for the GOP, and explore the conflict between this goal and the will to ideological purity. In Chapter Two I read Rabbit Redux as John Updike's attempt to model the racial education of a conservative Middle American, Harry "Rabbit" Angstrom, in "teach-in" scenes that reflect the conflict between the social conservative and Eastern Liberal within the author's psyche. I conclude that this conflict undermines the project and, despite laudable intentions, Updike perpetuates caricatures of the Left and hastens Middle America's rejection of Liberalism. -
Information to Users
INFORMATION TO USERS The most advanced technology has been used to photograph and reproduce this manuscript from the microfilm master. UMI films the text directly from the original or copy submitted. Thus, some thesis and dissertation copies are in typewriter face, while others may be from any type of computer printer. The quality of this reproduction is dependent upon the quality of the copy submitted.Broken or indistinct print, colored or poor quality illustrations and photographs, print bleedthrough, substandard margins, and improper alignment can adversely affect reproduction. In the unlikely event that the author did not send UMI a complete manuscript and there are missing pages, these will be noted. Also, if unauthorized copyright material had to be removed, a note will indicate the deletion. Oversize materials (e.g., maps, drawings, charts) are reproduced by sectioning the original, beginning at the upper left-hand corner and continuing from left to right in equal sections with small overlaps. Each original is also photographed in one exposure and is included in reduced form at the back of the book. Photographs included in the original manuscript have been reproduced xerographically in this copy. Higher quality 6" x 9" black and white photographic prints are available for any photographs or illustrations appearing in this copy for an additional charge. Contact UMI directly to order. UMI University Microfilms international A Bell & Howell Information Company 300 Nortti Zeeb Road Ann Arbor Ml 48106-1346 USA 313 761-4700 800 521-0600 Reproduced with permission of the copyright owner. Further reproduction prohibited without permission. Reproduced with permission of the copyright owner. -
Obscene Gestures: Sexual Transgression and Late Twentieth-Century American Political Culture
Obscene Gestures: Sexual Transgression and Late Twentieth-Century American Political Culture Patrick Scott Lawrence, PhD University of Connecticut, 2016 Tracing a cultural history from the 1970s to the 1990s, Obscene Gestures places popular and legal notions of obscenity in conversation with anti-consumerist and anti-capitalist resistance movements, women of color feminism, and LGBTQ activism. Since the 1973 Supreme Court ruling in Miller v. California, obscenity discourse has policed the shape of the nation by marking non-normative bodies as objectionable. The dissertation’s study of the cultural artifacts this discourse concerns opens by situating the history of literary obscenity alongside the key theories of sexuality, power, race, and knowledge. The first body chapter links the Miller ruling with 1970s-era neoconservative policies by considering some of the decade’s major novels, including Thomas Pynchon’s Gravity’s Rainbow (1973), revealing a home- front cultural politics that stymied dissent by classing as out of bounds many forms of political speech, including Huynh Cong Ut’s 1972 photo The Terror of War. Chapter Two builds upon the polarization this moment caused via an analysis of the feminist battles over pornography in the early 1980s. I juxtapose figures on both sides of this debate with works by women of color, such as Alice Walker’s The Color Purple (1983), that address the histories of embodiment that this debate tended to obscure. The occlusion of race in organizing around pornography parallels the role of possessive individualism in justifying racial wealth disparities during the Reagan administration, which the third chapter highlights. Working in the shadow of the 1986 Meese Commission report, this chapter interprets neoliberal economic policies as an enactment of racial indifference through the metaphors of sex and violence in The Bonfire of the Vanities (1987) and American Psycho (1990). -
Peer Heinelt Financial Compensation for Nazi
www.wollheim-memorial.de Peer Heinelt Financial Compensation for Nazi Forced Laborers Introduction . 1 Compensation for Nazi Forced Labor? Attempt at a Definition . 5 Compensation of Nazi Forced Laborers, 1945–1990 . 10 Supplement 1: The Compensation of Nazi Forced Laborers in the GDR . 28 The Compensation of Nazi Forced Laborers since 1990 . 31 Supplement 2: The Compensation of Nazi Forced Laborers in Austria . 42 Conclusion . 43 Norbert Wollheim Memorial J.W. Goethe-Universität / Fritz Bauer Institut Frankfurt am Main, 2010 www.wollheim-memorial.de Peer Heinelt: Financial Compensation for Nazi Forced Laborers, p. 1 Introduction After tough negotiations with the Conference on Jewish Material Claims against Germany, the Krupp Group made the following announcement on December 23, 1959: At least DM 6 million but no more than DM 10 million would be paid to former Jewish concentration camp prisoners who could show that they ―were employed in plants of Krupp or its subsidiaries during the war as a result of Na- tional Socialist actions‖; each entitled claimant would receive the sum of DM 5,000. The sole owner Alfried Krupp, according to the company newsletter, had ―resolved upon this agreement in order to make a personal contribution toward the healing of the wounds suffered in the war.‖ By his own admission, the agreement signified ―no recognition of any legal obligation,‖ but instead represented a charitable gesture, further emphasized by the announcement of the signing of the document one day before Christmas.1 The Claims Conference, however, had to guarantee that no legal actions against Krupp would be taken in the future with regard to compensation. -
Kämpfe Um Wahrheit Und Recht in Der Aufarbeitung Der Argentinischen Militärdiktatur
Alexander Hasgall Regime der Anerkennung Histoire | Band 95 2016-07-28 13-32-11 --- Projekt: transcript.titeleien / Dokument: FAX ID 0296436097015570|(S. 1- 4) TIT3552_ebook.p 436097015578 Alexander Hasgall (Dr. phil.), geb. 1974, arbeitet als wissenschaftlicher Koordina- tor an der Universität Genf. Sein Forschungsinteresse gilt insbesondere dem Grenzbereich von Politik, Wissenschaft und Recht. Neben seiner wissenschaftli- chen Tätigkeit arbeitete er mehrere Jahre als freier Journalist und in NGOs, wo er sich unter anderem mit Fragen der Vergangenheitspolitik und der Entwick- lung des jüdischen Lebens in Europa nach 1945 beschäftigte. 2016-07-28 13-32-11 --- Projekt: transcript.titeleien / Dokument: FAX ID 0296436097015570|(S. 1- 4) TIT3552_ebook.p 436097015578 Alexander Hasgall Regime der Anerkennung Kämpfe um Wahrheit und Recht in der Aufarbeitung der argentinischen Militärdiktatur 2016-07-28 13-32-11 --- Projekt: transcript.titeleien / Dokument: FAX ID 0296436097015570|(S. 1- 4) TIT3552_ebook.p 436097015578 Publiziert mit Unterstützung des Schweizerischen Nationalfonds zur Förderung der wissenschaftlichen Forschung. Dieses Werk ist lizenziert unter der Creative Commons Attribution 3.0 (BY-NC-ND). Dieses Werk ist lizenziert unter der Creative Commons Attribution- NonCommercial-NoDerivs 3.0 DE Lizenz (BY-NC-ND). Diese Lizenz erlaubt die private Nutzung, gestattet aber keine Bearbeitung und keine kommerzielle Nutzung. Weitere Informationen finden Sie unter https://creativecommons.org/licenses/by-nc-nd/3.0/de/. Bibliografische Information der Deutschen Nationalbibliothek Die Deutsche Nationalbibliothek verzeichnet diese Publikation in der Deut- schen Nationalbibliografie; detaillierte bibliografische Daten sind im Internet über http://dnb.d-nb.de abrufbar. © 2016 transcript Verlag, Bielefeld Die Verwertung der Texte und Bilder ist ohne Zustimmung des Verlages ur- heberrechtswidrig und strafbar. -
Kondratieff Waves in the Global Studies Perspective Andrey Korotayev, Leonid Grinin
Kondratieff Waves in the Global Studies Perspective Andrey Korotayev, Leonid Grinin To cite this version: Andrey Korotayev, Leonid Grinin. Kondratieff Waves in the Global Studies Perspective . Leonid Grinin, Andrey Korotayev, Ilya V. Ilyin. Globalistics and Globalization Studies: Aspects & Di- mensions of Global Views. Yearbook, 2014, Uchitel, pp.65 - 98, 2014, 978-5-7057-4028-4. hprints- 01861198 HAL Id: hprints-01861198 https://hal-hprints.archives-ouvertes.fr/hprints-01861198 Submitted on 24 Aug 2018 HAL is a multi-disciplinary open access L’archive ouverte pluridisciplinaire HAL, est archive for the deposit and dissemination of sci- destinée au dépôt et à la diffusion de documents entific research documents, whether they are pub- scientifiques de niveau recherche, publiés ou non, lished or not. The documents may come from émanant des établissements d’enseignement et de teaching and research institutions in France or recherche français ou étrangers, des laboratoires abroad, or from public or private research centers. publics ou privés. Kondratieff Waves in the Global Studies Perspective* Andrey V. Korotayev and Leonid E. Grinin The analysis of long economic cycles allows us to understand long-term world- system dynamics, to develop forecasts, to explain crises of the past, as well as the current global economic crisis. The article offers a historical sketch of research on K-waves; it analyzes the nature of Kondratieff waves that are considered as a special form of cyclical dynamics that emerged in the industrial period of the World System history. It offers a historical and theoretical analysis of K-wave dynamics in the World System framework; in particular, it studies the influence of the long wave dynamics on the changes of the world GDP growth rates during the last two centuries. -
Reformen Und Reformer Im Kommunismus
Wladislaw Hedeler / Mario Keßler (Hrsg.) Reformen und Reformer im Kommunismus Für Theodor Bergmann Eine Würdigung V VS Wladislaw Hedeler / Mario Keßler (Hrsg.) Reformen und Reformer im Kommunismus Wladislaw Hedeler / Mario Keßler (Hrsg.) Reformen und Reformer im Kommunismus Für Theodor Bergmann. Eine Würdigung Eine Veröffentlichung der Rosa-Luxemburg-Stiftung VSA: Verlag Hamburg www.vsa-verlag.de Dieses Buch wird unter den Bedingungen einer Creative Commons License veröffentlicht: Creative Commons Attribution-NonCom- mercial-NoDerivs 3.0 Germany License (abrufbar unter www.cre- ativecommons.org/licenses/by-nc-nd/3.0/legalcode). Nach dieser Lizenz dürfen Sie die Texte für nichtkommerzielle Zwecke vervielfältigen, verbreiten und öffentlich zu- gänglich machen unter der Bedingung, dass die Namen der Autoren und der Buchtitel inkl. Verlag genannt werden, der Inhalt nicht bearbeitet, abgewandelt oder in anderer Weise verändert wird und Sie ihn unter vollständigem Abdruck dieses Lizenzhinweises weitergeben. Alle anderen Nutzungsformen, die nicht durch diese Creative Commons Lizenz oder das Urheberrecht gestattet sind, bleiben vorbehalten. © VSA: Verlag 2015, St. Georgs Kirchhof 6, 20099 Hamburg Die Umschlagfotos zeigen (v.l.n.r.): obere Reihe: Robert Havemann, Liu Shaoqi, Rosa Luxemburg; untere Reihe: Fritz Behrens, Che Guevara, Nikolai Bucharin Druck und Buchbindearbeiten: CPI books GmbH, Leck ISBN 978-3-89965-635-0 Inhalt Wladislaw Hedeler / Mario Keßler Reformen und Reformer im Kommunismus – zur Einführung .......................... 9 SBZ -
Die DDR-Gesellschaftswissenschaften Post Mortem
Ins tut für Hochschulforschung HoF an der Mar n-Luther-Universität Halle-Wi enberg Peer Pasternack DIE DDR GESELLSCHAFTSWISSENSCHAFTEN POST MORTEM: EIN VIERTELJAHRHUNDERT NACHLEBEN 1990 2015 Zwischenfazit und bibliografi sche Dokumenta on BWV • BERLINER WISSENSCHAFTS VERLAG Die DDR‐Gesellschaftswissenschaften post mortem: Ein Vierteljahrhundert Nachleben (1990–2015) Hochschul‐ und Wissenschaftsforschung Halle‐Wittenberg Herausgegeben für das Institut für Hochschulforschung (HoF) von Peer Pasternack Peer Pasternack unter Mitarbeit von Daniel Hechler DIE DDR‐GESELLSCHAFTSWISSENSCHAFTEN POST MORTEM: EIN VIERTELJAHRHUNDERT NACHLEBEN (1990–2015) Zwischenfazit und bibliografische Dokumentation BWV • BERLINER WISSENSCHAFTSVERLAG 3 Bibliografische Information der Deutschen Nationalbibliothek Die Deutsche Nationalbibliothek verzeichnet diese Publikation in der Deutschen Nationalbibliografie; detaillierte bibliografische Angaben sind im Internet über http://dnb.d‐nb.de abrufbar. ISBN 978‐3‐8305‐3620‐8 Reihe „Hochschul‐ und Wissenschaftsforschung Halle‐Wittenberg“ © Institut für Hochschulforschung an der Universität Halle‐Wittenberg (HoF) Collegienstraße 62, 06886 Lutherstadt Wittenberg, [email protected]‐halle.de, http://www.hof.uni‐halle.de 2016 BWV • BERLINER WISSENSCHAFTS‐VERLAG GmbH, Markgrafenstraße 12–14, 10969 Berlin, bwv@bwv‐verlag.de, Internet: http://www.bwv‐verlag.de Printed in Germany. Alle Rechte, auch die des Nachdrucks von Auszügen, der photomechanischen Wiedergabe und der Übersetzung, vorbehalten. Inhaltsübersicht A. DDR‐Gesellschaftswissenschaften