Belarus in the Context of European Cyber Security
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The Mediation of the Concept of Civil Society in the Belarusian Press (1991-2010)
THE MEDIATION OF THE CONCEPT OF CIVIL SOCIETY IN THE BELARUSIAN PRESS (1991-2010) A thesis submitted to the University of Manchester for the degree of Doctor of Philosophy in the Faculty of Humanities 2015 IRYNA CLARK School of Arts, Languages and Cultures Table of Contents List of Tables and Figures ............................................................................................... 5 List of Abbreviations ....................................................................................................... 6 Abstract ............................................................................................................................ 7 Declaration ....................................................................................................................... 8 Copyright Statement ........................................................................................................ 8 A Note on Transliteration and Translation .................................................................... 9 Acknowledgements ........................................................................................................ 10 Introduction ................................................................................................................... 11 Research objectives and questions ................................................................................... 12 Outline of the Belarusian media landscape and primary sources ...................................... 17 The evolution of the concept of civil society -
The EU and Belarus – a Relationship with Reservations Dr
BELARUS AND THE EU: FROM ISOLATION TOWARDS COOPERATION EDITED BY DR. HANS-GEORG WIECK AND STEPHAN MALERIUS VILNIUS 2011 UDK 327(476+4) Be-131 BELARUS AND THE EU: FROM ISOLATION TOWARDS COOPERATION Authors: Dr. Hans-Georg Wieck, Dr. Vitali Silitski, Dr. Kai-Olaf Lang, Dr. Martin Koopmann, Andrei Yahorau, Dr. Svetlana Matskevich, Valeri Fadeev, Dr. Andrei Kazakevich, Dr. Mikhail Pastukhou, Leonid Kalitenya, Alexander Chubrik Editors: Dr. Hans-Georg Wieck, Stephan Malerius This is a joint publication of the Centre for European Studies and the Konrad- Adenauer-Stiftung. This publication has received funding from the European Parliament. Sole responsibility for facts or opinions expressed in this publication rests with the authors. The Centre for European Studies, the Konrad-Adenauer- Stiftung and the European Parliament assume no responsibility either for the information contained in the publication or its subsequent use. ISBN 978-609-95320-1-1 © 2011, Konrad-Adenauer-Stiftung e.V., Sankt Augustin / Berlin © Front cover photo: Jan Brykczynski CONTENTS 5 | Consultancy PROJECT: BELARUS AND THE EU Dr. Hans-Georg Wieck 13 | BELARUS IN AN INTERnational CONTEXT Dr. Vitali Silitski 22 | THE EU and BELARUS – A Relationship WITH RESERvations Dr. Kai-Olaf Lang, Dr. Martin Koopmann 34 | CIVIL SOCIETY: AN analysis OF THE situation AND diRECTIONS FOR REFORM Andrei Yahorau 53 | Education IN BELARUS: REFORM AND COOPERation WITH THE EU Dr. Svetlana Matskevich 70 | State bodies, CONSTITUTIONAL REALITY AND FORMS OF RULE Valeri Fadeev 79 | JudiciaRY AND law -
Human Rights for Musicians Freemuse
HUMAN RIGHTS FOR MUSICIANS FREEMUSE – The World Forum on Music and Censorship Freemuse is an international organisation advocating freedom of expression for musicians and composers worldwide. OUR MAIN OBJECTIVES ARE TO: • Document violations • Inform media and the public • Describe the mechanisms of censorship • Support censored musicians and composers • Develop a global support network FREEMUSE Freemuse Tel: +45 33 32 10 27 Nytorv 17, 3rd floor Fax: +45 33 32 10 45 DK-1450 Copenhagen K Denmark [email protected] www.freemuse.org HUMAN RIGHTS FOR MUSICIANS HUMAN RIGHTS FOR MUSICIANS Ten Years with Freemuse Human Rights for Musicians: Ten Years with Freemuse Edited by Krister Malm ISBN 978-87-988163-2-4 Published by Freemuse, Nytorv 17, 1450 Copenhagen, Denmark www.freemuse.org Printed by Handy-Print, Denmark © Freemuse, 2008 Layout by Kristina Funkeson Photos courtesy of Anna Schori (p. 26), Ole Reitov (p. 28 & p. 64), Andy Rice (p. 32), Marie Korpe (p. 40) & Mik Aidt (p. 66). The remaining photos are artist press photos. Proofreading by Julian Isherwood Supervision of production by Marie Korpe All rights reserved CONTENTS INTRODUCTION Human rights for musicians – The Freemuse story Marie Korpe 9 Ten years of Freemuse – A view from the chair Martin Cloonan 13 PART I Impressions & Descriptions Deeyah 21 Marcel Khalife 25 Roger Lucey 27 Ferhat Tunç 29 Farhad Darya 31 Gorki Aguila 33 Mahsa Vahdat 35 Stephan Said 37 Salman Ahmad 41 PART II Interactions & Reactions Introducing Freemuse Krister Malm 45 The organisation that was missing Morten -
March 2019 Newsnet
NewsNet News of the Association for Slavic, East European and Eurasian Studies March 2019 v. 59, n. 2 TABLE OF CONTENTS The Magnitsky Act - Behind the 3 Scenes: An interview with the film director, Andrei Nekrasov Losing Pravda, An Interview with 8 Natalia Roudakova Recent Preservation Projects 12 from the Slavic and East European Materials Project The Prozhito Web Archive of 14 Diaries: A Resource for Digital Humanists 17 Affiliate Group News 18 Publications ASEEES Prizes Call for 23 Submissions 28 In Memoriam 29 Personages 30 Institutional Member News Association for Slavic, East European, and Eurasian Studies (ASEEES) 203C Bellefield Hall, 315 S. Bellefield Ave Pittsburgh, PA 15260-6424 tel.: 412-648-9911 • fax: 412-648-9815 www.aseees.org ASEEES Staff Executive Director: Lynda Park 412-648-9788, [email protected] Communications Coordinator: Mary Arnstein 412-648-9809, [email protected] NewsNet Editor & Program Coordinator: Trevor Erlacher 412-648-7403, [email protected] Membership Coordinator: Sean Caulfield 412-648-9911, [email protected] Financial Support: Roxana Palomino 412-648-4049, [email protected] Convention Manager: Margaret Manges 412-648-4049, [email protected] 2019 ASEEES SUMMER CONVENTION 14-16 June 2019 Faculty of Humanities and Social Sciences, University of Zagreb Zagreb, Croatia The 2019 ASEEES Summer Convention theme is “Culture Wars” with a focus on the ways in which individuals or collectives create or construct diametrically opposed ways of understanding their societies and their place in the world. As culture wars intensify across the globe, we invite participants to scrutinize present or past narratives of difference or conflict, and/or negotiating practices within divided societies or across national boundaries. -
Why Do Bloggers Keep Silent?
Why do bloggers keep silent? Self-censorship in social media: cases of Belarus and Russia By: Alesia Rudnik Supervisor: Liudmila Voronova Södertörn University | School of Social Sciences Master’s thesis 15 credits Journalism | 2 semester 2020 Abstract Social media are often referred to as democracy drivers in autocratic states, whereas in some countries, they appear as tools of the regimes that employ a wide range of mechanisms to restrict freedom of expression online. In authoritarian countries, political bloggers stand out as new politi- cal leaders or anti-regime actors, serve as alternative information sources, advocate for political ac- tion, or mobilize financial support for different initiatives. Political conditions in countries with es- tablished governments’ control practices complicate publishing routines for political bloggers and may increase incentives to self-censor. Employing the theory of the spiral of silence, this study ana- lyzes self-censorship in social media among political bloggers in two neighboring post-Soviet auto- cratic countries - Belarus and Russia. The research is based on a comparison of media legislation in Belarus and Russia, textual analysis of political blogs, and survey among political bloggers in the two countries. The survey demonstrates that political bloggers face obstacles in forms of adminis- trative or criminal sentences, forceful blocking of their pages, online threats, or experience pressure/ attention from secret services. Despite these challenges, political bloggers in Belarus and Russia demonstrate readiness to speak out and criticize political elites. According to the model suggested in this thesis, the majority of political bloggers practice self-censorship at the pre-publishing stages in forms of selecting topics and wording, avoiding particular names. -
UN Special Rapporteur on the Human Rights Situation in Belarus Call for Inputs Pursuant to UN Human Rights Council Resolution 44/19
UN Special Rapporteur on the Human Rights Situation in Belarus Call for Inputs Pursuant to UN Human Rights Council Resolution 44/19 19 February 2021 Introduction 1. Access Now, Agora, Article 19, Human Constanta, International Media Support (IMS), and Internet Protection Society (ОЗИ) welcome the opportunity to make a submission to the United Nations (U.N.) Special Rapporteur on the human rights situation in Belarus to inform the Special Rapporteur’s report on the situation of human rights in Belarus pursuant to the Human Rights Council Resolution A/HRC/RES/44/19 (23 July 2020).1 We acknowledge the efforts of the Special Rapporteur to address and shed light on the human rights violations in Belarus. 2. Access Now is an ECOSOC accredited non-governmental organization that works to defend and extend the digital rights of users at risk around the world through policy, advocacy, and technology support, grants, legal interventions, and global convenings like RightsCon.2 Agora International Human Rights Group (Agora) is an association of more than 100 lawyers working on landmark human rights cases in Russia and post Soviet states.3 Article 19 is a global freedom of expression organisation, working on five interacting areas: civic space, digital, media, protection, and transparency.4 Human Constanta is a Belarusian human rights organization with a mission to promote public interests and joint actions in response to contemporary challenges for human rights.5 IMS is a global non-profit organisation, working in more than 30 countries across four continents to promote press freedom, good journalism, and safety for journalists.6 ОЗИ is a Russian non-profit organization that aims to protect the internet from censorship, excessive regulation, and administrative arbitrariness.7 3. -
The Role of Popular Music Forms in the Construction of Cultural Identities in Post-Soviet Belarus: Discourses and Practices of Young Belarusians
The Role of Popular Music Forms in the Construction of Cultural Identities in Post-Soviet Belarus: Discourses and Practices of Young Belarusians Approved dissertation submitted in fulfillment of the requirements for the degree of Doctor of Philosophy (Dr. phil.) at the Carl von Ossietzky University of Oldenburg, School of Linguistics and Cultural Studies, Institute of Music by Anastasia Wakengut, M.A. born on 15 November 1981 in Jezkazgan Primary supervisor: Prof. Dr. Susanne Binas-Preisendörfer Carl von Ossietzky University of Oldenburg Co-supervisor: Prof. Dr. Michael Huber University of Music and Performing Arts Vienna Date of disputation: 25 January 2019 Acknowledgements The process which resulted in this thesis involved a lot of people, who contributed to it in various ways. First of all, I would like to thank all my interviewees as well as the focus group respondents who shared their experiences and their stories, and who thus became the protagonists of this work. I would like to express my gratitude to my academic advisor Prof. Dr. Susanne Binas- Preisendörfer, who always emphasized the relevance of this study and was very encouraging from inception to completion of the thesis. Also, I would like to thank Prof. Dr. Michael Huber for his expert advice in the statistical part of the dissertation. The opportunity to conduct this study was provided by the post-graduate studies programme “The Construction of Identities of Young Adults in a Post-Socialist Society in Transformation: The Case of Belarus” (Helene-Lange-Kolleg). I would like to thank all its members for the constructive co-work, and especially the programme coordinator, Prof. -
The Struggle for Survival of Independent Newspapers and the Role of New Media During the 2006 Belarus Presidential Elections
The Struggle for Survival of Independent Newspapers and the Role of New Media during the 2006 Belarus Presidential Elections. Andrei Khrapavitski A thesis submitted to the faculty of the University of North Carolina at Chapel Hill in partial fulfillment of the requirements for the degree of Master of Arts in the School of Journalism and Mass Communication. Chapel Hill 2007 Approved by Advisor: Professor Lucila Vargas Reader: Professor Cathy Packer Reader: Profe ssor Margaret Henderson ABSTRACT ANDREI KHRAPAVITSKI: The Struggle for Survival of Independent Newspapers and the Role of New Media during the 2006 Belarus Presidential Elections. (Under the direction of Lucila Vargas) The 2006 Presidential race was a watershed for the Belarusian independent press because the government embarked on cleansing the independent print journalism that had emerged in 1991, when the country became independent from the Soviet Union. The election was also marked by the transiti on of some independent newspapers from print to online and the vibrant development of citizen journalism in the Belarusian cyberspace. Based on a case study approach, this Master’s thesis explores the demise of the traditional press and the emergence of ne w alternative sources of information that tried to substitute for the silenced traditional media in Belarus during the period of the 2006 Presidential Election campaign, from October 2005 to March 25, 2006 . ii TABLE OF CONTENTS Chapter I. INTRODUCTION ................................ ................................ ............................... -
Belarusian Identity in the Post-Colonial Labyrinths
International Relations and Diplomacy, March 2021, Vol. 9, No. 03, 113-121 doi: 10.17265/2328-2134/2021.03.002 D DAVID PUBLISHING Belarusian Identity in the Post-colonial Labyrinths Iryna Shumskaya Belarusian Enlightenment League of America, New York, USA The paper focuses on an understudied aspect of the Belarusian identity. The special attention is paid to the key role of patterns in a collective consciousness, which determine the direction of human behavior and further development. Some typical mental stereotypes of modern Belarusians are analyzed in the context of Post-Soviet worldview. The paper emphasizes that the Belarusian society needs to define a clear basis of national idea, language, symbols, values, and traditions. This sphere becomes the place of power struggle today. The current colonial expansion by more powerful states is going now on more refined scheme than the previous primitive armed intervention, namely through cultural expansion and economic dependence of neighboring weaker countries. Interrelations between Russia and Belarus today are a vivid example. It is necessary to understand that the “Russian World”, that Kremlin’s propaganda offers to modern neighboring nations, will hold only a dictatorship, militarism, repression, and suppression of freedom. Today this is the main challenge not only for Belarusian identity but for its independence as well. Keywords: Belarus, protests, nationalism, identity, post-Soviet matrix Introduction For a long time, Belarus was ignored by politicians and the international academic community or perceived as a part of the post-Soviet area. But the situation has been changed after the protests against the fake presidential election in 2020 with its brutal crackdowns by security forces which have seen thousands detained, with hundreds severely beaten or tortured, and dozen killed. -
Street Art As a Medium for Political Discourse in the Post-Soviet Region
THE SPRAY CAN IS MIGHTIER THAN THE SWORD: STREET ART AS A MEDIUM FOR POLITICAL DISCOURSE IN THE POST-SOVIET REGION A thesis submitted to the Faculty of the Graduate School of Arts and Sciences of Georgetown University in partial fulfillment of the requirements for the degree of Master of Arts in Russian and East European Studies By Alexis M. Zimberg, B.A. Washington, DC May 1, 2012 ! Copyright 2012 by Alexis M. Zimberg All Rights Reserved ! ii! THE SPRAY CAN IS MIGHTIER THAN THE SWORD: STREET ART AS A MEDIUM FOR POLITICAL DISCOURSE IN THE POST-SOVIET REGION Alexis M. Zimberg, B.A. Thesis Advisors: Alison L. Hilton, PhD and Harley Balzer, PhD ABSTRACT! ! In authoritarian states, opposition movements and members of civil society lack unrestricted and uncensored access to the mainstream media and subsequently to the public sphere. As a result, those wishing to express their political sentiment or influence public discourse are forced to seek out alternative avenues of expression. An anonymous and untraceable art, graffiti freely criticizes everything that the mainstream media does not and perhaps cannot. Graffiti reclaims the corporate-dominated public space as a place for sharing banned information, promoting ignored causes, discussing society’s ills, and even mobilizing the public for a certain aim. An art of satirical discourse, graffiti anonymously communicates the frank narrative of a city, uninhibited by official censors. This research project analyzes contemporary graffiti not only as a popular public aesthetic, but also as a mouthpiece of political sentiment. This paper explores the use of graffiti and street art within the post-Soviet region and post- Communist Europe. -
Internet Enemies Report 2012 Ennemis of the Internet / 12 March 2012 / World Day Against Cybercensorship//////////////////////////// 2
INTERNET ENEMIES REPORT 2012 ENNEMIS OF THE INTERNET / 12 MARCH 2012 / WORLD DAY AGAINST CYBERCENSORSHIP//////////////////////////// 2 WORLD MAP OF CYBERCENSORSHIP................................3 INTRODUCTION...........................................................................................4 ENEMIES OF THE INTERNET BAHRAIN....................................................................................................................13 BELARUS...................................................................................................................15 BURMA......................................................................................................................17 CHINA.........................................................................................................................19 CUBA.........................................................................................................................23 IRAN..........................................................................................................................25 NORTH KOREA..........................................................................................................28 SAUDI ARABIA.........................................................................................................30 SYRIA........................................................................................................................32 TURKMENISTAN.......................................................................................................35 -
3Rd Freemuse World Conference on Music and Censorship, Istanbul 2006
MUSIC WILL NOT BE MUSIC MUSIC WILL WILL NOT BE NOT BE SILENCED SILENCED 3RD FREEMUSE WORLD CONFERENCE ON MUSIC & CENSORSHIP ISTANBUL 25-26 NOVEMBER 2006 MUSIC MUSIC WILL NOT MUSICBE SILENCED WILL WILL NOT BE NOT BE SILENCED SILENCED MUSIC MUSIC WILL NOT MUSICBE SILENCED WILL WILL NOT BE NOT BE SILENCED SILENCED MUSIC WILL NOT BE SILENCED MUSIC MUSIC WILL WILL NOT BE NOT BE SILENCED SILENCED ///// 04/05 MUSIC WILL NOT BE SILENCED 3RD FREEMUSE WORLD CONFERENCE ON MUSIC & CENSORSHIP ISTANBUL 25-26 NOVEMBER 2006 Published by Freemuse MUSICConference Rapporteur and Report Writer: Teresa Hanley Session Rapporteurs: Doruk Yurdesin (session 8) Bram Posthumus (session 9-11) Conference Photos: Anna Schori Editor in Chief: Marie Korpe MUSIC WILL NOT BE SILENCED ISSN: 1601-2127 Layout & Graphics: Ümit Kurt Printed in ‹stanbul, Turkey 2007 by Ömür Matbaas› © Freemuse 2007 The views in the report do not necessarily represent the views of Freemuse. Report no. 08/2007 WILLOTHER PUBLICATIONS BY FREEMUSE “1st World Conference on Music and Censorship” (2001, ISBN: 87-988163-0-6) “Can you stop the birds singing?” - The Censorship of Music in Afghanistan, MUSIC WILL NOT BE SILENCED by John Baily (2001, ISSN: 1601-2127) “A Little Bit Special” - Censorship and the Gypsy Musicians of Romania, by Garth Cartwright (2001, ISSN: 1601-2127) “Playing With Fire” - Fear and Self-Censorship in Zimbabwean Music, NOTby Banning Eyre (2001, ISSN: 1601-2127) BE “Which way Nigeria?” - Music under threat: A Question of Money, Morality, Self-censorship and the Sharia (also available in French), by Jean-Christophe Servant (2003, ISSN: 1601-2127) “Singing in the Echo Chamber” - Music Censorship in the U.S.