RICHARD DEVORE Represented by Frank Lloyd Gallery
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National Endowment for the Arts Annual Report 1990
National Endowment For The Arts Annual Report National Endowment For The Arts 1990 Annual Report National Endowment for the Arts Washington, D.C. Dear Mr. President: I have the honor to submit to you the Annual Report of the National Endowment for the Arts for the Fiscal Year ended September 30, 1990. Respectfully, Jc Frohnmayer Chairman The President The White House Washington, D.C. April 1991 CONTENTS Chairman’s Statement ............................................................5 The Agency and its Functions .............................................29 . The National Council on the Arts ........................................30 Programs Dance ........................................................................................ 32 Design Arts .............................................................................. 53 Expansion Arts .....................................................................66 ... Folk Arts .................................................................................. 92 Inter-Arts ..................................................................................103. Literature ..............................................................................121 .... Media Arts: Film/Radio/Television ..................................137 .. Museum ................................................................................155 .... Music ....................................................................................186 .... 236 ~O~eera-Musicalater ................................................................................ -
The Magazine of the Museum of Texas Tech University in This Issue | Fall-Winter 2017
The Magazine of the Museum Mof Texas Tech University In This Issue | Fall-Winter 2017 Bringing the Abstract Heroes of the Postosuchus: Special Needs Art Meets Holocaust T. Rex of the Community to Atmospheric Triassic the Museum Science The Magazine of The Texas Tech University Museum M The Magazine of the Museum is for Museum of Texas Tech University M Fall/Winter 2017 2 Staff Publisher and Executive Editor M=eC Gary Morgan, Ph.D. Copy Editor Daniel Tyler Stakeholder engagement for a university Editorial Committee Sally Post, Jill Hoffman Ph.D. museum is a continuum between the university Design (Campus) and the Community. The Museum Armando Godinez Jr. must engage with the Campus; it must engage M is a biannual publication of the Museum of Texas Tech University. with the Community; and it must facilitate 3301 4th St, Lubbock, TX 79409 Phone: 806.742.2490 engagement between Campus and Community. www.museum.ttu.edu All rights reserved. Museum (M) equals engagement (e) ©Museum of Texas Tech University 2017 by Campus (C) and by Community (C). Cover Photo: Harvey Chick The Texas Liberator: Witness to the Holocaust 2 | FAll/Winter 2017 Museum at sunrise with desert agave casting shadows. Photo: Ashley Rodgers Fall/Winter 2017 | 3 M The Magazine of The Texas Tech University Museum 12 Lessons Large and Small By Deborah Bigness 16 Beauty Abounds By Marian Ann J. Montgomery 22 Inside M Bringing the Special Needs Community to the Museum M News . 7 By Bethany Chesire Light Up Lubbock. 9 Genetic Resources Collection . 11 25 Extending Creative Visions . -
Annual Report 2013-2014
The Museum of Fine Arts, Houston Arts, Fine of Museum The μ˙ μ˙ μ˙ The Museum of Fine Arts, Houston annual report 2013–2014 THE MUSEUM OF FINE ARTS, HOUSTON, WARMLY THANKS THE 1,183 DOCENTS, VOLUNTEERS, AND MEMBERS OF THE MUSEUM’S GUILD FOR THEIR EXTRAORDINARY DEDICATION AND COMMITMENT. ANNUAL REPORT ANNUAL 2013–2014 Cover: GIUSEPPE PENONE Italian, born 1947 Albero folgorato (Thunderstuck Tree), 2012 Bronze with gold leaf 433 1/16 x 96 3/4 x 79 in. (1100 x 245.7 x 200.7 cm) Museum purchase funded by the Caroline Wiess Law Accessions Endowment Fund 2014.728 While arboreal imagery has dominated Giuseppe Penone’s sculptures across his career, monumental bronzes of storm- blasted trees have only recently appeared as major themes in his work. Albero folgorato (Thunderstuck Tree), 2012, is the culmination of this series. Cast in bronze from a willow that had been struck by lightning, it both captures a moment in time and stands fixed as a profoundly evocative and timeless monument. ALG Opposite: LYONEL FEININGER American, 1871–1956 Self-Portrait, 1915 Oil on canvas 39 1/2 x 31 1/2 in. (100.3 x 80 cm) Museum purchase funded by the Caroline Wiess Law Accessions Endowment Fund 2014.756 Lyonel Feininger’s 1915 self-portrait unites the psychological urgency of German Expressionism with the formal structures of Cubism to reveal the artist’s profound isolation as a man in self-imposed exile, an American of German descent, who found himself an alien enemy living in Germany at the outbreak of World War I. -
Ceramics Monthly Mar05 Cei03
www.ceramicsmonthly.org Editorial [email protected] telephone: (614) 895-4213 fax: (614) 891-8960 editor Sherman Hall assistant editor Ren£e Fairchild assistant editor Jennifer Poellot publisher Rich Guerrein Advertising/Classifieds [email protected] (614) 794-5809 fax: (614) 891-8960 [email protected] (614) 794-5866 advertising manager Steve Hecker advertising services Debbie Plummer Subscriptions/Circulation customer service: (614) 794-5890 [email protected] marketing manager Susan Enderle Design/Production design Paula John graphics David Houghton Editorial, advertising and circulation offices 735 Ceramic Place Westerville, Ohio 43081 USA Editorial Advisory Board Linda Arbuckle Dick Lehman Don Pilcher Bernie Pucker Tom Turner Ceramics Monthly (ISSN 0009-0328) is published monthly, except July and August, by The American Ceramic Society, 735 Ceramic Place, Westerville, Ohio 43081; www.ceramics.org. Periodicals postage paid at Westerville, Ohio, and additional mailing offices. Opinions expressed are those of the contributors and do not necessarily represent those of the editors or The Ameri can Ceramic Society. subscription rates: One year $32, two years $60, three years $86. Add $25 per year for subscriptions outside North America. In Canada, add 7% GST (registration number R123994618). back issues: When available, back issues are $6 each, plus $3 shipping/ handling; $8 for expedited shipping (UPS 2-day air); and $6 for shipping outside North America. Allow 4-6 weeks for delivery. change of address: Please give us four weeks advance notice. Send the magazine address label as well as your new address to: Ceramics Monthly, Circulation De partment, PO Box 6136, Westerville, OH 43086-6136. contributors: Writing and photographic guidelines are available online at www.ceramicsmonthly.org. -
Oral History Interview with Michael W. Monroe
Oral history interview with Michael W. Monroe Archives of American Art 750 9th Street, NW Victor Building, Suite 2200 Washington, D.C. 20001 https://www.aaa.si.edu/services/questions https://www.aaa.si.edu/ Table of Contents Collection Overview ........................................................................................................ 1 Administrative Information .............................................................................................. 1 Scope and Contents........................................................................................................ 1 Scope and Contents........................................................................................................ 2 Biographical / Historical.................................................................................................... 1 Names and Subjects ...................................................................................................... 2 Container Listing ...................................................................................................... Oral history interview with Michael W. Monroe AAA.monroe18 Collection Overview Repository: Archives of American Art Title: Oral history interview with Michael W. Monroe Identifier: AAA.monroe18 Date: 2018 January 22-March 1 Creator: Monroe, Michael W. (Interviewee) Herman, Lloyd E. Extent: 8 Items (sound files (3 hr., 59 min.) Audio; digital, wav) 71 Pages (Transcript) Language: English . Digital Digital Content: Oral history interview with Michael W. Monroe, -
Antonio Prieto; » Julio Aè Pared 30 a Craftsman5 Ipko^Otonmh^
Until you see and feel Troy Weaving Yarns . you'll find it hard to believe you can buy such quality, beauty and variety at such low prices. So please send for your sample collection today. and Textile Company $ 1.00 brings you a generous selection of the latest and loveliest Troy quality controlled yarns. You'll find new 603 Mineral Spring Avenue, Pawtucket, R. I. 02860 pleasure and achieve more beautiful results when you weave with Troy yarns. »««Él Mm m^mmrn IS Dialogue .n a « 23 Antonio Prieto; » Julio Aè Pared 30 A Craftsman5 ipKO^OtONMH^ IS«« MI 5-up^jf à^stoneware "iactogram" vv.i is a pòìnt of discussion in Fred-Schwartz's &. Countercues A SHOPPING CENTER FOR JEWELRY CRAFTSMEN at your fingertips! complete catalog of... TOOLS AND SUPPLIES We've spent one year working, compiling and publishing our new 244-page Catalog 1065 ... now it is available. In the fall of 1965, the Poor People's Corporation, a project of the We're mighty proud of this new one... because we've incor- SNCC (Student Nonviolent Coordinating Committee), sought skilled porated brand new never-before sections on casting equipment, volunteer craftsmen for training programs in the South. At that electroplating equipment and precious metals... time, the idea behind the program was to train local people so that they could organize cooperative workshops or industries that We spent literally months redesigning the metals section . would help give them economic self-sufficiency. giving it clarity ... yet making it concise and with lots of Today, PPC provides financial and technical assistance to fifteen information.. -
News Museums Can Use
useNEWS News museums can use Wellbeing Series Continues with Session on Historical Loss, M Trauma, and Resilience O M A The Oklahoma Museums Association Wellbeing Committee is please to O K L A H O M A present the expert voices speaker series in response and recovery to COVID-19. This is in addition to the Wellbeing website resources which MUSEUMS can be found here. A S S O C I A T I O N The speaker series is free, but registration is required. The session will Volume 52, No. 1 • Winter 2021 be presented live in Zoom format. Once you register, you will be sent the Available to OMA members Jan 1; Zoom login information before the session. Register here. posted online for public Feb 1 Join us on Thursday, February 4 at 10:00am Central Time for “Painful INSIDE: Past; Resilient Future: Stories of historical loss, trauma, and resilience 2 within families.” with C. J. Aducci, Ph.D., Licensed Marriage and Family Shaping the Future Therapist, Executive Officer, Chickasaw Nation. Our goal is to define 3 historical trauma and discuss the lasting impact it has on generations Note from OMA President of families. The accumulation of past experiences has led to historical 4 trauma, yet families have continued to persevere. Like many First New OMA Board Members Americans, the Chickasaw people have endured hardships including removal from their Homeland. We invite you to join us for a virtual 12 OMA Awards Program presentation to address these issues and learn more about the adversity faced by people past and present and their ability to generate resilience 13 within their families and tribe. -
Your Guide To
52 PLACES TO GO IN 2015 (New York Times) Your Guide to TULSA2015 Spring/Summer Visitor’s Guide PRESENTING SPONSORS A FOR ALL TASTES THE TULSA MUSIC SCENE | PAGE 8 Sound UPCOMING 20 THINGS YOU CAN’T MISS WHILE PAGE 43 YOU’RE “ ” E v e n t s living MOST UNDERRATED TRAVEL PAGE 6 10 DESTINATIONS Festivals (Men’s& Journal) on Tulsa time Only in Oklahoma can you explore the YOUR STAY most diverse terrain, Welcome to Tulsa! 400+ miles of Rt. 66, Enjoy Whether in town for business or pleasure, Tulsa offers all our visitors an the sacred traditions of array of experiences that will create a lasting impression in your mind and 30+ tribal nations, world- provide you with plenty of entertainment. class Western art & artifacts, If you’re visiting us for the first time, we’re excited to show you why in Tulsa, “It’s Everything Else That’s Different.” We have all the big perks of larger cities – & be welcomed by the friendliest fine hotels, world class museums, vibrant nightlife, arts and so much more – but folks you’ll ever meet. Start your in an up close and personal feel. In Tulsa, long lines and gridlocked traffic will adventure today at TravelOK.com. not slow you down. If you’re a returning visitor, we can’t wait to show you the many new attractions, hotels and restaurants, in addition to developments like Guthrie Green. Experience one of our unique museums, plan a day outdoors, take in a show or dine at one of our many unique and local restaurants. -
Kate Maury, in an Architectural Context Clay Culture: Pacifi C Standard Time Mr
Cover: Kate Maury, in an Architectural Context Clay Culture: Pacifi c Standard Time Mr. Bailey’s Museum of Wonders Spotlight: Clay at Otis “My Brent CXC is 24 years old and still handles all the clay I can pile on and has never had to be repaired! I don’t expect to ever have to replace it.” George McCauley Photo: Tom Ferris brentwheels.com The Beauty & Magic of the Shino Carbon Trap Lou Raye Nichol My work focuses on carbon trapped porcelain. When I first saw the accidental results it produces, I was enthralled. There is a magic in opening a kiln full of surprises. The beauty of the effects created by this method can be breathtaking. Their unpredictability can be humbling – pots that I thought of as throw-away have turned out to be the most successful. I had to change the way I make pots because of the complexity of the glazes. With Shino Carbon Trap glazes, I am always push- ing to see how much is too much. I chose a Bailey gas kiln because it was highly recom- mended at the shino carbon trap workshops I had attended. Our teacher fired all his shinos in a Bailey. I had never fired a gas kiln on my own when I started, so this was a great leap for me. With significant support from the Bailey team, I have become comfortable managing such sensitive firings. Their responsiveness to my technical questions, and interest in my results has been invaluable. This is a great kiln, and my firing results confirm that I made the right choice. -
Relocation Guide
TULSA INSPIRES A NEW KIND OF LIVING “We were so impressed with our mortgage experience, we moved everything to TTCU.” – Matt N., TTCU member We’re local. We’re global. And proud to be both. Linde Engineering North America Inc. is part of the fabric of Tulsa. Our role in the everyday items you use and commitment to our community help make Tulsa and the world a better place to live. We engineer and build plants for gas processing, LNG and deep cryogenics - here in Tulsa and worldwide. After moving five times to five different cities, Matt came home to Tulsa – and TTCU. He said, “A mortgage is the largest purchase you’ll probably ever make. You need a friend, someone who watches out for your best interest. Choosing TTCU for our mortgage was the best decision ever.” Life is better in balance.® To learn more about our 100% local mortgages and our 100% financing 918-749-8828 | www.ttcu.com option, call, click or come by. #wechilleditfirst With approved credit (WAC) | Some restrictions apply | Property and/or flood insurance may be required | Fixed rate only No down payment required for 100% financing. | For example: 80% of the loan is a 30-year fixed with an Annual Percentage Rate (APR) of 4.33%. The payment per $1,000 financed would be $4.92. 20% of the loan is a 15-year fixed with an APR of Linde Engineering North America Inc. 6.75%. The payment per $1,000 financed would be $8.82. | Federally insured by NCUA www.leamericas.com ttcu_chamb_reloc_mort_2_18.indd 1 2/14/18 12:35 PM TULSA IS .. -
Oklahoma Built: a Bibliography of Information Sources on Oklahoma’S Built Environment Susan Bobo Oklahoma State University, [email protected]
Library Faculty Projects Architecture School Oklahoma State University Year Oklahoma built: a bibliography of information sources on Oklahoma’s built environment Susan Bobo Oklahoma State University, [email protected] This paper is posted at E-Archive@Oklahoma State University. http://e-archive.library.okstate.edu/arch/1 I N T R O D U C T I O N Welcome to Oklahoma Built: a compendium of published research, archival materials and links to organizations that highlight the richness and diversity of Oklahoma’s built environment. At its core is a bibliography of more than 600 entries – books, articles, internet links and more – on the people, places and buildings of architectural interest in our state. From sod houses and ‘shotguns’ to a unique skyscraper and the prairie palaces of oil tycoons; from Victorian to Art Deco to Mid-Century Modern, Oklahoma Built aims to cover it all. In the spring of 2006, anticipating an increase in patron requests due to the approaching Centennial, I set out to develop a comprehensive resource on Oklahoma’s built environment for the benefit of students, researchers and interested citizens alike. In addition to books and articles, I identified unpublished reports, video and film, organizations, image collections, and websites – in short, any relevant information sources on the topic. The scope of Oklahoma Built is broad - covering both the historic and the recent in equal measure. This balance is deliberate. The group Preservation Oklahoma ranks “Our Recent Past” as #2 on its annual list of Oklahoma’s most endangered public places. Oklahoma Built is also broadly defined - covering not only what is traditionally thought of as “Architecture with a capital A,” but the entire spectrum of the built environment as well. -
Contemporary American Ceramics: from the Dean Thompson Collection
Contemporary American Ceramics: From the Dean Thompson Collection July 24 - Aug. 31, 1994 Johnson County Community College • Gallery ofArt Contempora1y American Ceramics: that he was '·fascinated by Takamori's From th e Dean Th omp so n Collec tion sensual, graphi c images and sculptural forms." Thomp son's initial pur chases , On my first visit to Dean Thompson's combined with his involvement at the London apartment in 1981, I was struck Art Institute, ignited his interest in by the range and quality of the ceramic formin g a collection of co ntemporary and glass works that he had collected. American ceramics. By 1986, as a col His apartment was filled with art. Floor lector for more than 20 yea rs, he was to ceiling glass shelves displayed brightly kee nly awa re of the compl exity of col colored and ecce ntrically shaped works by Clarice Cliff Equally arresting were lecting contemporary art. Undaunted, severely reductive vessels by Keith he began to pur sue major wo rks by Murray, stylized Rene Lalique vases, artists such as Betty Woodman, Ken richly enameled Faure pieces , Geo rg Price, Richard DeVore, Beatrice Wood, Jensen silver and delicately colored Toshiko Takaez u, Kenneth Ferguson pate-de-verre works by G. Argy-Roussea u and Adrian Saxe. Thompson was once and Almeric Walter. I quickly realized again immersed in a transformation of that Thompson was utterly obsessed his collection and home. Belove d pieces with art. After accompanying him to from the first half of the 20th centur y various galleries, antique markets and we re sent to auction.