DOCSLIB.ORG

News Museums Can Use

Total Page：16

File Type：pdf, Size：1020Kb

Download full-text PDF Read full-text
News Museums Can Use useNEWS News museums can use Wellbeing Series Continues with Session on Historical Loss, M Trauma, and Resilience O M A The Oklahoma Museums Association Wellbeing Committee is please to O K L A H O M A present the expert voices speaker series in response and recovery to COVID-19. This is in addition to the Wellbeing website resources which MUSEUMS can be found here. A S S O C I A T I O N The speaker series is free, but registration is required. The session will Volume 52, No. 1 • Winter 2021 be presented live in Zoom format. Once you register, you will be sent the Available to OMA members Jan 1; Zoom login information before the session. Register here. posted online for public Feb 1 Join us on Thursday, February 4 at 10:00am Central Time for “Painful INSIDE: Past; Resilient Future: Stories of historical loss, trauma, and resilience 2 within families.” with C. J. Aducci, Ph.D., Licensed Marriage and Family Shaping the Future Therapist, Executive Officer, Chickasaw Nation. Our goal is to define 3 historical trauma and discuss the lasting impact it has on generations Note from OMA President of families. The accumulation of past experiences has led to historical 4 trauma, yet families have continued to persevere. Like many First New OMA Board Members Americans, the Chickasaw people have endured hardships including removal from their Homeland. We invite you to join us for a virtual 12 OMA Awards Program presentation to address these issues and learn more about the adversity faced by people past and present and their ability to generate resilience 13 within their families and tribe. Museum Advocacy Day Thank you to Allied Arts for their support of the wellbeing expert voices speaker series. HOLD THE DATE 11th Annual OMA Smarties Fundraiser June 18, 2021 Oklahoma History Center Put it on your calendar! DONATE OKMuseums.org 1 OMA Board of Directors director's desk Richard Ellwanger • President Shaping the Future Seminole Nation Museum, Wewoka Ken Busby • Vice President As we begin a wonderful new year, 2021, I want Route 66 Alliance, Tulsa to let our museum family know how important Delyanna Trim • Treasurer you are to us and to your communities. We are Mabee-Gerrer Museum of Art, Shawnee so proud of how Oklahoma museums handled Valorie Walters • Sceretary the pandemic and immediately jumped in with Chickasaw Cultural Center, Sulphur innovative and unique approaches to serve Dan Provo • Immediate Past President families, individuals, schools, health care workers Oklahoma History Center, OKC and so many more. As the future of museums and cultural institutions Amanda Boehm-Garcia • District 4 Rep. Fred Jones Jr. Museum of Art, Norman Brenda Granger change and evolve, the Oklahoma Museums Executive Director Association wants to make sure we are meeting Jordan Boyd • District 2 Rep. Dobson Museum, Miami YOUR needs. Over the next few months, the OMA Board and Staff will be sending out a survey to begin gauging what Oklahoma museums Maggie Brown • At-Large Rep. Tulsa Historical Society, Tulsa need followed by conversations with you, our museum family. We Susan Buchanan • At-Large Rep. know museums are very relevant, and we want make sure you have Gilcrease Museum, Tulsa the knowledge and resources to continue with your good works. Lauren Daughety • At-Large Rep. Vann & Associates | PR + Marketing, OKC Be on the lookout for emails as well as information on our website in Marci Donaho • At-Large Rep. the coming weeks. We need you to help us shape the future of OMA Jasmine Moran Children’s Museum, and what you need from your state museum association. We look Seminole forward to a great 2021 and working together for the greater good. Jason Harris • District 5 Rep. Chisholm Trail Museum & Horizon Hill, Brenda Kingfisher James Pepper Henry • At-Large Rep. The American Indian Cultural Center and Museum, OKC Jennifer Holt • At-Large Rep. Will Rogers Memorial Museum, Claremore Jacob Krumwiede • At-Large Rep. Cherokee Strip Regional Heritage Center, Enid Sherry Marshall • At-Large Rep. Science Museum Oklahoma, OKC Dr. Kelli Mosteller • At-Large Rep. Citizen Potawatomi Nation Cultural Heri- tage Center, Shawnee JA Pryse • At-Large Rep. Carl Albert Congressional Research and Studies Center, Norman Scott Stulen • At-Large Rep. Philbrook Museum of Art, Tulsa Gena Timberman, Esq • At-Large Rep. The Luksi Group, OKC D’Lese Travis • District 3 Rep. Martin& MartinDesign is a three division General Tommy Franks Leadership Insti- company: fine art services, architectural lighting tute and Museum, Hobart design/specification/controls, and custom fabrication/exhibits. Whether new construction Karen Whitecotton • District 1 Rep. or remodeling let us help you create a OKPOP, Tulsa comprehensive gallery exhibit design from the lighting, to the exhibit design, to how it is controlled...from design to fabrication to installation, Martin&Martin can seamlessly partner OMA Staff with you to tell your museum’s story. Brenda Granger • Executive Director Art Installation, Transportation, Shipping, Stacy O’Daniel • Administrative & Storage,Packing, Crating, Sculpture Rigging, Program Associate Mount-Making, Exhibit Design/Fabrication, Shana Keith-Ward • Office Assistant Exhibit Furniture, Architectural Lighting Design/ martin&martindesign Jeremy Springer • Contract Bookkeeper 1715 Market Center Blvd. Dallas, Tx. 775207 Specification, and Controls 214.252.0692 www.martinandmartindesign.com ART + LIGHT OKMuseums.org 2 A Note from the OMA President It was the many other members of members of our museum and thirteen Oklahoma’s amazing museum nonprofit communities. Doing so years ago community has been one of the can be transformative to both this coming most professionally rewarding you and your organization. spring and personally fulfilling decisions that I first of my career. My thanks to my predecessor, ventured Dan Provo, for his exceptional, into an I’m honored to be a part steady guidance through these Oklahoma of OMA’s board, which, in unprecedented times. Like the Richard Ellwanger Museums conjunction with its staff, rest of the OMA board, he sets OMA Board President Association provides resources, guidance, a high standard for leadership, workshop and programs in service to which I am humbly honored to and began my journey with Oklahoma’s 500+ museums, try and attain. I look forward OMA. Like many that lead small, cultural institutions, and arts to continuing to work with Dan, rural museums, I came into the organizations. I would encourage the board, and our wonderful profession without a background you, whatever your museum OMA staff in serving you and the in museum studies and was role - director, trustee, curator, Oklahoma museum community more than a bit intimidated to or volunteer - and no matter in our efforts to educate, inform, face my learned colleagues. I’m your institution size, to become and entertain! happy to report that my fears involved in OMA and reap the -Richard Ellwanger were quickly assuaged, and that benefits of engaging with the meeting Brenda, Stacy, and many talented and dedicated OKMuseums.org 3 Welcome New OMA Board Members Celebrate Oklahoma Amanda Boehm-Garcia is the Museums Week March 14-20 Director of Learning + Engagement The Oklahoma Museums at the Fred Jones Jr. Museum of Association is happy to announce Art on the University of Oklahoma that Oklahoma Museums Week campus. Previously Amanda was the will be celebrated March 14-20, Outreach Coordinator at the Fred 2021. Oklahoma museums are Jones Jr. Museum of Art and Adjunct encouraged to participate by Instructor at the Oklahoma City contacting your legislators to Museum of Art. At FJJMA Amanda convey how your organization has developed the museum’s first on- serves the community in areas of going programming for Alzheimer’s the economy, education, overall participants and their caregivers as Amanda Boehm-Garcia quality of life and so much well as monthly programming with OMA District 4 Rep. more. Also, be sure to invite the Oklahoma City Veterans Affairs your legislators for a behind the Hospital. She is a Norman Arts Council Roundtable Representative, scenes tour of your museum. serves on the Roundtable sub-committee for Equity and Justice, and is the Oklahoma co-representative for the Mountain Plains As part of the celebration of Museum Association EDCOM Board. Amanda has a Master of Oklahoma Museums Week, OMA Fine Arts Degree with a concentration in Printmaking from the will be sending all Oklahoma San Francisco Art Institute where she was awarded a Fullbright legislators a list of museums in Fellowship and continues her studio art practice while working in their district ahead of time. the museum field. The Oklahoma Museums Scott Stulen is the Director and Association will ask Governor President of Philbrook Museum of Kevin Stitt to issue an Executive Art in Tulsa, Oklahoma. Stulen is Proclamation declaring the week the former Curator of Audience of March 14, 2021 as Oklahoma Experiences and Performance at Museums Week. the Indianapolis Museum of Art, Project Director of mnartists.org Let’s all celebrate Oklahoma at the Walker Art Center, Associate museums March 14-20! Curator at the Rochester Art Center, visual artist, writer and DJ. He earned an MFA in Painting and Drawing from the University of Minnesota and a BFA in Sculpture from the University of Wisconsin-Eau Scott Stulen Claire. He created and led the first OMA At-Large Rep. Audience Experience and Performance Curatorial Department in the country at the IMA, developing the ARTx program, commissioning new performances and site-specific installations, and launching new earned-income initiatives. At the Walker, Stulen co-curated and developed the Open Field project, DESIGNER & FABRICATOR OF MUSEUM EXHIBITS reframing the museum as public park, town square and platform THE DEPARTMENT OF ENERGY for experimentation. His projects have included Roman Signer, SMALL BUSINESS Inigo-Manglano Ovalle, Chris Larson, Machine Project, ROLU, Chris OF THE YEAR 2019 Kallmyer, Daniel Wohl, Paula McCartney and Know No Stranger.
Load more

Recommended publications
  • National Endowment for the Arts Annual Report 1990
    National Endowment For The Arts Annual Report National Endowment For The Arts 1990 Annual Report National Endowment for the Arts Washington, D.C. Dear Mr. President: I have the honor to submit to you the Annual Report of the National Endowment for the Arts for the Fiscal Year ended September 30, 1990. Respectfully, Jc Frohnmayer Chairman The President The White House Washington, D.C. April 1991 CONTENTS Chairman’s Statement ............................................................5 The Agency and its Functions .............................................29 . The National Council on the Arts ........................................30 Programs Dance ........................................................................................ 32 Design Arts .............................................................................. 53 Expansion Arts .....................................................................66 ... Folk Arts .................................................................................. 92 Inter-Arts ..................................................................................103. Literature ..............................................................................121 .... Media Arts: Film/Radio/Television ..................................137 .. Museum ................................................................................155 .... Music ....................................................................................186 .... 236 ~O~eera-Musicalater ................................................................................
    [Show full text]
  • Your Guide To
    52 PLACES TO GO IN 2015 (New York Times) Your Guide to TULSA2015 Spring/Summer Visitor’s Guide PRESENTING SPONSORS A FOR ALL TASTES THE TULSA MUSIC SCENE | PAGE 8 Sound UPCOMING 20 THINGS YOU CAN’T MISS WHILE PAGE 43 YOU’RE “ ” E v e n t s living MOST UNDERRATED TRAVEL PAGE 6 10 DESTINATIONS Festivals (Men’s& Journal) on Tulsa time Only in Oklahoma can you explore the YOUR STAY most diverse terrain, Welcome to Tulsa! 400+ miles of Rt. 66, Enjoy Whether in town for business or pleasure, Tulsa offers all our visitors an the sacred traditions of array of experiences that will create a lasting impression in your mind and 30+ tribal nations, world- provide you with plenty of entertainment. class Western art & artifacts, If you’re visiting us for the first time, we’re excited to show you why in Tulsa, “It’s Everything Else That’s Different.” We have all the big perks of larger cities – & be welcomed by the friendliest fine hotels, world class museums, vibrant nightlife, arts and so much more – but folks you’ll ever meet. Start your in an up close and personal feel. In Tulsa, long lines and gridlocked traffic will adventure today at TravelOK.com. not slow you down. If you’re a returning visitor, we can’t wait to show you the many new attractions, hotels and restaurants, in addition to developments like Guthrie Green. Experience one of our unique museums, plan a day outdoors, take in a show or dine at one of our many unique and local restaurants.
    [Show full text]
  • Relocation Guide
    TULSA INSPIRES A NEW KIND OF LIVING “We were so impressed with our mortgage experience, we moved everything to TTCU.” – Matt N., TTCU member We’re local. We’re global. And proud to be both. Linde Engineering North America Inc. is part of the fabric of Tulsa. Our role in the everyday items you use and commitment to our community help make Tulsa and the world a better place to live. We engineer and build plants for gas processing, LNG and deep cryogenics - here in Tulsa and worldwide. After moving five times to five different cities, Matt came home to Tulsa – and TTCU. He said, “A mortgage is the largest purchase you’ll probably ever make. You need a friend, someone who watches out for your best interest. Choosing TTCU for our mortgage was the best decision ever.” Life is better in balance.® To learn more about our 100% local mortgages and our 100% financing 918-749-8828 | www.ttcu.com option, call, click or come by. #wechilleditfirst With approved credit (WAC) | Some restrictions apply | Property and/or flood insurance may be required | Fixed rate only No down payment required for 100% financing. | For example: 80% of the loan is a 30-year fixed with an Annual Percentage Rate (APR) of 4.33%. The payment per $1,000 financed would be $4.92. 20% of the loan is a 15-year fixed with an APR of Linde Engineering North America Inc. 6.75%. The payment per $1,000 financed would be $8.82. | Federally insured by NCUA www.leamericas.com ttcu_chamb_reloc_mort_2_18.indd 1 2/14/18 12:35 PM TULSA IS ..
    [Show full text]
  • Oklahoma Built: a Bibliography of Information Sources on Oklahoma’S Built Environment Susan Bobo Oklahoma State University, [email protected]
    Library Faculty Projects Architecture School Oklahoma State University Year Oklahoma built: a bibliography of information sources on Oklahoma’s built environment Susan Bobo Oklahoma State University, [email protected] This paper is posted at E-Archive@Oklahoma State University. http://e-archive.library.okstate.edu/arch/1 I N T R O D U C T I O N Welcome to Oklahoma Built: a compendium of published research, archival materials and links to organizations that highlight the richness and diversity of Oklahoma’s built environment. At its core is a bibliography of more than 600 entries – books, articles, internet links and more – on the people, places and buildings of architectural interest in our state. From sod houses and ‘shotguns’ to a unique skyscraper and the prairie palaces of oil tycoons; from Victorian to Art Deco to Mid-Century Modern, Oklahoma Built aims to cover it all. In the spring of 2006, anticipating an increase in patron requests due to the approaching Centennial, I set out to develop a comprehensive resource on Oklahoma’s built environment for the benefit of students, researchers and interested citizens alike. In addition to books and articles, I identified unpublished reports, video and film, organizations, image collections, and websites – in short, any relevant information sources on the topic. The scope of Oklahoma Built is broad - covering both the historic and the recent in equal measure. This balance is deliberate. The group Preservation Oklahoma ranks “Our Recent Past” as #2 on its annual list of Oklahoma’s most endangered public places. Oklahoma Built is also broadly defined - covering not only what is traditionally thought of as “Architecture with a capital A,” but the entire spectrum of the built environment as well.
    [Show full text]
  • Philbrook Museum of Art, Inc., Sustainable HVAC Stabilization Phase 1
    DIVISION OF PRESERVATION AND ACCESS Narrative Section of a Successful Application The attached document contains the grant narrative of a previously funded grant application. It is not intended to serve as a model, but to give you a sense of how a successful application may be crafted. Every successful application is different, and each applicant is urged to prepare a proposal that reflects its unique project and aspirations. Prospective applicants should consult the NEH Division of Preservation and Access application guidelines at http://www.neh.gov/divisions/preservation for instructions. Applicants are also strongly encouraged to consult with the NEH Division of Preservation and Access staff well before a grant deadline. Note: The attachment only contains the grant narrative, not the entire funded application. In addition, certain portions may have been redacted to protect the privacy interests of an individual and/or to protect confidential commercial and financial information and/or to protect copyrighted materials. Project Title: Sustainable HVAC Stabilization Phase 1 Institution: Philbrook Museum of Art, Inc. Project Director: Rachel Keith Grant Program: Sustaining Cultural Heritage Collections Project Description Philbrook Museum of Art in Tulsa, Oklahoma requests an implementation grant in the amount of $350,000 from the National Endowment for the Humanities through the Sustaining Cultural Heritage Collections grant program to support a three-year project to replace outdated HVAC system components and establish a comprehensive monitoring system to enhance collections preservation and energy efficiency. Philbrook’s permanent collection contains approximately 16,000 objects that represent a period of over 5,000 years, making it the most comprehensive in Oklahoma.
    [Show full text]
  • RICHARD DEVORE Represented by Frank Lloyd Gallery
    RICHARD DEVORE Represented by Frank Lloyd Gallery 1933 Born in Toledo, Ohio 2006 Died in Fort Collins, Colorado EDUCATION 1955 University of Toledo, Ohio BE 1957 Cranbrook Academy of Art, Bloomfield Hills, Michigan SELECTED AWARDS AND GRANTS 1987 Installed as Fellow of the American Craft Council 1986 National Endowment for the Arts Grant 1982 Fabric Workshop, Philadelphia: Participating Artists 1980 National Endowment for the Arts, Craftsman’s Fellowship Fabric Workshop, Philadelphia: Participating Artist under a National Endowment for the Arts Grant 1976 National Endowment for the Arts Grant EXHIBITIONS One Person 2011 Ultimate: The Black Works 1998-2005, Meulensteen, New York 2008 Richard DeVore: Retrospective and “Last Works,” Cranbrook Art Museum, Bloomfield Hills, Michigan Max Protetch Gallery, New York 2004 Max Protetch Gallery, New York 2003 Bellas Artes Gallery, Santa Fe, New Mexico 2001 Max Protetch Gallery, New York 1999 Frank Lloyd Gallery, Santa Monica, California 1998 Max Protetch Gallery, New York 1997 Frank Lloyd Gallery, Santa Monica, California Max Protetch Gallery, New York Hill Gallery, Birmingham, Michigan 1996 Max Protetch Gallery, New York Bellas Artes Gallery, Santa Fe, New Mexico 1995 Hill Gallery, Birmingham, Michigan Max Protetch Gallery, New York 1994 Garth Clark Gallery, Los Angeles, California Max Protetch Gallery, New York Richard DeVore, 2 1993 Max Protetch Gallery, New York Hill Gallery, Birmingham, Michigan Garth Clark Gallery, Los Angeles, California Bellas Artes Gallery, Santa Fe, New Mexico 1992 Locks
    [Show full text]
  • OSU-Tulsa Library Michael Wallis Beyond the Hills Writings 1:1 Book Contract, Contract Negotiations, and Related Correspondence
    OSU-Tulsa Library Michael Wallis Beyond the Hills Rev. December 2012 Writings 1:1 Book contract, contract negotiations, and related correspondence. Jun-Jul 1992. 1:2 Copyeditor’s style sheet, 11p. Includes a memo from Wallis to Carol in reference to a possible Epigraph, title, and word count, and draft on diskette. 1:3 Version 1: Typed draft, bound, with thumbnails of illustrations and author’s and editor’s handwritten corrections, revisions, remarks and notations. Cover letter from Council Oak Books book designer to Wallis, 17 Jun 1995. 1:4 Additional copies of thumbnail illustrations. 1:5 Version 2: Typed draft with proofreader’s marks and author’s handwritten notes. Part One: pi-60 (2 versions of p60). 1:6 Part Two: p61-255. 1:7 p266-480. 2:1 Version 3: Typed draft including title page, quotes, and Table of Contents, pi-142. 2:2 p143-268. 2:3 p269-368. 2:4p369-478. 2:5 Version 4: Typed draft with blue tabs attached noting corrections and revisions. Includes title page, Author’s Note (crossed out), books page, Dedication, Bibliography and Suggested Reading List, Table of Contents, quotes, p1-123. 2:6 p124-239. 2:7 p240-358. 3:1 p359-478. 3:2 Version 5: Typed draft including title page, copyright, quotes, Dedication, books page, Table of Contents, Author’s Note, p1-107. 3:3 p108-224. 3:4 p225-351. 3:5 p352-422. Includes About the Author, Acknowledgements, and Bibliography and Suggested Reading List. 3:6 Photocopy of typeset index, enlarged, with handwritten corrections, revisions, and notes.
    [Show full text]
  • Modern Individualism: Paintings by Oscar Howe Before The
    MODERN INDIVIDUALISM: PAINTINGS BY OSCAR HOWE BEFORE THE ANNUAL NATIONAL INDIAN PAINTING COMPETITION AT THE PHILBROOK MUSEUM OF ART, 1958 by ELIZABETH LYNN DOUGHTY A THESIS Presented to the Department ofArt History and the Graduate School ofthe University of Oregon in partial fulfillment ofthe requirements for the degree of Master ofArts September 2010 11 "Modern Individualism: Paintings by Oscar Howe before the Annual National Indian Painting Competition at the Philbrook Museum ofArt, 1958," a thesis prepared by Elizabeth Lynn Doughty in partial fulfillment ofthe requirements for the Master ofArts degree in the Department ofArt History. This thesis has been approved and accepted by: Committee in Charge: Leland M. Roth, Chair Joyce Cheng Brian Klopotek Accepted by: Dean ofthe Graduate School III © 201 0 Elizabeth Lynn Doughty iv An Abstract ofthe Thesis of Elizabeth Lynn Doughty for the degree of Master ofArts in the Department ofArt History to be taken in September 2010 Title: MODERN INDIVIDUALISM: PAINTINGS BY OSCAR HOWE BEFORE THE ANNUAL NATIONAL INDIAN PAINTING COMPETITION AT THE PHILBROOK MUSEUM OF ART, 1958 Approved: ~ _ Dr. Leland M. Roth In 1958 Yanktonai Sioux painter Oscar Howe's (1915-1983) submission to the Annual National Indian Painting Competition at the Philbrook Museum ofArt was rejected for deviating too far from the established conventions of"traditional Indian painting." Howe's innovative use of style and his subsequent declarations against the premises ofhis rejection established the artist as a major figure in the development of Native American painting in the twentieth century. The existing literature on Howe is predominantly biographical and lacks contextual or stylistic analysis.
    [Show full text]
  • Historic Preservation & Cultural Resources Multi
    Tulsa Historic Preservation & Cultural Resources Multi-Hazard Mitigation Plan - 2011 ENGINEERING SERVICES September 8, 2011 Mr. Bill Penka, State Hazard Mitigation Officer Oklahoma Department of Civil Emergency Management P.O. Box 53365 Oklahoma City, OK 73152 RE: City of Tulsa Historic Preservation and Cultural Resources Annex We are pleased to submit this City of Tulsa Multi-Hazard Mitigation Plan- 2009 Update, Historic Preservation and Cultural Resources Annex as fulfillment of the requirements of the Pre-Disaster Hazard Mitigation Grant (PDMC-PJ-06- OK-2007-004). This Historic Preservation and Cultural Resources Annex Pilot Study was prepared in accordance with State and Federal guidance, addresses Districts and Properties Listed in the National Register of Historic Places, Art Deco Buildings, and Cultural Resources, and their vulnerability to Natural and Man- made Hazards. We look forward to implementing this plan to enhance protection of the lives and property of our citizens from natural hazards and hazard materials incidents. If we can answer any questions or be of further assistance, please do not hesitate to contact me at 918-596-9475. CITY OF TULSA, DEPARTMENT OF PUBLIC WORKS Sincerely, Bill Robison, P.E., CFM Senior Special Projects Engineer Stormwater Planning 2317 S. Jackson Ave., Room S-310 Tulsa, OK 74107 Office 918-596-9475 www.cityoftulsa.org Table of Contents Acknowledgements..................................................................................................... xii Summary....................................................................................................................
    [Show full text]
  • Reciprocal Benefits
    minneapolis institute of arts China, Round Covered Box, Southern Sung dynasty, gift of Ruth and Bruce Dayton Reciprocal Benefits A GUIDE FOR CONTRIBUTORS’ CIRCLE, PatRONS’ CIRCLE AND DIRECTOR’S CIRCLE MEMBERS 2400 Third Avenue South Minneapolis, Minnesota 55404 (612) 870-6323 (888) 642-2787 www.artsmia.org SYMBOLS USED IN THIS BROCHURE ENJOY THE WORLD OF ART! WR Use Western Reciprocal sticker (on MIA card). Members contributing $250 or more annually to W Use Art Museum Reciprocal Program sticker the Minneapolis Institute of Arts are eligible for (on MIA card). certain reciprocal benefits from the museums NAR Use North American Reciprocal sticker listed in this brochure. Upon presentation of the (on MIA card). appropriate membership credential (Reciprocal Card or Reciprocal Program sticker on your MIA card), you will be entitled to the following privileges: Please contact the museum you are visiting for infor- • Freeadmissionatalltimesduringmuseumhours mation about specific exhibitions and hours. • Freeadmissiontospecialexhibitionswherean These stickers are your Reciprocal Membership advance ticket is not required Program materials. Please place the stickers on your • Admissiontomembers’previewswherean Minneapolis Institute of Arts membership card. You advance ticket is not required will need these materials to identify yourself to the • Thesamediscountonitemspurchased participating museums. Please call us if you have any in the gift and book shops as that offered to questions: (612) 870-6323 or (888) 642-2787. members of the MIA Thank you and ENJOY! • The same discount on concert and lecture tickets as that offered to members of the MIA Reciprocal privileges do not include receiv ing mailings from any of the participating museums. ALABAMA Phoenix Art Museum Long Beach Museum of Art MOCA 1625 North Central Avenue 2300 E.
    [Show full text]
  • Airports Director Is Responsible for All Functions Related to the Operation and Management of Tulsa International Airport, R
    The Airport Tulsa International Airport (TUL) is a city-owned civil- military airport five miles northeast of downtown Tulsa, in Tulsa County, Oklahoma. It was named Tulsa Municipal Airport when the city acquired it in 1929. It got its present name in 1963. On January 21, 1928, 47 local business men signed the Stud Horse Note, agreeing to finance the construction of Tulsa’s first airport, and support its operation thereafter. These civic minded leaders comprised the airport’s first executive committee. Today, Tulsa Airports Improvement Trust (TAIT) administers, manages and operates Tulsa International Airport, R.L. Jones, Jr. Airport, and Okmulgee Regional Airport. TAIT’s mission is to provide a safe, efficient, self-supporting airport system for the citizens of the Tulsa metropolitan area and surrounding region. In January 2014, the Tulsa Airports Improvement Trust transitioned the operation of the city's airports from a city department to an independent authority structured operation. This move resulted in cost savings for TAIT but also provided streamlined operations enabling the airports to respond quickly to market changes and improve service. Tulsa International Airport covers 4,711 acres and has three paved runways: • Runway 18L/36R: 9,999 x 150 ft. Concrete • Runway 18R/36L: 6,101 x 150 ft. Asphalt • Runway 8/26: 7,376 x 150 ft. Concrete p a g e 2 The Airport (continued…) In 2010 the airport embarked on a major renovation of the 1960s era terminal. Both of the airport’s concourses underwent an extensive $50+million renovation, including major HVAC replacement along with more noticeable design changes.
    [Show full text]
  • Budget and Financial Plan for Appropriated Funds Fiscal Year 2010
    Where History & Progress Meet 1 Tulsa County Oklahoma Budget and Financial Plan For Appropriated Funds Fiscal Year 2010 - 2011 Adopted By: Karen Keith, Chairman Tulsa County Budget Board Earlene Wilson, Vice - Chairman & Secretary June 14, 2010 Members: Fred R. Perry John Smaligo, Jr. J. Dennis Semler Sally Howe Smith Ken Yazel Stanley Glanz 2 3 Table of Contents Budget Message Organizational Structure and the Impact on Planning Processes and Long-term Goals 8 Local Economic Conditions 9 Emerging Issues Facing the County 11 2010-2011 Budgetary Issues and Solutions 11 Budget Process and Calendar 13 Revenue and Expenditure Trends 15 Revenue Assumptions and Projections 15 Revenues by Source 16 Expenditure Assumptions and Projections 20 Expenditures by Category 20 Changes in Personnel Staffing Levels 22 Capital Improvement Projects 22 Fund Balances 23 Long-Term Debt 24 General Information Mission Statement 26 Organizational Chart 27 Elected Officials 28 Profile of Tulsa County 30 Tulsa County Demographics 42 Non-Financial Goals and Achievements 44 Budget Process and Calendar 46 Budget Revisions and Budget Amendments 47 Description of the Accounting and Budgeting System 48 Basis of Accounting and Budgeting 49 Summary of Long Term Debt 50 Performance Measures and Goals 52 Fiscal and Budget Policies 53 Oklahoma State Statute Section 19-1401 County Budget Act 58 4 Table of Contents cont’d Financial Summaries All Appropriated Funds Fund Descriptions 65 Projected Change in Fund Balance 67 Revenue Definitions and Assumptions 68 Summary of Budgeted
    [Show full text]