DOCSLIB.ORG

Reciprocal Benefits

Total Page：16

File Type：pdf, Size：1020Kb

Download full-text PDF Read full-text
Reciprocal Benefits minneapolis institute of arts China, Round Covered Box, Southern Sung dynasty, gift of Ruth and Bruce Dayton Reciprocal Benefits A GUIDE FOR CONTRIBUTORS’ CIRCLE, PatRONS’ CIRCLE AND DIRECTOR’S CIRCLE MEMBERS 2400 Third Avenue South Minneapolis, Minnesota 55404 (612) 870-6323 (888) 642-2787 www.artsmia.org SYMBOLS USED IN THIS BROCHURE ENJOY THE WORLD OF ART! WR Use Western Reciprocal sticker (on MIA card). Members contributing $250 or more annually to W Use Art Museum Reciprocal Program sticker the Minneapolis Institute of Arts are eligible for (on MIA card). certain reciprocal benefits from the museums NAR Use North American Reciprocal sticker listed in this brochure. Upon presentation of the (on MIA card). appropriate membership credential (Reciprocal Card or Reciprocal Program sticker on your MIA card), you will be entitled to the following privileges: Please contact the museum you are visiting for infor- • Freeadmissionatalltimesduringmuseumhours mation about specific exhibitions and hours. • Freeadmissiontospecialexhibitionswherean These stickers are your Reciprocal Membership advance ticket is not required Program materials. Please place the stickers on your • Admissiontomembers’previewswherean Minneapolis Institute of Arts membership card. You advance ticket is not required will need these materials to identify yourself to the • Thesamediscountonitemspurchased participating museums. Please call us if you have any in the gift and book shops as that offered to questions: (612) 870-6323 or (888) 642-2787. members of the MIA Thank you and ENJOY! • The same discount on concert and lecture tickets as that offered to members of the MIA Reciprocal privileges do not include receiv ing mailings from any of the participating museums. ALABAMA Phoenix Art Museum Long Beach Museum of Art MOCA 1625 North Central Avenue 2300 E. Ocean Blvd. 250 South Grand Avenue Birmingham Museum of Art Phoenix, AZ 85004 Long Beach, CA 90803 Los Angeles, CA 90012 2000 Eighth Avenue North (602) 257-1222 (562) 439-2119 (213) 626-6222 Birmingham, AL 35203-2278 www.phxart.org www.lbma.org www.moca.org (205) 254-2565 W NAR NAR www.artsbma.org NAR ARKANSAS The Museum of Skirball Cultural Center Latin American Art 2701 North Sepulveda Boulevard Gadsden Museum of Art South Arkansas Arts Center (MoLAA) Los Angeles, CA 90049 515 Broad Street 110th East Fifth Street 628 Alamitos Avenue (310) 440-4500 Gadsden, Alabama 35901 El Dorado, AR 71730 Long Beach, CA 90802 www.skirball.org (256) 546-7365 (870) 862-5474 (562) 437-1689 NAR www.gadsdenmuseum.com www.saac-arts.org www.molaa.com NAR NAR NAR MMA La Mirada 720 Via Mirada Mobile Museum of Art The Arkansas Arts Center Charles F. Lummis Home and Monterey, California 93940 4850 Museum Drive 501 East Ninth Street, Garden—Historical Society of (831) 372-3689 Mobile, AL 36608 MacArthur Park Southern California www.montereyart.org (251) 208-5200 Little Rock, AR 72202-3952 200 East Avenue 43 NAR www.mobilemuseumofart.com (501) 372-4000 Los Angeles, CA 90031 NAR www.arkarts.com (323) 222-0771 MMA Pacific Street NAR www.socalhistory.org 559 Pacific Street Montgomery Museum Monterey, California 93940 of Fine Arts NAR CALIFORNIA (831) 372-5477 One Museum Drive Craft & Folk Art Museum www.montereyart.org Montgomery, Alabama 36117 Berkeley Art Museum 5814 Wilshire Boulevard NAR (334) 240-4333 2625 Durant Avenue #2250 Los Angeles, CA 90036 www.mmfa.org Berkeley, CA 94720-2250 (323) 937-4230 Orange County Museum of Art NAR (510) 642-0808 www.cafam.org 850 San Clemente Drive Newport Beach, CA 92660 Kentuck Art Center www.bampfa.berkeley.edu NAR NAR (949) 759-1122 503 Main Avenue Hammer Museum www.ocma.net Northport, AL 35476 Claremont Museum of Art 10899 Wilshire Boulevard NAR (205) 758-1257 536 West First Street Los Angeles, CA 90024 www.kentuck.org Claremont, CA 91711 (310) 443-7000 Oakland Museum of California NAR (909) 621-3200 www.hammer.ucla.edu 1000 Oak Street www.claremontmuseum.org W Oakland, CA 94607 ARIZONA NAR (510) 238-2200; (510) 238-2258 Japanese American National www.museumca.org The Bead Museum Fullerton Museum Museum NAR 5754 W. Glenn Drive Museum, 301 N. Pomona Ave., 369 East First Street Glendale, AZ 85301 Fullerton, CA 92832 Los Angeles California 90012 Palm Springs Art Museum (623) 931-2737 (714) 738-6545 (213) 625-0414 101 Museum Drive www.beadmuseumaz.org www.cityoffullerton.com/depts/ www.janm.org Palm Springs, CA 92262-5659 NAR museum NAR (760) 322-4800 NAR www.psmuseum.org Heard Museum Los Angeles County NAR 2301 North Central Avenue Laguna Art Museum Museum of Art Phoenix, AZ 85004 307 Cliff Drive 5905 Wilshire Boulevard Pacific Asia Museum (602) 252-8840 Laguna Beach, CA 92651 Los Angeles, CA 90036 46 North Los Robles Avenue www.heard.org (949) 494-8971 (323) 857-6000 Pasadena, CA 91101 NAR www.lagunaartmuseum.org www.lacma.org (626) 449-2742 NAR R www.pacificasiamuseum.org NAR Riverside Art Museum California Historical Society San Jose Museum of Quilts COLORADO 3425 Mission Inn Ave. Museum and Store and Textiles Riverside CA 92501 678 Mission Street 520 S. First Street Boulder History Museum (951) 684-7111 San Francisco, CA 34105 San Jose, CA 95113 1206 Euclid Avenue www.riversideartmuseum.org (415) 357-1848 (408) 971-0323 Boulder, CO 80302 NAR www.californiahistoricalsociety. www.sjquiltmuseum.org (303) 449-3464 org/exhibits NAR www.boulderhistorymuseum.org Crocker Art Museum NAR NAR 216 O Street Bowers Museum Sacramento, CA 95814 Fine Arts Museums 2002 North Main Street The Boulder Museum (916) 264-5423 of San Francisco— Santa Ana, CA 92706 of Contemporary Art www.crockerartmuseum.org California Palace (714) 567-3600 1750 Thirteenth Street NAR of the Legion of Honor www.bowers.org Boulder, CO 80302 34th Avenue and Clement Street NAR (303) 443-2122 Mingei International Museum Lincoln Park www.bmoca.org 1439 El Prado San Francisco, CA 94121 Santa Barbara Museum of Art NAR San Diego, CA 92101 (415) 750-3600 1130 State Street (619) 239-0003 Santa Barbara, CA 93101 Colorado Springs www.famsf.org/legion Fine Arts Center www.mingei.org W, NAR (805) 963-4364 NAR www.sbma.net 30 West Dale Street Fine Arts Museums NAR Colorado Springs, CO 80903 Museum of Photographic Arts of San Francisco— (719) 634-5581 1649 El Prado, Balboa Park M. H. de Young Memorial Santa Monica Museum of Art www.csfineartscenter.org San Diego, CA 92101 Museum Bergamot Station G1 W (619) 238-7559 2525 Michigan Ave. 75 Tea Garden Drive Denver Art Museum www.mopa.org Golden Gate Park Santa Monica, CA 90404 NAR (310) 586-6488 100 West Fourteenth Avenue San Francisco, CA 94118 Parkway (415) 863-3330 www.smmoa.org San Diego Museum of Art Denver, CO 80204 www.famsf.org/deyoung NAR 1450 El Prado, Balboa Park (720) 865-5000 W, NAR San Diego, CA 92101 Charles M. Schulz Museum www.denverartmuseum.org (619) 232-7931 Museum of Performance 2301 Hardies Lane W, R www.sdmart.org and Design Santa Rosa, California 95403 W (707) 579-4452 Museum of Contemporary Veterans Building, Fourth Floor Art Denver 401 Van Ness Avenue #402 www.schulzmuseum.org Timken Museum of Art 1275 Nineteenth Street San Francisco, CA 94102 NAR 1500 El Prado, Balboa Park Denver, CO 80202 (415) 255-4800 San Diego, California 92101 Sonoma Valley Museum of Art (303) 298-7554 www.mpdsf.org (619) 239-5548 551 Broadway www.mcartdenver.org NAR www.timkenmuseum.org Sonoma, CA 95476 NAR NAR (707) 939-7862 Yerba Buena Center Fort Collins Museum of for the Arts www.svma.org Asian Art Museum Contemporary Art 701 Mission Street at NAR Chong-Moon Lee Center 201 S College Ave Third Avenue for Asian Art and Culture Cantor Arts Center at Fort Collins, CO 80524 San Francisco, CA 94103-3138 200 Larkin Street Stanford University (970) 482-2787 (415) 978-2787 Civic Center Plaza 328 Lomita Drive www.fcmoca.org www.ybca.org San Francisco, CA 94102-4734 Stanford, CA 94305-5060 NAR NAR (415) 581-3500 (650) 721-6316 www.asianart.org San Jose Museum of Art museum.stanford.edu CONNECTICUT NAR, W NAR 110 South Market Street Yale University Art Gallery San Jose, CA 95113 Asian Art Museum of Napa Valley Museum and Yale Center for British Art (408) 271-6840 San Francisco P.O. Box 3567 111 Chapel St. (at York Street) www.sanjosemuseumofart.org 200 Larkin Street 55 Presidents Circle New Haven, CT 06520 NAR San Francisco, CA 94102 Yountville, CA 94599 (203) 432-0600 (415) 581-3500 (707) 944-0500 artgallery.yale.edu www.asianart.org www.napavalleymuseum.org NAR W NAR The Slater Memorial Museum DISTRICT OF COLUMBIA Ah-Tah-Thi-Ki Museum The Edison and Ford 108 Crescent Street at Big Cypress Winter Estates Norwich, CT 06360 Corcoran Gallery of Art HC-61, Box 21-A 2350 McGregor Boulevard (860) 887-2506 500 Seventeenth Street NW Clewiston, FL 33440 Fort Myers, FL 33901 www.norwichfreeacademy.com/ Washington, DC 20006 (877) 902-1113 (239) 334-7419 museum (202) 639-1700 www.ahtahthiki.com www.efwefla.org NAR www.corcoran.org NAR NAR NAR, R The Aldrich Contemporary The Lowe Art Museum at Harn Museum of Art Art Museum Hillwood Estate, Museums the University of Miami SW Thirty Fourth Street and 258 Main Street and Gardens 1301 Stanford Drive Hull Road Ridgefield, CT 06877 4155 Linnean Avenue NW Coral Gables, FL 33124-6310 Gainesville, FL 32611 (203) 438-4519 Washington, DC 20008 (305) 284-3535 (352) 392-9826 www.aldrichart.org (202) 686-5807 www.lowemuseum.org www.harn.ufl.edu NAR www.hillwoodmuseum.org NAR NAR NAR The William Benton Museum of The Museum of Arts The Art and Culture Center Art, University of Connecticut Jewish Historical Society and Sciences of Hollywood 245 Glenbrook Road of Greater Washington 1040 Museum Boulevard 1650 Harrison Street Storrs, CT 06269 Lillian & Albert Small Daytona Beach, FL 32114 Hollywood, FL 33020 (860) 486-4520 Jewish Museum (386) 255-0285 (954) 921-3274 www.thebenton.org 701 Fourth Street NW www.moas.org artandculturecenter.org NAR Washington, DC 20001 NAR NAR (202) 789-0900 www.jhsgw.org DELAWARE The Museum of Florida Art The Cummer Museum of NAR 600 N.
Load more

Recommended publications
  • National Endowment for the Arts Annual Report 1990
    National Endowment For The Arts Annual Report National Endowment For The Arts 1990 Annual Report National Endowment for the Arts Washington, D.C. Dear Mr. President: I have the honor to submit to you the Annual Report of the National Endowment for the Arts for the Fiscal Year ended September 30, 1990. Respectfully, Jc Frohnmayer Chairman The President The White House Washington, D.C. April 1991 CONTENTS Chairman’s Statement ............................................................5 The Agency and its Functions .............................................29 . The National Council on the Arts ........................................30 Programs Dance ........................................................................................ 32 Design Arts .............................................................................. 53 Expansion Arts .....................................................................66 ... Folk Arts .................................................................................. 92 Inter-Arts ..................................................................................103. Literature ..............................................................................121 .... Media Arts: Film/Radio/Television ..................................137 .. Museum ................................................................................155 .... Music ....................................................................................186 .... 236 ~O~eera-Musicalater ................................................................................
    [Show full text]
  • News Museums Can Use
    useNEWS News museums can use Wellbeing Series Continues with Session on Historical Loss, M Trauma, and Resilience O M A The Oklahoma Museums Association Wellbeing Committee is please to O K L A H O M A present the expert voices speaker series in response and recovery to COVID-19. This is in addition to the Wellbeing website resources which MUSEUMS can be found here. A S S O C I A T I O N The speaker series is free, but registration is required. The session will Volume 52, No. 1 • Winter 2021 be presented live in Zoom format. Once you register, you will be sent the Available to OMA members Jan 1; Zoom login information before the session. Register here. posted online for public Feb 1 Join us on Thursday, February 4 at 10:00am Central Time for “Painful INSIDE: Past; Resilient Future: Stories of historical loss, trauma, and resilience 2 within families.” with C. J. Aducci, Ph.D., Licensed Marriage and Family Shaping the Future Therapist, Executive Officer, Chickasaw Nation. Our goal is to define 3 historical trauma and discuss the lasting impact it has on generations Note from OMA President of families. The accumulation of past experiences has led to historical 4 trauma, yet families have continued to persevere. Like many First New OMA Board Members Americans, the Chickasaw people have endured hardships including removal from their Homeland. We invite you to join us for a virtual 12 OMA Awards Program presentation to address these issues and learn more about the adversity faced by people past and present and their ability to generate resilience 13 within their families and tribe.
    [Show full text]
  • Your Guide To
    52 PLACES TO GO IN 2015 (New York Times) Your Guide to TULSA2015 Spring/Summer Visitor’s Guide PRESENTING SPONSORS A FOR ALL TASTES THE TULSA MUSIC SCENE | PAGE 8 Sound UPCOMING 20 THINGS YOU CAN’T MISS WHILE PAGE 43 YOU’RE “ ” E v e n t s living MOST UNDERRATED TRAVEL PAGE 6 10 DESTINATIONS Festivals (Men’s& Journal) on Tulsa time Only in Oklahoma can you explore the YOUR STAY most diverse terrain, Welcome to Tulsa! 400+ miles of Rt. 66, Enjoy Whether in town for business or pleasure, Tulsa offers all our visitors an the sacred traditions of array of experiences that will create a lasting impression in your mind and 30+ tribal nations, world- provide you with plenty of entertainment. class Western art & artifacts, If you’re visiting us for the first time, we’re excited to show you why in Tulsa, “It’s Everything Else That’s Different.” We have all the big perks of larger cities – & be welcomed by the friendliest fine hotels, world class museums, vibrant nightlife, arts and so much more – but folks you’ll ever meet. Start your in an up close and personal feel. In Tulsa, long lines and gridlocked traffic will adventure today at TravelOK.com. not slow you down. If you’re a returning visitor, we can’t wait to show you the many new attractions, hotels and restaurants, in addition to developments like Guthrie Green. Experience one of our unique museums, plan a day outdoors, take in a show or dine at one of our many unique and local restaurants.
    [Show full text]
  • Relocation Guide
    TULSA INSPIRES A NEW KIND OF LIVING “We were so impressed with our mortgage experience, we moved everything to TTCU.” – Matt N., TTCU member We’re local. We’re global. And proud to be both. Linde Engineering North America Inc. is part of the fabric of Tulsa. Our role in the everyday items you use and commitment to our community help make Tulsa and the world a better place to live. We engineer and build plants for gas processing, LNG and deep cryogenics - here in Tulsa and worldwide. After moving five times to five different cities, Matt came home to Tulsa – and TTCU. He said, “A mortgage is the largest purchase you’ll probably ever make. You need a friend, someone who watches out for your best interest. Choosing TTCU for our mortgage was the best decision ever.” Life is better in balance.® To learn more about our 100% local mortgages and our 100% financing 918-749-8828 | www.ttcu.com option, call, click or come by. #wechilleditfirst With approved credit (WAC) | Some restrictions apply | Property and/or flood insurance may be required | Fixed rate only No down payment required for 100% financing. | For example: 80% of the loan is a 30-year fixed with an Annual Percentage Rate (APR) of 4.33%. The payment per $1,000 financed would be $4.92. 20% of the loan is a 15-year fixed with an APR of Linde Engineering North America Inc. 6.75%. The payment per $1,000 financed would be $8.82. | Federally insured by NCUA www.leamericas.com ttcu_chamb_reloc_mort_2_18.indd 1 2/14/18 12:35 PM TULSA IS ..
    [Show full text]
  • Oklahoma Built: a Bibliography of Information Sources on Oklahoma’S Built Environment Susan Bobo Oklahoma State University, [email protected]
    Library Faculty Projects Architecture School Oklahoma State University Year Oklahoma built: a bibliography of information sources on Oklahoma’s built environment Susan Bobo Oklahoma State University, [email protected] This paper is posted at E-Archive@Oklahoma State University. http://e-archive.library.okstate.edu/arch/1 I N T R O D U C T I O N Welcome to Oklahoma Built: a compendium of published research, archival materials and links to organizations that highlight the richness and diversity of Oklahoma’s built environment. At its core is a bibliography of more than 600 entries – books, articles, internet links and more – on the people, places and buildings of architectural interest in our state. From sod houses and ‘shotguns’ to a unique skyscraper and the prairie palaces of oil tycoons; from Victorian to Art Deco to Mid-Century Modern, Oklahoma Built aims to cover it all. In the spring of 2006, anticipating an increase in patron requests due to the approaching Centennial, I set out to develop a comprehensive resource on Oklahoma’s built environment for the benefit of students, researchers and interested citizens alike. In addition to books and articles, I identified unpublished reports, video and film, organizations, image collections, and websites – in short, any relevant information sources on the topic. The scope of Oklahoma Built is broad - covering both the historic and the recent in equal measure. This balance is deliberate. The group Preservation Oklahoma ranks “Our Recent Past” as #2 on its annual list of Oklahoma’s most endangered public places. Oklahoma Built is also broadly defined - covering not only what is traditionally thought of as “Architecture with a capital A,” but the entire spectrum of the built environment as well.
    [Show full text]
  • Philbrook Museum of Art, Inc., Sustainable HVAC Stabilization Phase 1
    DIVISION OF PRESERVATION AND ACCESS Narrative Section of a Successful Application The attached document contains the grant narrative of a previously funded grant application. It is not intended to serve as a model, but to give you a sense of how a successful application may be crafted. Every successful application is different, and each applicant is urged to prepare a proposal that reflects its unique project and aspirations. Prospective applicants should consult the NEH Division of Preservation and Access application guidelines at http://www.neh.gov/divisions/preservation for instructions. Applicants are also strongly encouraged to consult with the NEH Division of Preservation and Access staff well before a grant deadline. Note: The attachment only contains the grant narrative, not the entire funded application. In addition, certain portions may have been redacted to protect the privacy interests of an individual and/or to protect confidential commercial and financial information and/or to protect copyrighted materials. Project Title: Sustainable HVAC Stabilization Phase 1 Institution: Philbrook Museum of Art, Inc. Project Director: Rachel Keith Grant Program: Sustaining Cultural Heritage Collections Project Description Philbrook Museum of Art in Tulsa, Oklahoma requests an implementation grant in the amount of $350,000 from the National Endowment for the Humanities through the Sustaining Cultural Heritage Collections grant program to support a three-year project to replace outdated HVAC system components and establish a comprehensive monitoring system to enhance collections preservation and energy efficiency. Philbrook’s permanent collection contains approximately 16,000 objects that represent a period of over 5,000 years, making it the most comprehensive in Oklahoma.
    [Show full text]
  • RICHARD DEVORE Represented by Frank Lloyd Gallery
    RICHARD DEVORE Represented by Frank Lloyd Gallery 1933 Born in Toledo, Ohio 2006 Died in Fort Collins, Colorado EDUCATION 1955 University of Toledo, Ohio BE 1957 Cranbrook Academy of Art, Bloomfield Hills, Michigan SELECTED AWARDS AND GRANTS 1987 Installed as Fellow of the American Craft Council 1986 National Endowment for the Arts Grant 1982 Fabric Workshop, Philadelphia: Participating Artists 1980 National Endowment for the Arts, Craftsman’s Fellowship Fabric Workshop, Philadelphia: Participating Artist under a National Endowment for the Arts Grant 1976 National Endowment for the Arts Grant EXHIBITIONS One Person 2011 Ultimate: The Black Works 1998-2005, Meulensteen, New York 2008 Richard DeVore: Retrospective and “Last Works,” Cranbrook Art Museum, Bloomfield Hills, Michigan Max Protetch Gallery, New York 2004 Max Protetch Gallery, New York 2003 Bellas Artes Gallery, Santa Fe, New Mexico 2001 Max Protetch Gallery, New York 1999 Frank Lloyd Gallery, Santa Monica, California 1998 Max Protetch Gallery, New York 1997 Frank Lloyd Gallery, Santa Monica, California Max Protetch Gallery, New York Hill Gallery, Birmingham, Michigan 1996 Max Protetch Gallery, New York Bellas Artes Gallery, Santa Fe, New Mexico 1995 Hill Gallery, Birmingham, Michigan Max Protetch Gallery, New York 1994 Garth Clark Gallery, Los Angeles, California Max Protetch Gallery, New York Richard DeVore, 2 1993 Max Protetch Gallery, New York Hill Gallery, Birmingham, Michigan Garth Clark Gallery, Los Angeles, California Bellas Artes Gallery, Santa Fe, New Mexico 1992 Locks
    [Show full text]
  • OSU-Tulsa Library Michael Wallis Beyond the Hills Writings 1:1 Book Contract, Contract Negotiations, and Related Correspondence
    OSU-Tulsa Library Michael Wallis Beyond the Hills Rev. December 2012 Writings 1:1 Book contract, contract negotiations, and related correspondence. Jun-Jul 1992. 1:2 Copyeditor’s style sheet, 11p. Includes a memo from Wallis to Carol in reference to a possible Epigraph, title, and word count, and draft on diskette. 1:3 Version 1: Typed draft, bound, with thumbnails of illustrations and author’s and editor’s handwritten corrections, revisions, remarks and notations. Cover letter from Council Oak Books book designer to Wallis, 17 Jun 1995. 1:4 Additional copies of thumbnail illustrations. 1:5 Version 2: Typed draft with proofreader’s marks and author’s handwritten notes. Part One: pi-60 (2 versions of p60). 1:6 Part Two: p61-255. 1:7 p266-480. 2:1 Version 3: Typed draft including title page, quotes, and Table of Contents, pi-142. 2:2 p143-268. 2:3 p269-368. 2:4p369-478. 2:5 Version 4: Typed draft with blue tabs attached noting corrections and revisions. Includes title page, Author’s Note (crossed out), books page, Dedication, Bibliography and Suggested Reading List, Table of Contents, quotes, p1-123. 2:6 p124-239. 2:7 p240-358. 3:1 p359-478. 3:2 Version 5: Typed draft including title page, copyright, quotes, Dedication, books page, Table of Contents, Author’s Note, p1-107. 3:3 p108-224. 3:4 p225-351. 3:5 p352-422. Includes About the Author, Acknowledgements, and Bibliography and Suggested Reading List. 3:6 Photocopy of typeset index, enlarged, with handwritten corrections, revisions, and notes.
    [Show full text]
  • Modern Individualism: Paintings by Oscar Howe Before The
    MODERN INDIVIDUALISM: PAINTINGS BY OSCAR HOWE BEFORE THE ANNUAL NATIONAL INDIAN PAINTING COMPETITION AT THE PHILBROOK MUSEUM OF ART, 1958 by ELIZABETH LYNN DOUGHTY A THESIS Presented to the Department ofArt History and the Graduate School ofthe University of Oregon in partial fulfillment ofthe requirements for the degree of Master ofArts September 2010 11 "Modern Individualism: Paintings by Oscar Howe before the Annual National Indian Painting Competition at the Philbrook Museum ofArt, 1958," a thesis prepared by Elizabeth Lynn Doughty in partial fulfillment ofthe requirements for the Master ofArts degree in the Department ofArt History. This thesis has been approved and accepted by: Committee in Charge: Leland M. Roth, Chair Joyce Cheng Brian Klopotek Accepted by: Dean ofthe Graduate School III © 201 0 Elizabeth Lynn Doughty iv An Abstract ofthe Thesis of Elizabeth Lynn Doughty for the degree of Master ofArts in the Department ofArt History to be taken in September 2010 Title: MODERN INDIVIDUALISM: PAINTINGS BY OSCAR HOWE BEFORE THE ANNUAL NATIONAL INDIAN PAINTING COMPETITION AT THE PHILBROOK MUSEUM OF ART, 1958 Approved: ~ _ Dr. Leland M. Roth In 1958 Yanktonai Sioux painter Oscar Howe's (1915-1983) submission to the Annual National Indian Painting Competition at the Philbrook Museum ofArt was rejected for deviating too far from the established conventions of"traditional Indian painting." Howe's innovative use of style and his subsequent declarations against the premises ofhis rejection established the artist as a major figure in the development of Native American painting in the twentieth century. The existing literature on Howe is predominantly biographical and lacks contextual or stylistic analysis.
    [Show full text]
  • Historic Preservation & Cultural Resources Multi
    Tulsa Historic Preservation & Cultural Resources Multi-Hazard Mitigation Plan - 2011 ENGINEERING SERVICES September 8, 2011 Mr. Bill Penka, State Hazard Mitigation Officer Oklahoma Department of Civil Emergency Management P.O. Box 53365 Oklahoma City, OK 73152 RE: City of Tulsa Historic Preservation and Cultural Resources Annex We are pleased to submit this City of Tulsa Multi-Hazard Mitigation Plan- 2009 Update, Historic Preservation and Cultural Resources Annex as fulfillment of the requirements of the Pre-Disaster Hazard Mitigation Grant (PDMC-PJ-06- OK-2007-004). This Historic Preservation and Cultural Resources Annex Pilot Study was prepared in accordance with State and Federal guidance, addresses Districts and Properties Listed in the National Register of Historic Places, Art Deco Buildings, and Cultural Resources, and their vulnerability to Natural and Man- made Hazards. We look forward to implementing this plan to enhance protection of the lives and property of our citizens from natural hazards and hazard materials incidents. If we can answer any questions or be of further assistance, please do not hesitate to contact me at 918-596-9475. CITY OF TULSA, DEPARTMENT OF PUBLIC WORKS Sincerely, Bill Robison, P.E., CFM Senior Special Projects Engineer Stormwater Planning 2317 S. Jackson Ave., Room S-310 Tulsa, OK 74107 Office 918-596-9475 www.cityoftulsa.org Table of Contents Acknowledgements..................................................................................................... xii Summary....................................................................................................................
    [Show full text]
  • Airports Director Is Responsible for All Functions Related to the Operation and Management of Tulsa International Airport, R
    The Airport Tulsa International Airport (TUL) is a city-owned civil- military airport five miles northeast of downtown Tulsa, in Tulsa County, Oklahoma. It was named Tulsa Municipal Airport when the city acquired it in 1929. It got its present name in 1963. On January 21, 1928, 47 local business men signed the Stud Horse Note, agreeing to finance the construction of Tulsa’s first airport, and support its operation thereafter. These civic minded leaders comprised the airport’s first executive committee. Today, Tulsa Airports Improvement Trust (TAIT) administers, manages and operates Tulsa International Airport, R.L. Jones, Jr. Airport, and Okmulgee Regional Airport. TAIT’s mission is to provide a safe, efficient, self-supporting airport system for the citizens of the Tulsa metropolitan area and surrounding region. In January 2014, the Tulsa Airports Improvement Trust transitioned the operation of the city's airports from a city department to an independent authority structured operation. This move resulted in cost savings for TAIT but also provided streamlined operations enabling the airports to respond quickly to market changes and improve service. Tulsa International Airport covers 4,711 acres and has three paved runways: • Runway 18L/36R: 9,999 x 150 ft. Concrete • Runway 18R/36L: 6,101 x 150 ft. Asphalt • Runway 8/26: 7,376 x 150 ft. Concrete p a g e 2 The Airport (continued…) In 2010 the airport embarked on a major renovation of the 1960s era terminal. Both of the airport’s concourses underwent an extensive $50+million renovation, including major HVAC replacement along with more noticeable design changes.
    [Show full text]
  • Budget and Financial Plan for Appropriated Funds Fiscal Year 2010
    Where History & Progress Meet 1 Tulsa County Oklahoma Budget and Financial Plan For Appropriated Funds Fiscal Year 2010 - 2011 Adopted By: Karen Keith, Chairman Tulsa County Budget Board Earlene Wilson, Vice - Chairman & Secretary June 14, 2010 Members: Fred R. Perry John Smaligo, Jr. J. Dennis Semler Sally Howe Smith Ken Yazel Stanley Glanz 2 3 Table of Contents Budget Message Organizational Structure and the Impact on Planning Processes and Long-term Goals 8 Local Economic Conditions 9 Emerging Issues Facing the County 11 2010-2011 Budgetary Issues and Solutions 11 Budget Process and Calendar 13 Revenue and Expenditure Trends 15 Revenue Assumptions and Projections 15 Revenues by Source 16 Expenditure Assumptions and Projections 20 Expenditures by Category 20 Changes in Personnel Staffing Levels 22 Capital Improvement Projects 22 Fund Balances 23 Long-Term Debt 24 General Information Mission Statement 26 Organizational Chart 27 Elected Officials 28 Profile of Tulsa County 30 Tulsa County Demographics 42 Non-Financial Goals and Achievements 44 Budget Process and Calendar 46 Budget Revisions and Budget Amendments 47 Description of the Accounting and Budgeting System 48 Basis of Accounting and Budgeting 49 Summary of Long Term Debt 50 Performance Measures and Goals 52 Fiscal and Budget Policies 53 Oklahoma State Statute Section 19-1401 County Budget Act 58 4 Table of Contents cont’d Financial Summaries All Appropriated Funds Fund Descriptions 65 Projected Change in Fund Balance 67 Revenue Definitions and Assumptions 68 Summary of Budgeted
    [Show full text]