Franco Balducci Ù​يلم قائمة (Ù​يلم وغØ

Total Page:16

File Type:pdf, Size:1020Kb

Franco Balducci Ù​يلم قائمة (Ù​يلم ÙˆØºØ Franco Balducci ÙÙ​ ŠÙ„Ù… قائمة (ÙÙ​ ŠÙ„Ù… وغراÙÙ​ ŠØ§) Libera, My Love https://ar.listvote.com/lists/film/movies/libera%2C-my-love-954683/actors Lorenzaccio https://ar.listvote.com/lists/film/movies/lorenzaccio-3836856/actors https://ar.listvote.com/lists/film/movies/3822625/actors Il Capitano di https://ar.listvote.com/lists/film/movies/il-capitano-di-venezia-5996504/actors Venezia Death Rides a https://ar.listvote.com/lists/film/movies/death-rides-a-horse-1517207/actors Horse Imbarco a https://ar.listvote.com/lists/film/movies/imbarco-a-mezzanotte-3796585/actors mezzanotte Day of Anger https://ar.listvote.com/lists/film/movies/day-of-anger-547286/actors Caccia all'uomo https://ar.listvote.com/lists/film/movies/caccia-all%27uomo-3649269/actors The Lovemakers https://ar.listvote.com/lists/film/movies/the-lovemakers-2308683/actors Brancaleone at the https://ar.listvote.com/lists/film/movies/brancaleone-at-the-crusades-897651/actors Crusades The Slave https://ar.listvote.com/lists/film/movies/the-slave-3012855/actors Wanted https://ar.listvote.com/lists/film/movies/wanted-2548540/actors La supertestimone https://ar.listvote.com/lists/film/movies/la-supertestimone-3824523/actors The Suspect https://ar.listvote.com/lists/film/movies/the-suspect-3227477/actors Preparati la bara! https://ar.listvote.com/lists/film/movies/preparati-la-bara%21-840565/actors Gli uomini dal passo https://ar.listvote.com/lists/film/movies/gli-uomini-dal-passo-pesante-3283560/actors pesante Mystery of the Black https://ar.listvote.com/lists/film/movies/mystery-of-the-black-jungle-3791030/actors Jungle Romolo e Remo https://ar.listvote.com/lists/film/movies/romolo-e-remo-518379/actors Warriors Five https://ar.listvote.com/lists/film/movies/warriors-five-10315118/actors Romeo and Juliet https://ar.listvote.com/lists/film/movies/romeo-and-juliet-3769466/actors The Shortest Day https://ar.listvote.com/lists/film/movies/the-shortest-day-3223684/actors The Conqueror of https://ar.listvote.com/lists/film/movies/the-conqueror-of-the-orient-20888425/actors the Orient A Man Called https://ar.listvote.com/lists/film/movies/a-man-called-sledge-1193091/actors Sledge The Sicilian https://ar.listvote.com/lists/film/movies/the-sicilian-checkmate-3824921/actors Checkmate L'amore più bello https://ar.listvote.com/lists/film/movies/l%27amore-pi%C3%B9-bello-8870507/actors A Lizard in a https://ar.listvote.com/lists/film/movies/a-lizard-in-a-woman%27s-skin-3785495/actors Woman's Skin The Merchant of https://ar.listvote.com/lists/film/movies/the-merchant-of-venice-2403143/actors Venice Rosolino Paternò https://ar.listvote.com/lists/film/movies/rosolino-patern%C3%B2-2904612/actors Il Monello della https://ar.listvote.com/lists/film/movies/il-monello-della-strada-3794881/actors strada Last Days of https://ar.listvote.com/lists/film/movies/last-days-of-mussolini-116068/actors Mussolini Made in Italy https://ar.listvote.com/lists/film/movies/made-in-italy-3842327/actors Les Misérables https://ar.listvote.com/lists/film/movies/les-mis%C3%A9rables-3233878/actors The Upper Hand https://ar.listvote.com/lists/film/movies/the-upper-hand-3040409/actors Doc, Hands of Steel https://ar.listvote.com/lists/film/movies/doc%2C-hands-of-steel-387537/actors Il figlio di Lagardere https://ar.listvote.com/lists/film/movies/il-figlio-di-lagardere-39072967/actors A Long Ride from https://ar.listvote.com/lists/film/movies/a-long-ride-from-hell-535615/actors Hell Giordano Bruno https://ar.listvote.com/lists/film/movies/giordano-bruno-1034022/actors Tiro al piccione https://ar.listvote.com/lists/film/movies/tiro-al-piccione-1034139/actors I diavoli di https://ar.listvote.com/lists/film/movies/i-diavoli-di-spartivento-3790698/actors Spartivento Pirates of Malaysia https://ar.listvote.com/lists/film/movies/pirates-of-malaysia-2679534/actors Genoveffa di https://ar.listvote.com/lists/film/movies/genoveffa-di-brabante-26804591/actors Brabante Bullet for Stefano https://ar.listvote.com/lists/film/movies/bullet-for-stefano-3792851/actors Manhunt in the City https://ar.listvote.com/lists/film/movies/manhunt-in-the-city-3820033/actors I Kill, You Kill https://ar.listvote.com/lists/film/movies/i-kill%2C-you-kill-2814503/actors The Crossroads https://ar.listvote.com/lists/film/movies/the-crossroads-3793119/actors Bad Girls Don't Cry https://ar.listvote.com/lists/film/movies/bad-girls-don%27t-cry-3232928/actors Una sull'altra https://ar.listvote.com/lists/film/movies/una-sull%27altra-4004435/actors Metello https://ar.listvote.com/lists/film/movies/metello-645490/actors Arrangiatevi! https://ar.listvote.com/lists/film/movies/arrangiatevi%21-3282090/actors La bellezza di https://ar.listvote.com/lists/film/movies/la-bellezza-di-ippolita-3821439/actors Ippolita Black Journal https://ar.listvote.com/lists/film/movies/black-journal-2905388/actors Don't Torture a https://ar.listvote.com/lists/film/movies/don%27t-torture-a-duckling-2738606/actors Duckling Storm Rider https://ar.listvote.com/lists/film/movies/storm-rider-479837/actors Lola Colt https://ar.listvote.com/lists/film/movies/lola-colt-1868637/actors Cross Current https://ar.listvote.com/lists/film/movies/cross-current-4003969/actors La sceriffa https://ar.listvote.com/lists/film/movies/la-sceriffa-3824031/actors The Hunchback of https://ar.listvote.com/lists/film/movies/the-hunchback-of-rome-489133/actors Rome Night of the Serpent https://ar.listvote.com/lists/film/movies/night-of-the-serpent-1799278/actors Closed Circuit https://ar.listvote.com/lists/film/movies/closed-circuit-5135322/actors I cinque https://ar.listvote.com/lists/film/movies/i-cinque-dell%27adamello-16564395/actors dell'Adamello Destruction Force https://ar.listvote.com/lists/film/movies/destruction-force-2511531/actors A Sky Full of Stars https://ar.listvote.com/lists/film/movies/a-sky-full-of-stars-for-a-roof-471200/actors for a Roof Il Boia di Lilla https://ar.listvote.com/lists/film/movies/il-boia-di-lilla-3793122/actors A Minute to Pray, a https://ar.listvote.com/lists/film/movies/a-minute-to-pray%2C-a-second-to-die-990564/actors Second to Die Hercules and the https://ar.listvote.com/lists/film/movies/hercules-and-the-tyrants-of-babylon-1165221/actors Tyrants of Babylon Head of a Tyrant https://ar.listvote.com/lists/film/movies/head-of-a-tyrant-1302566/actors Time of Vultures https://ar.listvote.com/lists/film/movies/time-of-vultures-339364/actors https://ar.listvote.com/lists/film/movies/661488/actors 1870 https://ar.listvote.com/lists/film/movies/1870-1055986/actors ام https://ar.listvote.com/lists/film/movies/%D8%A7%D9%85%D8%B1%D8%A3%D8%AA%D8%A7%D9%86- رأتان 128761/actors ليالي https://ar.listvote.com/lists/film/movies/%D9%84%D9%8A%D8%A7%D9%84%D9%8A- كابيريا %D9%83%D8%A7%D8%A8%D9%8A%D8%B1%D9%8A%D8%A7-18405/actors.
Recommended publications
  • The Role of Literature in the Films of Luchino Visconti
    From Page to Screen: the Role of Literature in the Films of Luchino Visconti Lucia Di Rosa A thesis submitted in confomity with the requirements for the degree of Doctor of Philosophy (Ph. D.) Graduate Department of ltalian Studies University of Toronto @ Copyright by Lucia Di Rosa 2001 National Library Biblioth ue nationale du Cana2 a AcquisitTons and Acquisitions ef Bibliographie Services services bibliographiques 395 WeOingtOn Street 305, rue Wellington Ottawa ON K1A ON4 Otiawa ON K1AW Canada Canada The author has granted a non- L'auteur a accordé une licence non exclusive licence ailowing the exclusive ~~mnettantà la Natiofliil Library of Canarla to Bibliothèque nation& du Canada de reprcduce, loan, disûi'bute or seil reproduire, prêter, dishibuer ou copies of this thesis in rnicroform, vendre des copies de cette thèse sous paper or electronic formats. la forme de microfiche/nlm, de reproduction sur papier ou sur format é1ectronique. The author retains ownership of the L'auteur conserve la propriété du copyright in this thesis. Neither the droit d'auteur qui protège cette thèse. thesis nor substantial extracts fiom it Ni la thèse ni des extraits substantiels may be printed or otherwise de celle-ci ne doivent être imprimés reproduced without the author's ou autrement reproduits sans son permission. autorisation, From Page to Screen: the Role of Literatuce in the Films af Luchino Vionti By Lucia Di Rosa Ph.D., 2001 Department of Mian Studies University of Toronto Abstract This dissertation focuses on the role that literature plays in the cinema of Luchino Visconti. The Milanese director baseci nine of his fourteen feature films on literary works.
    [Show full text]
  • Mauro Bolognini
    Biblioteca Civica “U. Pozzoli” di Lecco Ogni fine settimana uno scrittore, un regista, un attore, un poeta La proposta di questa settimana è Biblioteca civica “U. Pozzoli” di Lecco Incontro con MAURO BOLOGNINI NOTIZIE BIOGRAFICHE Studia architettura e consegue la laurea a Firenze, prima di passare al Centro Sperimentale di Cinematografia di Roma, dove frequenta i corsi di scenografia. Diplomatosi, si orienta verso la regia e affina il mestiere facendo l'aiuto di Luigi Zampa e poi, in Francia, di Yves Allégret e Jean Delannoy. Inizia l'attività registica segnalandosi tra il 1955 e il 1958 con bozzetti di un tardo neorealismo. L'incontro con Pasolini sceneggiatore gli apre la strada a maggiori ambizioni con film come ‘La notte brava’ (1959), ‘Il bell'Antonio’ (1960), ‘La giornata balorda’ (1960), anche se l'impegno letterario si stempera poi spesso in gusto calligrafico con ‘Senilità’ (1962), ‘Agostino’ (1962), ‘Bubù’ (1971), ‘Per le antiche scale’ (1975), ‘L'eredità Ferramonti’(1976). All'atmosfera in costume e al clima pittorico toscano del suo film ‘La viaccia’ (1961) che è forse il suo capolavoro, si riallaccia nel 1970 con ‘Metello’, dove la struttura storico-sociale del romanzo di Pratolini gli consente un'evocazione equilibrata e solida. Tra gli altri suoi film si ricordano: ‘Imputazione di omicidio per uno studente’ (1972), ‘Libera, amore mio!’ (1973), pellicola subito ritirata per problemi politici, ‘Fatti di gente perbene’ (1974), ‘La storia vera della signora dalle camelie’ (1981), ‘La venexiana’ (1986), ‘Mosca addio’ (1987) e ‘La villa del venerdì’(1991). Fin dai primi anni settanta Bolognini si è dedicato anche a varie regie liriche, fra le quali Norma di Bellini al Teatro alla Scala di Milano (1972), per la stessa opera al Teatro Bolshoi di Mosca, La fanciulla del West di Puccini all'Opera di Roma, Aida al Teatro La Fenice di Venezia (1978), o Pollicino di Hans Werner Henze (1995) al Teatro Poliziano di Montepulciano.
    [Show full text]
  • Metello» E «Il Bell’Antonio»
    martedì 15 maggio 2001 in scena 25 FABIO FAZIO E TMC/LA 7 Conclusa felicemente la trattativa ALLORA CI VEDIAMO DA ANGELICA fra il conduttore Fabio Fazio e la Franco Fabbri rete televisiva Tmc/La 7: Fazio, «Pantalonacci». È scritto sulla prima pagina di un ra: su quella pagina ho aggiunto la didascalia: «Que- sul fatto che Zorn abbia smesso di suonare il sassofo- quella scena del «Dittatore dello stato libero di Bana- infatti, ha firmato un contratto in mio quaderno, in uno stampatello che da noi non si sto l’ha scritto quello stronzo di John Zorn». no. Traduco, contando sulla storica immunità degli nas» di Woody Allen, quando un traduttore dall’in- esclusiva per tre anni e ha insegna. Non l’ho scritto io: è stato John Zorn, all’ini- Non perché sia particolarmente antipatico che uno ambasciatori. Zorn invece se la prende subito con glese all’inglese finisce per essere rincorso con una commentato: «Ringrazio la Rai che zio di un dibattito svoltosi un anno fa a Bologna, mostri la propria snobistica superiorità nei confronti me. Non importa che io mostri di comprendere il suo rete per farfalle. continuo naturalmente a sentire durante il festival Angelica. Riassumo la scena. Co- del presentatore, che forse si è lasciato sfuggire una risentimento verso le categorie che spesso si usano per Non garantisco che chi verrà questa settimana agli come la mia azienda ma confermo me al solito dico due parole sull’ospite del colloquio, nota di colore eccessiva. Il fatto è che Zorn non ha ingabbiare le musiche: cerca di sobillare il pubblico incontri con i musicisti del festival Angelica, a Bolo- l’accordo con la Tmc/La 7 dove una delle tradizioni di questo festival antitradiziona- portato niente da ascoltare, come invece, negli anni, contro di me, come rappresentante di quella critica gna (tutti i giorni alle 17:30), potrà godersi altre sento di poter realizzare il mio le che si ripete da dieci anni (quello del 2001 è hanno fatto musicisti come Terry Riley, La Monte che a tali orribili schematismi fa ricorso (disciplinata- scene da teatro dell’assurdo.
    [Show full text]
  • M3 0010.Frontespizio.Indd 1 03/04/13 15:37
    M3_0010.frontespizio.indd 1 03/04/13 15:37 M3_0010.frontespizio.indd 2 03/04/13 15:37 M3_0010.frontespizio.indd 3 03/04/13 15:37 © 2013 RCS Libri S.p.A., Milan All rights reserved. No part of this publication may be reproduced, stored in a retrieval system or transmitted in any form or by any means, electronic, mechanical, photocopying, recording, or otherwise, without prior consent of the publisher. Special Edition printed for Barilla G. e R. Fratelli S.p.A. Translation by Aaron Maines Images courtesy © Barilla Historical Archives The publisher has made every effort to locate and contact all the holders of copyright to material reproduced in this book. The publisher remains available to address any rights that have not been fully identified. M3_0020.copy_PS.indd 4 03/04/13 15:37 M3_0030.occhiello.indd 5 03/04/13 15:38 M3_0030.occhiello.indd 6 03/04/13 15:38 For my friend Pietro. Francesco Alberoni M3_0040.dedica.indd 7 03/04/13 15:38 M3_0040.dedica.indd 8 03/04/13 15:38 INTRODUction I first met Pietro Barilla in the 1970s, worked as his consultant throughout his life, and was with him during his final days. When his children Guido, Luca, Paolo and Emanuela asked me to write their father’s biography, I thought it over for a long time. A biog- raphy is usually the work of a historian, someone who tells the sto- ry of a famous person’s life by rebuilding it as precisely as possi- ble, making the subject seem as close as possible, present in such a way that whoever reads the biography feels like a participant in his or her life.
    [Show full text]
  • La Corruption Mauro Bolognini
    Cycle « Corruption » 4/4 La Corruption Mauro Bolognini - Italie/france - 1963 Fiche technique La Corruzione Scénario : Ugo Liberatore et Fulvio Gicca Palli d'après le roman d'Ugo Liberatore Directeur de la photographie : Leonida Barboni Musique : Giovanni Fusco Décors : Maurizio Chiari Distribution : Alain Cuny (Leonardo), Jacques Perrin (Stefano), Rosanna Schiaffino (Adriana), Isa Miranda (femme de Leonardo), Fillipo Scelzo (Morandi) Producteur : Arco Film, Burgundia Film, S.O.P.A.C. Durée : 80 min Sortie Italie: 05/13/1963 - France : 16/03/1966 Critique et Commentaires La Corruption c'est le peu de scrupule des hommes d'affaires. C'est l'éditeur en vogue vu et jugé par son fils qui sort tout frais tout neuf de son collège, bien décidé à échapper à son milieu en se faisant moine. En un mot, le thème dramatique de cette histoire repose sur l'antagonisme père-fils, compromission-pureté, laideur-beauté. Le film emprunte au théâtre de longues discussions laborieuses au cours desquels papa défend son point de vue et gifle fiston qui décidément ne comprend rien aux joies de l'existence et aux nécessité du commerce. La construction un peu rigide,conséquente aux dialogues explicatifs, enlise le récit dans un festival de champs – contre-champs – gros plans – éclairages savamment élaborés qui dotent le film d'une allure de dramatique télévisée réussie. Une seule séquence illumine l'œuvre : la rencontre de la maîtresse du père avec le fils et ses conséquences. Du coup un sang nouveau jaillit ; les vrais pulsions et l'évidence charnelle viennent jeter le discrédit sur les « verbosités » quelque peu factice et les heurts caractériels du début.
    [Show full text]
  • Dualities in the Music of the Ghost Scene in Four Film Adaptations of Hamlet
    SCORING FOR THE SPECTER: DUALITIES IN THE MUSIC OF THE GHOST SCENE IN FOUR FILM ADAPTATIONS OF HAMLET John T. Dunn, B.M. Thesis Prepared for the Degree of MASTER OF MUSIC UNIVERSITY OF NORTH TEXAS August 2002 APPROVED: Mark McKnight, Major Professor Margaret Notley, Minor Professor Timothy Jackson, Minor Professor Graham Phipps, Dean of Graduate Studies, College of Music C. Neal Tate, Dean of the Robert B. Toulouse School of Graduate Studies Dunn, John, Scoring for the Specter: Dualities in the Music of the Ghost Scene in Four Film Adaptations of Hamlet. Master of Music, August 2002, 123 pages, 10 figures, 72 works consulted. This document’s purpose is to analyze dualities found in different films of Shakespeare’s Hamlet. Each director’s version brings different ideas to the play. By analyzing each version and focusing on the Ghost Scene, comparisons of the scene’s symbolism are made among the musical scores. The beginning chapters provide a history of film, film music, the play, and events up to the ghost scene. After these chapters come analyses of the scene itself. Each version uses different parts of the play for its own purposes, but there are many commonalities between them. The score for each version of the Ghost Scene is analyzed independently of the others. This work will contribute to film music research and Shakespeare studies. Copyright 2002 By John Timothy Dunn ii ACKNOWLEDGEMENTS I would like to thank Jessica Avelis, Jonathan Chance, Kevin Neal, and Sara Puryear in their assistance in the completion of this document. I could not have accomplished this if not for them.
    [Show full text]
  • The Best of Youth (La Meglio Gioventù)
    Rai Radiotelevisione Italiana presents a film by MARCO TULLIO GIORDANA The Best of Youth (La Meglio Gioventù) written by SANDRO PETRAGLIA and STEFANO RULLI produced by ANGELO BARBAGALLO a Rai Fiction production realized by BìBì Film Tv international distribution Rai Trade Technical Cast Cast The plot Director Marco Tullio Giordana Nicola Carati Luigi Lo Cascio La Meglio Gioventù tells the story of an Italian family from the end Screenplay Sandro Petraglia Matteo Carati Alessio Boni Stefano Rulli Adriana Carati Adriana Asti of the 60s till nowadays. The lives of two brothers, Nicola and Matteo, Director of Photography Roberto Forza Giulia Monfalco Sonia Bergamasco are the heart of the story. At first they share the same dreams, the Camera Operator Vincenzo Carpineta Carlo Tommasi Fabrizio Gifuni same hopes, the same books and friendships. Meeting Giorgia, a girl 1st Assistant Director and Casting Barbara Melega Mirella Utano Maya Sansa Production Designer Franco Ceraolo Francesca Carati Valentina Carnelutti with mental disorders, will be determinant for the future of the two Costume Designer Elisabetta Montaldo Giorgia Jasmine Trinca brothers: Nicola decides to become a psychiatrist, Matteo abandons Sound Designer Fulgenzio Ceccon Angelo Carati Andrea Tidona his studies and joins the police. Boom Operator Decio Trani Giovanna Carati Lidia Vitale Angelo – the father – is a loving parent and husband. The family Film Editor Roberto Missiroli a.m.c. Sara Carati Camilla Filippi Sara Carati 8 years Greta Cavuoti experiences his exuberance with tolerant complaisance. Adriana – General Organizer Gianfranco Barbagallo Sara Carati 5 years Sara Pavoncello the mother – is a modern and irreproachable teacher, who loves her Executive Producer Alessandro Calosci Vitale Micavi Claudio Gioè pupils like her own children.
    [Show full text]
  • Bolognini Mauro Programmation
    MAURO BOLOGNINI MAURO PROGRAMMATION MAURO BOLOGNINI RÉTROSPECTIVE 31 OCTOBRE – 25 NOVEMBRE L’Héritage 83 Le Bel Antonio AU-DELÀ DU STYLE Auteur de plus de quarante films, Mauro Bolognini a occupé une place centrale dans le cinéma italien des années 1950 aux années 1980. Souvent envisagé de façon réductrice comme un sous-Visconti maniériste seulement soucieux de transcrire en images léchées des textes littéraires, Bolognini était d’une autre trempe, même si sa sensibilité à la lumière toscane, ses études d’architecture et son goût pour la peinture, le prédisposaient à une grande exigence formelle. Après quelques années d’assistanat auprès de Luigi Zampa et en France de Jean Delannoy et d’Yves Allégret, il passe à la réalisation avec des films de com- mande – c’est ainsi que l’on devenait cinéaste dans les années 1950 – dans lesquels il n’exprime guère ses qualités naturelles. En 1955, il tourne une comédie promet- teuse présentée au festival de Cannes, Les Amoureux, genre dans lequel il don- nera en 1959 un des meilleurs films de Totò, Débrouillez-vous. Toutefois, ce sont les films écrits avec Pier Paolo Pasolini qui lui permettent de s’affirmer. Marisa la Chronique d’un homicide coquette et Les Jeunes maris sont encore des œuvres mineures mais Les Garçons et Ça s’est passé à Rome plongent dans l’univers littéraire des Ragazzi di vita et constituent des anticipations des futurs films de l’écrivain. L’observation désen- chantée d’une jeunesse à la dérive établit une rupture décisive dans le confor- misme d’une société en pleine transformation.
    [Show full text]
  • Il Giovane Muratore Metello Dopo Essere Stato Arrestato Per Aver
    Regia: Mauro Bolognini; sogg.: dal romanzo omonimo di Vasco Pratolini; sceneg.: Suso Cecchi D' Amico , Luigi Bazzoni, Ugo Pirro, M. Bolognini; f.: Ennio Guarnieri; scenog: Guido Josia; mont.: Nino Baragli; cost.: Pier Luigi Samaritani; mus.: Ennio Morricone; inter.: Massimo Ranieri, Ottavia Piccolo, Frank Wolff, Renzo Montagnani, Tina Aumont, Lucia Bosé; prod.: Gianni Hecht Lucari per Documento Film. Il giovane muratore Metello, dopo essere stato arrestato per aver partecipato al funerale di un collega, proibito per la presenza di bandiere rosse, ed essere finito in carcere, sposa la figlia del defunto. In seguito partecipa ad uno snervante sciopero di quaranta giorni per ottenere migliori condizioni economiche alla sua categoria, ma rimane ancora coinvolto in disordini e nuovamente arrestato. Intanto, mentre è di nuovo in carcere, a Metello giunge la notizia che i padroni hanno concesso l' agognato aumento salariale. Metello, dal romanzo di Vasco Pratolini, prospetta sugli albori della lotta di classe nella Firenze della fine del secolo scorso e del principio di questo, e tratta insieme, senza che vi sia relazione, di un' educazione politica e di un' educazione sentimentale. La prima ha un corso fatale. Negli anni verdi Metello, già orfano di mamma, perde successivamente il babbo e una specie di tutore: due anarchici di gran cuore, morti di disgrazia sul lavoro. Per tempo conosce miseria, disoccupazione, carcere preventivo, prepotenze padronali e altri argomenti per una giusta collera che in lui divamperà, non più romanticamente libertaria, ma già tecnicamente socialistica. E a venticinque anni, sposata una ragazza del suo milieu e fattosi strada come eccellente muratore, «s' impegna» in tutte le occasioni di lotta contro il padronato ( simboleggiato da un omaccio costretto a reggersi su due bastoni: cave a signatis!), e principalmente nel famoso sciopero del 1902 che vide premiata, non senza sacrificio di sangue, la costanza del proletariato fiorentino nel tener duro, contro avversari di fuori e pavidi di dentro, sulle proprie rivendicazioni.
    [Show full text]
  • Kosmorama-Leksikon Udarbejdet Af Claus Hesselberg - Peter Hirsch - Tim Voldsted
    Kosmorama-leksikon udarbejdet af Claus Hesselberg - Peter Hirsch - Tim Voldsted ANTONIONI, Michelangelo (29.9.1912) - Michelangelo Antonioni Italiensk instruktør. Litt.: Lorenzo Cucco: La visione come problema. Rom, 1973; Giorgio Tinazzi: Antonioni. Firenze, 1974. Film (siden Filmens HHH, IV): 72: Chung Kuo (La Cina)/Antonionis Kina (TV). 75: Professione: reporter/Profession: reporter (IT/FR/SP) ( + Co-Ma + Co-KI) (TV) BELLOCCHIO, Marco (9.11.1939) - Ita­ liensk instruktør. Film (siden Filmens HHH, IV): 66: Francisco de Assissi (TV-film) (S). 69: Paola (Militant kollektiv film); Viva il primo maggio rosso (Militant kollektiv film). 71: Pianeta venere (Co-M+S); Nel norne del padre/l faderens navn ( + Ma). 72: N.P. il segreto (stemme); Sbatti il mostro in prima pagina=Viol en premiére page (FR/IT) ( + Co-Ma+S). 74: Silenzio é complicita (Co-I) (Kollektiv film). 75: Nessuno o tutti (Co-I + Co-Ma); Parma 74 (Co-I) (Dok). 76: Marcia trionfale=La marche triomphale=/ Triumphmarsch (IT/FR/BRD) ( + Co-Ma). 77: II gabbiano. (PH) BELLI, Agostina (13.4.1947) - Italiensk skuespillerinde. Opr. navn: Angostina Magnoni. Begyndte som sekretær, sælger af børne-leksikon og ansat i forsikrings­ selskab. Refekterede på en annonce, hvori Carlo Lizzani averterede efter skuespillere til »Banditter i Milano«. Internationalt gen­ nembrud i »Duften af kvinde«. Film: 68: Banditi a Milano/Banditter i Milano. 69: II terrible ispettore. 70: Cran d’arret=ll caso venere privata (FR/IT); Angeli senza para- disco. 71: La notte del diavolo. 72: Mimi mettalurgico fertio neU’onore/Mimi, din ære er krænket; Ma che musica maestro; La calandria; Barba-blu=Barbe-bleu= Bluebeard/Blåskæg (IT/FR/BRD/USA); All’conorevole pacciono le donne; Giornate nera par l’ariete.
    [Show full text]
  • Gino Moliterno
    HISTORICAL DICTIONARY OF ITALIAN Cinema GINO MOLITERNO Historical Dictionaries of Literature and the Arts Jon Woronoff, Series Editor 1. Science Fiction Literature, by Brian Stableford, 2004. 2. Hong Kong Cinema, by Lisa Odham Stokes, 2007. 3. American Radio Soap Operas, by Jim Cox, 2005. 4. Japanese Traditional Theatre, by Samuel L. Leiter, 2006. 5. Fantasy Literature, by Brian Stableford, 2005. 6. Australian and New Zealand Cinema, by Albert Moran and Errol Vieth, 2006. 7. African-American Television, by Kathleen Fearn-Banks, 2006. 8. Lesbian Literature, by Meredith Miller, 2006. 9. Scandinavian Literature and Theater, by Jan Sjåvik, 2006. 10. British Radio, by Seán Street, 2006. 11. German Theater, by William Grange, 2006. 12. African American Cinema, by S. Torriano Berry and Venise Berry, 2006. 13. Sacred Music, by Joseph P. Swain, 2006. 14. Russian Theater, by Laurence Senelick, 2007. 15. French Cinema, by Dayna Oscherwitz and MaryEllen Higgins, 2007. 16. Postmodernist Literature and Theater, by Fran Mason, 2007. 17. Irish Cinema, by Roderick Flynn and Pat Brereton, 2007. 18. Australian Radio and Television, by Albert Moran and Chris Keat- ing, 2007. 19. Polish Cinema, by Marek Haltof, 2007. 20. Old Time Radio, by Robert C. Reinehr and Jon D. Swartz, 2008. 21. Renaissance Art, by Lilian H. Zirpolo, 2008. 22. Broadway Musical, by William A. Everett and Paul R. Laird, 2008. 23. American Theater: Modernism, by James Fisher and Felicia Hardi- son Londré, 2008. 24. German Cinema, by Robert C. Reimer and Carol J. Reimer, 2008. 25. Horror Cinema, by Peter Hutchings, 2008. 26. Westerns in Cinema, by Paul Varner, 2008.
    [Show full text]
  • International
    INTERNATIONAL INDEX 18A WHO'S WHO 1 PICTURES 335 PROD -DISTRIBUTORS 416 STATIONS 449 SERVICES 527 COMPANIES 564 AD AGENCIES 593 GREAT BRITAIN 611 PROGRAMS 685 ORGANIZATIONS 697 CREATIVE PROGRAMMING 375 Park Ave., New York, N. Y. 10022 PLazo 1-0600 9460 Wilshire Boulevard, Beverly Hills, Calif. CRestview 4-7357 TELEVISION PRIME TIME ARNIE CBS -TV Saturday 9:00 PM BRACKEN'S WORLD NBC-TV Friday 10:00 PM JULIA NBC-TV Tuesday 8:30 PM NANNY AND THE PROFESSOR ABC-TV Friday 8:00 PM ROOM 222 ABC-TV Wednesday 8:30 PM THE GLEN FORD SHOW CBS -TV 1971-72 Season The more you know about Scotch, the more loyal you are to Ballantines. u. ,.. To , SM as yr `+yr $7.39 a fifth ,.. h FAA BLENDED SCOTCH WHISKY, BOTTLED IN SCOTLAND. 66 PROOF. IMPORTED BY" 21"BRANDS,INC.,N.Y.C. Where you expect a difference, and find it. PARAMOUNT TELEVISION A Gulf+Western Company PARAMOUNT TELEVISION SALES, INC. A Gulf+Western Company PARAMOUNT TELEVISION/A DIVISION OF PARAMOUNT PICTURES CORPORATION 5451 MARATHON STREET, HOLLYWOOD, CALIF. 90038/TEL. (213) 463.0100 RACINE presents Timers and GALLO -GALLEY Chronographs No. 810F-GALCO FILMETER TIMER 7 jewels, anti -magnetic unbreakable mainspring, hinged nickel case, easy to read dial. Sugg. Ret. $43.00 No. 815F-With button-$43.00 No. 510F-Same as above but one jewel Sugg. Retail $30.50 No. 515F-With button-$30.50 No. 9010 50 it? GALCO BROADCASTING TIMER Center register sweep facilitates -45 15- quick reading. Anti -magnetic, 7 jewels, red register hand. Dependable.
    [Show full text]