Campus Community Observes MLK Day with March, Tree- by Janet Meana Staff Writer
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Mothers on Mothers: Maternal Readings of Popular Television
From Supernanny to Gilmore Girls, from Katie Price to Holly Willoughby, a MOTHERS ON wide range of examples of mothers and motherhood appear on television today. Drawing on questionnaires completed by mothers across the UK, this MOTHERS ON MOTHERS book sheds new light on the varied and diverse ways in which expectant, new MATERNAL READINGS OF POPULAR TELEVISION and existing mothers make sense of popular representations of motherhood on television. The volume examines the ways in which these women find pleasure, empowerment, escapist fantasy, displeasure and frustration in popular depictions of motherhood. The research seeks to present the MATERNAL READINGS OF POPULAR TELEVISION voice of the maternal audience and, as such, it takes as its starting REBECCA FEASEY point those maternal depictions and motherwork representations that are highlighted by this demographic, including figures such as Tess Daly and Katie Hopkins and programmes like TeenMom and Kirstie Allsopp’s oeuvre. Rebecca Feasey is Senior Lecturer in Film and Media Communications at Bath Spa University. She has published a range of work on the representation of gender in popular media culture, including book-length studies on masculinity and popular television and motherhood on the small screen. REBECCA FEASEY ISBN 978-0343-1826-6 www.peterlang.com PETER LANG From Supernanny to Gilmore Girls, from Katie Price to Holly Willoughby, a MOTHERS ON wide range of examples of mothers and motherhood appear on television today. Drawing on questionnaires completed by mothers across the UK, this MOTHERS ON MOTHERS book sheds new light on the varied and diverse ways in which expectant, new MATERNAL READINGS OF POPULAR TELEVISION and existing mothers make sense of popular representations of motherhood on television. -
Commencement1982.Pdf (5.469Mb)
Digitized by the Internet Archive in 2012 with funding from LYRASIS Members and Sloan Foundation http://archive.org/details/commencement1982 ORDER OF PROCESSION MARSHALS Paul R. Daniels Peter Newman Sidney S. Forrest Dennis A. Powers Carol J. Gray Henry M. Seidel Richard L. Higgins Carl E. Taylor William H. Huggins Mack Walker Joseph L. Katz Charles R. Westgate Warner E. Love Ira William Zartman THE GRADUATES MARSHALS David S. Olton Saul Roseman THE DEANS MEMBERS OF THE SOCIETY OF SCHOLARS OFFICERS OF THE UNIVERSITY THE TRUSTEES MARSHALS Matthew A. Crenson Paul R. Olson THE FACULTIES CHIEF MARSHAL Isaiah Frank THE CHAPLAINS THE HONORARY DEGREE CANDIDATES THE PROVOST OF THE UNIVERSITY THE CHAIRMAN OF THE BOARD OF TRUSTEES THE PRESIDENT OF THE UNIVERSITY ORDER OF EVENTS STEVEN MULLER President of the University, presiding PRELUDE La Mourisque TlELMAN SUSATO ( -1561) Sonata from Die Bankelsangerlieder Anonymous PROCESSIONALS The audience is requested to stand as the Academic Procession moves into the area and to remain standing after the Invocation. Marches from Belshazzar, Floridante, Ezio, Judas Maccabaeus, Saint Cecilia's Day and Rinaldo Georg Frederich Handel (1685-1759) THE PRESIDENT'S PROCESSION Fanfare Walter Piston (1894-1976) March from Scipione Georg Frederich Handel (1685-1759) INVOCATION CHESTER L. WICKWIRE Chaplain, The Johns Hopkins University * THE NATIONAL ANTHEM * GREETINGS ROBERT D. H. HARVEY Chairman of the Board of Trustees PRESENTATION OF NEW MEMBERS OF THE SOCIETY OF SCHOLARS Maurice M. Bursey Elizabeth D. Hay J. Michael Criley Gordon L. Kane Carlos E. Eyzaguirre David M. Kipnis Hans Fuchtbauer Carl Kupfer Robert S. Gordon, Jr. Leonard T. -
PDF Download the Walking Dead: Invasion
THE WALKING DEAD: INVASION PDF, EPUB, EBOOK Robert Kirkman,Jay Bonansinga | 352 pages | 28 Jan 2016 | Pan MacMillan | 9781447275763 | English | London, United Kingdom The Walking Dead: Invasion PDF Book Good thing this wasn't the duo's strategy to get away from The Saviors. I used to be. They tried valiantly to fill the time between when Sophia went missing and when we finally learned her horrible fate. A family heirloom. Even though he only lasted a few episodes, it was a relief to see him go — and downright therapeutic to watch Carol desecrate his walker-chomped remains. Pretentious people. Instead, he's on his own wandering through Mexico we see a sign that says "Tijuana - miles" and it's clear things are not going all that great. The City. But the series dragged the story out for several episodes. In the trailer footage, she is seen meeting up with Nick, and during the panel she teased, "[Nick] arrives outside Tijuana Meanwhile, Andrea Laurie Holden has to hold the town of Woodbury together while the Governor David Morrissey attends to some important drinking and brooding duties. We send trivia questions and personality tests every week to your inbox. Do You? Check out Entertainment Cheat Sheet on Facebook! The walkers. A mischievous one. Medical supplies. The sweetheart. From fun quizzes that bring joy to your day, to compelling photography and fascinating lists, HowStuffWorks Play offers something for everyone. In a relationship. Gregory AMC. The second in command. We already have this email. Then, they had to deal with the harsh reality that he was no longer safe. -
The Walking Dead: Uma Jornada Por Um Mundo Pós-Apocalíptico – Análise Da Primeira Temporada1
Intercom – Sociedade Brasileira de Estudos Interdisciplinares da Comunicação XX Congresso de Ciências da Comunicação na Região Sudeste – Uberlândia - MG – 19 a 21/06/2015 The Walking Dead: Uma Jornada Por Um Mundo Pós-Apocalíptico – Análise da Primeira Temporada1 Rinaldo Augusto de MORAIS2 Sandra GARCIA3 Universidade Federal de Uberlândia, Uberlândia, MG Resumo Este trabalho teve como objetivo analisar os elementos e os personagens que compõem a primeira temporada da série The Walking Dead (2010). Originalmente criada para os quadrinhos, a história se tornou um produto televisivo em 2010, e é exclusivamente sobre este produto que realizamos este artigo. Buscamos entender o imaginário que é consumido pelo público – sendo este público o maior de todos os tempos e que responde com um feedback veloz e bastante amplo. Para estas análises, utilizou-se principalmente as teorias da Jornada do Herói, de Joseph Campbell (2007). PALAVRAS-CHAVE: The Walking Dead; Jornada do Herói; Narrativa seriada INTRODUÇÃO The Walking Dead (TWD) – a palavra inglesa para Os Mortos Errantes – é um seriado dramático estadunidense, que teve a primeira temporada produzida pelo cineasta e roteirista Frank Darabont. A série alcançou os maiores índices de popularidade entre todas as séries dramáticas exibidas na história da televisão.4 Ela é uma adaptação dos quadrinhos de mesmo nome desenvolvidos por Robert Kirkman. A história é focada no protagonista Rick Grimes, que sobrevive junto a outras pessoas em um mundo pós- apocalíptico no qual os mortos voltam à vida para -
Manufacturing Guide to Demonstrating Your Value
Manufacturing Guide to Demonstrating Your Value Reports to Show Your Work & Justify Resources Whether you’re new to reporting on your daily operations or you’ve been doing it for years, there are always new things to learn, new reports to try and new ways to share this critical information about your team’s work. And today, there are even more capabilities within a CMMS (computerized maintenance management system) to make reporting quick and specific — not to mention highly visual and easier for everyone to understand. In a world where the work you do for your manufacturing operations may go overlooked or underappreciated, reporting is the key to HERE ARE SIX WAYS THAT THE demonstrating your value and sharing your needs. RIGHT REPORTING CAN HELP Data can tell the story of what you do, what DEMONSTRATE YOUR VALUE: you would like to do and how you can improve efficiency and uptime through resources, staffing, 1. Improving uptime communication and more. It can also help you answer any questions that are thrown your way. 2. Justifying repair vs. replace 3. Analyzing your equipment 4. Justifying your budget 5. Increasing productivity 6. Optimizing spare parts 2 Improving Uptime Uptime, or more likely downtime, is on everyone’s or “bad actors” in your plant or plants. Start with mind. You know you want to maximize and increase what is causing downtime and why, so you can then your uptime, but how do you find ways to decrease formulate a plan to fix them and improve the quality downtime to get there? After all, downtime is a of your uptime. -
Surviving the End
Surviving The End A study of encounters with post-apocalyptic evil and survival strategies in Matheson’s I am Legend, McCarthy’s The Road, and Kirkman’s The Walking Dead: Compendium One ENG-3992 Kristian Bø Master’s Thesis in English Literature Faculty of Humanities, Social Studies and Education University of Tromsø Spring 2013 “Whoever fights monsters should see to it that in the process he does not become a monster. And when you look into an abyss, the abyss looks back into you” --Friedrich Nietzsche, Beyond Good and Evil ii Acknowledgements I would like to thank my tutor professor dr.philos. Gerd Karin Bjørhovde. Thank you for your patience, knowledge and your constructive criticism. To Henriette, thank you for your support and tips regarding my thesis. When writing such a paper it is always good to have someone to talk to. Thank you for being there. To my parents and family, thank you for your support and the interest you have shown in my thesis. You have repeatedly asked me the simple question: “What are you writing about?” which prompted me to think: “What Am I writing about?”. iii Abstract In this thesis the aim is to explore the dichotomy/duality of man in three post-apocalyptic texts and discuss how and why survivors react to the post-apocalyptic setting. Since a majority of post- apocalyptic fictional texts focus on the destruction of the world set to contemporary issues, this thesis will explore how the post-apocalyptic setting will force survivors into making difficult survival choices and discuss how the survivors cope with living in a devastated place. -
Title Republished Last Mod Date Author Section Visitors Views Engaged Minut % New Vis % New Views Minutes Per Ne Minutes Per R
# Title Republished Last Mod Date Author Section Visitors Views Engaged Minut % New Vis % New Views Minutes Per Ne Minutes Per Ret Days Pub in Peri Visitors Per Day Views Per Day L Shares Tags 1 ‘Making a Murderer': Where Are They Now? (Photos) 2016-01-05 13: Tony Maglio Photos 178,004 3,413,345 346,154 85% 85% 1.9 1.8 113 1,569 30,089 594 steven avery,making a murderer,brendan dassey,netflix 2 45 First Looks at New TV Shows From the 2015-2016 Season 2015-05-07 21: Wrap Staff Photos 114,174 2,414,328 161,889 93% 92% 1.3 1.6 119 959 20,288 7 3 9 ‘Making a Murderer’ Memes That Will Make You Laugh While You Seethe 2016-01-04 16: Reid Nakamura Photos 248,427 2,034,710 171,881 87% 86% 0.7 0.7 114 2,173 17,800 726 making a murderer,netflix 4 Hollywood’s Notable Deaths of 2016 (Photos) 2016-01-11 10: Jeremy Fuster Movies 137,711 1,852,952 158,816 91% 92% 1.1 1 108 1,280 17,227 375 george gaynes,ken howard,joe garagiola,malik taylor,sian blake,frank sinatra jr.,abe vigoda,pat harrington jr.,garry shandling,obituary,craig strickland,vilmos zsigmond,pf 5 Hollywood’s Notable Deaths of 2015 (Photos) 2015-01-08 20: Wrap Staff Movies 27,377 1,112,257 83,702 92% 92% 3 2.9 119 230 9,347 40 lesley gore,hollywood notable deaths,brooke mccarter,uggie,robert loggia,rose siggins,rod taylor,edward herrmann,mary ellen trainor,stuart scott,holly woodlawn,wayn 6 ‘Making a Murderer': 9 Updates in Steven Avery’s Case Since the Premiere (Photos) 2016-01-13 13: Tim Kenneally Crime 134,526 1,093,825 148,880 86% 87% 1.1 1 105 1,276 10,373 224 netflix,laura ricciardi,making -
Empty Spaces Perspectives on Emptiness in Modern History
IHR Conference Series Empty Spaces Perspectives on emptiness in modern history Edited by Courtney J. Campbell, Allegra Giovine and Jennifer Keating Empty Spaces perspectives on emptiness in modern history Empty Spaces perspectives on emptiness in modern history Edited by Courtney J. Campbell, Allegra Giovine and Jennifer Keating UNIVERSITY OF LONDON PRESS INSTITUTE OF HISTORICAL RESEARCH First published in 2019 by UNIVERSITY OF LONDON PRESS SCHOOL OF ADVANCED STUDY INSTITUTE OF HISTORICAL RESEARCH Senate House, Malet Street, London WC1E 7HU Text © contributors, 2019 Images © contributors and copyright holders named in captions, 2019 The authors have asserted their rights under the Copyright, Designs and Patents Act 1988 to be identified as authors of this work. This book is published under a Creative Commons Attribution- NonCommercial-NoDerivatives 4.0 International (CC-BY-NC-ND 4.0) license. More information regarding CC licenses is available at https://creativecommons.org/licenses/ Any third-party material in this book is published under the book’s Creative Commons license unless indicated otherwise in the credit line to the material. If you would like to re-use any third-party material not covered by the book’s Creative Commons license, you will need to obtain permission directly from the copyright holder. Available to download free at http://www.humanities-digital-library.org or to purchase at https://www.sas.ac.uk/publications ISBN 978-1-909646-49-0 (hardback edition) 978-1-909646-52-0 (PDF edition) 978-1-909646-50-6 (.epub edition) 978-1-909646-51-3 (.mobi edition) DOI 10.14296/919.9781909646520 Contents Acknowledgements vii List of figures ix Notes on contributors xiii Introduction: Confronting emptiness in history 1 Courtney J. -
Pontificia Universidad Católica Del Ecuador Facultad De Comunicación, Lingüística Y Literatura Escuela De Comunicación Dise
Pontificia Universidad Católica del Ecuador Facultad de Comunicación, Lingüística y Literatura Escuela de Comunicación Disertación de Grado previa la obtención del título de Licenciatura en Comunicación con mención en Periodismo para Prensa, Radio y Televisión THE WALKING DEAD: DEL CÓMIC A LA TELEVISION. ANÁLISIS Y CONTRASTE DE LA NARRATIVA ENTRE LA ADAPTACIÓN AUDIOVISUAL Y EL CÓMIC. Andrely Michelle Nieto Valencia Directora: Mtr. Rosa Inés Padilla Quito, 2016 Dedicatoria Para mi abuelito, Arq. Nelson Gustavo Valencia de la Torre. El mejor abuelo que una nieta podría desear; orgullo, integridad y dulzura. Para mis inolvidables e insuperables maestras Lourdes Pérez Villareal y Julia Carrillo. “Un misterio infinito la Fuerza es. Mucho que aprender aún queda”. Yoda, Star Wars Episode V, The Empire Strikes Back (1980) Agradecimientos A aquella Fuerza universal y subatómica que solemos darle nombre, pero que aún no sabemos qué realmente es. Solo sé que existe, nos rodea y nos une en un todo y en nada. A todos aquellos que representan mi familia y mi hogar. Desde el espesor de la sangre hasta la fluidez del agua. Gracias, eternamente gracias. A Marvel Comics, DC Comics, pero especialmente a Jack Kirby, Bill Finger, Steve Ditko, Alan Moore, Frank Miller, Chris Claremont, Todd McFarlane y Akira Toriyama. A Black Sabbath, Judas Priest, Lemmy Kilmister, Peter Steele y Ronnie James Dio. Nada es un desperdicio de tiempo. ÍNDICE Agradecimientos .................................................................................................................. -
Kennedy Theatre Actress Will Discuss “Chekhov and Zombies: a Match Made in Heaven”
FOR IMMEDIATE RELEASE NOVEMBER 26, 2012 “Walking Dead” Star Sarah Wayne Callies Comes to Kennedy Theatre Actress Will Discuss “Chekhov and Zombies: A Match Made in Heaven” Although Kennedy Theatre’s “Uncle Vanya and Zombies” has drawn to a close, the University of Hawai‘i’s Department of Theatre and Dance will host one final event in its undead marathon. On Saturday, Dec. 8 at 7pm, film and television actress Sarah Wayne Callies will come to Kennedy Theatre to offer her insights on the zombie phenomenon and its connection to Anton Chekhov. This public presentation will be presented free of charge; tickets will be handed out at the box office before the event. Callies grew up in Honolulu before attending Dartmouth College, where she majored in Drama and graduated magna cum laude. She received her Master of Fine Arts degree at the National Theatre Conservatory, spending two seasons in principal and understudy roles at the Tony Award–winning Denver Center Theatre Company. Since then, she has appeared in seven feature films, including the recently-wrapped “Black Sky,” and over a hundred television episodes. She had a recurring role as Sara Tancredi in the Fox Network’s “Prison Break,” which was nominated for Emmy, Golden Globe, and Television Critics Association awards, and won Best New Drama at the 2006 People’s Choice Awards. - MORE - UHM’s Kennedy Theatre – Sarah Wayne Callies – Page 2 of 2 Currently, Callies is known for portraying zombie apocalypse survivor Lori Grimes in AMC’s “The Walking Dead,” which has also received Emmy and Golden Globe nominations. -
Relações Transmidiáticas E Influências No Desenvolvimento De Personagens De the Walking Dead
1 UNIVERSIDADE CANDIDO MENDES / AVM PÓS-GRADUAÇÃO LATO SENSU Transmídia: Gestão de Mídias Digitais Relações Transmidiáticas e Influências no Desenvolvimento de Personagens de The Walking Dead Clécia dos Reis Oliveira ORIENTADOR: Prof. Jorge Vieira Rio de Janeiro 2018 DOCUMENTO PROTEGIDO PELA LEIDE DIREITO AUTORAL 2 UNIVERSIDADE CANDIDO MENDES / AVM PÓS-GRADUAÇÃO LATO SENSU Transmídia: Gestão de Mídias Digitais Relações Transmidiáticas e Influências no Desenvolvimento de Personagens de The Walking Dead Apresentação de monografia à AVM como requisito parcial para obtenção do grau de especialista em Transmídia: Gestão de Mídias Digitais. Por: Clécia dos Reis Oliveira. Rio de Janeiro 2018 3 RESUMO A proposta do trabalho é verificar a influência das relações transmidiáticas na série de TV The Walking Dead, especialmente nas mudanças no desenrolar da trama e comportamento de personagens. Nesse caso, vamos considerar a representação das personagens femininas, mais visível em Carol, que se destacou como protagonista em momentos decisivos. O comportamento das mulheres se modifica ao longo das temporadas e elas se tornam cada vez mais fortes, independentes e decisivas, surpreendendo o público com suas ações. É feita uma comparação entre a fase inicial (1ª temporada) e a última temporada (4ª), exibida integralmente até 2014. As mulheres deixam de atuar somente como mães e donas de casa para dividirem com o líder, masculino, o protagonismo nos episódios da série. 4 METODOLOGIA A pesquisa foi realizada com foco na análise dos conteúdos dos episódios, observando, principalmente, a evolução das ações das personagens femininas. Isso foi feito também por meio de comparação quantitativa em relação ao tempo em que Rick, Carol e outras personagens femininas relevantes permaneceram em cena. -
Fight the Dead, Fear Reality: a Fantasy Theme Analysis of the Walking Dead
University of Texas at El Paso DigitalCommons@UTEP Open Access Theses & Dissertations 2018-01-01 Fight the Dead, Fear Reality: A Fantasy Theme Analysis of The alW king Dead Katherine Elizabeth Alanis Ramirez University of Texas at El Paso, [email protected] Follow this and additional works at: https://digitalcommons.utep.edu/open_etd Part of the Communication Commons Recommended Citation Alanis Ramirez, Katherine Elizabeth, "Fight the Dead, Fear Reality: A Fantasy Theme Analysis of The alW king Dead" (2018). Open Access Theses & Dissertations. 32. https://digitalcommons.utep.edu/open_etd/32 This is brought to you for free and open access by DigitalCommons@UTEP. It has been accepted for inclusion in Open Access Theses & Dissertations by an authorized administrator of DigitalCommons@UTEP. For more information, please contact [email protected]. FIGHT THE DEAD, FEAR REALITY: A FANTASY THEME ANALYSIS OF THE WALKING DEAD KATHERINE ELIZABETH ALANIS RAMIREZ Master’s Program in Communication APPROVED: Roberto Avant-Mier, Ph.D., Chair Carlos Tarin, Ph.D. Jeffrey Sirkin, Ph.D. Charles H. Ambler, Ph.D. Dean of the Graduate School Copyright © by Katherine Alanis Ramirez 2018 Dedication “Since childhood, I’ve been faithful to monsters. I have been saved and absolved by them, because monsters, I believe, are patron saints of our blissful imperfection and they allow and embody the possibility of failing.” – Guillermo del Toro, Golden Globes, 2018 This project stems from my love of television, monsters and all things spooky. It is my curiosity working