Renaissance Quarterly Books Received, October–December 2012

Azzolini, Monica. The Duke and the Stars: Astrology and Politics in Renaissance Milan . I Tatti Studies in Italian Renaissance History. Cambridge, MA: Harvard University Press, 2013. xiii + 370 pp. $49.95. ISBN: 978–0–674–06663–2.

Bailey, Merridee L. Socialising the Child in Late Medieval England, c. 1400–1600 . Woodbridge: York Medieval Press, 2012. ix + 270 pp. $90. ISBN: 978–1–903153–42–0.

Becker, Karin. Le lyrisme d’Eustache Deschamps: Entre poésie et pragmatisme . Recherches littéraires médiévales 12. Paris: Classiques Garnier, 2012. 264 pp. €29. ISBN: 978–2–8124– 0609–6.

Bednarz, James P. Shakespeare and the Truth of Love: The Mystery of “The Phoenix and Turtle.” Palgrave Shakespeare Studies. New York: Palgrave Macmillan, 2012. x + 252 pp. $80. ISBN: 978–0–230–31940–0.

Benedict, Philip, and Nicolas Fornerod, eds. L’organisation et l’action des églises réformées de France: Synodes provinciaux et autres documents . Archives des églises réformées de France 3. Geneva: Librairie Droz, 2012. cxxviii + 362 pp. $132. ISBN: 978–2–600–01603–2.

Bertram, Martin, ed. Kanonisten und ihre Texte (1234 bis Mitte 14. Jh.): 18 Aufsätze und 14 Exkurse . Education and Society in the Middle Ages and Renaissance 43. Leiden: Brill, 2013. xxiii + 654 pp. $258. ISBN: 978–90–04–22876–4.

Bevegnati, Giunta, and Thomas Renna. The Life and Miracles of Saint Margaret of Cortona (1247–1297) . Saint Bonaventure: Franciscan Institute Publications, 2012. 344 pp. $29.95. ISBN: 978–1–57659–301–1.

Biemann, Asher D. Dreaming of Michelangelo: Jewish Variations on a Modern Theme . Stanford: Stanford University Press, 2012. xvii + 180 pp. $50. ISBN: 978–0–8047–6881–8.

Blanchard, Joël, ed. Procès de Jacques d’Armagnac: édition critique du ms. 2000 de la Bibliothèque Sainte-Geneviève . Travaux d’Humanisme et Renaissance 510. Geneva: Librairie Droz, 2012. cxxv + 968 pp. $144. ISBN: 978–2–600–01695–7.

La Boétie, Estienne de. Discourse on Voluntary Servitude . Ed. James B. Atkinson. Trans. James B. Atkinson and David Sices. Indianapolis: Hackett Publishing Company, Inc., 2012. xlviii + 46 pp. $7.95. ISBN: 978–1–60384–839–8.

Boswell, Jackson Campbell, and Gordon McMurry Braden, eds. Petrarch’s English Laurels, 1475–1700: A Compendium of Printed References and Allusions . Farnham: Ashgate Publishing Limited, 2012. 598 pp. $134.95. ISBN: 978–1–4094–0118–6.

Botero, Giovanni. On the Causes of the Greatness and Magnificence of Cities . Trans. Geoffrey Symcox. The Lorenzo da Ponte Library Series. University of Toronto Press, 2012. xxxix + 94 pp. $45. ISBN: 978–1–4426–4507–3.

Bradstock, Andrew. Radical Religion in Cromwell’s England: A Concise History from the English Civil War to the End of the Commonwealth . International Library of Historical Studies 58. London: I.B. Tauris, 2011. xxvi + 190 pp. + 12 bw pls. £52.50. ISBN: 978–1–84511–764–1.

Bryson, Michael. The Atheist Milton . Farnham: Ashgate Publishing Limited, 2012. 184 pp. $99.95. ISBN: 978–1–4094–4701–6.

Bunge, Wiep van. Spinoza Past and Present: Essays on Spinoza, Spinozism, and Spinoza Scholarship . Brill’s Studies in Intellectual History 215. Leiden: Brill, 2012. xi + 256 pp. $146. ISBN: 978–90–04–23137–5.

Byrne, Susan. Law and History in Cervantes’ Don Quixote. Toronto Iberic 3. Toronto: University of Toronto Press, 2012. xv + 240 pp. $55. ISBN: 978–1–4426–4527–1.

Campi, Emidio, and Philipp Wälchli, eds. Basler Kirchenordnungen 1528–1675 . Zürich: Theologischer Verlag, 2012. xxxiii + 602 pp. €100. ISBN: 978–3–290–17629–7.

Cantagrel, Laurent. Discours lettré et transformations sociopolitiques au début du XVIe siècle . Études et essais sur la Renaissance 97. Paris: Classiques Garnier, 2012. 336 pp. €36. ISBN: 978– 2–8124–0573–0.

Caravale, Giorgio. Predicazione e inquisizione nell’Italia del Cinquecento: Ippolito Chizzola tra eresia e controversia antiprotestante . Studi fonti documenti di storia e letteratura religiosa. Bologna: Il mulino, 2012. 306 pp. €23. ISBN: 978–88–15–24103–0.

Cary, Elizabeth Tanfield. The Mirror of the Worlde: A Translation . Ed. Lesley Peterson. Montreal: McGill-Queen’s University Press, 2012. xxiv + 248 pp. $95. ISBN: 978–0–7735– 4072–9.

Cary, Elizabeth. The Tragedy of Mariam, The Fair Queen of Jewry . Ed. Ramona Wray. Arden Early Modern Drama. London: Arden Shakespeare, 2012. xviii + 234 pp. $19.95. ISBN: 978–1– 90427–159–8.

Christofides, R. M. Shakespeare and the Apocalypse: Visions of Doom from Early Modern Tragedy to Popular Culture . Continuum Shakespeare Studies. London: Continuum, 2012. xvii + 216 pp. $110. ISBN: 978–1–4411–7994–4.

Clabaigh OSB, Colmán Ó. The Friars in Ireland, 1224–1540 . Dublin: Four Courts Press, 2012. xxv + 390 pp. €29.95. ISBN: 978–1–84682–225–4.

Cocco, Sean. Watching Vesuvius: A History of Science and Culture in Early Modern Italy . Chicago: The University of Chicago Press, 2012. xi + 322 pp. $45. ISBN: 978–0–226–92371–0.

Cornelison, Sally J. Art and the Relic Cult of St. Antoninus in Renaissance Florence . Visual Culture in Early Modernity. Farnham: Ashgate Publishing Limited, 2012. xv + 358 pp. + 13 color pls. $119.95. ISBN: 978–0–7546–6714–8.

Crane, Susan. Animal Encounters: Contacts and Concepts in Medieval Britain . The Middle Ages Series. Philadelphia: University of Pennsylvania Press, 2013. vii + 270 pp. $59.95. ISBN: 978– 0–8122–4458–8.

Crossley, Alan, ed. Oxford City Apprentices, 1513–1602 . Oxford Historical Society New Series 44. Oxford: Oxford Historical Society, 2012. lix + 366 pp. + 5 b/w pls. $60. ISBN: 978–0– 904107–25–8.

Cullen, L. M. Economy, Trade, and Irish Merchants at Home and Abroad, 1600–1988 . Dublin: Four Courts Press, 2012. 320 pp. €55. ISBN: 978–1–84682–319–0.

Curtright, Travis. The One Thomas More . Washington, DC: Catholic University of America Press, 2012. xi + 232 pp. $64.95. ISBN: 978–0–8132–1995–0.

van Dijkhuizen, Jan Frans. Pain and Compassion in Early Modern English Literature and Culture . Studies in Renaissance Literature 31. Cambridge: D. S. Brewer, 2012. xii + 272 pp. $99. ISBN: 978–1–843–84330–6.

Dion, Nicholas. Entre les larmes et l’effroi: la tragédie classique française, 1677–1726 . Lire le XVIIe siècle 14. Paris: Classiques Garnier, 2012. 466 pp. €48. ISBN: 978–2–8124–0607–2.

Döpp, Siegmar. Neulateinische Wissenschaftspoesie: Ioanes Fabricius Montanus (1527–1566) über Engadiner Heilquellen . Speyer: Kartoffeldruck-Verlag, 2012. 92 pp. €5. ISBN: 978–3– 939526–19–3.

Dyer, Christopher. A Country Merchant, 1495–1520: Trading and Farming at the End of the Middle Ages . Oxford: Oxford University Press, 2012. xiv + 256 pp. £65. ISBN: 978–0–19– 921424–2.

Embree, Dan, Edward Donald Kennedy, and Kathleen Daly, eds. Short Prose Scottish Chronicles . Medieval Chronicles 5. Woodbridge: The Boydell Press, 2012. ix + 396 pp. $99. ISBN: 978–1–84383–745–9.

Enders, Jody, ed. The Farce of the Fart and Other Ribaldries: Twelve Medieval French Plays in Modern English . The Middle Ages Series. Philadelphia: University of Pennsylvania Press, 2011. xv + 478 pp. $49.95. ISBN: 978–08122–4323–9.

Erasmus, Desiderius. Controversies: Clarifications Concerning the Censures Published at Paris in the Name of the Theology Faculty There . Ed. Clarence H. Miller. Collected Works of Erasmus 82. Toronto: University of Toronto Press, 2012. xxxvii + 362 pp. $175. ISBN: 978–1–4426– 4115–0.

Faust, Joan. Andrew Marvell’s Liminal Lyrics: The Space Between . Newark: University of Delaware Press, 2012. x + 234 pp. $75. ISBN: 978–1–61149–410–5.

Ficino, Marsilio. The Letters of Marsilio Ficino: Volume 9 . London: Shepheard-Walwyn, 2012. xxi + 154 pp. £25. ISBN: 978–0–85683–289–5.

Fischart, Johann. Sämtliche Werke, Band II: Eulenspiegel reimenweis . Eds. Ulrich Seelbach and W. Eckehart Spengler. Berliner Ausgaben; Sektion Philologische Wissenschaften. Stuttgart-Bad Cannstadt: Frommann-Holzboog, 2002. 436 pp. €285. ISBN: 978–3–7728–1837–0.

Fischart, Johann. Sämtliche Werke, Band III: Das sechste Buch vom Amadis (1572) . Ed. Ulrich Seelbach. Berliner Ausgaben; Sektion Philologische Wissenschaften. Stuttgart-Bad Cannstadt: Frommann-Holzboog, 2012. 368 pp. €248. ISBN: 978–3–7728–1838–7.

Furlotti, Barbara. A Renaissance Baron and His Possessions: Paolo Giordano I Orsini, Duke of Bracciano (1541–1585) . Cursor Mundi 15. Turnhout: Brepols, 2012. xxviii + 334 pp. €100. ISBN: 978–2–503–53474–9.

Du Gardin, Louis. Les Premières Addresses du chemin de Parnasse . Eds. Emmanuel Buron and Guillaume Peureux. Bibliothèque du XVIIe siècle 8; Langue, rhétorique et poétique françaises 1. Paris: Classiques Garnier, 2012. 328 pp. €38. ISBN: 978–2–8124–0390–3.

Gertz, Genelle. Heresy Trials and English Women Writers, 1400–1670 . Cambridge: Cambridge University Press, 2012. x + 258 pp. $95. ISBN: 978–1–107–01705–4.

Grze śkowiak-Krwawicz, Anna. Queen Liberty: The Concept of Freedom in the Polish- Lithuanian Commonwealth . Studies in Central European Histories 56. Leiden: Brill, 2012. 136 pp. $138. ISBN: 978–90–04–23121–4.

Gwynne, Paul. Poets and Princes: The Panegyric Poetry of Johannes Michael Nagonius . Courts: Medieval and Renaissance Court Cultures 1. Turnhout: Brepols, 2012. xxiv + 544 pp. €150. ISBN: 978–2–503–53160–1.

Heale, Elizabeth, ed. The Devonshire Manuscript: A Women’s Book of Courtly Poetry . The Other Voices in Early Modern Europe: The Toronto Series 19. Toronto: Iter, 2012. xiii + 278 pp. $24.50. ISBN: 978–0–7727–2128–0.

Hille, Christiane. Visions of the Courtly Body: The Patronage of George Villiers, First Duke of Buckingham, and the Triumph of Painting at the Stuart Court . München: Akademie Verlag, 2012. ix + 302 pp. €49.80. ISBN: 978–3–05–005908–2.

Hirst, Derek, and Steven N. Zwicker. Andrew Marvell, Orphan of the Hurricane . Oxford: Oxford University Press, 2012. xvi + 198 pp. $99. ISBN: 978–0–19–965537–3.

James, Susan. Spinoza on Philosophy, Religion, and Politics: The Theologico-Political Treatise. Oxford: Oxford University Press, 2012. x + 348 pp. $55. ISBN: 978–0–19–969812–7.

Jarvis, Robin. Romantic Readers and Transatlantic Travel: Expeditions and Tours in North America, 1760–1840 . Nineteenth-Century Transatlantic Studies. Farnham: Ashgate Publishing Limited, 2012. xi + 206 pp. $99.95. ISBN: 978–0–7546–6860–2.

Jensen, Freyja Cox. Reading the Roman Republic in Early Modern England . Library of the Written Word 22; The Handpress World 16. Leiden: Brill, 2012. xi + 248 pp. $146. ISBN: 978– 90–04–23303–4.

Jonckheere, Koenraad. Antwerp Art after Iconoclasm: Experiments in Decorum, 1566–1585 . Brussels: Mercatorfonds, 2012. 312 pp. $150. ISBN: 978–0–300–18869–1.

Lejeune, Maud. Pourtraits divers de Jean de Tournes: Edition critique et fac-similé du tirage de 1556 . Cahiers d’Humanisme et Renaissance 105. Geneva: Librairie Droz, 2012. 430 pp. $45.60. ISBN: 978–2–600–01554–7.

Lim, Paul C. H. Mystery Unveiled: The Crisis of the Trinity in Early Modern England . Oxford Studies in Historical Theology. New York: Oxford University Press, 2012. xvi + 488 pp. $74. ISBN: 978–0–19–533946–8.

Lull, Ramón. Ha-Melacha ha-Ketzara: A Hebrew Translation of Ramon Llull’s Ars brevis. Ed. Harvey J. Hames. Corpus Christianorum Continuatio Mediaevalis 247; Supplementum Lullianum vol. 3. Turnhout: Brepols, 2012. liii + 204 pp. €140. ISBN: 978–2–503–54198–3.

Lundin, Matthew. Paper Memory: A Sixteenth-Century Townsman Writes His World . Harvard Historical Studies 179. Cambridge, MA: Harvard University Press, 2012. 330 pp. $49.95. ISBN: 978–0–674–06594–9.

Macrins, Salmon. Salmon Macrins Gedichtsammlungen von 1528 bis 1534: Edition mit Wortindex . Ed. Marie-Françoise Schumann. Hamburger Beiträge zur Neulateinischen Philologie 7. Münster: Lit Verlag, 2011. xvii + 538 pp. €54.90. ISBN: 978–3–643–11016–9.

Madden, Thomas F. Venice: A New History . New York: Viking, 2012. xi + 446 pp. + 8 color pls. $35. ISBN: 978–0–670–02542–8.

Mallett, Michael Edward, and Christine Shaw. The Italian Wars, 1494–1559: War, State and Society in Early Modern Europe . Modern Wars in Perspective. New York: Pearson, 2012. xxi + 368 pp. £23.99. ISBN: 978–0–582–05758–6.

Malm, Mats. The Soul of Poetry Redefined: Vacillations of Mimesis from Aristotle to Romanticism . Copenhagen: Museum Tusculanum Press, 2012. 238 pp. $43. ISBN: 978–87–635– 3742–1.

Martin, Christopher. Constituting Old Age in Early Modern English Literature from Queen Elizabeth to King Lear. Massachusetts Studies in Early Modern Culture. Amherst: University of Massachusetts Press, 2012. xii + 222 pp. $27.95. ISBN: 978–1–55849–973–7.

Marullus, Michael. Poems . Ed. and trans. Charles Fantazzi. The I Tatti Renaissance Library 54. Cambridge, MA: Harvard University Press, 2012. xx + 476 pp. $29.95. ISBN: 978–0–674– 05506–3.

Matei-Chesnoiu, Monica. Re-Imagining Western European Geography in English Renaissance Drama . Early Modern Literature in History. New York: Palgrave Macmillan, 2012. ix + 220 pp. £50. ISBN: 978–0–230–36630–5.

Mayer, Thomas F., ed. The Trial of Galileo, 1612–1633 . Toronto: University of Toronto Press, 2012. xii + 210 pp. $24.95. ISBN: 978–1–4426–0519–0.

Milton, John. De Doctrina Christiana . Eds. John K. Hale and J. Donald Cullington. 2 vols. The Complete Works of John Milton 8. Oxford: Oxford University Press, 2012. xc + 1264 pp. $375. ISBN: 978–0–19–965189–4.

Monnas, Lisa. Renaissance Velvets . London: Victoria & Albert Publishing, 2012. 160 pp. $60. ISBN: 978–1–85177–656–6.

Moreschini, Claudio. Hermes Christianus: The Intermingling of Hermetic Piety and Christian Thought . Trans. Patrick Baker. Cursor Mundi 8. Turnhout: Brepols, 2011. xii + 306 pp. €80. ISBN: 978–2–503–52960–8.

Mossakowski, Stanislaw. King Sigismund Chapel at Cracow Cathedral (1515–1533) . Cracow: IRSA, 2012. 374 pp. €120. ISBN: 978–83–89831–14–9.

Myers, Anne M. Literature and Architecture in Early Modern England. Baltimore: Johns Hopkins University Press, 2012. x + 254 pp. $55. ISBN: 978–1–4214–0722–7.

Naddeo, Barbara Ann. Vico and Naples: The Urban Origins of Modern Social Theory . Ithaca: Cornell University Press, 2011. xii + 300 pp. 49.95. ISBN: 978–0–8014–4916–1.

Narveson, Kate. Bible Readers and Lay Writers in Early Modern England: Gender and Self- Definition in an Emergent Writing Culture . Material Readings in Early Modern Culture. Farnham: Ashgate Publishing Limited, 2012. x + 236 pp. $99.95. ISBN: 978–1–4094–4167–0.

De Navarre, Marguerite. L’histoire des satyres, et nymphes de Dyane; Les quatre dames et les quatre gentilzhommes; La coche . Eds. André Gendre, Loris Petris, and Simone de Reyff. Oeuvres complètes 5. Paris: Champion Honoré, 2012. 454 pp. €105. ISBN: 978–2–7453–2390– 3.

O’Banion, Patrick J. The Sacrament of Penance and Religious Life in Golden Age Spain . University Park: Pennsylvania State University Press, 2012. xi + 234 pp. $69.95. ISBN: 978–0– 271–05899–3.

O’Callaghan, Daniel, ed. The Preservation of Jewish Religious Books in Sixteenth-Century Germany: Johannes Reuchlin’s Augenspiegel. Studies in Medieval and Reformation Traditions 163; Texts and Sources 2. Leiden: Brill, 2013. xiii + 238 pp. $146. ISBN: 978–90–04–24185–5.

Ouy, Gilbert, Christine McArdle Reno, and Inès Villela-Petit. Album Christine de Pizan . Eds. Olivier Delsaux and Tania Van Hemelryck. Texte, Codex and Contexte 14. Turnhout: Brepols, 2012. iv + 800 pp. €110. ISBN: 978–2–503–54315–4.

Pal, Carol. Republic of Women: Rethinking the Republic of Letters in the Seventeenth Century . Ideas in Context 99. Cambridge: Cambridge University Press, 2012. xv + 316 pp. £55. ISBN: 978–1–107–01821–1.

Pardue, Brad C. Printing, Power, and Piety: Appeals to the Public during the Early Years of the English Reformation . Studies in Medieval and Reformation Traditions 162. Leiden: Brill, 2012. ix + 238 pp. $144. ISBN: 978–90–04–23205–1.

Pedullà, Gabriele. Machiavelli in tumulto: Conquista, cittadinanza e conflitto nei “Discorsi sopra la prima deca di Tito Livio .” Conquista, cittadinanza e conflitto nei “discorsi sopra la prima deca di Tito Livio” 151. Roma: Bulzoni, 2011. 634 pp. €44. ISBN: 978–88–7870–647–7.

Pérez, Mirzam. The Comedia of Virginity: Mary and the Politics of Seventeenth-Century Spanish Theater . Waco: Baylor University Press, 2012. ix + 174 pp. $39.95. ISBN: 978–160258645–1.

Pico della Mirandola, Giovanni. Oration on the Dignity of Man : A New Translation and Commentary . Eds. Francesco Borghesi, Michael Papio, and Massimo Riva. Cambridge: Cambridge University Press, 2012. vii + 308 pp. $95. ISBN: 978–1–107–01587–6.

Poncet, Christopher. La scelta di Lorenzo: La Primavera di Botticelli tra poesia e filosofia . Bruniana e Campanelliana: Ricerche filosofiche e materiali storico-testuali Supplementi, XXXIV Studi 13. Pisa: Fabrizio Serra Editore, 2012. 112 pp. €43. ISBN: 978–88–6227–454–8.

Pontano, Giovanni Giovano. Dialogues, Volume 1: Charon and Antonius . Ed. and trans. Julia Haig Gaisser. The I Tatti Renaissance Library 53. Cambridge, MA: Harvard University Press, 2012. xxvii + 404 pp. $29.95. ISBN: 978–0–674–05491–2.

Popper, Nicholas. Walter Ralegh’s History of the World and the Historical Culture of the Late Renaissance . Chicago: The University of Chicago Press, 2012. xvi + 350 pp. $55. ISBN: 978–0– 226–67500–8.

Principe, Lawrence. The Secrets of Alchemy. Synthesis. Chicago: University of Chicago Press, 2013. 282 pp. $25. ISBN: 978–0–226–68295–2.

Prior, Charles W. A. A Confusion of Tongues: Britain’s Wars of Reformation, 1625–1642 . Oxford: Oxford University Press, 2012. x + 258 pp. $125. ISBN: 978–0–19–969825–7.

Racine St-Jacques, Jules. L’honneur et la foi: Le droit de résistance chez les Réformés francais (1536–1581) . Cahiers d’Humanisme et Renaissance 107. Geneva: Droz, 2012. 218 pp. $57.60. ISBN: 978–2–600–01587–5.

Scalabrini, Massimo, ed. Folengo in America . Memoria del Tempo 36. Ravenna: Longo editore, 2012. 208 pp. €22. ISBN: 978–88–8063–736–3.

Scaliger, Joseph Justus. The Correspondence of Joseph Justus Scaliger . Eds. Paul Botley and Dirk van Miert. 8 vols. Travaux d’Humanisme et Renaissance 507/1–8. Geneva: Librairie Droz, 2012. 5000 pp. CHF440. ISBN: 978–2–600–01552–3.

Schilling, Heinz. Martin Luther: Rebell in einer Zeit des Aufbruchs . Munich: C. H. Beck, 2012. 714 pp. €29.95. ISBN: 978–3–406–63741–4.

Schmidt-Biggemann, Wilhelm. Geschichte der christlichen Kabbala, Band 1: 15. und 16. Jahrhundert . Clavis Pansophiae 10.1. Stuttgart- Bad Canstatt: Frommann-Holzboog, 2012. xiii + 700 pp. €128. ISBN: 978–3–7728–2569–9.

Schoysman, Anne, ed. Jean Lemaire de Belges: Lettres missives et épîtres dédicatoires . Collection des Ancien Auteurs Belges 17. Brussels: Académie royale de Belgique, 2012. 310 pp. €12. ISBN: 978–2–8031–0295–2.

Schreiner, Susan E. Are You Alone Wise?: The Search for Certainty in the Early Modern Era . Oxford Studies in Historical Theology. New York: Oxford University Press, 2011. xvii + 480 pp. $39.95. ISBN: 978–0–19–996447–5.

Shagan, Ethan H. The Rule of Moderation: Violence, Religion and the Politics of Restraint in Early Modern England . Cambridge: Cambridge University Press, 2011. xiii + 382 pp. $32.99. ISBN: 978–0–521–13556–6.

Shakespeare, William. The Tragedie of Macbeth: A Frankly Annotated First Folio Edition . Ed. Demitra Papadinis. Jefferson, NC: McFarland, 2012. viii + 426 pp. $35. ISBN: 978–0–7864– 6479–1.

Shannon, Laurie. The Accommodated Animal: Cosmopolity in Shakespearean Locales . Chicago: The University of Chicago Press, 2013. xv + 290 pp. $26. ISBN: 978–0–226–92417–5.

Sidney, Philip. The Correspondence of Sir Philip Sidney . Ed. Roger Kuin. 2 vols. Oxford: Oxford University Press, 2012. 1382 pp. $450. ISBN: 978–0–19–955822–3.

Siraisi, Nancy G. Communities of Learned Experience: Epistolary Medicine in the Renaissance . Singleton Center Books in Premodern Europe. Baltimore: The Johns Hopkins University Press, 2013. ix + 164 pp. $45. ISBN: 978–1–4214–0749–4.

Sterrett, Joseph. The Unheard Prayer: Religious Toleration in Shakespeare’s Drama . Studies in Religion and the Arts 6. Leiden: Brill, 2012. xxxv + 188 pp. $140. ISBN: 978–90–04–23005–7.

Stolf, Serge. Les Lettres et la Tiare: E. S. Piccolomini, un humaniste au XVe siècle . Études et essais sur la Renaissance 98. Paris: Classiques Garnier, 2012. 476 pp. €42. ISBN: 978–2–8124– 0605–8.

Subrahmanyam, Sanjay. Courtly Encounters: Translating Courtliness and Violence in Early Modern Eurasia . The Mary Flexner Lectures. Cambridge, MA: Harvard University Press, 2012. xvi + 312 pp. $29.95. ISBN: 978–0–674–06705–9.

Swift, Daniel. Shakespeare’s Common Prayers: The Book of Common Prayer and the Elizabethan Age . Oxford: Oxford University Press, 2012. ix + 290 pp. $27.95. ISBN: 978–0–19– 983856–1.

Taurellus, Nicolaus. Philosophiæ Triumphus, hoc est, Metaphysica Philosophandi Methodus . Trans. Henrik Wels. Editionen zur Frühen Neuzeit 3. Stuttgart-Bad Cannstatt: Frommann- Holzboog, 2012. xlv + 596 pp. €248. ISBN: 978–3–7728–2374–9.

Thomas, George Antony. The Politics and Poetics of Sor Juana Inés de La Cruz . Women and Gender in the Early Modern World. Farnham: Ashgate Publishing Limited, 2012. $99.95. ISBN: 978–1–4094–3769–7.

Tiffany, Tanya J. Diego Velázquez’s Early Paintings and the Culture of Seventeenth-Century Seville . University Park: The Pennsylvania State University Press, 2012. xiii + 240 pp. $79.95. ISBN: 978–0–271–05379–0.

Traninger, Anita. Disputation, Deklamation, Dialog: Medien und Gattungen europäischer Wissensverhandlungen zwischen Scholastik und Humanismus . Text und Kontext: Romanische Literaturen und Allgemeine Literaturwissenschaft 33. Wiesbaden: Franz Steiner Verlag, 2012. €54. ISBN: 978–3–515–10250–6.

Vanautgaerden, Alexandre. Érasme typographe: Humanisme et imprimerie au début du XVIe siècle . Travaux d’Humanisme et Renaissance 503. Genève: Librairie Droz, 2012. xiii + 632 pp. $96. ISBN: 978–2–600–01566–0.

De Vitoria, Francisco. De iustitia: Über die Gerechtigkeit Teil 1 . Ed. Joachim Stüben. Politische Philosophie und Rechtstheorie des Mittelalters und der Neuzeit 1: Texte 3. Stuttgart-Bad Cannstatt: Frommann-Holzboog, 2013. cxii + 192 pp. €168. ISBN: 978–3–7728–2506–4.

Di Vona, Piero. Trattato sui concetti trascendenti: Seconda edizione ampliata . Naples: Editore Giannini, 2012. 122 pp. €8. ISBN: 978–88–7431–601–4.

Waddington, Raymond B. Looking into Providences: Designs and Trials in Paradise Lost. Toronto: University of Toronto Press, 2012. xiv + 310 pp. $65. ISBN: 978–1–4426–4342–0.

Waiboer, Adriaan E. Gabriel Metsu: Life and Work: A Catalogue Raisonné . New Haven: Yale University Press; In association with the National Gallery of Ireland, 2012. ix + 398 pp. $100. ISBN: 978–0–300–17048–1.

Warwick, Genevieve. Bernini: Art as Theatre . New Haven: Yale University Press, 2012. ix + 308 pp. $55. ISBN: 978–0–300–18706–9.

Weigel, Valentin. Zwei nützliche Traktate, Bericht zur “Deutschen Theologie”: Die vernünftige Kreatur . Ed. Horst Pfefferl. Valentin Weigel: Sämtliche Schriften 1. Stuttgart-Bad Cannstatt: Frommann-Holzboog, 2012. lx + 132 pp. €386. ISBN: 978–3–7728–1840–0.

Welch, Anthony. The Renaissance Epic and the Oral Past . Yale Studies in English. New Haven: Yale University Press, 2012. viii + 260 pp. $40. ISBN: 978–0–300–17886–9.

Wickersham, Jane K. Rituals of Prosecution: The Roman Inquisition and the Prosecution of Philo-Protestants in Sixteenth-Century Italy . Toronto Italian Studies. Toronto: University of Toronto Press, 2012. viii + 430 pp. $80. ISBN: 978–1–4426–4500–4.

Wiegandt, Kai. Crowd and Rumour in Shakespeare . Studies in Performance and Early Modern Drama. Farnham: Ashgate Publishing Limited, 2012. xi + 216 pp. $99.95. ISBN: 978–1–4094– 3219–7.

Wilson, David. The Basse Dance Handbook . Wendy Hilton Dance and Music Series 16. Hillsdale: Pendragon Press, 2012. 311 pp. $84. ISBN: 978–157647160–9.

Edited Collections :

Aebischer, Pascale, and Kathryn Prince, eds. Performing Early Modern Drama Today . Cambridge: Cambridge University Press, 2012. xiii + 248 pp. $99. ISBN: 978–0–521–19335–1.

Includes : Pascale Aebischer and Kathryn Prince, “Introduction”; Lucy Munro, “The Early Modern Repertory and the Performance of Shakespeare’s Contemporaries”; Jeremy Lopez, “The Seeds of Time: Student Theatre and the Drama of Shakespeare’s Contemporaries”; Farah Karim- Cooper, “The Performance of Early Modern Drama at Shakespeare’s Globe”; Coen Heijes, “Shakespeare’s Contemporaries at the Royal Shakespeare Company”; Jacquelyn Bessell, “The Actors’ Renaissance Season at the Blackfriars Playhouse”; Rebecca McCutcheon and Sarah Thom, “Dido, Queen of Carthage: Site-Specific Marlowe”; Roberta Barker, “‘A freshly creepy reality’: Jacobean Tragedy and Realist Acting on the Contemporary Stage”; Pascale Aebischer, “Early Modern Drama on Screen”; Jonathan Heron, Nicholas Monk, and Paul Prescott, “Letting the Dead Come Out to Dance: An Embodied and Spatial Approach to Teaching Early Modern Drama”; Karin Brown, “Professional Productions of Early Modern Drama, 1960–2010”; Jeremy Lopez, “Performances of Early Modern Drama at Academic Institutions since 1909”; and Jeremy Lopez, “Performances of Early Modern Plays by Amateur and Student Groups since 1887.”

Bailyn, Bernard, and Patricia L. Denault, eds. Soundings in Atlantic History: Latent Structures and Intellectual Currents, 1500–1830 . Cambridge: Harvard University Press, 2011. x + 622 pp. $65. ISBN: 978–0–674–06177–4.

Includes : Bernard Bailyn, “Introduction: Reflections on Some Major Themes”; Stephen D. Behrendt, “Ecology, Seasonality, and the Transatlantic Slave Trade”; Linda M. Heywood and John K. Thornton, “Kongo and Dahomey, 1660–1815: African Political Leadership in the Era of the Slave Trade and Its Impact on the Formation of African Identity in Brazil”; David J. Hancock, “The Triumphs of Mercury: Connection and Control in the Emerging Atlantic Economy”; Willem Klooster, “Inter-Imperial Smuggling in the Americas, 1600–1800”; J. Gabriel Martínez-Serna, “Procurators and the Making of the Jesuits’ Atlantic Network”; Rosalind J. Beiler, “Dissenting Religious Communication Networks and European Migration, 1660–1710”; Jorge Cañizares-Esguerra, “Typology in the Atlantic World: Early Modern Readings of Colonization”; Neil Safier, “A Courier between Empires: Hipólito da Costa and the Atlantic World”; Londa Schiebinger, “Scientific Exchange in the Eighteenth-Century Atlantic World”; Mark A. Peterson, “Theopolis Americana: The City-State of Boston, the Republic of Letters, and the Protestant International, 1689–1739”; Beatriz Dávilo, “The Río de la Plata and Anglo-American Political and Social Models 1810–1827”; and Emma Rothschild, “The Atlantic Worlds of David Hume.”

Bartsch, Tatjana, and Peter Seiler, eds. Rom zeichnen: Maarten van Heemskerck 1532–1536/37 . humboldt-schriften zur kunst- und bildgeschichte 8. Berlin: Gebr. Mann, 2012. 182 pp. €49. ISBN: 978–3–7861–2672–0.

Includes : Ilja M. Veldman, “The ‘Roman Sketchbooks’ in Berlin and Maarten van Heemskerck’s Travel Sketchbook”; Tatjana Bartsch, “Praktiken des Zeichnens ‘drinnen’ und ‘draußen’: Zu van Heemskercks römischem Itinerar”; Fritz-Eugen Keller, “Das rechte Bein des Commodus: Van Heemskercks Skulpturenstudium im Statuengarten des vatikanischen Belvedere”; Kathleen Wren Christian, “For the Delight of Friends, Citizens, and Strangers: Maarten van Heemskerck’s Drawings of Antiquities Collections in Rome”; Arthur J. DiFuria, “The Eternal Eye: Memory, Vision and Topography in Maarten van Heemskerck’s Roman Ruin ‘Vedute’”; and Martin Stritt, “Van Heemskerck, Kolumbus der Ruinenlandschaft?”

Bellitto, Christopher M., and David Zachariah Flanagin, eds. Reassessing Reform: A Historical Investigation into Church Renewal . Washington, DC: Catholic University of America Press, 2012. xii + 290 pp. $69.95. ISBN: 978–0–8132–1999–8.

Includes : Christopher M. Bellitto and David Zachariah Flanagin, “Introduction”; Lester L. Field Jr., “My Debt to Gerd: His Legacy as Teacher of History and Historian of Ideas, Fifty Years after The Idea of Reform and in Light of Present Research”; Louis B. Pascoe, S.J., “Gerhart Ladner’s The Idea of Reform : Reflections on Terminology and Ideology”; Philip H. Stump, “The Continuing Relevance of The Idea of Reform ”; Ken A. Grant, “‘He does not say, “I am custom”’: Pope Gregory VII’s Idea of Reform”; Michael Vargas, “Administrative Change in the Fourteenth-Century Dominican Order: A Case Study in Partial Reforms and Incomplete Theories”; C. Colt Anderson, “The Six Errors: Hus on Simony”; Gerald Christianson, “Church, Bible, and Reform in the Hussite Debates at the Council of Basel, 1433”; David Albertson, “In Search of Unity: Reform and Mathematical Form in the Conciliarist Arguments of Heymeric de Campo’s Disputatio de postestate ecclesiastica (1433)”; William P. Hyland, “Premonstratensian Voices of Reform at the Fifteenth-Century Councils”; Ann W. Astell, “‘Memoriam Fecit’: The Eucharist, Memory, Reform, and Regeneration in Hildegard of Bingen’s Scivias and Nicholas of Cusa’s Sermons”; Inigo Bocken, “Visions of Reform: Lay Piety as a Form of Thinking in Nicholas of Cusa”; Dennis D. Martin, “Carthusians as Public Intellectuals: Cloistered Religious as Advisors to Lay Elites on the Eve of the Protestant Reformation”; and William V. Hudon, “Black and White and Re-read All Over: Conceptualizing Reform across the Long Sixteenth Century, 1414–1633.”

Bénévent, Christine, Annie Charon, Isabelle Diu, and Magali Vène, eds. Passeurs de textes: Imprimeurs et libraires à l’âge de l’humanisme . Études et Rencontres de l’École des Chartes 37. Paris: Librairie Droz, 2012. 306 pp. $52.80. ISBN: 978–2–35723–029–3.

Includes : Christine Bénévent, Annie Charon, Isabelle Diu, and Magall Vène, “Introduction”; Alexandre Vanautgaerden, “Robert de Keysere, maître d’école gantois, imprimeur parisien?”; Louise Katz, “Les presses badiennes au service des détracteurs d’Érasme et de Jacques Lefèvre d’Étaples: un revirement idéologique?”; Raphaële Mouren, “Paul Manuce: les débuts d’un imprimeur humaniste”; Chiara Lastraioli, “Choix éditoriaux et curiosités littéraires al segno de la Regina ”; Élise Rajchenbach-teller, “De ‘ceux qui de leur pouvoir aydent et favorisent au publiq’: Guillaume Rouillé, libraire à Lyon”; Michel Jourde, “Comment Jean de Tournes (n’)est (pas) devenu un imprimeur humaniste”; Michel Magnien, “Des presses humanistes au service du vernaculaire? Le cas Vascosan (vers 1500–1577)”; Isabelle Pantin, “Le style typographique des ouvrages scientifiques imprimés par Michel de Vascosan”; Bénédicte Boudou, “Charles Estienne, un médecin pédagogue ou un courtisan masqué?”; Magali Vène, “‘Pour ce qu’un bien caché [...] ne peult proffiter à personne,’ ‘j’ay prins d’aultruy pierre et le ciment’: Gilles Corrozet, auteur et libraire, passeur de textes”; Rémi Jimenes, “Pratiques d’atelier et corrections typographiques à Paris au XVIe siècle: l’édition des oeuvres de saint Bernard par Charlotte Guillard”; Geneviève Guilleminot-Chrétien, “Pierre Ramus et André Wechel: un libraire au service d’un auteur”; Malcolm Walsby, “Le livre imprimé humaniste en Anjou et en Bretagne aux XVe et XVIe siècles”; and Jean-François Gilmont, “Les imprimeurs genevois du XVIe siècle et l’humanisme.”

Bepler, Jill, and Helga Meise, eds. Sammeln, Lesen, Ubersetzen als höfische Praxis der Frühen Neuzeit: die böhmische Bibliothek der Fürsten Eggenberg im Kontext der Fürsten und Fürstinnenbibliotheken der Zeit . Wolfenbütteler Forschungen 126. Wiesbaden: Harrassowitz Verlag, 2010. 412 pp. €89. ISBN: 978–3–447–06399–9.

Includes : Václav B ůžek, “Due Adelslandschaft der böhmischen Länder im 16, und 17. Jarhundert”; Marie Ryantová, “Die Fürsten Eggenberg in Česk ỳ Krumlov/Böhmisch Krumau”; Bärbel Rudin, “Die Textbibliothek der eggenbergischen Hofkomödianten in Cesk ỳ Krumlov/Böhmisch Krumau (1676–91). Eine kulturgeografische Zeitreise”; Adolf Scherl, “Die deutsche Rezeption von Francesco Sbarras La Moda auf der Prager Bühne und im Repertoire der deutschen Wanderbühne”; Jaroslava Kašparová, “Die Hispanica in der eggenbergischen Büchersammlung der Schlossbibliothek in Česk ỳ Krumlov/Böhmisch Krumau”; Ji ří Pelán, “Italienische Bücher aus den Sammlungen der Fürsten Eggenberg”; Václav Bok, “Deutschsprachige Drucke im Buchbestand der fürstlichen Familie von Eggenberg in der Schlossbibliothek von Česk ỳ Krumlov/Böhmisch Krumau”; Richard Šípek, “Rekatholisierung und Lesernotizen in den Büchen von Otto d. J. von Nostitz (1608–65)”; Kathrin Paasch, “Die Hofbibliothek des Herzogtums Sachsen-Gotha(-Altenburg). Ihre Funktion und Nutzung im 17. und 18. Jahrundert”; Jill Bepler, “Die Lektüre der Fürstin. Die Rolle von Inventaren für die Erforschung von Fürstinnenbibliotheken in der Frühen Neuzeit”; Alena Richterová, “Polyxena von Lobkowitz, geborene von Pernstein (1566–1642): Sammeln zwischen Politik und Frömmigkeit im katholischen Böhmen”; Helga Meise, “‘Ein buch schlecht in braun pappier gehefft darin noch nichts geschriben’: Von der ‘Kammer-’ zur Privatbibliothek. Fürstinnenbibliothek in Hessen-Darmstadt vom ausgehenden 16. bis zum ausgehenden 18. Jahrhundert”; Roswitha Jacobsen, “Die Büchersammlungen von Elisabeth Sophia (1619–80) und Dorothea Maria (1654–82), Herzoginnen von Sachsen-Gotha”; Cornelia Niekus Moore, “Der Bücherschatz der Elisabeth Juliane von Braunschweig-Wolfenbüttel (1634–1704) als Beispiel einer Frauenbibliothek des 17. Jarhunderts”; Lisa Skogh, “Das Uppsala-Inventar. Zu einer Büchersammlung Hedwig Eleonoras von Schleswig-Holstein Gottorf (1636–1715), Königinwitwe von Schweden”; Gabriele Ball, “ Die Tugendliche Gesellschaft — Zur Programmatik eines adeligen Frauennetzwerkes in der Frühen Neuzeit”; Jitka Radimská and Miroslava Durajová, “Maria Ernestina von Eggenberg (1649–1719) als Sammlerin, Leserin und Übersetzerin”; and Beatrix Bastl, “ Freywilig=aufgesprungener Granat=Apffel . Zum kulturellen Beitrag der Ernährung und Medizin adeliger österreichisch/böhmischer, ‘Hausherrinnen.’”

Brilliant, Virginia, and Frederick Ilchman, eds. Paolo Veronese: A Master and His Workshop in Renaissance Venice . London: Scala Publishers, 2012. 288 pp. $30. ISBN: 978–1–85759–766–0.

Includes : David Rosand, “Paolo Caliari: A Veronese Painter Triumphant in Venice”; Diana Gisolfi, “Veronese’s Training, Methods, and Shop Practice”; Blake de Maria, “Veronese and His Patrons”; Rembrandts Duits, “‘ Abiti gravi, abiti stravaganti ’: Veronese’s Creative Approach to Drapery”; Maria H. Loh, “Veronese’s Story of the Eye”; Virginia Brilliant, “Veronese in America: Collecting and Taste”; Inge Reist, “The Classical Tradition: Mythology and Allegory”; John Garton, “The Portraiture of Veronese”; Virginia Brilliant, “The Bible and the Lives of Saints”; Virginia Brilliant, “Altarpieces and Heavenly Visions”; Virginia Brilliant, “The Rest on the Flight into Egypt”; Frederick Ilchman, “The Baptism of Christ”; Frederick Ilchman, “The Death of Christ”; John Marciari, “The Drawings of Veronese”; Jonathan Bober, “Veronese and the Reproductive Print”; Stephen Gritt, “‘Like a mirror that shows his ideas . . .’: Interaction in the Veronese Workshop”; and Nicholas Dorman and Katie Patton, “Materials, Techniques, and the Master’s Hand: The Seattle Venus and Adonis .”

Brosens, Koenraad, Leen Kelchtermans, and Katlijne Van der Stighelen, eds. Family Ties: On Art Production, Kinship Patterns and Connections (1600–1800) . Turnhout: Brepols, 2012. 240 pp. €70. ISBN: 978–2–503–54227–0.

Includes : Hessel Miedema, “Kinship and Network in Karel van Mander”; Axel Marx, “Why Social Network Analysis Might Be Relevant for Art Historians: A Management Perspective”; Koenraad Brosens, “Can Tapestry Research Benefit from Economic Sociology and Social Network Analysis?”; Neil De Marchi and Hans J. Van Miegroet, “Uncertainty, Family Ties and Derivative Painting in Seventeenth-Century Antwerp”; Rudi Ekkart, “Dutch Family Ties: Painter Families in Seventeenth-Century Holland”; Brecht Dewilde, “On Noble Artists and Poor Painters: Networking Artists in Renaissance Bruges”; Natasja Peeters, “From Nicolaas to Constantijn: the Francken Family and their Rich Artistic Heritage (ca. 1550–1717)”; Miroslav Kindl, “The De Herdt (De Harde) Family in the Service of Emperor Leopold in Vienna”; Nils Büttner, “Rubens and Son: Jeremy Howarth, The Steenwyck Paintings, Products of Family Enterprise”; Hans Vlieghe, “Going Their Separate Ways: the Artistic Inclinations and Paths of David Teniers I, II and III”; Prisca Valkeneers, “Justus van Egmont (1602–74) and His Workshop in Paris”; Bert Timmermans, “‘Siet wat een vrucht dat baert hen kercken te vercieren’: Family, Agency and Networks of Patronage: Towards a Mapping of the Revival of the Family Chapel in Seventeenth-Century Antwerp”; and Alison Stoesser, “Lucas and Cornelis de Wael: Their Family Network in Antwerp and Beyond.”

Burn, David J., and Stefan Gasch, eds. Heinrich Isaac and Polyphony for the Proper of the Mass in the Late Middle Ages and Renaissance . Centre d’études supérieures de la Renaissance; Collection “Épitome musical.” Turnhout: Brepols, 2011. 438 pp. €80. ISBN: 978–2–503–54249– 2.

Includes : David J. Burn and Stefan Gasch, “Chant Adorned: The Polyphonic Mass Proper in the Later Middle Ages and Renaissance”; Reinhard Strohm, “The Medieval Mass Proper, and the Arrival of Polyphonic Proper Settings in Central Europe”; Bernadette Nelson, “Fragments of Fifteenth-Century Northern Propers in Portugal”; João Pedro d’Alvarenga and Manuel Pedro Ferreira, “The Liber Introitus of Miguel da Fonseca, and a Possible Improvisatory Model”; David Rothenberg, “Isaac’s Unfinished Imperial Cycle: A New Hypothesis”; William P. Mahrt, “The Choralis Constantinus and the Organ”; Anthony M. Cummings, “Isaac, the Mass Proper, and the Motet”; Ruth I. DeFord, “Who Devised the Proportional Notation in Isaac’s Choralis Constantinus ?”; Royston Gustavson, “Commercialising the Choralis Constantinus : The Printing and Publishing of the First Edition”; Barbara Eichner, “Getting Proper-ly Started: Isaac’s Choralis Constantinus and the Introduction of Polyphonic Mass Propers in South-German Monasteries”; David J. Burn, “Leonhard Paminger’s Manuscript of Mass Proper”; Stefan Gasch, “Beyond Munich: Senfl’s Propers in Prints and Manuscript”; Tobias Rimek, “Mass Propers in the Choirbooks of the Benedictine Abbey of SS. Ulrich and Afra in Augsburg (1575–1614)”; Agnieszka Leszczyńska, “Polyphonic Mass Propers from the Braunsberg Jesuit Collegium and their Local Context”; Mattias Lundberg, “The Proper of the Mass in Sixteenth- and Early- Seventeenth-Century Lutheran Liturgies and its Relationships with Other Types of De Tempore Cycle”; and Kerry McCarthy, “Byrd and the Mass Proper Tradition.”

Cabibbo, Sara, and Maria Lupi, eds. Relazioni religiose nel Mediterraneo: schiavi, redentori, mediatori (secc. XVI–XIX) . Studi e ricerche 28. Rome: Viella, 2012. 264 pp. €22.10. ISBN: 978– 88–8334–411–4.

Includes : Sara Cabibbo and Maria Lupi, “Introduzione”; Enrique Mora González, “La redención de cautivos entre lo carismático y lo institucional en la España de Felipe II. Aproximación a los libros de las cuentas de la redención de 1575, 1579 y 1583”; Stefano Defraia, “ Redemptionum ordinis de Mercede opera omnia : riflessione e percorsi”; Sara Cabibbo amd Maria Lupi, “Tra autorappresentazione, cronaca e negozio spirituale. Il trattato del mercedario Ignacio Vidondo e la redenzione di Algeri del 1654”; María Berta Pallares Garzón, “A la sombra de un redentor: el Padre Fray Gabriel Gómez de Losada, mercedario y su Escuela de trabajos ”; Francesco Russo, “Schiavitù e conversioni a Malta in età moderna: nuove fonti e percorsi di ricerca”; Celia L. Cussen, “Cofradías y evangelización de negros en Lima, Perú y Santiago de Chile, siglo XVII”; Francesco Correale, “Le relazioni ‘garbate’ fra il Sultanato del Marocco e il Regno di Napoli. Diplomazia, religione e rappresentazione nella missione marocchina del 1782”; Anthony Santilli, “La questione della protezione dei cattolici d’Egitto. Il caso delle Suore del Buon Pastore, missionarie francesi sotto la tutela del Regno di Sardegna (1820–1850)”; and Giuseppe Continiello and Stefano Minetti, “Il Faro di Tunisi. Musulmani, ebrei e cristiani alla scuola delle élites .”

Caldwell, Dorigen, and Lesley Caldwell, eds. Rome: Continuing Encounters between Past and Present . Farnham: Ashgate Publishing Limited, 2011. xx + 262 pp. $119.95. ISBN: 978–1– 4094–1762–0.

Includes : Dorigen Caldwell, “Introduction: Continuities of Place”; Caroline J. Goodson, “Roman Archaeology in Medieval Rome”; Jessica Maier, “ Roma Renascens : Sixteenth-Century Maps of the Eternal City”; Emma Stirrup, “Time Concertinaed at the Altar of Santa Cecilia in Trastevere”; Mario Bevilacqua, “Lione Pascoli, Giovanni Gaetano Bottari, Giovanni Battista Nolli: Functions and Topography of Rome in the Eighteenth Century”; Terry Kirk, “The Political Topography of Modern Rome, 1870–1936: Via XX Settembre to Via dell’Impero”; Aristotle Kallis, “‘Reconciliation’ or ‘Conquest’? The Opening of the Via della Conciliazione and the Fascist Vision for the ‘Third Rome’”; Jacopo Benci, “‘An Extraordinary Proliferation of Layers’: Pasolini’s Rome(s)”; Lesley Caldwell, “Piazza Vittorio: Cinematic Notes on the Evolution of a Piazza”; and Daniele Manacorda, “Archaeology and the Modern City: Thoughts on Rome (and Elsewhere).”

Carey, Daniel, and Claire Jowitt, eds. Richard Hakluyt and Travel Writing in Early Modern Europe . Hakluyt Society Extra Series 47. Farnham: Ashgate Publishing Limited, 2012. xxiv + 370 pp. + 2 color pls. $119.95. ISBN: 978–1–4094–0017–2.

Includes : Anthony Payne, “Hakluyt’s London: Discovery and Overseas Trade”; Joan-Pau Rubiés, “From the ‘History of Travayle’ to the History of Travel Collections: The Rise of an Early Modern Genre”; Margaret Small, “A World Seen through Another’s Eyes: Hakluyt, Ramusio, and the Narratives of the Navigationi et Viaggi ”; Sven Trakulhun, “Three Tales of the New World: Nation, Religion, and Colonialism in Hakluyt, de Bry, and Hulsius”; Grégoire Holtz, “Hakluyt in France: Pierre Bergeron and Travel Writing Collections”; Matthew Day, “‘Honour to our Nation’: Nationalism, The Principal Navigations and Travel Collections in the Long Eighteenth Century”; Peter C. Mancall, “Richard Hakluyt and the Visual World of Early Modern Travel Narratives”; Joyce Lorimer, “‘[T]ouching the state of the Country of Guiana, and whether it were fit to be planted by the English’: Sir Robert Cecil, Richard Hakluyt and the Writing of Guiana, 1595–1612”; Nandini Das, “Richard Hakluyt’s Two Indias: Textual sparagmos and Editorial Practice”; Julia Schleck, “Forming the Captivity of Thomas Saunders: Hakluyt’s Editorial Practices and their Ideological Effects”; Colm MacCrossan, “Framing ‘the English nation’: Reading between Text and Paratext in The Principal Navigations (1598–1600)”; Felicity Stout, “‘The strange and wonderfull Discoverie of Russia’: Hakluyt and Censorship”; Francisco J. Borge, “‘We (upon peril of my life) shall make the Spaniard ridiculous to all Europe’: Richard Hakluyt’s ‘Discourse’ of Spain”; Diego Pirillo, “Balance of Power and Freedom of the Seas: Richard Hakluyt and Alberico Gentili”; David A. Boruchoff, “Richard Hakluyt and the Demands of Pietas Patriae ”; David Harris Sacks, “‘To deduce a colonie’: Richard Hakluyt’s Godly Mission in its Contexts, c.1580–1616”; Matthew Dimmock, “Hakluyt’s Multiple Faiths”; Mary C. Fuller, “‘His dark materials’: The Problem of Dullness in Hakluyt’s Collections”; Bernhard Klein, “‘To pot straight way we goe’: Robert Baker in Guinea, 1562– 64”; Daniel Carey, “Hakluyt, Purchas, and the Romance of Virginia”; Elizabeth Heale, “‘Accidentall restraints’: Straits and Passages in Richard Hakluyt’s The Principal Navigations ”; Steve Mentz, “Hakluyt’s Oceans: Maritime Rhetoric in The Principal Navigations ”; Claire Jowitt, “Hakluyt’s Legacy: Armchair Travel in English Renaissance Drama”; and Roy Bridges, “The Legacy of Richard Hakluyt: Reflections on the History of the Hakluyt Society.”

Cerasano, S. P., and Steven W. May, eds. In the Prayse of Writing: Early Modern Manuscript Studies: Essays in Honour of Peter Beal . London: British Library, 2012. xxi + 326 pp. £50. ISBN: 978–0–7123–5857–6.

Includes : Julia Boffey, “The English Verse of Robert Fabyan”; A. S. G. Edwards, “Print and Manuscript: The Text and Canon of Surrey’s Lyric Verse”; H. R. Woudhuysen, “Sir Philip Sidney’s Astrophil and Stella Abbreviated: A Note on Rowland Woodward”; Paul E. J. Hammer, “‘Like droppes of colde water caste into the flame’: Lord Henry Howard’s Notes on the Fall of the Earl of Essex”; Katherine Duncan-Jones, “Poetry and Poets in John Lane’s ‘The Corrected Historie of Gwy Earle of Warwick’ (1621)”; John Pitcher, “Margaret, Countess of Cumberland’s Prayse of Private Life , Presented by Samuel Daniel”; Grace Ioppolo, “Creating the First Early Modern English Theatre History Archive: Edward Alleyn, William Cartwright, and British Library Egerton MS 1994”; Heather Wolfe, “‘Neatly sealed, with silk, and Spanish wax or otherwise’: The Practice of Letter-Locking with Silk Floss in Early Modern England”; Steven W. May, “Samuel Watts’s Anthology”; S. P. Cerasano, “Of Minstrels, Mastiffs, and Mole-Catchers: Collier’s Gathering of Theatrical Papers”; Arthur F. Marotti, “Rare or Unique Poems in British Library Sloane MS 1446”; Hilton Kelliher, “Foreign Piracies of the First Defence: A New Letter to Milton”; Margaret J. M. Ezell, “The Exemplary Wife: Anna Cromwell William’s Book of Secrets”; and Alan H. Nelson, “Manuscripts from the 1682 Sale of Richard Smith’s Library.”

Degl’Innocenti, Antonella, ed. Vallombrosa: Memorie agiografiche e culto delle reliquie . I libri di Viella 140. Rome: Viella, 2012. 352 pp. €25.50. ISBN: 978–88–8334–928–7.

Includes : Sofia Boesch Gajano, “Storia e tradizione vallombrosane”; Antonella Degl’Innocenti, “Da Andrea di Strumi a Sante da Perugia: l’agiografia su Giovanni Gualberto fino al XV secolo”; Antonella Degl’Innocenti, “Santità vallombrosana fra XII e XIII secolo”; Adele Simonetti, “Le donne nell’agiografia vallombrosana fra XII e XIII secolo”; Adele Simonetti, “Margherita da Faenza fra storia e agiografia”; Antonella Degl’Innocenti, “Attone, agiografo e santo nella memoria vallombrosana e pistoiese”; Antonella Degl’Innocenti, “L’opera agiografica di Girolamo da Raggiolo”; Caterina Giovanna Coda, “Memoria agiografica, culto delle reliquie e processi di tesaurizzazione”; Antonella Degl’Innocenti, “La Vita di Giovanni Gualberto nel ms. Laurenziano Plut . 35 sin . 9”; Antonella Degl’Innocenti, “Le Vite dei santi vallombrosani nel leggendario Laurenziano Plut . XX, 6”; and Adele Simonetti, “Margherita da Faenza negli scritti di Giovanni e di Pietro.”

Dell, Jessica, David Klausner, and Helen Ostovich, eds. The Chester Cycle in Context, 1555– 1575: Religion, Drama, and the Impact of Change . Studies in Performance and Early Modern Drama. Farnham: Ashgate Publishing Limited, 2012. xiii + 230 pp. $99.95. ISBN: 978–1–4094– 4137–3.

Includes : David Klausner, Helen Ostovich, and Jessica Dell, “Introduction: The Chester Cycle in Context”; Alexandra F. Johnston, “The Text of the Chester Plays in 1572: A Conjectural Re- Construction”; David Mills in conjunction with his wife, Joy, “In the Beginning! A New Look at Chester Play One, Lines 1–51”; Erin E. Kelly, “Doubt and Religious Drama Across Sixteenth- Century England, or Did the Middle Ages Believe in Their Plays?”; Matthew Sergi, “Dice at Chester’s Passion ”; John T. Sebastian, “‘Whye ys thy cloathinge nowe so reedd?’: Salvific Blood in the Chester Ascension”; Margaret Rogerson, “Affective Piety: A ‘Method’ for Medieval Actors in the Chester Cycle”; Paul Whitfield White, “The Chester Cycle and Early Elizabethan Religion”; Kurt A. Schreyer, “‘Erazed in the booke’?: Periodization and the Material Text of the Chester Banns”; Sheila Christie, “When in Rome: Shifting Conceptions of the Chester Cycle’s Roman References in Pre- and Post-Reformation England”; Mark Faulkner, “Exegesis in the City: The Chester Plays and Earlier Chester Writing”; Heather S. Mitchell- Buck, “Maintaining the Realm: City, Commonwealth, and Crown in Chester’s Midsummer Plays”; and JoAnna Dutka, “Afterword: Origins and Continuities: F. M. Salter and the Chester Plays.”

DeSilva, Jennifer Mara, ed. Episcopal Reform and Politics in Early Modern Europe . Early Modern Studies 10. Kirksville: Truman State University Press, 2012. xiv + 226 pp. $44.95. ISBN: 978–1–61248–072–5.

Includes : William V. Hudon, “Foreword: The Local Nature of Episcopal Reform in the Age of the Council of Trent”; Jennifer Mara DeSilva, “Introduction: A Living Example”; Raymond A. Powell, “A Hierarchy that Had Fought: Episcopal Promotion during the Reign of Mary I (1553– 58) and the Roots of Episcopal Resistance to the Elizabethan Religious Settlement”; Hans Cools, “Bishops in the Habsburg Netherlands on the Eve of the Catholic Renewal, 1515–59”; Antonella Perin and John Alexander, “Office and Patronage in Mid-Sixteenth-Century Tortona”; Jennifer Mara DeSilva, “The Absentee Bishop in Residence: Paris de’ Grassi, Bishop of Pesaro, 1513– 28”; John Christopoulos, “Papal Authority, Episcopal Reservation, and Abortion in Sixteenth- Century Italy”; Jill Fehleison, “Ministering to Catholics and Protestants Alike: The Preaching, Polemics, and Pastoral Care of François de Sales”; Linda Lierheimer, “Gender, Resistance, and the Limits of Episcopal Authority: Sébastien Zamet’s Relationships with Nuns, 1615–55”; Celeste McNamara, “Challenges to Episcopal Authority in Seventeenth-Century Padua”; and Jean-Pascal Gay, “Trials that Should Have Been: The Question of Judicial Jurisdiction over French Bishops in the Seventeenth-Century and the Self-Narration of the Roman Inquisition.”

Dickerson III, C. D., Anthony Sigel, and Ian Wardropper, eds. Bernini: Sculpting in Clay . Exh. Cat. New York, The Metropolitan Museum of Art; Fort Worth, Kimbell Art Museum. New York: Metropolitan Museum of Art, 2012. xvi + 416 pp. $65. ISBN: 978–1–58839–472–9.

Includes : C. D. Dickerson III, “Introduction”; “Bernini at the Beginning: The Formation of a Master Modeler”; Ian Wardropper, “Sketching in Paper and in Clay: Bernini’s Use of Preparatory Drawings and Models”; Andrea Bacchi, “The Role of Terracota Models in Bernini’s Workshop”; Tomaso Montanari, “Creating an Eye for Models: The Role of Bernini”; Steven F. Ostrow, “‘The Fire of Art?’: A Historiography of Bernini’s Bozzetti ”; Anthony Sigel, “Visual Glossary”; C. D. Dickerson III and Anthony Sigel, “Catalogue”; and Ian Wardropper, “Checklist of Drawings.”

Dupré, Sven, and Christoph Herbert Lüthy, eds. Silent Messengers: The Circulation of Material Objects of Knowledge in the Early Modern Low Countries . Low Countries Studies on the Circulation of Natural Knowledge 1. Berlin: Lit Verlag, 2011. ii + 388 pp. $52.95. ISBN: 978– 3–8258–1635–3.

Includes : Sven Dupré and Christoph Lüthy, “Introduction: Silent Messengers: The World of Goods and Circulation of Knowledge in the Early Modern Netherlands”; Vittoria Feola, “Botanical, Heraldic, and Historical Exchanges Concerning Lilies: The Background of Jean- Jacques Chifflet’s Lilium Francium (1658)”; María Luz López Terrada, “Flora and the Hapsburg Crown: Clusius, Spain, and American Natural History”; Koenraad Van Cleempoel, “The Migration of Instrumental Knowledge from Flanders to Spain: The Role of Sixteenth-Century Flemish Instrument Maker Petrus ab Aggere”; Fokko Jan Dijsterhuis, “Moving around the Ellipse: Conic Sections in Leiden, 1620–1660”; Vera Keller, “How to Become a Seventeenth- Century Natural Philosopher: The Case of Cornelis Drebbel (1572–1633)”’; Eric Jorink, “Noah’s Ark Restored (and Wrecked): Dutch Collectors, Natural History, and the Problem of Biblical Exegesis”; Dániel Margócsy, “A Museum of Wonders or a Cemetery of Corpses? The Commercial Exchange of Anatomical Collections in Early Modern Netherlands”; Claus Zittel, “Conflicting Pictures: Illustrating Descartes’ Traité de l’homme ”; Sven Dupré, “Trading Luxury Glass, Picturing Collections, and Consuming Objects of Knowledge in Early Seventeenth- Century Antwerp”; Koen Vermeir, “Circulating Knowledge or Superstition? The Dutch Debate on Divination”; and Harold J. Cook, “Closing Comments.”

Escolme, Bridget, and Stuart Hampton-Reeves, eds. Shakespeare and the Making of Theatre . New York: Palgrave Macmillan, 2012. xv + 242 pp. £15.99. ISBN: 978–0–230–21868–0.

Includes : Margaret Jane Kidnie, “Textual Clues and Performance Choices”; Peter Holland, “Openings”; Rob Conkie, “Entrances & Exits”; Paul Prescott, “Endings”; Christie Carson, “Visual Scores”; Farah Karim-Cooper, “Props”; Carol Chillington Rutter, “Talking Heads”; Bridget Escolme, “Costume”; Stuart Hampton-Reeves, “Fighting”; Sarah Werner, “Audiences”; P. A. Skantze, “Sound”; and Robert Shaughnessy, “Silence.”

Feeser, Andrea, Maureen Daly Goggin, and Beth Fowkes Tobin, eds. The Materiality of Color: The Production, Circulation, and Application of Dyes and Pigments, 1400–1800 . The Histories of Material Culture and Collecting, 1700–1950. Farnham: Ashgate Publishing Limited, 2012. xix + 334 pp. $119.95. ISBN: 978–1–4094–2915–9.

Includes : Andrea Feeser, Maureen Daly Goggin, and Beth Fowkes Tobin, “Introduction: The Value of Color”; Jason D. LaFountain, “Colorizing New England’s Burying Grounds”; Maureen Daly Goggin, “The Extra-Ordinary Powers of Red in Eighteenth- and Nineteenth-Century English Needlework”; Molly Harbour Bassett and Jeanette Favrot Peterson, “Coloring the Sacred in Sixteenth-Century Central Mexico”; Mitchell M. Harris, “The Expense of Ink and Wastes of Shame: Poetic Generation, Black Ink, and Material Waste in Shakespeare’s Sonnets”; Vanessa Alayrac-Fielding, “‘Luscious Colors and Glossy Paint’: The Taste for China and the Consumption of Color in Eighteenth-Century England”; Jeremy Baskes, “Seeking Red: The Production and Trade of Cochineal Dye in Oaxaca, Mexico, 1750–1821”; Jean-François Lozier, “Red Ochre, Vermilion, and the Transatlantic Cosmetic Encounter”; Padmini Tolat Balaram, “Indian Indigo”; Andrea Feeser, “The Exceptional and the Expected: Red, White, and Black Made Blue in Colonial South Carolina”; Sarah Lowengard, “Prussian Blue: Transfers and Trials”; Stéphanie Karine Boulogne, “Glass Bracelets in the Medieval and Early Modern Middle East: Design and Color as Identity Markers”; Éva Deák, “The Colorful Court of Gabriel Bethlen and Catherine of Brandenburg”; Richard Blunt, “The Evolution of Blackface Cosmetics on the Early Modern Stage”; Amy Buono, “Crafts of Color: Tupi Tapirage in Early Colonial Brazil”; Elaine M. Gibbs, “Colors and Techniques of Eighteenth-Century Chinese Wallpaper: Blair House as Case Study”; and Beth Fowkes Tobin, “Butterflies, Spiders, and Shells: Coloring Natural History Illustrations in Late Eighteenth-Century Britain.”

Fenton, Mary C., and Louis Schwartz, eds. To Repair the Ruins: Reading Milton. Medieval and Renaissance Literary Studies. Pittsburgh: Duquesne University Press, 2012. xi + 436 pp. ISBN: 978–0–8207–045408.

Includes : John Leonard, “Lord Monboddo, Close Reading, and ‘Density of Sense’ in Paradise Lost ”; William Schullenberger, “Milton’s Pagan Counterpoetic: Eros and Inspiration in Elegy 5”; Gardner Campbell, “Milton’s Empyreal Conceit”; Ryan Netzley, “Reading, Recognition, Learning, and Love in Paradise Regained ”; Vanita Neelakanta, “ Paradise Regained in the Closet: Private Piety in the Brief Epic”; Giuseppina Iacono Lobo, “Restoration Dissent, Consience, and the Paradise Within in Paradise Lost ”; Alison A. Chapman, “Milton’s Genii Loci and the Medieval Saints”; Carter Revard, “David and Charles, Laud and Satan: The Two-Handed Engine of 1 Chronicles 21”; Sara van den Berg, “Unruly Daughter, Virtuous Wife: The Double Subject and Double Occasion of Milton’s Sonnet 9”; Joan Blythe, “Milton, Cromwell, and Napoleon in Chateaubriand and Hugo”; Wendy Furman-Adams, “The Fate of Place in Paradise Lost : Three Artists Reading Milton”; and Sarah Higinbotham, “Education as Repair: Paradise Lost in Prison.”

Ford, Philip, and Neil Kenny, eds. La Librairie de Montaigne: Proceedings of the Tenth Cambridge Renaissance Colloquium 2–4 September 2008. Cambridge: Cambridge French Colloquia, 2012. xvi + 248 pp. £15. ISBN: 978–0–9554905–1–4.

Includes : Paul Nelles, “Stocking a Library: Montaigne, the Market, and the Diffusion of Print”; Philip Ford, “La Bibliotéque grecque de Montaigne”; Richard Cooper, “La Bibliotéque italienne de Montaigne”; Marie-Luce Demonet, “La Place de philosophes mineurs dans la bibliotéque de Montaigne: Pichot et La Primaudaye”; Alain Legros, “Le ‘Lucrèce’ de Lambin annoté par Montaigne, lecteur de commentaires”; André Tournon, “Un livre à distance d’examen”; Emily Butterworth, “Catulle et caquet”; John O’Brien, “‘Plustor par licence que par mesgarde’: Montaigne’s Anacreon”; Michel Magnien, “Montaigne, (re)lecteur des Tusculanes ”; Jean Balsamo, “Quelques remarques sur la copie d’auteur utilisée pour préparer l’édition posthume des Essais (1595)”; Philippe Desan, “Les Essais sur vingt ans: remarques sur le travail de Montaigne”; and Patrick Boyde, “Sur des vers de Lucrèce.”

Fox, Robert, ed. Thomas Harriot and His World: Mathematics, Exploration, and Natural Philosophy in Early Modern England . Farnham: Ashgate Publishing Limited, 2012. xviii + 256 pp. $124.95. ISBN: 978–0–7546–6960–9.

Includes : Robert Fox, “Introduction: The Many Worlds of Thomas Harriot”; Jon V. Pepper, “Thomas Harriot and the Great Mathematical Tradition”; Robert Goulding, “ Chymicorum in morem : Refraction, Matter Theory, and Secrecy in the Harriot–Kepler Correspondence”; Jacqueline Stedall, “Reconstructing Thomas Harriot’s Treatise on Equations”; Ian Maclean, “Harriot on Combinations”; Matthias Schemmel, “Thomas Harriot as an English Galileo: The Force of Shared Knowledge in Early Modern Mechanics”; John Henry, “Why Thomas Harriot Was Not the English Galileo”; Stephen Pumfrey, “Patronizing, Publishing and Perishing: Harriot’s Lost Opportunities and His Lost Work ‘Arcticon’”; Mark Nicholls, “Last Act? 1618 and the Shaping of Sir Walter Ralegh’s Reputation”; and Pascal Brioist, “Thomas Harriot and the Mariner’s Culture: On Board a Transatlantic Ship in 1585.”

Gillespie, Vincent, and Kantik Ghosh, eds. After Arundel: Religious Writing in Fifteenth-Century England . Medieval Church Studies 21. Turnhout: Brepols, 2011. xix + 658 pp. €135. ISBN: 978–2–503–53402–2.

Includes : Vincent Gillespie, “Chichele’s Church: Vernacular Theology in England after Thomas Arundel”; Jeremy Catto, “After Arundel: The Closing or the Opening of the English Mind?”; Michael G. Sargent, “Censorship or Cultural Change? Reformation and Renaissance in the Spirituality of Late Medieval England”; Ian Johnson, “Vernacular Theology / Theological Vernacular: A Game of Two Halves?”; James Simpson, “Orthodoxy’s Image Trouble: Images in and after Arundel’s Constitutions”; Christopher G. Bradley, “Censorship and Cultural Continuity: Love’s Mirror , the Pore Caitif , and Religious Experience before and after Arundel”; David Lawton, “Voice after Arundel”; Alexander Russell, “Conciliarism and Heresy in England”; David Lepine, “‘Let Them Praise Him in Church’: Orthodox Reform at Salisbury Cathedral in the First Half of the Fifteenth Century”; Sheila Lindenbaum, “London after Arundel: Learned Rectors and the Strategies of Orthodox Reform”; James Willoughby, “Common Libraries in Fifteenth-Century England: An Episcopal Benefaction”; Daniel Wakelin, “Religion, Humanism, and Humanity: Chaundler’s Dialogues and the Winchester Secretum”; Andrew Cole, “Staging Advice in Oxford, New College, MS 288: On Thomas Chaundler and Thomas Bekynton”; Allan F. Westphall, “Reconstructing the Mixed Life in Reginald Pecock’s Reule of Crysten Religioun ”; Tamás Karáth, “Vernacular Authority and the Rhetoric of Sciences in Pecock’s The Folewer to the Donet and in The Court of Sapience ”; Helen Barr, “‘This holy tyme”: Present Sense in the Digby Lyrics ”; Susanna Fein, “English Devotions for a Noble Household: The Long Passion in Audelay’s Counsel of Conscience ”; W. H. E. Sweet, “Lydgate’s Retraction and ‘his resorte to his religyoun’”; Stephen Kelley and Ryan Perry, “Devotional Cosmopolitanism in Fifteenth-Century England”; Niamh Pattwell, “Canons and Catechisms: The Austin Canons of South-East England and Sacerdos parochialis ”; Amanda Moss, “‘Þat þine opun dedis be a trewe book’: Reading around Arundel’s Constitutions”; Jennifer Brown, “Gender, Confession, and Authority: Oxford, Bodleian Library, MS Douce 114 in the Fifteenth Century”; Matthew Giancarlo, “Dressing up a ‘galaunt’: Traditional Piety and Fashionable Politics in Peter Idley’s ‘translacions’ of Mannyng and Lydgate”; Laura Saetveit Miles, “Richard Methley and the Translation of Vernacular Religious Writing into Latin”; Catherine Sanok, “Saints’ Lives and the Literary after Arundel”; Karen Winstead, “Hagiography after Arundel: Expounding the Trinity”; C. Annette Grisé, “Proliferation and Purification: The Use of Books for Nuns after Arundel”; Susan Powell, “After Arundel but before Luther: The First Half-Century of Print”; Kantik Ghosh, “Wyclif, Arundel, and the Long Fifteenth Century”; and Nicholas Watson, “‘A clerke schulde have it of kinde for to kepe counsell.’”

Guazzelli, Giuseppe Antonio, Raimondo Michetti, and Francesco Scorza Barcellona, eds. Cesare Baronio tra santità e scrittura storica . Studi e ricerche 29. Rome: Viella, 2012. 536 pp. €34. ISBN: 978–88–8334–468–8.

Includes : Francesco Scorza Barcellona, “Premessa”; Raimondo Michetti, “Introduzione”; Simon Ditchfield, “Baronio storico nel suo tempo”; Mario Mazza, “La metodologia storica nella Praefatio degli Annales Ecclesiastici ”; Marina Benedetti, “Cesare Baronio e gli eretici: le fonti della controversia”; Giuseppe Antonio Guazzelli, “Baronio attraverso il Martyrologium Romanum ”; Giuseppe Finocchiaro, “La dispersa Historia delle sante vergini forestiere di Antonio Gallonio. Una vicenda editoriale”; Tommaso Caliò, “L’immagine agiografica di Cesare Baronio”; Edoardo Aldo Cerrato, “Il Processo di Beatificazione di Cesare Baronio: dall’introduzione della Causa ai nostri giorni”; Francesco Scorza Barcellona, “Gli Atti dei Martiri negli Annales Ecclesiastici ”; Sara Cabibbo and Carmela Compare, “La santità martiriale femminile tra modello e paradigma”; Stefano Andretta, “Cesare Baronio e Venezia”; Paolo Broggio, “Baronio e la controversia de auxiliis : discussioni dottrinali e posizionamenti politici durante il pontificato di Clemente VIII”; Giovanna Brogi Bercoff, “Baronio storico e il mondo slavo”; Andrea Ceccherelli, “ Annales Ecclesiastici e Martyrologium Romanum come fonti per la correzione delle Vite di Santi di Piotr Skarga”; Manfredi Merluzzi, “Considerazioni su Cesare Baronio e la Spagna, tra controversia politica e ricezione erudita”; Bernard Dompnier, “Baronio nelle controversie del XVII secolo tra cattolici e protestanti francesi”; Lucrezia Spera, “Cesare Baronio, ‘peritissimus antiquitatis,’ e le origini dell’archeologia cristiana”; Ingo Herklotz, “Chi era Priscilla? Baronio e le ricerche sulla Roma sotterranea”; Alessandro Zuccari, “Baronio e l’iconografia del martirio”; and Giuseppe Antonio Guazzelli, “Riflessioni conclusive.”

Hayden, Judy A., and Nabil I. Matar, eds. Through the Eyes of the Beholder: The Holy Land, 1517–1713 . Islamic History and Civilization 97. Leiden: Brill, 2013. xvii + 238 pp. $149. ISBN: 978–90–04–23417–8.

Includes : Judy A. Hayden and Nabil I. Matar, “Introduction: Pilgrims and Travelers: In Search of the ‘Holy’ in Holy Land”; Nabil I. Matar and Mohammad Asfour, “An Arabic Orthodox Account of the Holy Land, c. 1590s”; Galina Yermolenko, “Early Modern Russian Pilgrims in the Holy Land”; Julia Schleck, “Textual Truths and Lived Experience: George Sandys’ A Relation of a Journey begun an: domini 1610 and William Biddulph’s The Travels of certain Englishmen ”; Richard Coyle, “Rescuing the Holy Land in Friar Jean Boucher’s Bouquet sacré composé des plus belles fleurs de la Terre sainte ”; Hasan Baktir, “Evliya Çelebi’s Seyahatname and the Holiness of Jerusalem”; Mazin Tadros, “Joseph Besson, French Nationalism, and Biblical Heroism in Defense of the Jesuit Missionary Enterprise in Greater Syria, 1625–1660”; Judy A. Hayden, “Cornelis de Bruyn: Painter, Traveler, Curiosity Collector—Spy?”; Nabil I. Matar, “The Sufi and the Chaplain: ‘Abl al-Ghani al-Nabulsi and Henry Maundrell”; Michael Rotenberg-Schwartz, “Early Modern Jewish Prayer in and for Israel”; Joachim Östlund, “A Lutheran in the Holy Land: Michael Eneman’s Journey, 1711–12”; and Nabil I. Matar, “Conclusion.”

Herbrechter, Stefan, and Ivan Callus, eds. Posthumanist Shakespeares . Palgrave Shakespeare Studies. New York: Palgrave Macmillan, 2012. xv + 262 pp. £50. ISBN: 978–0–230–36090–7.

Includes : Stefan Herbrechter, “Introduction: Shakespeare ever after”; Neil Rhodes, “The Science of the Heart: Shakespeare, Kames and the Eighteenth-Century Invention of the Human”; Stefan Herbrechter, “‘A passion so strange, outrageous, and so variable’: The Invention of the Inhuman in The Merchant of Venice ”; Bruce Boehrer, “Shakespeare and the Character of Sheep”; Gabriel Egan, “Homeostasis in Shakespeare”; Andy Mousley, “Care, Scepticism and Speaking in the Plural: Posthumanisms and Humanisms in King Lear ”; Mareile Pfannebecker, “Cyborg Coriolanus / Monster Body Politic”; Rainer Emig, “Renaissance Self-Unfashioning: Shakespeare’s Late Plays as Exercises in Unraveling the Human”; Mark Robson, “Surviving the Truth ( Measure for Measure )”; Laurent Milesi, “(Post-)Heideggerian Hamlet ”; Marie- Dominique Garnier, “Loam, Moles and l’homme : Reversible Hamlet ”; Ivan Callus, “‘This?’: Posthumanism and the Graveyard Scene in Hamlet ”; and Adam Max Cohen and David B. King, “Post-Posthumanist Me: An Illiterate Reads Shakespeare.”

Herron, Thomas, and Willy Maley, eds. Sidney Journal: Sir Henry Sidney in Ireland and Wales . 29.1–2 Massachusetts Center for Renaissance Studies. Carbondale: Sidney Society, 2011. ii + 248 pp. $14

Includes : Thomas Herron and Willy Maley, “Introduction: Monumental Sidney”; Valerie McGowan-Doyle, “Representations of Sir Henry Sidney: Authority and the Rhetoric of Virtue”; Karen Holland, “The Sidney Women in Ireland, c. 1556–1594”; Mark A. Hutchinson, “Reformed Protestantism and the Government of Ireland, c. 1565–1582: The Lord Deputyships of Henry Sidney and Arthur Grey”; Stuart Kinsella, “Colonial Commemoration in Tudor Ireland: The Case of Sir Henry Sidney”; Maryclaire Moroney, “‘The Sweetness of Due Subjection’: Derricke’s Image of Irelande (1581) and the Sidneys”; Robert Shepard, “The Motives of Sir Henry Sidney’s Memoir (1583)”; Brandier R. Siegfried, “Rivaling Caesar: The Roman Model in Sir Henry Sidney’s Memoir (1583)”; and Philip Schwyzer, “‘A Happy Place of Government’: Sir Henry Sidney, Wales, and The Historie of Cambria (1584).”

Hodder, Karen, and Brendan O’Connell, eds. Transmission and Generation in Medieval and Renaissance Literature: Essays in Honour of John Scattergood . Dublin: Four Courts Press, 2012. 156 pp. €55. ISBN: 978–1–84682–338–1.

Includes : Francis Leneghan, “Reshaping Tradition: The Originality of the Scyld Seefing Episode in Beowulf ”; Erik Kooper, “Three Twelfth-Century Kings and Their Successors in Some Middle English Chronicles”; Brendan O’Connell, “Culture and Dispute in Dialogus de Scaccario ”; Darragh Greene, “ The Parlement of the Thre Ages : Age, Argument and Allegory”; Niamh Pattwell, “Reinterpreting the Later Life of Isabelle of France (c. 1295–1358)”; Clíodhna Carney, “The Franklin’s Tale : the Generous Father and the Spendthrift Son”; Frances McCormack, “The Heterodoxy of Sir John Clanvowe’s The Two Ways ”; Eiléan Ní Chuilleanáin, “Shakespeare, Thomas More and the Princes in the Tower”; John J. Thompson, “The ‘English Brut Tradition’ in an Irish and Welsh Context”; and Karen Hodder, “Wordsworth and Chaucer’s Manciple’s Tale.”

Jecmen, Gregory, and Freyda Spira, eds. Imperial Augsburg: Renaissance Prints and Drawings, 1475–1540 . Exh. Cat. Washington, National Gallery of Art. Washington: National Gallery of Art, 2012. 120 pp. $30. ISBN: 978–1–84822–122–2.

Includes : Gregory Jecmen and Freyda Spira, “The Imperial City of Ausburg: An Introduction”; Freyda Spira, “Between Court and City: Artistic Production in Renaissance Ausburg”; and Gregory Jecmen, “Color Printing and Tonal Etching: Innovative Techniques in the Imperial City, 1487–1536.”

Karner, Herbert, ed. Andrea Pozzo (1642–1709): Der Maler-Architekt und die Räume der Jesuiten . Denkschriften der philosophisch-historischen Klasse 436; Veröffentlichungen der Kommission für Kunstgeschichte 11. Vienna: Verlag der Österreichischen Akademie der Wissenschaften, 2012. 218 pp. €99. ISBN: 978–3–7001–7200–0.

Includes : Herbert Karner, “Andrea Pozzo in Wien. Addenda und neue Ergebnisse”; Bernhard Kerber, “Anamorphose, Inganno, Trompe l’oeil, Persuasio, Punto stabile und Punto mobile im Werk Andrea Pozzos: Überlegungen zur Theorie”; Julian Blunk, “Die Raumillusion und die vierte Dimension: Betrachtungszeit und betrachtete Zeit in der Deckenmalerei Andrea Pozzos”; Christian Hecht, “Der ‘concetto’ von Andrea Pozzos Langhausfresko in S. Ignazio”; David Ganz, “Scheinwelt und Realpräsenz: Pozzos gemalte Altäre”; Richard Bösel, “Die Jesuitenkirche in Mondovì: Zur Raumarchitektur eines Perspektivmalers”; Werner Telesko, “Andrea Pozzos Deckenfresko im Herkulessaal des Gartenpalais Liechtenstein in Wien – inhaltliches Zentrum einer Allegorie des Hauses Liechtenstein?”; Herbert Karner, “‘Ad maiorem principis gloriam’: Pozzos Perspektive und die fürstliche Repräsentation”; Tobias Kunz, “Der Hochaltar der Wiener Franziskanerkirche und die szenische Einbindung mittelalterlicher Bildwerke in Barockaltären”; Martina Frank, “Nimicissimo al pari di suo Fratello della linea retta. Ein Beitrag zum architektonischen Werk Jacopo Antonio Pozzos”; Szabolcs Serf őző, “Zur Geschichte des ‘Pozzismus’ in Ungarn”; János Jernyei-Kiss, “Pozzos Erbe im Spätwerk von Maulbertsch. Bildrhetorik, Bildsyntax, religiöse Erfahrung in den Fresken der 1770er Jahre”; Martin Mádl, “Pozzo without Pozzo in Bohemia”; Peter Heinrich Jahn, “Perspektivmalerei im Dienst von Pestvotiv und Trinitätskult – die fingierten Altäre der Dreifaltigkeitskirche in Stadl Paura und Andrea Pozzos Ausmalung der Wiener Peterskirche”; and Meinrad v. Engelberg, “Epigonal oder evolutionär? Andrea Pozzo und der Süddeutsche Barock.”

Lee, Christina H., ed. Western Visions of the Far East in a Transpacific Age, 1522–1657 . Transculturalisms, 1400–1700. Farnham: Ashgate Publishing Limited, 2012. xiii + 228 pp. $104.95. ISBN: 978–1–4094–0850–5.

Includes : Ricardo Padrón, “‘The Indies of the West’ or, the Tale of How an Imaginary Geography Circumnavigated the Globe”; Christina H. Lee, “Imagining China in a Golden Age Spanish Epic”; Liam Matthew Brockey, “The First China Hands: The Forgotten Iberian Origins of Sinology”; Nicholas Koss, “Matteo Ricci on China via Samuel Purchas: Faithful Re- Presentation”; Robert Richmond Ellis, “Representations of China and Europe in the Writings of Diego de Pantoja: Accommodating the East or Privileging the West?”; Haruko Nawata Ward, “Women in the Eyes of a Jesuit Between the East Indies, New Spain, and Early Modern Europe”; Juan Gil, “Chinos in Sixteenth-Century Spain”; Tatiana Seijas, “Native Vassals: Chinos, Indigenous Identity, and Legal Protection in Early Modern Spain”; Marco Musillo, “Travelers from Afar through Civic Spaces: The Tensh ō Embassy in Renaissance Italy”; and Mayu Fujikawa, “The Borghese Papacy’s Reception of a Samurai Delegation and Its Fresco- Image at the Palazzo del Quirinale, Rome.”

Makaryk, Irena R., and Marissa McHugh, eds. Shakespeare and the Second World War: Memory, Culture, Identity . Toronto: University of Toronto Press, 2012. $65. ISBN: 978–1– 4426–4402–1.

Includes : Irena R. Makaryk, “Introduction: Shakespeare and the Second World War”; Werner Habicht, “German Shakespeare, the Third Reich, and the War”; Zeno Ackermann, “Shakespearean Negotiations in the Perpetrator Society: German Productions of The Merchant of Venice during the Second World War”; Mark Bayer, “Shylock, Palestine, and the Second World War”; Nancy Isenberg, “‘Caesar’s word against the world’: Mussolini’s Caesarism and Discourses of Empire”; Tina Krontiris, “Shakespeare and Censorship during the Second World War: Othello in Occupied Greece”; Krystyna Kujawinska Courtney, “‘In This Hour of History: Amidst These Tragic Events’: Polish Shakespeare during the Second World War”; Aleksei Semenenko, “Pasternak’s Shakespeare in Wartime Russia”; Ryuta Minami, “Shakespeare as an Icon of the Enemy Culture: Shakespeare in Wartime Japan, 1937–1945”; Alex Huang, “‘Warlike Noises’: Jingoistic Hamlet during the Sino-Japanese Wars”; Simon Barker, “Shakespeare, Stratford, and the Second World War”; Peter Billingham, “Rosalinds, Violas, and Other Sentimental Friendships: The Osiris Players and Shakespeare, 1939–45”; Anne Russell, “Maurice Evans’s G.I. Hamlet : Analogy, Authority and Adaptation”; Marissa McHugh, “The War at ‘Home’: Representations of Canada and of World War II in Star Crossed ”; Tibor Egervari, “ Shakespeare’s Merchant of Venice in Auschwitz ”; and Katarzyna Kwapisz-Williams, “Appropriating Shakespeare in Defeat: Hamlet and the Contemporary Polish Vision of War.”

Martin, Jessica, and Alec Ryrie. Private and Domestic Devotion in Early Modern Britain . St. Andrews Studies in Reformation History. Farnham: Ashgate Publishing Limited, 2012. xi + 286 pp. $134.95. ISBN: 978–1–4094–3131–2.

Includes : Jessica Martin and Alec Ryrie, “Introduction: Private and Domestic Devotion”; Ian Green, “Varieties of Domestic Devotion in Early Modern English Protestantism”; Jane E. A. Dawson, “‘Hamely with God’: A Scottish View on Domestic Devotion”; Erica Longfellow, “‘My now solitary prayers’: Eikon basilike and Changing Attitudes toward Religious Solitude”; Alec Ryrie, “Sleeping, Waking and Dreaming in Protestant Piety”; Micheline White, “Dismantling Catholic Primers and Reforming Private Prayer: Anne Lock, Hezekiah’s Song and Psalm 50/51”; Jessica Martin, “English Reformed Responses to the Passion”; Tara Hamling, “Old Robert’s Girdle: Visual and Material Props for Protestant Piety in Post-Reformation England”; Kate Narveson, “‘Their practice bringeth little profit’: Clerical Anxieties about Lay Scripture Reading in Early Modern England”; Jeremy Schildt, “‘In my private reading of the scriptures’: Protestant Bible-Reading in England, circa 1580–1720”; Hannibal Hamlin, “Sobs for Sorrowful Souls: Versions of the Penitential Psalms for Domestic Devotion”; Beth Quitslund, “Singing the Psalms for Fun and Profit”; and Alison Shell, “Intimate Worship: John Austin’s Devotions in the Ancient Way of Offices .”

McGrady, Deborah L., and Jennifer Bain, eds. A Companion to Guillaume de Machaut . Brill’s Companions to the Christian Tradition 33. Leiden: Brill, 2012. xx + 414 pp. $218. ISBN: 978– 90–04–22581–7.

Includes : Helen J. Swift, “The Poetic I”; Anne-Hélène Miller, “Guillaume de Machaut and the Forms of Pre-Humanism in Fourteenth-Century France”; Elizabeth Eva Leach, “Poet as Musician”; Jacqueline Cerquiglini-Toulet “‘Ma fin est mon commencement’: The Essence of Poetry and Song in Guillaume de Machaut”; Jennifer Bain, “‘…et mon commencement ma fin’: Genre and Machaut’s Musical Language in His Secular Songs”; Emma Cayley, “Machaut and Debate Poetry”; Benjamin Albritton, “Moving across Media: Machaut’s Lais and the Judgment Tradition”; Mark Everist, “Machaut’s Musical Heritage”; Yolanda Plumley, “Self-Citation and Compositional Process in Guillaume de Machaut’s Lyrics with and without Music: The Case of ‘Dame, se vous n’avez aperceü’ (Rondeau 13)”; Alice V. Clark, “The Motets Read and Heard”; Lawrence Earp, “Declamation as Expression in Machaut’s Music”; R. Barton Palmer, “Guillaume de Machaut and the Classical Tradition: Individual Talent and (Un)Communal Tradition”; Daisy Delogu, “‘Laissier le mal, le bien eslire’: History, Allegory, and Ethical Reading in the Works of Guillaume de Machaut”; Zrinka Stahuljak, “History’s Fixers: Informants, Mediators, and Writers in the Prise d’Alixandre”; Julie Singer, “Instrumental Comparisons: Machaut’s Shorter Dits ”; Barbara K. Altmann, “Guillaume de Machaut’s Lyric Poetry”; Kirsten Yri, “Performing Machaut’s Messe de Notre Dame : From Modernist Allegiances to the Postmodern Hinterland”; and Deborah McGrady, “Machaut and his Material Legacy.”

Melion, Walter, Ralph Dekoninck, and Agnes Guiderdoni-Bruslè, eds. Ut pictura meditatio: The Meditative Image in Northern Art, 1500–1700 . Proteus: Studies in Early Modern Identity Formation 4. Turnhout: Brepols, 2011. xxxvii + 480 pp. €135. ISBN: 978–2–503–53583–8.

Includes : Walter S. Melion, “Meditative Images and the Portrayal of Image-Based Meditation”; Brennan Breed, “ Et oculi mei conspecturi sunt : Interdiegetic Gaze and the Meditative Image”; Reindert Falkenburg, “‘Diplopia’: Seeing Hieronymus Bosch’s St Jerome in the Wilderness Double”; Walter S. Melion, “From Mystical Garden to Gospel Harmony: Willem van Branteghem on the Soul’s Conformation to Christ”; Andrea Catellani, “Before the Preludes: Some Semiotic Observations on Vision, Meditation, and the ‘Fifth Space’ in Early Jesuit Spiritual Illustrated Literature”; Frédéric Cousinié, “The Mental Image in Representation: Jean Aumont, L’Ouverture intérieure du royaume de l’Agneau occis dans nos coeurs (1660)”; Christian Belin, “Process and Metamorphosis of the Image: Ambivalences of the Anagogic Movement in Dionysian Contemplation”; Jacob Vance, “Type and Counter-type: The Ocular and the Imaginary in Erasmus”; Barbara Baert, “Decapitation and the Paradox of the Meditative Image: Andrea Solario (1507) and the Transformation and the Transition of the Johannesschüssel from the Middle Ages to the Renaissance”; Ralph Dekoninck, “ Ad vivum : Pictorial and Spiritual Imitation in the Allegory of the Pictura sacra by Frans Francken II”; Judi Loach, “An Apprenticeship in ‘Spiritual Painting’: Richeome’s La Peinture spirituelle ”; Michael Gaudio, “Cutting and Pasting at Little Gidding: Bible Illustration and Protestant Belief in Seventeenth-Century England”; Richard Rambuss, “Ecstasy and the Cosmopolitan Soul”; and Rebecca Zorach, “An Idolatry of the Letter: Time, Devotion, and Siam in the Almanacs of the Sun King.”

Michon, Cédric, ed. Conseils et conseillers dans l’Europe de la Renaissance . Collection “Renaissance.” Tours: Presses Universitaires François-Rabelais, 2012. 468 pp. €30. ISBN: 9782869062863 2869062869.

Includes : Cédric Michon, “Introduction”; Steven Gunn, “Conseils et conseillers en Angleterre sous les premiers Tudors (1485–1558)”; Jean-Marie Cauchies, “‘Croit conseil’ et ses ‘ministres’: Les conseillers de Philippe le Beau (1494–1506)”; Cédric Michon, “Conseils et conseillers en France de Louis XI à François Ier (1461–1547)”; José Martínez Millán, “Conseillers et factions curiales durant le règne de l’empereur Charles Quint (1500–1558)”; Rita Costa-Gomes, “Le Conseil Royal au Portugal (1400–1520)”; Pierre Savy,“Conseils et conseillers à Milan sous les Sforza (1450–1499)”; Giovanni Muto, “À la recherche d’un Conseil d’État: Le Conseil collatéral du royaume de Naples (XVe–XVIe siècle)”; Dénes Harai, “Le Conseil du roi de Hongrie (1458– 1559)”; Heinz Noflatscher, “Les conseillers des Habsbourg d’Autriche (1480–1530)”; Metin Kunt and Zeynep Nevin Yelçe, “Divân-i Hümâyûn : le Conseil impérial ottoman et ses conseillers (1450–1580)”; and Cédric Michon, “Essai de synthèse: Conseils et conseillers en Europe occidentale (v. 1450–v. 1550).”

Moudarres, Andrea, and Christiana Purdy Moudarres, eds. New Worlds and the Italian Renaissance: Contributions to the History of European Intellectual Culture . Brill’s Studies in Intellectual History 216. Leiden: Brill, 2012. xiii + 338 pp. $179. ISBN: 978–90–04–22430–8.

Includes : Andrea Moudarres and Christiana Purdy Moudarres, “Introduction”; Giuseppe Mazzotta, “The Emergence of Modernity and the New World”; Erin McCarthy-King, “The Voyage of Columbus as a ‘non pensato male’: A Need for Boundaries and a Rejection of the Ancients in the Wake of the New World Discoveries”; Michael Komorowski, “The Diplomatic Genre before the Italian League: Civic Panegyrics of Bruni, Poggio, and Decembrio”; Marco Versiero, “The Gift of Liberty and the Ambitious Tyrant: Leonardo da Vinci as a Political Thinker between Republicanism and Absolutism”; Daniel Leisawitz, “ Il mestiere delle armi : Renaissance Technology and the Cinema”; Jason Taylor, “Machiavelli’s Use of Livy in Discourses 1.11–15”; Lorenza Tromboni, “Ficinian Theories as Rhetorical Devices: The Case of Girolamo Savonarola”; Caroline Stark, “Renaissance Anthropologies and the Conception of Man”; Stefania Salvadori, “Sebastiano Castellio’s Doctrine of Tolerance between Theological Debate and Modernity”; Toby Levers, “Harmony and Letter, Syncretism and Literalism”; James Coleman, “Furor and Philology in the Poetics of Angelo Poliziano”; and Andrea Moudarres, “The Geography of the Enemy: Old and New Empires between Humanist Debates and Tasso’s Gerusalemme liberate .”

Nanni, Stefania, ed. La musica dei semplici: l’altra Controriforma . Studi del dipartimento di storia, culture, religioni 6. Rome: Viella, 2012. 464 pp. €34. ISBN: 978–88–8334–552–4.

Includes : Stefania Nanni, “La musica dei semplici”; Danilo Zardin, “Musica e parola nell’azione educativa dei gesuiti: il caso di Milano tra Sei e Settecento”; Bernard Dompnier, “Les cantiques dans la pastorale missionnaire en France au XVIIe siècle”; Paola Vismara, “ Cantate per intermezzo . La parola e la musica nella dottrina cristiana a Milano tra Sei e Settecento”; Bernadette Majorana, “Musiche voci e suoni nelle missioni ruralidei gesuiti italiani (XVI–XVIII secolo)”; Paologiovanni Maione, “‘Esquisita e scelta musica’ nelle confraternite e congregazioni napoletane fra Sei e Settecento”; Benoît Michel, “Séduire et édifier: chanter Noël dans le sud- ouest de la France au XVIIIe siècle”; Domenico Rocciolo, “La musica in tribunale: gli editti del cardinale vicario nel Sei e Settecento”; Xavier Bisaro, “Una voce silenziosa: il canto plano dei fedeli nel Settecento”; Manuel Bertolini, “Censurare la musica. Una prospettiva di ricerca attraverso la Congregazione oratoriana”; Giuseppe Orlandi, “La voce del missionario”; Paolo Saturno amd Stefania Nanni, “La musica dei poveri. Alfonso Maria de Liguori”; Stefania Macioce, “Angeli musicanti e devozione borromaica nel primo caravaggismo”; Anne Piéjus, “Stratégies pastorales, stratégies musicales à l’Oratoire de Rome”; Sergio Botta, “I cantores nella Chiesa francescana della Nuova Spagna. La costruzione di un sistema di mediazione”; Johann Herczog, “Il sacro esperimento nel segno dell’ accomodazione ovvero il ruolo distinto della musica nell’evangelizzazione gesuitica”; Bernardo Illari, “Musica materiale. La rappresentazione visiva della canzone in Perù, 1615–1616: la Nueva Corónica y Buen Gobierno ”; Francesca Loverci, “Miguel Fermín de Riglos e la tradizione musicale delle missioni gesuitiche dei Chiquitos ”; Antonello Ricci, “I suoni delle Indias de por acà ”; Luigi Mezzadri and Stefania Nanni, “Teodorico Pedrini missionario alla Corte imperiale di Pechino”; Fabio G. Galeffi and Gabriele Tarsetti, “Teodorico Pedrini e la musica come strumento di missione”; and Alessandro Zuccari, “‘A chi porge l’orecchio et cuor attento, entra mirabilmente nell’anima la parola santa di Dio’. I luoghi dell’oratorio musicale dei padri Filippini.”

Prescott, Anne Lake, William A. Oram, and Andrew Escobedo, eds. Spenser Studies: A Renaissance Poetry Annual XXVII . Brooklyn: AMS Press, Inc., 2012. vi + 342 pp. n.p. ISBN: 978–0–404–19227–3.

Includes : Carol Kaske, “Chivalric Idealism versus Pragmatism in Spenser and Malory: Taking up Arms in a Wrongful Quarrel”; Jonathan E. Lux, “‘Th’eternal Brood of Glorie Excellent’: Infants and the Battle for the Future in The Faerie Queene ”; Sean Henry, “Hot and Bothered: The Lions of Amoretti 20 and The Faerie Queene I”; Michael Ullyot, “Spenser and the Matter of Poetry”; Judith H. Anderson, “Milton’s Compressed Memory in Areopagitica of Spenser’s Cave of Mammon”; Gillian Hubbard, “‘Send your angel’: Augustinian Nests and Guyon’s Faint"; Rachel Eisendrath, “Art and Objectivity in the House of Busirane”; Patricia Wareh, “Competitions in Nobility and Courtesy: Nennio and the Reader’s Judgment in Book VI of The Faerie Queene ”; Evan Gurney, “Spenser’s ‘May’ Eclogue and Charitable Admonition”; Lauren Silberman, “Aesopian Prosopopoia: Making Faces and Playing Chicken in Mother Hubberds Tale ”; Debra Rienstra, “‘Disorder Best Fit’: Henry Lok and Holy Disorder in Devotional Lyric”; Rachel E. Hile, “Spenserianism and Satire before and after the Bishops’ Ban: Evidence from Thomas Middleton”; Joe Moshenska, “‘Spencerus isthic conditur’: Kenelm Digby’s Transcription of William Alabaster”; and Andrew Hadfield, “A Mortgage Agreement of Hugolin Spenser, Edmund Spenser’s Grandson.”

Ramakers, B. A. M., ed. Understanding Art in Antwerp: Classicising the Popular, Popularising the Classic (1540–1580) . Groningen Studies in Cultural Change 45. Leuven: Peeters, 2011. xxv + 342 pp. + 64 b/w pls. €48. ISBN: 978–90–429–2613–4.

Includes : Bart Ramakers, “Understanding Art in Antwerp: An Introduction”; Joanna Woodall, “Lost in Translation? Thinking about Classical and Vernacular Art in Antwerp, 1540–1580”; David Rijser, “After the Flood: Luxurious Antwerp and Antiquity”; Annette de Vries, “Reformulating St Luke: Frans Floris on Art and Diligence”; Caecilie Weissert, “The Annexation of the Antique. The Topic of the Living Picture in Sixteenth-Century Antwerp”; Elizabeth Honig, “St Luke’s Diligence”; Koenraad Jonckheere, “Classical Architecture and the Communion Debate. The Iconography of Suggestion”; Yvonne Bleyerveld, “Prints as Perfect Means of Communication. Allegorical Prints with Moral and Religious Messages Invented by Willem van Haecht”; Catrien Santing, “Visual Pamphleteering and the Invention of its Idiom in Rebellious Antwerp”; Todd M. Richardson, “Pieter Bruegel and the Art of Vernacular Cultivation”; Femke Hemelaar, “For the Illustration of Rhetoric. Cornelis van Ghistele, Virgil and the Ideology of Learned Rhetorijcke ”; Jan Bloemendal, “Learned Humanist Drama Classicising the Popular”; Stijn Bussels, “Lady Pictura and Lady Rhetorica in Mid-Sixteenth- Century Antwerp: Upgrading Painting and Rhetorijcke by Linking Them to the Liberal Arts”; Jeroen Vandommele, “Mirroring God, Reflecting Man. Shaping Identity Through Knowledge in the Antwerp Plays of 1561”; Hilde de Ridder-Symoens, “Rhetoricians as a Bridge between Learned and Vernacular Culture”; Anke van Herk, “A Pure Marriage Bed: Willem van Haecht’s Cephalus and Procris as an Example of Erasmian Marriage”; Bart Ramakers, “The Work of a Painter: Willem van Haecht’s Apostle Plays, 1563–1565”; Samuel Mareel, “Rhetoricians and Their Classical and Foreign Contemporary Sources”; Louis Peter Grijp, “Tielman Susato’s Vaderlandsche Musijcke : Music and the Vernacular”; Jan R. Luth, “Willem van Haechts Metrical Psalter: Characteristics and Use”; and Hubert Meeus, “Willem van Haecht and Tielman Susato as Innovators of Vernacular Songs.”

Raiswell, Richard, ed. The Devil in Society in Premodern Europe . With Peter J. Dendle. Essays and Studies 28. Toronto: Centre for Reformation and Renaissance Studies, 2012. 568 pp. $37. ISBN: 978–0–7727–2124–2.

Includes : Richard Raiswell, “Introduction”; Audrey Meaney, “The Devil Can Seriously Damage Your Health: Reflections on Anglo-Saxon Demonology”; Martin Chase, “Leviathan and the miðgarðsormr in Old Norse Christian Texts: An Attempt to Diabolize the World Serpent?”; David Ross Winter, “Preaching the Demonic Family in the West Country: An Account of the Devil and His Mother in an Early Thirteenth-Century Example Book from Llanthony Secunda Priory”; Andreea Marculescu, “Playing with Witches: Theology, History, and Performance in Jean Michel’s Mystère de la Passion ”; Gary K. Waite, “Demonizing Rhetoric, Reformation Heretics and the Witch Sabbaths: Anabaptists and Withces in Elite Discourse”; Jolanta N. Komornicka, “The Devil on Trial: The Changing Role of the Devil in the Trial by Ordeal”; Erika Gasser, “Samuel Harsnett, John Darrell, and the Use of Gender as an English Possession Propaganda Strategy”; Kirsten C. Uszkalo, “Embodied Spiritualities, Salacious Biographies, and the Hog-Faced Prophetical Witch”; Suzanne Scanlan, “The Devil in the Refectory: Bodies Imagined and the Oblates of Tor de’Specchi in Quattrocento Rome”; Michael A. Ryan, “Nicolau Eymerich and Discerning the End of Days”; Pierre Kapitaniak, “The Evil Turned Go-Between: False Conjurations on the Jacobean Stage”; Richard Kieckhefer, “The Necromancer as Mountebank: Comic Elements in a Late Medieval Tragedy”; Peter A. Morton, “Lutheran Naturalism, Popular Magic, and the Devil”; Sophie Lunn-Rockliffe, “Visualizing the Demonic: The Gadarene Exorcism in Early Christian Art and Literature”; Maria Tausiet, “The Rule of Satan as Seen by a Soldier: Prophecy and Millenarianism in the Spanish Golden Age”; Nadine Metzger, “Incubus as an Illness: Taming the Demonic by Medical Means in Late Antiquity and Beyond”; Guido Dall’Olio, “The Devil of Inquisitors, Demoniacs and Exorcists in Counter- Reformation Italy”; and Richard Rainswell and Peter Dendle, “Inscribing the Devil in Cultural Contexts.”

Rial Costas, Benito, ed. Print Culture and Peripheries in Early Modern Europe: A Contribution to the History of Printing and the Book Trade in Small European and Spanish Cities . Library of the Written Word 24; The Handpress World 18. Leiden: Brill, 2012. xxiv + 422 pp. $146. ISBN: 978–90–04–23574–8.

Includes : Pablo Sánchez León, “European Provincial Towns: Demographic and Institutional Trends in Regional Networks, 1400–1600”; Falk Eisermann, “A Golden Age? Monastic Printing Houses in the Fifteenth Century”; Paul F. Gehl, “Advertising or Fama? Local Markets for Schoolbooks in Sixteenth-Century Italy”; John Hinks, “The Book Trade in Early Modern Britain: Centres, Peripheries and Networks”; Ian Maxted, “Impressorie Arte: The Impact of Printing in Exeter and Devon”; Hubert Meeus, “Printing in the Shadow of a Metropolis”; István Monok, “Towns and Book Culture in Hungary at the End of the Fifteenth Century and During the Sixteenth Century”; Giancarlo Petrella, “Ippolito Ferrarese, a Traveling ‘Cerretano’ and Publisher in Sixteenth-Century Italy”; Wolfgang Undorf, “Print and Book Culture in the Danish Town of Odense”; Malcolm Walsby, “Printer Mobility in Sixteenth-Century France”; Natalia Maillard Álvarez and Rafael M. Pérez García, “Printing Presses in Antequera in the Sixteenth Century”; Jaime Moll, “The Liturgical Books Published by Pedro de Castro, Bishop of Cuenca (1554–1561)”; José Manuel Pedraza Gracia, “Minor Printing Offices in Fifteenth and Sixteenth- Century Aragon: Híjar, Huesca and Épila”; Manuel Peña Díaz, “Barcelona: Printers, Booksellers and Local Markets in the Sixteenth Century”; Fermín de los Reyes and Marta M. Nadales, “The Book in Segovia in the Fifteenth and Sixteenth Centuries: Accident, Chance, Necessity?”; Benito Rial Costas, “Santiago de Compostela: A Case Study of Bookselling in Peripheries”; and Anastasio Rojo Vega, “From Europe to Finisterre: A Caravan of Books to Galicia (1595).”

Rospocher, Massimo, ed. Beyond the Public Sphere: Opinions, Publics, Spaces in Early Modern Europe . Bologna: Societá editrice il Mulino, 2012. 304 pp. €30. ISBN: 978–88–15–24028–6.

Includes : Massimo Rospocher, “Beyond the Public Sphere: A Historiographical Transition”; Andreas Gestrich, “The Early Modern State and the Rise of the Public Sphere: A Systems- Theory Approach”; Francesco Benigno, “Absolutism and the Birth of the Public Sphere: A Critical View of a Model”; Angela De Benedictis, “The Richness of History and the Multiplicity of Experiences in Early Modern Societies: The Self-Description of Alteuropa by Luhmann”; Massimo Rospocher and Rosa Salzberg, “An Evanescent Public Sphere: Voices, Spaces, and Publics in Venice during the Italian Wars”; Filippo De Vivo, “Public Sphere or Communication Triangle? Information and Politics in Early Modern Europe”; Sandro Landi, “ Fama , Humors, and Conflicts: A Rereading of Machiavelli’s Florentine Histories”; Shankar Raman, “Constructing Selves, Making Publics: Geometry and Poetry in Descartes and Sidney”; Silvana Seidel Menchi, “1514, 1516, 1517: The Public Space and Its Limits”; Bronwen Wilson, “Social Networking: The Album amicorum and Early Modern Public Making”; Antonio Castillo Gomez, “‘There are lots of papers going around and it’d be better if there weren’t’: Broadsides and Public Opinion in the Spanish Monarchy in the Seventeenth Century”; Arjan van Dixhoorn, “The Making of a Public Issue in Early Modern Europe: The Spanish Inquisition and the Public Opinion in the Netherlands”; Charles Walton, “Public Opinion and Free-Market Morality in Old Regime and Revolutionary France”; and Edoardo Tortarolo, “Public/Secret: Eighteenth-Century Hesitations about ‘Public Opinion.’”

Sallmann, Martin, Moisés Mayordomo, and Hans Rudolf Lavater-Briner, eds. Johannes Calvin 1509–2009 : Würdigung aus Berner Perspektive . Zurich: Theologischer Verlag Zürich, 2012. 304 pp. €36.80. ISBN: 978–3–290–17610–5.

Includes : Martin Sallmann, “Bern und die Reformation in Genf”; Heinrich R. Schmidt, “Die reformierten Kirchen in Europa”; Hans Rudolf Lavater, “Calvin und die Täufer — Zur Entstehung der Briève Instruction 1544”; Maurice Baumann, “Calvin and Castellio: Eine theologische Kontroverse anlässlich der Hinrichtung von Michel Servet”; Isabelle Graesslé, “Calvin und die Frauen — die Frauen Calvins . . . zwischen Irritation und Bewunderung”; Andreas Marti, “Der französische Singpsalter aus Genf: Aspekte zur Entstehung, zur Bedeutung und zum Forschungsstand”; Andreas Wagner, “Der Dekalog in Calvins Ethik”; Moisés Mayordomo, “Die Bergpredigt und Calvin: Ein wirkungsgeschichtlicher Versuch”; J. Christine Janowski, “Zu Calvins Lehre von der ‘doppelten Prädestination’”; Wolfgang Lienemann, “Calvins Wirtschaftsethik”; Mariano Delgado, “Gemeinsamkeiten und Unterschiede zwischen der katholischen und calvinistichen Weltmission der Frühun Neuzeit”; and Christine Lienemann- Perrin, “Calvin-Lektüren in Südafrika.”

Sciacca, Christine, ed. Florence at the Dawn of the Renaissance: Painting and Illumination, 1300–1350 . Los Angeles: J. Paul Getty Museum, 2012. xix + 426 pp. $65. ISBN: 978–1–60606– 126–8.

Includes : Bryan C. Keene, “Introduction”; Eve Borsook, “Painting for ‘the Most Noble City in the World’”; Victor M. Schmidt, “Religious Panel Paintings: Types, Functions, and Spatial Contexts”; Bryan C. Keene, “Preparing the Soul for Heaven through Text and Song: Liturgical Manuscripts”; Alexander S. Suda, “Tales of a City: Narrative in Early Renaissance Florence”; Francesca Pasut, “Florence Illuminations for Dante’s Divine Comedy : A Critical Assessment”; Christine Sciacca, “Reconstructing the Laudario of Sant’Agnese”; Christine Sciacca, “Pacino di Bonaguida and His Workshop”; Yvonne Szafran and Nancy Turner, “Techniques of Pacino di Bonaguida, Illuminator and Panel Painter”; Laura Rivers, “Tooled and Punched Decoration of Gilding”; Catherine Schmidt Patterson, Alan Phenix, and Karen Trentelman, “Scientific Investigation of Painting Practices and Materials in the Work of Pacino di Bonaguida”; and Roy S. Berns, “Image Simulation of the Blue Background in Pacino di Bonaguida’s Chiarito Tabernacle Using Color and Imaging Sciences.”

Scott, Anne M., ed. Experiences of Poverty in Late Medieval and Early Modern England and France . Farnham: Ashgate Publishing Limited, 2012. xviii + 336 pp. + 1 color pl. $134.95. ISBN: 978–1–4094–4108–3.

Includes : Anne M. Scott, “Experiences of Poverty”; Christopher Dyer, “The Experience of Being Poor in Late Medieval England”; Philippa C. Maddern, “‘Oppressed by Utter Poverty’: Survival Strategies for Single Mothers and Their Children in Late Medieval England”; Ann Minister, “Pauper Apprenticeship in South Derbyshire: A Positive Experience?”; Lesley Silvester, “The Experience of Single Women in Early Modern Norwich: ‘Rank Beggars, Gresse Maydes and Harlots’”; Nicholas D. Brodie, “‘The Names of All the Poore People’: Corporate and Parish Relief in Exeter, 1560s–1570s”; Susan Broomhall, “The Politics of Charitable Men: Governing Poverty in Sixteenth-Century Paris”; Lisa Keane Elliott, “Charitable ‘Intent’ in Late Sixteenth- Century France: The Nevers Foundation and Single Poor Catholic Girls”; Margaret Dorey “Reckliss Endangerment?: Feeding the Poor Prisoners of London in the Early Eighteenth Century”; Michael Bennett, “Inoculation of the Poor against Smallpox in Eighteenth-Century England”; Mark Amsler, “Poverty as a Mobile Signifier: Waldensians, Lollards, Dives and Pauper ”; Anne M. Scott, “ Le Chastel de Labour, La Voie de Povreté ou de Richesse and a Luxury Book, Widener 1, Free Library of Philadelphia”; Mike Nolan, “The Gifts of the Poor: Worth and Value, Poverty and Justice in Robert Daborne’s The Poor Man’s Comfort ”; and Peter Denney, “‘The Sounds of Population Fail’: Changing Perceptions of Rural Poverty and Plebeian Noise in Eighteenth-Century Britain.”

Smith, Timothy B., and Judith B. Steinhoff, eds. Art as Politics in Late Medieval and Renaissance Siena . Farnham: Ashgate Publishing Limited, 2012. xiii + 234 pp. $99.95. ISBN: 978–1–4094–0066–0.

Includes : Judith B. Steinhoff, “Urban Images and Civic Identity in Medieval Sienese Painting”; Ann Johns, “Cistercian Gothic in a Civic Setting: The Translation of the Pointed Arch in Sienese Architecture, 1250–1350”; Berthold Hub, “‘ Vedete come è bella la cittade quando è ordinata ’: Politics and the Art of City Planning in Republican Siena”; Rebecca W. Corrie, “Images of the Virgin and Power in Late-Duecento Siena”; Andrea W. Campbell, “Iconography and Identity in a Renaissance Republic”; Diana Norman, “‘ Santi cittadini ’: Vecchietta and the Civic Pantheon in Mid-Fifteenth-Century Siena”; Timothy B. Smith, “Politics and Antiquity in the Baptist’s Chapel Façade”; Jennifer Sliwka, “‘ Armet se duritia ’: Domenico Beccafumi and the Politics of Punishment”; and Machtelt Israëls, “Sodoma at Porta Pispini and the Pictorial Decoration of Sienese City Gates.”

Straznicky, Marta, ed. Shakespeare’s Stationers: Studies in Cultural Bibliography . Material Texts. Philadelphia: University of Pennsylvania Press, 2013. viii + 378 pp. $75. ISBN: 978–0– 8122–4454–0.

Includes : Marta Straznicky, “Introduction: What Is a Stationer?”; Alexandra Halasz, “The Stationers’ Shakespeare”; Holger Schott Syme, “Thomas Creede, William Barley, and the Venture of Printing Plays”; Adam G. Hooks, “Wise Ventures: Shakespeare and Thomas Playfere at the Sign of the Angel”; William Proctor Williams, “‘Vnder the Handes of . . .’: Zachariah Pasfield and the Licensing of Playbooks”; Kirk Melnikoff, “Nicholas Ling’s Republican Hamlet (1603)”; Douglas Bruster, “Shakespeare the Stationer”; Sonia Massai, “Edward Blount, the Herberts, and the First Folio”; Alan B. Farmer, “John Norton and the Politics of Shakespeare’s History Plays in Caroline England”; and Zachary Lesser, “Shakespeare’s Flop: John Waterson and The Two Noble Kinsmen .”

Terry-Fritsch, Allie, and Erin Felicia Labbie, eds. Beholding Violence in Medieval and Early Modern Europe . Visual Culture in Early Modernity. Farnham: Ashgate Publishing Limited, 2012. xxv + 270 pp. $104.95. ISBN: 978–1–4094–4286–8.

Includes : W. J. T. Mitchell, “Foreword”; Erin Felicia Labbie and Allie Terry-Fritsch, “Introduction: Beholding Violence”; Allie Terry-Fritsch, “Proof in Pierced Flesh: Caravaggio’s Doubting Thomas and the Beholder of Wounds in Early Modern Italy”; Matthew G. Shoaf, “Giovanni Pisano’s Marble Wounds: Beholding Artistic Self-Defense in the Pisa Cathedral Pulpit”; Mirella G. Pardee, “Beholding and Touching: Early Modern Strategies of Negotiating Illness”; Elina Gertsman, “The Gap of Death: Passive Violence in the Encounter Between the Three Dead and the Three Living”; Christopher Taylor, “Being Beheld: Julian of Norwich’s Mystical Surreal and the Violence of Vision”; Galina Tirnani ć, “Image in Pain: Icons, Old Bones, and New Blood”; Brian Sandberg, “‘To Have the Pleasure of This Siege’: Envisioning Siege Warfare During the European Wars of Religion”; Lisa Dickson, “ Theatrum Mundi : Performativity, Violence, and Metatheater in Webster’s The White Devil ”; Will Stockton, “Portia’s Pauline Perversion: The Merchant of Venice and Romans 1”; Barbara Wisch, “Violent Passions: Plays, Pawnbrokers, and the Jews of Rome, 1539”; and Erin Felicia Labbie, “Beholding Typology: The Violence of Recognition in Caravaggio’s Representations of the Sacrifice of Isaac .”

Vinestock, Elizabeth, and David Foster, eds. Writers in Conflict in Sixteenth-Century France: Essays in Honour of Malcolm Quainton . Durham Modern Languages Series 2008. Manchester: Manchester University Press, 2011. xxii + 390 pp. £20. ISBN: 978–0–7190–8587–1.

Includes : Neil Kenny, “Introduction”; Daniel Ménager, “Conflits et évasions dans ‘Les Isles fortunées’”; François Rigolot, “When Petrarchan Errors Become Political Crimes: Mary Stuart’s French Sonnets to Bothwell”; Philip Ford, “Ronsard et les astres: Conflit cosmique dans les Hymnes ”; Tom Conley, “Fortune in Conflict: The Self Displaced in Ronsard’s Meslanges of 1559”; David Foster, “‘L’argent, c’est la vie. Monnaie fait tout’: Ronsard’s Poem ‘Au Tresorier de l’Espargne’”; Elizabeth Vinestock, “‘J’ose attaquer les plus mutins’: Baïf’s Poetical and Rhetorical Means of Engaging in Conflict”; Jean Vignes, “Jean-Antoine Baïf face au massacre de la Saint-Barthélemy”; Anne-Pascale Pouey-Mounou, “Des prêches, des armes et des livres: La figure de Théodore de Bèze dans la polémique des Discours des Miseres de ce temps (1562– 1563)”; Gisèle Mathieu-Castellani, “‘Ce foudre rougissant acéré de fureur’: L’écriture de la ‘passion partisane’ chez Aubigné”; Pauline M. Smith, “A Conflict of Interest?: Calvinism and the Satyre Menippée ”; Margaret M. McGowan, “ Fêtes : Religious and Political Conflict Dramatised: The Role of Charles IX”; John O’Brien, “Intestinal Disorders”; Richard Cooper, “‘Bon heretique’: An Unpublished Riposte to Marot’s Épîtres from Exile (1535)”; Jean Céard, “Un essai d’hymnaire catholique: Les Hymnes ecclésiastiques de Guy Le Fèvre de la Borderie”; Ann Moss, “Pandora at the Crossroads”; George Hugo Tucker, “Jeux de refus et d’opposition, jeux de ténèbres et de lumière dans L’Olive (1549; 1550) de Du Bellay”; and Adrian Armstrong, “Poitiers to Paris: Hélisenne de Crenne rewrites Jean Bouchet.”

Walsh, Michael J. K., P. W. Edbury, and Nicholas Coureas, eds. Medieval and Renaissance Famagusta: Studies in Architecture, Art and History. Farnham: Ashgate Publishing Limited, 2012. xxix + 342 pp. ISBN: 978–1–4094–3557–0.

Includes : Michael J. K. Walsh, Peter W. Edbury, and Nicholas S. H. Coureas, “Introduction: Famagusta: An Imperilled Cultural Mosaic in the Eastern Mediterranean”; David Jacoby, “Camlet Manufacture, Trade in Cyprus and the Economy of Famagusta from the Thirteenth to the Late Fifteenth Century”; Peter W. Edbury, “Famagusta and the Tradition of History Writing in Frankish Cyprus”; Pierre-Vincent Claverie, “Mythes et réalités de la présence templière à Famagouste”; Nicholas S. H. Coureas, “Taverns in Medieval Famagusta”; Arne Franke, “St Nicholas in Famagusta: A New Approach to the Dating, Chronology and Sources of Architectural Language”; Allan Langdale, “Notes on the Marginal Sculpture of the Cathedral of St Nicholas”; Thierry Soulard, “Les Ordres mendiants à Famagouste: une référence spirituelle et architecturale”; Dickran Kouymjian, “The Holy Mother of God Armenian Church in Famagusta”; Justine M. Andrews, “Gothic and Byzantine in the Monumental Arts of Famagusta: Diversity, Permeability and Power”; Vincenzo Lucchese, “Famagusta from a Latin Perspective: Venetian Heraldic Shields and Other Fragmentary Remains”; Gianni Perbellini, “The Military Architecture of Venetian Famagusta”; Michael J. K. Walsh, “What Lies Beneath: A Contemporary Survey of the Surviving Frescoes of the Churches in the Syrian Quarter of Famagusta”; Ege Uluca Tümer, “Twentieth-Century Restorations to the Medieval and Renaissance Monuments of Famagusta”; Naciye Doratli, “Monumental Buildings in the Revitalization Process of Historic Urban Quarters: The Case of the Walled City of Famagusta”; Paulo B. Lourenço and Luís F. Ramos, “An Inspection of Three of Famagusta’s Churches”; George S. Ballard and Stephen W. Kemp, “An Assessment of the Structural Fabric of the Church of Saints Peter and Paul: A Case Study in Historical Record and Structural Appraisal”; and Robert Silman and Kent Severson, “The Historic Walled City of Famagusta, 2008: A Report.”

Wubs-Mrozewicz, Justyna, and Stuart Jenks, eds. The Hanse in Medieval and Early Modern Europe . The Northern World: North Europe and the Baltic c. 400–1700 AD: Peoples, Economies and Culture 60. Leiden: Brill, 2013. vi + 296 pp. $171. ISBN: 978–90–04–21252–7.

Includes: Justyna Wubs-Mrozewicz, “The Hanse in Medieval and Early Modern Europe: An Ιntroduction”; Carsten Jahnke, “The City of Lubeck and the Internationality of Early Hanseatic Trade”; Stuart Jenks, “The London Steelyard’s Certifications of Membership 1463–1474 and the European Distribution Revolution”; Edda Frankot, “ Der ehrbaren Hanse-Stadte See-Recht : Diversity and Unity in Hanseatic Maritime Law”; Sofia Gustafsson, “Sale of Goods around the Baltic Sea in the Middle Ages”; Justyna Wubs-Mrozewicz, “Hansards and the ‘Other’: Perceptions and Strategies in Late Medieval Bergen”; James M. Murray, “That Well-Grounded Error: Bruges as Hansestadt ”; Stuart Jenks, “Small is Beautiful: Why Small Hanseatic Firms Survived in the Late Middle Ages”; Mike Burkhardt, “Business as Usual? A Critical Investigation on the Hanseatic Pound Toll Lists”; Marie-Louise Pelus-Kaplan, “Mobility and Business Enterprise in the Hanseatic World: Trade Networks and Entrepreneurial Techniques (Sixteenth and Seventeenth Centuries)”; Stuart Jenks, “Conclusion”; and Justyna Wubs- Mrozewicz, “Game Theory and the Hanse: An Epilogue.”