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Photograph by Candace Dicarlo
60 MAY | JUNE 2013 THE PENNSYLVANIA GAZETTE PHOTOGRAPH BY CANDACE DICARLO Showtime CEO Matt Blank has used boundary-pushing programming, cutting-edge marketing, and smart management to build his cable network into a national powerhouse. By Susan Karlin SUBVERSIVE PRACTICALLY PRACTICALLY THE PENNSYLVANIA GAZETTE MAY | JUNE 2013 61 seems too … normal. “Matt runs the company in a very col- Showtime, Blank is involved with numer- This slim, understated, affa- legial way—he sets a tone among top man- ous media and non-profit organizations, Heble man speaking in tight, agers of cooperation, congeniality, and serving on the directing boards of the corporate phrases—monetizing the brand, loose boundaries that really works in a National Cable Television Association high-impact environments—this can’t be creative business,” says David Nevins, and The Cable Center, an industry edu- the guy whose whimsical vision has Showtime’s president of entertainment. cational arm. Then there are the frequent turned Weeds’ pot-dealing suburban “It helps create a sense of, ‘That’s a club trips to Los Angeles. mom, Dexter’s vigilante serial killer, and that I want to belong to.’ He stays focused “I’m an active person,” he adds. “I like Homeland’s bipolar CIA agent into TV on the big picture, maintaining the integ- a long day with a lot of different things heroes. Can it? rity of the brand and growing its exposure. going on. I think if I sat in a room and did Yet Matt Blank W’72, the CEO of Showtime, Matt is very savvy at this combination of one thing all day, I’d get frustrated.” has more in common with his network than programming and marketing that keeps his conventional appearance suggests. -
Ironic Feminism: Rhetorical Critique in Satirical News Kathy Elrick Clemson University, [email protected]
Clemson University TigerPrints All Dissertations Dissertations 12-2016 Ironic Feminism: Rhetorical Critique in Satirical News Kathy Elrick Clemson University, [email protected] Follow this and additional works at: https://tigerprints.clemson.edu/all_dissertations Recommended Citation Elrick, Kathy, "Ironic Feminism: Rhetorical Critique in Satirical News" (2016). All Dissertations. 1847. https://tigerprints.clemson.edu/all_dissertations/1847 This Dissertation is brought to you for free and open access by the Dissertations at TigerPrints. It has been accepted for inclusion in All Dissertations by an authorized administrator of TigerPrints. For more information, please contact [email protected]. IRONIC FEMINISM: RHETORICAL CRITIQUE IN SATIRICAL NEWS A Dissertation Presented to the Graduate School of Clemson University In Partial Fulfillment of the Requirements for the Degree Doctor of Philosophy Rhetorics, Communication, and Information Design by Kathy Elrick December 2016 Accepted by Dr. David Blakesley, Committee Chair Dr. Jeff Love Dr. Brandon Turner Dr. Victor J. Vitanza ABSTRACT Ironic Feminism: Rhetorical Critique in Satirical News aims to offer another perspective and style toward feminist theories of public discourse through satire. This study develops a model of ironist feminism to approach limitations of hegemonic language for women and minorities in U.S. public discourse. The model is built upon irony as a mode of perspective, and as a function in language, to ferret out and address political norms in dominant language. In comedy and satire, irony subverts dominant language for a laugh; concepts of irony and its relation to comedy situate the study’s focus on rhetorical contributions in joke telling. How are jokes crafted? Who crafts them? What is the motivation behind crafting them? To expand upon these questions, the study analyzes examples of a select group of popular U.S. -
Smothers Brothers Scripts for the Smothers Brothers Comedy Hour, 1967-1969
http://oac.cdlib.org/findaid/ark:/13030/c86m3cgj No online items Smothers Brothers scripts for The Smothers Brothers comedy hour, 1967-1969 Finding aid prepared by UCLA Arts Library Special Collections staff, pre-1999; initial EAD encoding by Julie Graham; machine-readable finding aid created by Caroline Cubé. UCLA Library Special Collections Room A1713, Charles E. Young Research Library Box 951575 Los Angeles, CA, 90095-1575 (310) 825-4988 [email protected] Finding aid last updated 19 November 2016. Smothers Brothers scripts for The PASC 69 1 Smothers Brothers comedy hour, 1967-1969 Title: Smothers Brothers Scripts for The Smothers Brothers Comedy Hour Collection number: PASC 69 Contributing Institution: UCLA Library Special Collections Language of Material: English Physical Description: 16.0 linear ft.(16 boxes) Date (inclusive): 1967-1969 Abstract: Physical location: Stored off-site at SRLF. Advance notice is required for access to the collection. Please contact UCLA Library Special Collections for paging information. Creator: Smother Brothers Creator: Smothers, Dick Creator: Smothers, Tom, 1937 Restrictions on Access Open for research. STORED OFF-SITE AT SRLF. Advance notice is required for access to the collection. Please contact UCLA Library Special Collections for paging information. Restrictions on Use and Reproduction Property rights to the physical object belong to the UC Regents. Literary rights, including copyright, are retained by the creators and their heirs. It is the responsibility of the researcher to determine who holds the copyright and pursue the copyright owner or his or her heir for permission to publish where The UC Regents do not hold the copyright. -
Guide to the Smothers Brothers Collection
Guide to the Smothers Brothers Collection NMAH.AC.1437 Vanessa Broussard-Simmons Archives Center, National Museum of American History P.O. Box 37012 Suite 1100, MRC 601 Washington, D.C. 20013-7012 [email protected] http://americanhistory.si.edu/archives Table of Contents Collection Overview ........................................................................................................ 1 Administrative Information .............................................................................................. 1 Scope and Contents........................................................................................................ 2 Arrangement..................................................................................................................... 2 Names and Subjects ...................................................................................................... 2 Container Listing ............................................................................................................. 4 Series 1: Photographic Materials, 1961-2007, undated........................................... 4 Series 2: Business Records, 1959-2002, undated................................................. 16 Series 3: Personal Papers, 1966-2008, undated................................................... 25 Smothers Brothers Collection NMAH.AC.1437 Collection Overview Repository: Archives Center, National Museum of American History Title: Smothers Brothers Collection Identifier: NMAH.AC.1437 Date: 1959-2008, undated Creator: Smothers -
Daily Everg Ee
WASIllNGTON STATE DAILY UNIVERSITY EVERG EE Volume LXX Pullman, Washington, Tuesday, Ostober 1, 1963 Number 7 8,268 enroll; Unrest in Alabama previous mark surpassed Bombing explored; Monday evening was the last day of enrollment with 8,268 stu- dents enrolled, according to Reg- istrar Claude Simpson. This was two men arrested 18 over the 8,250 predicted and • BIRMINGHAM, Ala. (AP) - said no formal charges had been • almost 400 over last year's record • high. Two white men were placed in filed. - [ Included in the 8,268 total are city jail early today for further 40 Bombings 5,445 returning graduate and un- investigation into the series of The city has had more than 40 dergraduate stude n t s, 1,979 bombings that have rocked this bombings since World War II, but freshmen, 544 transfer students racially-troubled city for several the one which nearly destroyed 274 new graduate students, and years. the Sixteenth Street B apt i s t 26 special students. Col. Al Lingo, head of the State Church was the worst. Simpson said that no applica- Highway Patrol, said others pick- _ . About 20 persons were injured tions will be accepted after the ed up in the intensified investiga- m the blast, which inflicted more Monday night deadline. tion have been released. than $44,000 in damage to the He declined to say how many church and damaged nearby cars others had been questioned. and buildings. Night warden L. A. Holcomb Bombing Sparks Violence Iy oungsters' idntified the two being held as The church bombing almost R. -
2011 Date Item Description Summary Of
Materials Review Committee Reconsideration of Materials Summary – 2011 Date Item Description Summary of Customer Findings and Action Taken Comments Mar How Israel Lost: The Anti-Semitic The author is a Pulitzer-prize-winning journalist who has 2011 Four Questions Remove from written extensively about the Middle East. collection He is critical of Israeli policy but as a serious and well-known Written by Richard Ben journalist, brings an important perspective to the issue. Cramer, Simon & The Library’s extensive collection of material on the conflict in Schuster, 2004 the Middle East includes a variety of points of view. Adult Book Retained in the adult collection Aug Hooray for Dairy Inaccurate content The author implies that calves stay with their mother for six 2011 Farming Remove from weeks but, according to Canadian dairy farming guidelines, this collection is not current practice. Written by Bobbie The information in the book, written in 1997, is outdated and Kalman, Crabtree more recent books are available in the collection. Publishing Company, Withdrawn from the collection 1997 Children’s book Nov What’s Up: Balloon to Movie is offensive and This animated film does contain negative stereotypes. 2011 the Rescue racist It is designed to be misleading by resembling Pixar’s Up and the No cultural or artistic company that produced it, Video Brinquedo, is known for Directed by Everton reasons for retaining producing low quality films based on other well-known films. It Rodrigues, 2009 was acquired in error. Children’s DVD The Library does not own and will not buy other titles produced by Video Brinquedo. -
History Review DEPARTMENT of HISTORY Dorothy F
History Review DEPARTMENT OF HISTORY Dorothy F. Schmidt College of Arts and Letters | Fall 2019 Newsletter FLORIDA ATLANTIC UNIVERSITY fau.edu/history Inside this Issue Message From and Latin American history, we welcome Dr. Christopher Davis as a full-time Visiting Student News ..................5 the Chair It is my pleasure to Lecturer for the 2019-20 academic year. Dr. Phi Alpha Theta ................6 welcome you to our Davis received his BA in History from the City DEPARTMENT OF HISTORY Graduate Studies .............6 annual department University of New York-Hunter College and PhD newsletter. As in Atlantic History from Florida International 2018/19 M.A. Thesis.........8 usual, so much has University in 2018. His dissertation is entitled Abstracts happened in the last The Racial Equation: Pan-Atlantic Eugenics, Race, and Colonialism in the Early Twentieth Where are They Now?.....14 year that it is hard to distill it all into just a few paragraphs. After serving 28 years as a Century British Caribbean, and his teaching Graduates 2018/19 .........14 member of the faculty, Dr. Graciella Cruz-Taura and research focus on the United States, the Faculty Activity ..............16 retired in May 2019. Dr. Cruz-Taura has been Caribbean, and race and citizenship in the Department of History teaching colonial and modern Latin American Atlantic World. He has received numerous Florida Atlantic University, Dorothy F. Schmidt College of Arts and Letters history at FAU since 1991, and during that time prestigious grants and awards, including the PO Box 3091 Special points of interest has profoundly affected the lives of Mellon Mays Graduate Studies Enhancement 777 Glades Road countless students. -
Adult Contemporary
TSP CELEBRITY ENTERTAINMENT IDEA LIST – 2020 CURRENT ARTISTS ALABAMA SHAKES GAVIN DEGRAW NICK JONAS ALLEN STONE GRACE POTTER NICKI MINAJ AMERICAN AUTHORS GROUPLOVE O.A.R. ALESSIA CARA HAILEE STEINFELD OK GO ALOE BLACC HAIM ONE REPUBLIC ANDY GRAMMER HALSEY PANIC! AT THE DISCO ARIANA GRANDE HARRY STYLES P!NK AVETT BROTHERS HOT CHELLE RAE PHILLIP PHILLIPS BASTILLE HOZIER PITBULL BETTER THAN EZRA IMAGINE DRAGONS PLAIN WHITE T’S BILLIE EILISH INGRID MICHAELSON PORTUGAL. THE MAN BONOBO JANELLE MONAE POST MALONE BRANDON FLOWERS JASON MRAZ RIHANNA BRUNO MARS JESSIE J ROB THOMAS BTS JESSIE WARE ROBIN THICKE CAMILA CABELLO JOHN LEGEND SAM SMITH CAPITAL CITIES JOHN MAYER SABRINA CARPENTER CARDI B JUSTIN TIMBERLAKE SARA BAREILLES CARRIE UNDERWOOD JULIA MICHAELS SEAL CHAINSMOKERS KALEO SELENA GOMEZ CHARLIE PUTH KATY PERRY SHAWN MENDES CHRIS BROWN KELLY CLARKSON ST. PAUL & THE BROKEN BONES CIARA KESHA SZA COLBIE CAILLAT KHALID TAYLOR SWIFT CORINNE BAILEY RAE KID ROCK THE 1975 DAUGHTRY LDAY GAGA THE FRAY DAVE MATTHEWS BAND LENNY KRAVITZ THE REVIVALISTS DEMI LOVATO LIAM PAYNE THE ROOTS DIA FRAMPTON LIL NAS X THE SCRIPT DNCE LIZZO THE TEMPER TRAP DRAKE LORDE TRAIN DUA LIPA LOUISE TOMLISON TWENTY ONE PILOTS ED SHEERAN LUDACRIS USHER EDWARD SHARPE & THE LUMINEERS VANCE JOY MAGNETIC ZEROS MANCHESTER ORCHESTRA WALK THE MOON ELLIE GOULDING MARC BROUSSARD WEEZER ENRIQUE IGLESIAS MAROON 5 YOUNG THE GIANT ERIC HUTCHINSON MAT KEARNEY ZARA LARSSON ELVIS COSTELLO/ MATT NATHANSON ZZ WARD THE IMPOSTERS MEGHAN TRAINOR FALLOUT BOY MICHAEL FRANTI FERGIE MIGOS FITZ & THE TANTRUMS MUMFORD & SONS FLO RIDA NATE REUESS FLORENCE & THE MACHINE NEON TREES FOSTER THE PEOPLE NE-YO FUN NIALL HORAN GARY CLARK, JR. -
Supreme Court Justices Antonin Scalia and Ruth Bader Ginsburg: Communicating the Virtue of Friendliness
Communication Law Review Volume 16, Issue 2 Supreme Court Justices Antonin Scalia and Ruth Bader Ginsburg: Communicating the Virtue of Friendliness Pat Arneson, Ph.D., Duquesne University* upreme Court Justices Antonin Scalia (1936-2016) and Ruth Bader Ginsburg S (1933-) enjoyed a long friendship, although they seldom agreed on legal matters due to differences in their views on both the Constitution and on the role of the court. Conservative Scalia and liberal Bader Ginsburg regularly and vigorously disagreed with one another on Supreme Court decisions. In an interview with Nina Totenberg, Scalia suggested, “Why don’t you call us the odd couple?”1 The juxtaposition of their opposing approaches to legal doctrine and their deep friendship strikes most people as a curious anomaly. This paper examines the relationship of Scalia and Bader Ginsburg in the context of Aristotle’s discussion of social virtues. I begin with a brief overview of the Justices’ lives prior to their appointment to the Supreme Court. Aristotle’s discussion of social virtues offers insight into public friendship and explains, in part, how Scalia and Bader Ginsburg communicatively engaged one another in person and in footnotes. Their friendship as associates on the court is evident in United States v. Virginia (1996). The symbolism of their friendship should receive greater attention in our contemporary political culture—as a lesson for what is needed in a time of political upheaval, pointing to the possibilities democracy holds. The Justices: Similarities and Differences A person’s life circumstances and personal choices shape the development of one’s character. Justices Scalia and Bader Ginsburg both grew up in New York City * Dr. -
MIAMI UNIVERSITY the Graduate School Certificate for Approving The
MIAMI UNIVERSITY The Graduate School Certificate for Approving the Dissertation We hereby approve the Dissertation of __________Peter McClelland Robinson__________ Candidate for the Degree: Doctor of Philosophy ____________________________________________ Director (Allan M. Winkler) ____________________________________________ Reader (Sheldon Anderson) ____________________________________________ Reader (Andrew R. L. Cayton) ____________________________________________ Reader (Marguerite S. Shaffer) ____________________________________________ Graduate School Representative (William J. Doan) ABSTRACT THE DANCE OF THE COMEDIANS: THE PEOPLE, THE PRESIDENT, AND THE PERFORMANCE OF POLITICAL STANDUP COMEDY IN AMERICA by Peter McClelland Robinson This dissertation argues that the emergent performance of political standup comedy became a significant agent for mediating and complicating the relationship between the American people and the American presidency, particularly during the middle half of the twentieth century. The Dance of the Comedians examines standup comedy—particularly its ramifications for the presidency and Americans’ perceptions of that institution—as a uniquely compelling form of cultural performance. Part ceremonial ritual and part playful improvisation, the performance of political comedy in its diverse forms became a potent site of liminality that empowered all of its constituents—the comic, the audience, and the object of the joke—to reexamine and renegotiate the roles of all concerned. It is this tripartite bond of reciprocal -
Satiristas: Comedians, Contrarians, Raconteurs & Vulgarians Free
FREE SATIRISTAS: COMEDIANS, CONTRARIANS, RACONTEURS & VULGARIANS PDF Paul Provenza,Dan Dion | 368 pages | 11 May 2010 | It Books | 9780061859342 | English | New York, NY, United States Paul Provenza: ¡Satiristas! Goodreads helps you keep track of books you want to read. Want to Read saving…. Want to Raconteurs & Vulgarians Currently Reading Read. Other editions. Enlarge cover. Error rating book. Refresh and try again. Open Preview See a Problem? Details if other :. Thanks for telling us about the problem. Return to Book Page. Preview — Satiristas by Paul Provenza. Dan Dion Goodreads Author Photographer. Featuring our greatest comedic minds on the nature of humor, its relevance in society—and why sometimes you just need a good dirty joke to cleanse the palate— Contrarians is a hilarious multi-voiced manifesto on satire and Raconteurs & Vulgarians presented by Paul Provenza, Contrarians of The Aristocrats. Contrarians A Copy. Hardcover1st Editionpages. Published May 11th by It Books first published October 1st More Details Original Title. Other Editions 4. Friend Reviews. To see what your friends thought of this Raconteurs & Vulgarians, please sign up. To ask Satiristas: Comedians readers questions about Satiristasplease sign up. Contrarians with This Book. Community Reviews. Showing Average rating 4. Rating details. More filters. Sort order. Jul 09, Brita rated it liked it Shelves: read Oct 21, David rated it it was ok Shelves: comedy. These are simple, honest conversations, focused loosely on the subject of comedy and satire as Satiristas: Comedians art form. However, the book's biggest strength - the breadth and variety of social commentators represented within - is, in some ways, also its weakness. -
Constitutive Rhetoric in the Stewart/Colbert Universe
THE LOGIC OF IRONIC APPROPRIATION: CONSTITUTIVE RHETORIC IN THE STEWART/COLBERT UNIVERSE Christopher A.Medjesky A Dissertation Submitted to the Graduate College of Bowling Green State University in partial fulfillment of the requirements for the degree of DOCTOR OF PHILOSOPHY August 2012 Committee: Michael L. Butterworth, Advisor Gary Heba Graduate Faculty Representative Joshua Atkinson Clayton Rosati ii ABSTRACT Michael L. Butterworth, Advisor Scholars have long considered myth to be the driving force of rhetorical constitution. While myth has and remains a key logic that aids rhetoric in the formation of audiences, Roland Barthes argues that myth is a tool best served to produce right-leaning political discourse. As such, the shared logic of myth has encouraged the constitution of audiences that are positioned to act in ways that lead to predetermined judgments of politics and society that reinforce current power structures. Yet, Barthes argues that, despite myth’s dominance in discourse, another logic must exist that is better suited for left-leaning political purposes. Looking at the related paratexts from Jon Stewart, Stephen Colbert, and the entire Stewart/Colbert universe, I argue this universe utilizes such an alternative logic to produce left- leaning constitutive rhetoric. This logic of ironic appropriation serves to hail an audience into being, position that audience toward action, and uses that action to make judgments about the world in which the audience lives. Using the three principles of ironic appropriation—irony, intertextuality, and interactivity—the Stewart/Colbert universe produces texts that encourage individuals to come together into an audience that questions the normalization of incommensurability in discourse and, instead, seeks to find ways to build bridges and increase political activity.