DOCUMENT RESUME a Different World: Media Images of Race And
Total Page:16
File Type:pdf, Size:1020Kb
Load more
Recommended publications
-
An Analysis of Hegemonic Social Structures in "Friends"
"I'LL BE THERE FOR YOU" IF YOU ARE JUST LIKE ME: AN ANALYSIS OF HEGEMONIC SOCIAL STRUCTURES IN "FRIENDS" Lisa Marie Marshall A Dissertation Submitted to the Graduate College of Bowling Green State University in partial fulfillment of the requirements for the degree of DOCTOR OF PHILOSOPHY August 2007 Committee: Katherine A. Bradshaw, Advisor Audrey E. Ellenwood Graduate Faculty Representative James C. Foust Lynda Dee Dixon © 2007 Lisa Marshall All Rights Reserved iii ABSTRACT Katherine A. Bradshaw, Advisor The purpose of this dissertation is to analyze the dominant ideologies and hegemonic social constructs the television series Friends communicates in regard to friendship practices, gender roles, racial representations, and social class in order to suggest relationships between the series and social patterns in the broader culture. This dissertation describes the importance of studying television content and its relationship to media culture and social influence. The analysis included a quantitative content analysis of friendship maintenance, and a qualitative textual analysis of alternative families, gender, race, and class representations. The analysis found the characters displayed actions of selectivity, only accepting a small group of friends in their social circle based on friendship, gender, race, and social class distinctions as the six characters formed a culture that no one else was allowed to enter. iv ACKNOWLEDGMENTS This project stems from countless years of watching and appreciating television. When I was in college, a good friend told me about a series that featured six young people who discussed their lives over countless cups of coffee. Even though the series was in its seventh year at the time, I did not start to watch the show until that season. -
Blacks Reveal TV Loyalty
Page 1 1 of 1 DOCUMENT Advertising Age November 18, 1991 Blacks reveal TV loyalty SECTION: MEDIA; Media Works; Tracking Shares; Pg. 28 LENGTH: 537 words While overall ratings for the Big 3 networks continue to decline, a BBDO Worldwide analysis of data from Nielsen Media Research shows that blacks in the U.S. are watching network TV in record numbers. "Television Viewing Among Blacks" shows that TV viewing within black households is 48% higher than all other households. In 1990, black households viewed an average 69.8 hours of TV a week. Non-black households watched an average 47.1 hours. The three highest-rated prime-time series among black audiences are "A Different World," "The Cosby Show" and "Fresh Prince of Bel Air," Nielsen said. All are on NBC and all feature blacks. "Advertisers and marketers are mainly concerned with age and income, and not race," said Doug Alligood, VP-special markets at BBDO, New York. "Advertisers and marketers target shows that have a broader appeal and can generate a large viewing audience." Mr. Alligood said this can have significant implications for general-market advertisers that also need to reach blacks. "If you are running a general ad campaign, you will underdeliver black consumers," he said. "If you can offset that delivery with those shows that they watch heavily, you will get a small composition vs. the overall audience." Hit shows -- such as ABC's "Roseanne" and CBS' "Murphy Brown" and "Designing Women" -- had lower ratings with black audiences than with the general population because "there is very little recognition that blacks exist" in those shows. -
Grown-Ish Introduction
THE REPRESENTATION OF FEMALE AFRICAN MONEJAH BLACK AMERICAN COLLEGE NATHANIEL FREDERICK, PHD, FACULTY STUDENTS ON MENTOR EMMANUEL NWACHUKWU, FACULTY TELEVISION: A MENTOR CONTENT ANALYSIS DEPARTMENT OF MASS COMMUNICATION OF A DIFFERENT WINTHROP UNIVERSITY WORLD AND GROWN-ISH INTRODUCTION Source: Wikipedia Commons Source: Fan Art TV •1987-1993 • 2018-present •Spin-off of The Cosby • College • Spin-off of Black-ish: experience of Show: black female the female black female daughter daughter (Denise African (Zoey Johnson) American lead attends California Huxtable) attends Hillman Predominantly Historically Black character University (PWI) White College (HBCU) College or University Institution Source: HBCU Buzz Source: TV Over Mind WHY IT MATTERS The representation of the female AA college student The representation of the college experience PWI non-minority students who have limited first-hand experience with AAs prior to/during college Who’s watching? What are they learning? High school students who have limited knowledge of what to expect in college LITERATURE REVIEW The Social Construction Sitcoms and African of the African American American Portrayal on Family on Television Television Television as a Vicarious Perceived Realism Experience THE SOCIAL CONSTRUCTION OF THE AFRICAN AMERICAN FAMILY ON TELEVISION: A COMPARATIVE ANALYSIS OF THE COSBY SHOW AND BLACK-ISH Differences in How AA family is Similarities in family Textual analysis on willingness to address constructed on demographics (well- The Cosby Show and certain topics such as television, evolved rounded, educated, Black-ish racial issues and over time suburban) stereotypes Stamps (2008) Source: Amazon Source: NPR SITCOMS AND THE AFRICAN AMERICAN PORTRAYAL ON TELEVISION Situational Comedy • Comical, yet expected to be Characters with Tells us how to run traits the audience moral our lives relate to • “The producers seem to have forgotten that you can’t raise a Berman moral issue and play with it— (1987) people expect you to solve it. -
Fall Colors, 2001-02: Prime Time Diversity Report. INSTITUTION Children Now, Oakland, CA
DOCUMENT RESUME ED 464 750 PS 030 374 AUTHOR Parker, McCrae A.; Miller, Patti; Espejo, Eileen; Grossman-Swenson, Sarah TITLE Fall Colors, 2001-02: Prime Time Diversity Report. INSTITUTION Children Now, Oakland, CA. SPONS AGENCY Mott (C.S.) Foundation, Flint, MI. PUB DATE 2002-04-00 NOTE 49p.; For Fall Colors II, see ED 444 707. Also supported by The Atlantic Philanthropies. AVAILABLE FROM Children Now, 1212 Broadway, 5th Floor, Oakland, CA 94612. Tel: 510-763-2444; Fax: 510-763-1974; e-mail: [email protected]. For full text: http://www.childrennow.org/media/fc2002/fc-2002-report.pdf. PUB TYPE Information Analyses (070) EDRS PRICE MF01/PCO2 Plus Postage. DESCRIPTORS Comparative Analysis; Content Analysis; *Cultural Pluralism; *Diversity (Institutional); Ethnicity; Mass Media Effects; *Programming (Broadcast); Racial Distribution; Television Research IDENTIFIERS Diversity (Groups) ABSTRACT Television is an integral part of American culture, and has the ability to play a major role in shaping belief systems, particularly for the youngest and most impressionable viewers. This study is the third annual study of diversity of characters in prime time television programming. The study examined the first two episodes of each prime time entertainment series airing on the six broadcast networks. The findings indicate that despite ongoing emphasis, encouragement, and pressure on the part of media advocates, civil rights groups, government officials, and even some entertainment industry leaders, the networks have yet to produce a prime time -
405, Dept. of African American Stds, 81 Wall Street
Prof. D. A. Brooks [email protected] Office: 405, Dept. of African American Stds, 81 Wall Street Spring 2015 Meets Tu/Th 2:30-3:45pm Location: WLH 208 Office Hours: Tu: 4-5pm, W: 3:30pm-5pm & by appointment AFAM 403/THST 431/AM STDS 386 “…Who Run the World”: Black Women and Popular Music Culture [Billie] Holiday demonstrates… the value of important lives and voices Otherwise dismissed. --Lindon Barrett, Blackness and Value My persuasion can build a nation. --Beyonce From Bessie Smith and Billie Holiday to Tina Turner and Beyonce, from Nina Simone and Grace Jones to Lauryn Hill and Nicki Minaj, black women have used various forms of musical expression as sites of social and ideological resistance and revision. Through an exploration of voice, lyricism, kinesthetic performance, instrumentality and visual aesthetics, this course examines the “world wide underground” of black women’s sonic cultures, and it re-interrogates pop music subculture theories through the intersecting prisms of race, gender, class and sexuality. It considers the ways that black women musicians operate as socio- political and cultural intellectuals, and it reads their work as historically-situated cultural texts that resonate in multiple contexts. Throughout the semester, we will explore the ways in which black women culture workers have stylized and innovated disruptive and iconic performance practices within the context of American popular music culture, from the postbellum era through the present day. Part of the aim of this course is to trace the tensions between the enormous influence and ubiquity of the black female singing voice in globalized popular cultures and the ways in which a range of entertainers have nonetheless negotiated eccentric and “obscure” musical gestures that signaled and affirmed the existence of resistant musical aesthetics in the face of panopticism. -
2010 Annual Report
2010 ANNUAL REPORT Table of Contents Letter from the President & CEO ......................................................................................................................5 About The Paley Center for Media ................................................................................................................... 7 Board Lists Board of Trustees ........................................................................................................................................8 Los Angeles Board of Governors ................................................................................................................ 10 Media Council Board of Governors ..............................................................................................................12 Public Programs Media As Community Events ......................................................................................................................14 INSIDEMEDIA Events .................................................................................................................................14 PALEYDOCFEST ......................................................................................................................................20 PALEYFEST: Fall TV Preview Parties ...........................................................................................................21 PALEYFEST: William S. Paley Television Festival ......................................................................................... 22 Robert M. -
“It's Gonna Be Some Drama!”: a Content Analytical Study Of
“IT’S GONNA BE SOME DRAMA!”: A CONTENT ANALYTICAL STUDY OF THE PORTRAYALS OF AFRICAN AMERICANS AND HISTORICALLY BLACK COLLEGES AND UNIVERSITIES ON BET’S COLLEGE HILL _______________________________________ A Dissertation presented to the Faculty of the Graduate School at the University of Missouri _______________________________________________________ In Partial Fulfillment of the Requirements for the Degree Doctor of Philosophy _____________________________________________________ by SIOBHAN E. SMITH Dr. Jennifer Stevens Aubrey, Dissertation Supervisor DECEMBER 2010 © Copyright by Siobhan E. Smith 2010 All Rights Reserved The undersigned, appointed by the dean of the Graduate School, have examined the dissertation entitled “IT’S GONNA BE SOME DRAMA!”: A CONTENT ANALYTICAL STUDY OF THE PORTRAYALS OF AFRICAN AMERICANS AND HISTORICALLY BLACK COLLEGES AND UNIVERSITIES ON BET’S COLLEGE HILL presented by Siobhan E. Smith, a candidate for the degree of doctor of philosophy, and hereby certify that, in their opinion, it is worthy of acceptance. Professor Jennifer Stevens Aubrey Professor Elizabeth Behm-Morawitz Professor Melissa Click Professor Ibitola Pearce Professor Michael J. Porter This work is dedicated to my unborn children, to my niece, Brooke Elizabeth, and to the young ones who will shape our future. First, all thanks and praise to God, from whom all blessings flow. For it was written: “I can do all things through Christ which strengthens me” (Philippians 4:13). My dissertation included! The months of all-nighters were possible were because You gave me strength; when I didn’t know what to write, You gave me the words. And when I wanted to scream, You gave me peace. Thank you for all of the people you have used to enrich my life, especially those I have forgotten to name here. -
RATNER PAYOFF Developer Suggests He’D Give Victims of Eminent Domain New Homes Near Arena
SATURDAY • April 24, 2004 Including Carroll Gardens-Cobble Hill Paper, Downtown News, DUMBO Paper and Fort Greene-Clinton Hill Paper Published every Saturday by Brooklyn Paper Publications Inc, 55 Washington Street, Suite 624, Brooklyn NY 11201. Phone 718-834-9350 • www.BrooklynPapers.com • © 2004 Brooklyn Paper Publications • 20 pages including GO BROOKLYN • Vol. 27, No. 16 BWN • Saturday, April 24, 2004 • FREE RATNER PAYOFF Developer suggests he’d give victims of eminent domain new homes near arena By Deborah Kolben The Brooklyn Papers NOT JUST NETS • THE NEW BROOKLYN • NOT JUST NETS If you can’t beat ’em, build ’em a new building. being considered for its construc- ner would build a 20,000-seat bas- who would be evicted or otherwise owns a condominium at 24 Sixth Plowing ahead with plans to tion. ketball arena for his recently pur- impacted by construction of his At- Ave., the A.G. Spalding Building, construct a $2.5 billion arena, of- “It’s among the various options chased New Jersey Nets, flanked lantic Yards project. And fewof which would face the wrecking fice and housing complex in Pros- we’re considering at this point,” by four sweeping office towers and them interviewed this week were ball under Ratner’s plans. pect Heights, developer Bruce Rat- Deplasco said. buildings containing 4,500 residen- thrilled with the idea of moving At the same time, Ratner is, ac- ner is now looking to construct a Gehry, in fact, told Newsweek tial units. into one of his buildings.Others de- cording to sources, floating a new new building to house some of the online this week, “Bruce is asking The plan is dependent upon the clined to talk about their discus- plan that would require less use of residents his plan would displace. -
Finding Aid to the Historymakers ® Video Oral History with Tai Beauchamp
Finding Aid to The HistoryMakers ® Video Oral History with Tai Beauchamp Overview of the Collection Repository: The HistoryMakers®1900 S. Michigan Avenue Chicago, Illinois 60616 [email protected] www.thehistorymakers.com Creator: Beauchamp, Tai, 1978- Title: The HistoryMakers® Video Oral History Interview with Tai Beauchamp, Dates: October 7, 2014 Bulk Dates: 2014 Physical 6 uncompressed MOV digital video files (2:42:13). Description: Abstract: Journalist and entrepreneur Tai Beauchamp (1978 - ) was the style ambassador of InStyle magazine and the CEO of Tai Life Media, LLC. She became the youngest and first African American beauty and fitness director at Seventeen magazine in 2004. Beauchamp was interviewed by The HistoryMakers® on October 7, 2014, in New York, New York. This collection is comprised of the original video footage of the interview. Identification: A2014_228 Language: The interview and records are in English. Biographical Note by The HistoryMakers® Journalist and entrepreneur Tai Beauchamp was born on January 7, 1978 in Newark, New Jersey. She graduated from Spelman College in 2000 with her B.A. degree in English Literature and received a certificate in television production from New York University in 2003. Beauchamp began her career as an intern for Good Housekeeping and Harper’s Bazaar magazines in 1998. In 2000, she was hired at O, The Oprah Magazine as a fashion and beauty assistant, but was soon named associate beauty editor. In 2003, Essence magazine/Time Inc. hired her to serve as the beauty editor of several prototypes that later became Suede magazine. In 2004, Beauchamp became the youngest and first African American appointed to the role of beauty and fitness director at Seventeen magazine. -
Aimed at Helping Dot.Ccm Business
MIN ItB}(IDESBIlL *************************3-DIGIT078 s 1071159037SP 20000619 edl ep 2 IIILAURA K JONES, ASS1TANT MGR 330G < NALCENBOOKS a 42 MOUNT PLEASANT AVE (r) WHARTON NJ 07885-2120 135 Lu Z HI iilmIli.1,1..1..1.1,,.1.1...11,.1,111,,,ilul..1.111,111 Vol. 9 No. 31 THE NEWS MAGAZINE OF THE MEDIA August 9, 1999 $3.50 Andy Sareyan Ann Moore (standing), Susan Wylan MARKET INDICATORS National TV: Steady It's quiet now, but fourth-quarter scatte- keeps trickling in. Dot.coms, autos anrd packaged goods pac- ing well. Net Cable: Chilling Sales execs take sum- mer break as third quar- ter wraps and fourth quarter paces 25 per- Time Inc. plans a cent over upfront. Wall Street ups and downs new magazine causirg some jitters about end -of -year aimed at helping dot.ccm business. women cope Spot TV: Quiet Lazy summer days are with life Page 4 here. September is open, but October buys will likely get crunched as the expected fourth-quar- ter dcllars rush in. Radio: Sold out Fourth-quarter network scatter is all but sold out, diving rates through the roof. Up- front for first quarter next year is wide open. Magazines: Waiting Software companies are holding off from buying ads in third and Might of the Right FCC Gives Thumbs Up to LMAspage 5 fourth quarter. Huge spending expected in As former House Speaker Newt first quarter 2000 after Y2K stare is over. 'Gingrich hits the airwaves, Hearst Buys 'Chronicle, Sells Magspage 6 3 2> conservative talk radio is as strong W 7 as it was back in '94. -
ESPN the Magazine Is Prohibited
Saving People Money Since 1936 ... that’s before there were color TVs. GEICO has been serving up great car insurance and (!2;!9ধ$ $<9;31'8 9'8=-$' (38 138' ;,!2 @'!89W '; ! 7<3;' !2& 9'' ,3> 1<$, @3< $3<£& 9!=' ;3&!@W +'-$3W$31 d f¥ff d £3$!£ 3ă$' 31'&-9$3<2;9T$3='8!+'9T6!@1'2;6£!29!2&('!;<8'9!8'23;!=!-£!#£'-2!££9;!;'938!££ $316!2-'9W -9!8'+-9;'8'&9'8=-$'1!803( 3='821'2; 16£3@''9 29<8!2$'316!2@T!9,-2+;32TWW¤U!'809,-8' !;,!>!@ 2$W9<#9-&-!8@W} 02.08.16 Peyton Manning, 39, looks to claim his second ring—this time as the oldest QB to play in the Super Bowl. SUPERBOWL50 FORWARD COLUMNS 11 WATCH THE THRONE Will Stephen Curry’s rise 8 THE TICKET 35 SUPER BOWL 50 64 JOEY FATONE, MISS FEBRUARY 1999 lead to the dethroning of LeBron James? A new study reveals Gluttonous maximus: celebrating 50 years of AND ONE EPIC CHOCOLATE FOUNTAIN Two games tell the story. BY KEVIN ARNOVITZ the hidden depths of America’s favorite (unofficial) holiday. The toughest ticket in town at SB XXXVIII? Hint: 22 ZOOM Eddie George, former Pro Bowl running the NFL’s coaching It wasn’t for the game. BY DAVID FLEMING back, takes on Chicago—the musical, that is. diversity crisis. 36 ALL THAT GLITTERS … 24 ¿ESTÁS LISTO PARA EL FÚTBOL AMERICANO? BY MINA KIMES The NFL rings in Super Bowl’s big 5-0 with really, 72 SUPER BOWL CONFIDENTIAL Mexico has gone gonzo for the gridiron. -
Whether You're Dark Or You're Fair
“Whether You’re Dark or You’re Fair”: The Black Female Body in A Different World and School Daze By Inda Lauryn Note: This piece was written sometime between 2003 and 2006 during my graduate school years. It was never published. Introduction Although the primary purpose of comedy is to make us laugh, it also at times serves as a vehicle to address or comment upon societal issues. Historically, film and television executives have assumed that audiences would not be receptive to socially-conscious programming, particularly programming that comes with an African-American face. For instance, Herman Gray (1995) argues that blackness and blacks “served to amuse and comfort culturally sanctioned notions of whiteness, especially white superiority and paternalism (p. 75),” implying that African Americans exist in a very limited capacity within the television world. Interestingly, African Americans have mostly been relegated to the realm of comedy (and musical performance) in their film and television representations. As a result, not only have these representations carried a significant amount of weight within the overall scheme of African- American images, but they have also led African Americans to seek more creative ways in which to use comedy for purposes other than laughter. Quite possibly the success of Norman Lear’s situation comedies from the 1970s and the success of blaxploitation cinema of that same era forced executives to realize that there was a viable black audience willing not only to laugh at itself but also willing to examine the social conditions surrounding them. Yet, at the heart of these representations lie the legacies of the tom, the buck, the coon, the tragic mulatto, the mammy, Sambo and Sapphire, as scholars such as Donald Bogle (1994) have documented.