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Symbol of Conquest, Alliance, and Hegemony
SYMBOL OF CONQUEST, ALLIANCE, AND HEGEMONY: THE IMAGE OF THE CROSS IN COLONIAL MEXICO by ZACHARY WINGERD Presented to the Faculty of the Graduate School of The University of Texas at Arlington in Partial Fulfillment of the Requirements for the Degree of DOCTOR OF PHILOSOPHY THE UNIVERSITY OF TEXAS AT ARLINGTON August 2008 Copyright © by Zachary Wingerd 2008 All Rights Reserved ACKNOWLEDGEMENTS I offer thanks to Dr. Dennis Reinhartz, Dr. Kenneth Philp, Dr. Richard Francaviglia, and Dr. Joseph Bastien who agreed to sit on my dissertation committee and guide my research and writing. Special thanks are given to Dr. Douglas Richmond who encouraged my topic from the very beginning and as the committee chair actively supported my endeavor. May 1, 2008 iii DEDICATED TO MY LOVING WIFE AND SONS Lindsey, Josh, and Jamie iv ABSTRACT SYMBOL OF CONQUEST, ALLIANCE, AND HEGEMONY: THE IMAGE OF THE CROSS IN COLONIAL MEXICO Zachary Wingerd, PhD. The University of Texas at Arlington, 2008 Supervising Professor: Douglas Richmond The universality of the cross image within the transatlantic confrontation meant not only a hegemony of culture, but of symbolism. The symbol of the cross existed in both European and American societies hundreds of years before Columbus. In both cultures, the cross was integral in religious ceremony, priestly decoration, and cosmic maps. As a symbol of life and death, of human and divine suffering, of religious and political acquiescence, no other image in transatlantic history has held such a perennial, powerful message as the cross. For colonial Mexico, which felt the brunt of Spanish initiative, the symbol of the cross penetrated the autochthonous culture out of which the independent nation and indigenous church were born. -
Christian Cruciform Symbols and Magical Charaktères Luc Renaut
Christian Cruciform Symbols and Magical Charaktères Luc Renaut To cite this version: Luc Renaut. Christian Cruciform Symbols and Magical Charaktères. Polytheismus – Monotheismus : Die Pragmatik religiösen Handelns in der Antike, Jun 2005, Erfurt, Germany. hal-00275253 HAL Id: hal-00275253 https://hal.archives-ouvertes.fr/hal-00275253 Submitted on 24 Apr 2008 HAL is a multi-disciplinary open access L’archive ouverte pluridisciplinaire HAL, est archive for the deposit and dissemination of sci- destinée au dépôt et à la diffusion de documents entific research documents, whether they are pub- scientifiques de niveau recherche, publiés ou non, lished or not. The documents may come from émanant des établissements d’enseignement et de teaching and research institutions in France or recherche français ou étrangers, des laboratoires abroad, or from public or private research centers. publics ou privés. CHRISTIAN CRUCIFORM SYMBOLS victory in Milvius Bridge, Constantine « was directed in a dream to cause AND MAGICAL CHARAKTÈRES the heavenly sign of God ( caeleste signum Dei ) to be delineated on the Communication prononcée dans le cadre du Colloque Polytheismus – Mono- shields of his soldiers, and so to proceed to battle. He does as he had been theismus : Die Pragmatik religiösen Handelns in der Antike (Erfurt, Philo- commanded, and he marks on the shields the Christ[’s name] ( Christum in sophische Fakultät, 30/06/05). scutis notat ), the letter X having been rotated ( transversa X littera ) and his top part curved in [half-]circle ( summo capite circumflexo ). »4 This As everyone knows, the gradual political entrance of Christian caeleste signum Dei corresponds to the sign R 5. -
{DOWNLOAD} Cross
CROSS PDF, EPUB, EBOOK James Patterson | 464 pages | 29 Apr 2010 | Headline Publishing Group | 9780755349401 | English | London, United Kingdom Cross Pens for Discount & Sales | Last Chance to Buy | Cross The Christian cross , seen as a representation of the instrument of the crucifixion of Jesus , is the best-known symbol of Christianity. For a few centuries the emblem of Christ was a headless T-shaped Tau cross rather than a Latin cross. Elworthy considered this to originate from Pagan Druids who made Tau crosses of oak trees stripped of their branches, with two large limbs fastened at the top to represent a man's arm; this was Thau, or god. John Pearson, Bishop of Chester c. In which there was not only a straight and erected piece of Wood fixed in the Earth, but also a transverse Beam fastened unto that towards the top thereof". There are few extant examples of the cross in 2nd century Christian iconography. It has been argued that Christians were reluctant to use it as it depicts a purposely painful and gruesome method of public execution. The oldest extant depiction of the execution of Jesus in any medium seems to be the second-century or early third-century relief on a jasper gemstone meant for use as an amulet, which is now in the British Museum in London. It portrays a naked bearded man whose arms are tied at the wrists by short strips to the transom of a T-shaped cross. An inscription in Greek on the obverse contains an invocation of the redeeming crucified Christ. -
Crosses of the Red Cross of Constantine Presentation by P
Grand Imperial Conclave of the Masonic and Military Order of the Red Cross of Constantine, and the Orders of the Holy Sepulchre and of St. John the Evangelist for England and Wales and its Divisions and Conclaves Crosses of the Red Cross of Constantine Presentation by P. Kt. A. Briggs Div. Std. B.(C) and P. Kt. M.J. Hamilton Div. Warden of Regalia Warrington Conclave No. 206 November 16th 2011 INTRODUCTION Constantine's Conversion at the Battle of Milvian Bridge 312ad. MANY TYPES OF CROSSES These are just a few of the hundreds of designs of crosses THE RED CROSS • Red Cross of Constantine is the Cross Fleury - the most associated cross of the Order • With the Initials of the words ‘In Hoc Signo Vinces’ • Greek Cross (Cross Imissa – Cross of Earth • Light and Life Greek words for “light” and “life”. • Latin Cross THE VICTORS CROSS The Conqueror's or Victor's cross is the Greek cross with the first and last letters of "Jesus" and "Christ" on top, and the Greek word for conquerer, nika, on the bottom. • Iota (Ι) and Sigma (Σ) • I & C -The first and last letters of Jesus (ΙΗΣΟΥΣ). • X & C -The first and last letters of Christ (XPIΣTOΣ) The Triumphant Cross is a cross atop an orb. The cross represents Christianity and the orb (often with an equatorial band) represents the world. It symbolises Christ's triumph over the world, and prominent in images of Christ as Salvator Mundi - the Saviour of the World. THE CHI-RHO CROSS • The Chi-Rho emblem can be viewed as the first Christian Cross. -
Antique French Altar Corpus Christi Hardwood Cross & Base
anticSwiss 01/10/2021 06:45:41 http://www.anticswiss.com Antique French Altar Corpus Christi Hardwood Cross & Base FOR SALE ANTIQUE DEALER Period: 20° secolo - 1900 Regent Antiques London Style: Altri stili +44 2088099605 447836294074 Height:28cm Width:18cm Depth:9cm Price:300€ DETAILED DESCRIPTION: This is a distinctive antique French dark patinated altar Corpus Christi of Christ crucified on a hardwood cross, circa 1900 in date. The details are very impressive, the Corpus Christi is very life-like, wearing a flowing linen cloth, his eyes closed and head upper-turned. The hardwood cross and stepped base are highly evocative featuring suggestive stylized thorns - hence, recalling the woven crown of thorns that was placed on the head of Jesus during the events leading up to the crucifixion. Pieces like these really are in a class of their own, as such, work beautifully anywhere. The craftsmanship is second to none throughout all aspects of this magnificent altar Corpus Christi which is sure to add an unparalleled touch of sacred art to your home. Condition: In excellent condition, please see photos for confirmation. Dimensions in cm: Height 28 x Width 18 x Depth 9 Dimensions in inches: Height 11.0 x Width 7.1 x Depth 3.5 The Christian cross, seen as a representation of the instrument of the crucifixion of Jesus, is the best-known symbol of Christianity. It is related to the crucifix (a cross that includes a corpus, usually a three-dimensional representation of Jesus' body) and to the more general family of cross symbols, the term cross itself being detached from the original specifically Christian meaning in modern English (as in many other western languages). -
The Cross As an Art Expression
Eastern Illinois University The Keep Masters Theses Student Theses & Publications 1960 The rC oss as an Art Expression Foster Leroy Marlow Eastern Illinois University Recommended Citation Marlow, Foster Leroy, "The rC oss as an Art Expression" (1960). Masters Theses. 4506. https://thekeep.eiu.edu/theses/4506 This Dissertation/Thesis is brought to you for free and open access by the Student Theses & Publications at The Keep. It has been accepted for inclusion in Masters Theses by an authorized administrator of The Keep. For more information, please contact [email protected]. THE CROSS AS AN ART EXPRESSION A Thesis Presented To The Department of Art Eas tern Illinois University In Partial Fulfillment Of The Requirements for the Degree Master of Science in Education by Foster Leroy Marlow April 1960 ! Ap proved:_ Dr. Calvin Countr yman. Dr. Roland Leiphol2 Dr. Gerhard MatzneI iii ACKNOWLEDGEMENTS The author of this thesis wis hes to express gratitude for the guidance of his advisor Dr. Carl Shull of the Department of Art, Eastern Illinois Univers ity in the approach to this subject. My gratitude also goes to those artists both of ancient and modern times who have enriched the body of art in symb olization and ornamentation by the use of the cross. Foster Marlow iv TABLE OF CONTENI'S Page ACKNOWLEDGEMENTS. • • • iv LIST OF ILLUSTRATIONS • .vii PREFACE • x PURPOSE OF THE PAPER • • xi INTRODUCTION • • xiii Chapter I THE CROSS AS A SYMBOL AND SIGN OF MAN. 2 Visually Discerned • 2 The Orant Figure • • 4 Instrument of Execution. • • 4 Birth and Death 6 The Evil and the Dead • 6 Funerary Use • 9 Fertility Sign • • 9 Sex and Passion Symb ol • 12 Environment of Man • 12 Summary. -
Is the Cross a Christian Symbol?
Is the Cross a Christian Symbol? Do all members of Christendom, even all clergymen accept that Jesus died on a cross? This short article shows that they do not ... if they examine the historical evidence. Earl L. Henn A Roman Impalement (Louvre Museum, Paris, France) Onward, Christian soldiers! Marching as to war, With the cross of Jesus Going on before. So reads the chorus to a very popular Christian hymn that churches have sung for many years. The song portrays the cross as the identifying sign of everything for which Christianity stands and around which Christians should rally in their fight against the forces of evil. Throughout the world, people universally regard the cross as THE symbol of Christianity. Churches have crosses atop their steeples, on their walls, windows and doors. Catholics and Protestants wear crosses on necklaces, bracelets, rings, pendants, key chains and items of clothing. People in some churches "cross" themselves by touching the forehead, breast, and then each shoulder to form a symbolic cross in carrying out certain religious rituals or in blessing themselves or others. Some think the sign of the cross to be effective in warding off evil spirits and for generally protecting believers from harm. All this seems perfectly natural to most people. After all, Jesus was crucified on a cross, was he not? Have not Christians used the sign of the cross throughout all ages to show to the world their belief in the saviour of mankind? Most Bible translations mention the cross many times, in both literal and figurative terms, as symbolizing the meaning of true Christianity as well as the sacrifices and trials that a true Christian must endure in this life to be true to the faith. -
Amicus Briefs
Nos. 08-56415, 08-56436 IN THE UNITED STATES COURT OF APPEALS FOR THE NINTH CIRCUIT JEWISH WAR VETERANS OF THE UNITED STATES OF AMERICA, INC., et al., Plaintiffs-Appellants, v. CITY OF SAN DIEGO, et al., Defendants-Appellees. On Appeal From the United States District Court for the District of Southern California Nos. 06-cv-01597-LAB, 06-cv-01728-LAB (Hon. Larry A. Burns) Brief of Amici Curiae Americans United for Separation of Church and State; Hadassah, the Women’s Zionist Organization of Amer- ica, Inc.; Interfaith Alliance; Military Association of Atheists and Freethinkers; Military Religious Freedom Foundation; Progres- sive Christians Uniting; and Unitarian Universalist Association in Support of Appellants, Seeking Reversal Shelley J. Klein Ayesha N. Khan Julia Rubin Alex J. Luchenitser HADASSAH, THE WOMEN'S ZIONIST Josef M. Klazen ORGANIZATION OF AMERICA, INC. AMERICANS UNITED FOR SEPARATION OF 50 West 58th Street CHURCH AND STATE New York, NY 10019 518 C Street, NE (212) 303-8136 Washington, DC 20002 (202) 466-3234 Pedro L. Irigonegaray MILITARY RELIGIOUS FREEDOM FOUNDATION 1535 SW 29th Street Topeka, KS 66611-1901 (785) 267-6115 Counsel for Amici Curiae CORPORATE DISCLOSURE STATEMENT Amici are nonprofit corporations. None has any corporate parent, and no publicly held corporations own any part of any amicus. i TABLE OF CONTENTS Page CORPORATE DISCLOSURE STATEMENT ............................................i TABLE OF AUTHORITIES .....................................................................iv INTEREST OF THE AMICI CURIAE .....................................................1 SUMMARY OF THE ARGUMENT ..........................................................2 ARGUMENT ..............................................................................................3 I. The Cross Has Long Been, And Remains Today, The Preeminent Symbol Of Christianity ........................................3 A. For nearly two thousand years, the cross has been a readily identifiable Christian symbol ....................................5 B. -
Copyright © 2014 Sean Joslin Mcdowell All Rights Reserved. The
Copyright © 2014 Sean Joslin McDowell All rights reserved. The Southern Baptist Theological Seminary has permission to reproduce and disseminate this document in any form by any means for purposes chosen by the Seminary, including, without limitation, preservation, or instruction. A HISTORICAL EVALUATION OF THE EVIDENCE FOR THE DEATH OF THE APOSTLES AS MARTYRS FOR THEIR FAITH __________________ A Dissertation Presented to the Faculty of The Southern Baptist Theological Seminary __________________ In Partial Fulfillment of the Requirements for the Degree Doctor of Philosophy __________________ by Sean Joslin McDowell December 2014 APPROVAL SHEET A HISTORICAL EVALUATION OF THE EVIDENCE FOR THE DEATH OF THE APOSTLES AS MARTYRS FOR THEIR FAITH Sean Joslin McDowell Read and Approved by: __________________________________________ James Parker III (Chair) __________________________________________ Michael A. G. Haykin __________________________________________ Theodore J. Cabal Date ______________________________ To Stephanie This was truly a team effort. I could not ask for a more loving and supportive wife. TABLE OF CONTENTS Page LIST OF TABLES . ix PREFACE . x Chapter 1. INTRODUCTION . 1 Methodology . 4 Defining Martyrdom . 6 Challenges for the Historical Investigation . 11 Research Outline . 20 2. THE CENTRALITY OF THE RESURRECTION . 23 Early Christian Creeds . 24 First Corinthians 15:3-7 . 26 The Resurrection in Acts and the Letters of Paul . 29 Resurrection in the Apostolic Fathers . 31 Conclusion . 32 3. THE TWELVE APOSTLES . 34 Who Were the Twelve? . 35 The Historicity of the Twelve . 39 The Apostolic Witness . 41 All the Apostles . 43 Did The Apostles Engage in Missionary Work? . 44 The Testimony of the Twelve . 54 iv Chapter Page 4. PERSECUTION IN THE EARLY CHURCH . -
The Crucifix. Its Origin
THE CRUCIFIX. BY THE EDITOR. THE identification of the salutary sign ^ (i-e., the figure of inter- secting lines) with the cross of Golgotha, the stauros or the pole on which Christ died, does not as yet occur in the New Testa- ment, nor can any trace of it be found in the oldest Christian writ- ers, Clement of Rome, Ignatius, Polycarp, including even the Shepherd of Hermas of the beginning of the second century. It is utterly absent in the catacombs, where Christ on the cross is repre- sented as a fish on a simple rod or pole. The second oldest form IXGYS, Christ as the Fish on the Rood. Frescoes in the Catacombs, Ardeatine Cemetery. (The cross is here, in its oldest pictorial representation, a simple rod without cross-beam.) of the cross in the catacombs is the T cross and that appears in the latter half of the fourth century, while the four-armed cross was not discovered earlier than the fifth century. Says the Rev. Richard St. John Tyrwhitt in Smith's Dictionary of Christian Antiquities, pp. 496-497 : " One example is given by Boldetti of a tau-cross, dating A. D. 370 according to the consuls : neither the Crux Immissa nor the Greek cross appear by actua- examples till the fifth century. This question of date can hardly be decided in the Catacombs, from the number of crosses inscribed there by pilgrims of all periods. "The tau appears in the Callixtine Catacomb, in a sepulchral inscription, re- ferred to the third century, thus: 'ireTne.' This frequently occurs elsewhere (De Rossi, BuUet., 1863, p. -
What Does Chrismon Mean?
Have you ever wondered… Iota, Eta, Sigma in a Circle -- These are the first three letters in the Greek word for Jesus. These letters in the circle (the symbol for eternity) remind us that Jesus gives us eternal life. What does Chrismon mean? CHRISMON = CHRIST+MONOgram Jerusalem Cross -- The crusader’s cross. This cross was worn by the crusaders going to Jerusalem. Wikipedia states: A chrismon is one of a number of Christian symbols intended to represent aspects of the Person, life or ministry of Jesus Christ and the life, Butterfly-- The butterfly symbolizes the resurrection ministry or history of the Christian Church through a single image, emblem or and immortality of the soul; a message of life. monogram. The term “chrismon” comes from the Latin phrase “Christi Mono- gramma”, meaning “monogram of Christ”. By definition, the literal monogram Latin Cross & Alpha and Omega-- We are reminded that Jesus is the Alpha of Christ, which is the Greek letters X (“chi”) superimposed upon P (“rho”), is and the Omega, the Beginning and the End, who died on the cross for us. the more commonly named Chi Rho or labarum, which is actually the name of an imperial standard, where the chi rho was employed. Orb and cross - The orb (symbol of the earth) has a cross over it. Chrismons can be found in all sizes, any sort of construction, and are used in We are reminded that the world needs Christ. Also known as Trium- numerous applications. Often, the P is formed to look like a shepherd’s crook phant Church -- The world (as seen by the latitude and longitude lines) with the cross on top, reminds us that Christ is triumphant and the X like a cross, symbolizing Jesus Christ as Good Shepherd of his flock, over the challenges presented by living in the world. -
RSCAS 2013/88 Cross, Crucifix, Culture
RSCAS 2013/88 Robert Schuman Centre for Advanced Studies RELIGIOWEST Cross, crucifix, culture: an approach to the constitutional meaning of confessional symbols Frederick Mark Gedicks and Pasquale Annicchino European University Institute Robert Schuman Centre for Advanced Studies RELIGIOWEST Cross, crucifix, culture: an approach to the constitutional meaning of confessional symbols Frederick Mark Gedicks and Pasquale Annicchino EUI Working Paper RSCAS 2013/88 This text may be downloaded only for personal research purposes. Additional reproduction for other purposes, whether in hard copies or electronically, requires the consent of the author(s), editor(s). If cited or quoted, reference should be made to the full name of the author(s), editor(s), the title, the working paper, or other series, the year and the publisher. ISSN 1028-3625 © Frederick Mark Gedicks and Pasquale Annicchino, 2013 Printed in Italy, December 2013 European University Institute Badia Fiesolana I – 50014 San Domenico di Fiesole (FI) Italy www.eui.eu/RSCAS/Publications/ www.eui.eu cadmus.eui.eu Robert Schuman Centre for Advanced Studies The Robert Schuman Centre for Advanced Studies (RSCAS), created in 1992 and directed by Brigid Laffan since September 2013, aims to develop inter-disciplinary and comparative research and to promote work on the major issues facing the process of integration and European society. The Centre is home to a large post-doctoral programme and hosts major research programmes and projects, and a range of working groups and ad hoc initiatives. The research agenda is organised around a set of core themes and is continuously evolving, reflecting the changing agenda of European integration and the expanding membership of the European Union.