The History of Christ Church Windows
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Symbol of Conquest, Alliance, and Hegemony
SYMBOL OF CONQUEST, ALLIANCE, AND HEGEMONY: THE IMAGE OF THE CROSS IN COLONIAL MEXICO by ZACHARY WINGERD Presented to the Faculty of the Graduate School of The University of Texas at Arlington in Partial Fulfillment of the Requirements for the Degree of DOCTOR OF PHILOSOPHY THE UNIVERSITY OF TEXAS AT ARLINGTON August 2008 Copyright © by Zachary Wingerd 2008 All Rights Reserved ACKNOWLEDGEMENTS I offer thanks to Dr. Dennis Reinhartz, Dr. Kenneth Philp, Dr. Richard Francaviglia, and Dr. Joseph Bastien who agreed to sit on my dissertation committee and guide my research and writing. Special thanks are given to Dr. Douglas Richmond who encouraged my topic from the very beginning and as the committee chair actively supported my endeavor. May 1, 2008 iii DEDICATED TO MY LOVING WIFE AND SONS Lindsey, Josh, and Jamie iv ABSTRACT SYMBOL OF CONQUEST, ALLIANCE, AND HEGEMONY: THE IMAGE OF THE CROSS IN COLONIAL MEXICO Zachary Wingerd, PhD. The University of Texas at Arlington, 2008 Supervising Professor: Douglas Richmond The universality of the cross image within the transatlantic confrontation meant not only a hegemony of culture, but of symbolism. The symbol of the cross existed in both European and American societies hundreds of years before Columbus. In both cultures, the cross was integral in religious ceremony, priestly decoration, and cosmic maps. As a symbol of life and death, of human and divine suffering, of religious and political acquiescence, no other image in transatlantic history has held such a perennial, powerful message as the cross. For colonial Mexico, which felt the brunt of Spanish initiative, the symbol of the cross penetrated the autochthonous culture out of which the independent nation and indigenous church were born. -
Christian Cruciform Symbols and Magical Charaktères Luc Renaut
Christian Cruciform Symbols and Magical Charaktères Luc Renaut To cite this version: Luc Renaut. Christian Cruciform Symbols and Magical Charaktères. Polytheismus – Monotheismus : Die Pragmatik religiösen Handelns in der Antike, Jun 2005, Erfurt, Germany. hal-00275253 HAL Id: hal-00275253 https://hal.archives-ouvertes.fr/hal-00275253 Submitted on 24 Apr 2008 HAL is a multi-disciplinary open access L’archive ouverte pluridisciplinaire HAL, est archive for the deposit and dissemination of sci- destinée au dépôt et à la diffusion de documents entific research documents, whether they are pub- scientifiques de niveau recherche, publiés ou non, lished or not. The documents may come from émanant des établissements d’enseignement et de teaching and research institutions in France or recherche français ou étrangers, des laboratoires abroad, or from public or private research centers. publics ou privés. CHRISTIAN CRUCIFORM SYMBOLS victory in Milvius Bridge, Constantine « was directed in a dream to cause AND MAGICAL CHARAKTÈRES the heavenly sign of God ( caeleste signum Dei ) to be delineated on the Communication prononcée dans le cadre du Colloque Polytheismus – Mono- shields of his soldiers, and so to proceed to battle. He does as he had been theismus : Die Pragmatik religiösen Handelns in der Antike (Erfurt, Philo- commanded, and he marks on the shields the Christ[’s name] ( Christum in sophische Fakultät, 30/06/05). scutis notat ), the letter X having been rotated ( transversa X littera ) and his top part curved in [half-]circle ( summo capite circumflexo ). »4 This As everyone knows, the gradual political entrance of Christian caeleste signum Dei corresponds to the sign R 5. -
{DOWNLOAD} Cross
CROSS PDF, EPUB, EBOOK James Patterson | 464 pages | 29 Apr 2010 | Headline Publishing Group | 9780755349401 | English | London, United Kingdom Cross Pens for Discount & Sales | Last Chance to Buy | Cross The Christian cross , seen as a representation of the instrument of the crucifixion of Jesus , is the best-known symbol of Christianity. For a few centuries the emblem of Christ was a headless T-shaped Tau cross rather than a Latin cross. Elworthy considered this to originate from Pagan Druids who made Tau crosses of oak trees stripped of their branches, with two large limbs fastened at the top to represent a man's arm; this was Thau, or god. John Pearson, Bishop of Chester c. In which there was not only a straight and erected piece of Wood fixed in the Earth, but also a transverse Beam fastened unto that towards the top thereof". There are few extant examples of the cross in 2nd century Christian iconography. It has been argued that Christians were reluctant to use it as it depicts a purposely painful and gruesome method of public execution. The oldest extant depiction of the execution of Jesus in any medium seems to be the second-century or early third-century relief on a jasper gemstone meant for use as an amulet, which is now in the British Museum in London. It portrays a naked bearded man whose arms are tied at the wrists by short strips to the transom of a T-shaped cross. An inscription in Greek on the obverse contains an invocation of the redeeming crucified Christ. -
Crosses of the Red Cross of Constantine Presentation by P
Grand Imperial Conclave of the Masonic and Military Order of the Red Cross of Constantine, and the Orders of the Holy Sepulchre and of St. John the Evangelist for England and Wales and its Divisions and Conclaves Crosses of the Red Cross of Constantine Presentation by P. Kt. A. Briggs Div. Std. B.(C) and P. Kt. M.J. Hamilton Div. Warden of Regalia Warrington Conclave No. 206 November 16th 2011 INTRODUCTION Constantine's Conversion at the Battle of Milvian Bridge 312ad. MANY TYPES OF CROSSES These are just a few of the hundreds of designs of crosses THE RED CROSS • Red Cross of Constantine is the Cross Fleury - the most associated cross of the Order • With the Initials of the words ‘In Hoc Signo Vinces’ • Greek Cross (Cross Imissa – Cross of Earth • Light and Life Greek words for “light” and “life”. • Latin Cross THE VICTORS CROSS The Conqueror's or Victor's cross is the Greek cross with the first and last letters of "Jesus" and "Christ" on top, and the Greek word for conquerer, nika, on the bottom. • Iota (Ι) and Sigma (Σ) • I & C -The first and last letters of Jesus (ΙΗΣΟΥΣ). • X & C -The first and last letters of Christ (XPIΣTOΣ) The Triumphant Cross is a cross atop an orb. The cross represents Christianity and the orb (often with an equatorial band) represents the world. It symbolises Christ's triumph over the world, and prominent in images of Christ as Salvator Mundi - the Saviour of the World. THE CHI-RHO CROSS • The Chi-Rho emblem can be viewed as the first Christian Cross. -
The Memory of Christmas Past the Harmony of Cultural and Religious Christmas and the Realisation of the Past in a Christmas Caro
Rood, 1 The Memory of Christmas Past The Harmony of Cultural and Religious Christmas and the Realisation of the Past in A Christmas Carol, The Box of Delights and The Dark Is Rising Lukas Rood S1551531 First Reader: Dr. M.S. Newton Second Reader: Dr. E.J. van Leeuwen Date: 9 June 2020 Leiden University, Faculty of Humanities Rood, 2 Contents Introduction Page 3 Chapter 1: Historical Background Page 11 Chapter 2: A Christmas Carol Page 17 Chapter 3: The Box of Delights Page 32 Chapter 4: The Dark Is Rising Page 43 Conclusion Page 54 Works Cited Page 58 Rood, 3 Introduction Christmas is a unity of pagan and Christian elements. This unity stems from its roots which, most likely, lie in pagan Roman winter festivals that were assimilated by the early Christian church in order to baptise the Roman ceremonies. Due to this mix of older pagan customs and traditions with Christian theology, Christmas is a celebration which predominantly deals with cultural memory. Legendary figures like Father Christmas stem from earlier cultural traditions and archetypes. Literary realisations of Christmas also incorporate this harmonising of cultural and religious components. This thesis analyses Charles Dickens’ A Christmas Carol (1843), John Masefield’s The Box of Delights (1935), and Susan Cooper’s The Dark Is Rising (1973). The analysis focusses on how these three books embody the afore-mentioned unity. Another aspect which this thesis explores is how these texts make use of memory, both cultural and personal, in relation to Christmas. Christmas is one of the most popular holidays, with celebrations taking place worldwide and well beyond traditionally Christian countries, such as Sudan (BBC) and Japan (“Christmas” 42-43). -
Ing Items Have Been Registered
ACCEPTANCES Page 1 of 38 December 2018 LoAR THE FOLLOWING ITEMS HAVE BEEN REGISTERED: ÆTHELMEARC Æthelmearc, Kingdom of. Badge. Azure, in cross an axe and a knife argent, a bordure Or. Æthelmearc, Kingdom of. Badge. Gules, in cross an axe and a knife argent, a bordure Or. Æthelmearc, Kingdom of. Badge. Purpure, in cross an axe and a knife argent, a bordure Or. Æthelmearc, Kingdom of. Badge. Sable, in cross an axe and a knife argent, a bordure Or. Æthelmearc, Kingdom of. Badge. Vert, in cross an axe and a knife argent, a bordure Or. Anna Leigh. Badge. (Fieldless) On a rose gules a wolf’s head cabossed argent. Masina d’Alessandro. Device. Per bend gules and sable, in sinister chief a cross bottony argent. This device does not conflict with the badge of David of Moffat, (Fieldless) A cross-crosslet argent quarter-pierced gules. There is one DC for fieldlessness. The quarter-piercing of David’s badge is the equivalent of a tertiary delf, which provides the necessary second DC. AN TIR Adele Marie Purrier. Name. The Letter of Intent documented the given name Adele in 16th Switzerland. However, Adele is the likely vernacular form of the Latinized English given name Adela, which was documented in commentary. Therefore, the name is entirely English. Aonghus Keith. Device. Per bend sinister gules and sable, a winged sea-unicorn and a chief rayonny argent. Bella Valencia. Name. Bran Dubh Ua Mic Raith. Name. Submitted as Bran Dubh Ua Mac Raith, the byname was not correctly formed. Gaelic grammar requires the ancestor’s name to be in the genitive form following Ua. -
Antique French Altar Corpus Christi Hardwood Cross & Base
anticSwiss 01/10/2021 06:45:41 http://www.anticswiss.com Antique French Altar Corpus Christi Hardwood Cross & Base FOR SALE ANTIQUE DEALER Period: 20° secolo - 1900 Regent Antiques London Style: Altri stili +44 2088099605 447836294074 Height:28cm Width:18cm Depth:9cm Price:300€ DETAILED DESCRIPTION: This is a distinctive antique French dark patinated altar Corpus Christi of Christ crucified on a hardwood cross, circa 1900 in date. The details are very impressive, the Corpus Christi is very life-like, wearing a flowing linen cloth, his eyes closed and head upper-turned. The hardwood cross and stepped base are highly evocative featuring suggestive stylized thorns - hence, recalling the woven crown of thorns that was placed on the head of Jesus during the events leading up to the crucifixion. Pieces like these really are in a class of their own, as such, work beautifully anywhere. The craftsmanship is second to none throughout all aspects of this magnificent altar Corpus Christi which is sure to add an unparalleled touch of sacred art to your home. Condition: In excellent condition, please see photos for confirmation. Dimensions in cm: Height 28 x Width 18 x Depth 9 Dimensions in inches: Height 11.0 x Width 7.1 x Depth 3.5 The Christian cross, seen as a representation of the instrument of the crucifixion of Jesus, is the best-known symbol of Christianity. It is related to the crucifix (a cross that includes a corpus, usually a three-dimensional representation of Jesus' body) and to the more general family of cross symbols, the term cross itself being detached from the original specifically Christian meaning in modern English (as in many other western languages). -
The False Cross by Nathaniel Burson
The False Cross By Nathaniel Burson When Adam and Eve were kicked out of the Garden, they faced an enormous challenge. They were facing a life where they made their own destiny – for better or worse. They didn’t know what they were doing, any more than any of us – less than us, since they were the first people to face problems! All they knew was that they didn’t want God to decide for them. Adam and Eve were suddenly faced with the great questions that their children have been trying to find answers to ever since; Who am I? Why am I here? How can I live after death? How can I be blessed without repenting and obeying the God who drove me from Eden? So try to picture yourself as an intelligent, reasoning individual seeking meaning for your life. What causes drought? What causes disease? You obviously know nothing of germs and hygiene, weather patterns and sunspots. All you know is that sometimes bad things happen and sometimes good things happen. More importantly, what happens when you die? Put yourself in Adam’s shoes. How do you find hope for your eternal future without God? To answer these questions, they had only the world around them, things they could see and touch. And if you stop and think about it, putting aside religion, mysticism, and tradition, all good things in our universe can ultimately be traced to a single source. A source clearly and demonstrably good, scientifically provable in a way God never was. God is not here. -
The Cross As an Art Expression
Eastern Illinois University The Keep Masters Theses Student Theses & Publications 1960 The rC oss as an Art Expression Foster Leroy Marlow Eastern Illinois University Recommended Citation Marlow, Foster Leroy, "The rC oss as an Art Expression" (1960). Masters Theses. 4506. https://thekeep.eiu.edu/theses/4506 This Dissertation/Thesis is brought to you for free and open access by the Student Theses & Publications at The Keep. It has been accepted for inclusion in Masters Theses by an authorized administrator of The Keep. For more information, please contact [email protected]. THE CROSS AS AN ART EXPRESSION A Thesis Presented To The Department of Art Eas tern Illinois University In Partial Fulfillment Of The Requirements for the Degree Master of Science in Education by Foster Leroy Marlow April 1960 ! Ap proved:_ Dr. Calvin Countr yman. Dr. Roland Leiphol2 Dr. Gerhard MatzneI iii ACKNOWLEDGEMENTS The author of this thesis wis hes to express gratitude for the guidance of his advisor Dr. Carl Shull of the Department of Art, Eastern Illinois Univers ity in the approach to this subject. My gratitude also goes to those artists both of ancient and modern times who have enriched the body of art in symb olization and ornamentation by the use of the cross. Foster Marlow iv TABLE OF CONTENI'S Page ACKNOWLEDGEMENTS. • • • iv LIST OF ILLUSTRATIONS • .vii PREFACE • x PURPOSE OF THE PAPER • • xi INTRODUCTION • • xiii Chapter I THE CROSS AS A SYMBOL AND SIGN OF MAN. 2 Visually Discerned • 2 The Orant Figure • • 4 Instrument of Execution. • • 4 Birth and Death 6 The Evil and the Dead • 6 Funerary Use • 9 Fertility Sign • • 9 Sex and Passion Symb ol • 12 Environment of Man • 12 Summary. -
Swastikas and Other Hate Symbols
LESSON PLAN Swastikas and Other Hate Symbols Compelling Question: What is the impact of hate symbols? Grade Level Time Common Core Standards K-2 3-5 Reading: R1, R2 45–60 Writing: W1, W5 Minutes MS HS Language: L1, L2 Web Related Connections Lessons LESSON OVERVIEW Responding to Hate We see symbols every day in all aspects of our lives. Symbols are used to Violence convey ideas, qualities, emotions, material objects/products, opinions and Challenging Antisemitism: beliefs. Unfortunately, symbols are also used to convey hate and bias. Lately, we Debunking the Myths and have seen a lot of hate symbol graffiti in public spaces and specifically the Responding with Facts swastika, which in most circumstances is understood as an expression of Antisemitic Incidents: Being antisemitism. There has reportedly been an increase in antisemitic incidents, an Ally, Advocate and including the display of swastikas on school and college campuses, sidewalks, Activist places of worship, online, on doors, buildings, dorm rooms, buses, school and Antisemitism Around the public bathrooms, vehicles and other places. The proliferation of other hate World: Global 100® symbols is also of increasing concern. Addressing Hate Online: Countering Cyberhate with This lesson provides an opportunity for students to reflect on the importance of Counterspeech symbols in our society, understand more about specific hate symbols, and identify strategies for responding to and eliminating hate symbols. Tools & Resources Hate on Display™ Hate [Note to Teacher: Since this lesson focuses on the swastika and other hate symbols—hate symbols that target a range of identity groups including Jewish Symbols Database people, people of color, etc.—it is important to be mindful that seeing and discussing these symbols could be upsetting for some or many of your students. -
Is the Cross a Christian Symbol?
Is the Cross a Christian Symbol? Do all members of Christendom, even all clergymen accept that Jesus died on a cross? This short article shows that they do not ... if they examine the historical evidence. Earl L. Henn A Roman Impalement (Louvre Museum, Paris, France) Onward, Christian soldiers! Marching as to war, With the cross of Jesus Going on before. So reads the chorus to a very popular Christian hymn that churches have sung for many years. The song portrays the cross as the identifying sign of everything for which Christianity stands and around which Christians should rally in their fight against the forces of evil. Throughout the world, people universally regard the cross as THE symbol of Christianity. Churches have crosses atop their steeples, on their walls, windows and doors. Catholics and Protestants wear crosses on necklaces, bracelets, rings, pendants, key chains and items of clothing. People in some churches "cross" themselves by touching the forehead, breast, and then each shoulder to form a symbolic cross in carrying out certain religious rituals or in blessing themselves or others. Some think the sign of the cross to be effective in warding off evil spirits and for generally protecting believers from harm. All this seems perfectly natural to most people. After all, Jesus was crucified on a cross, was he not? Have not Christians used the sign of the cross throughout all ages to show to the world their belief in the saviour of mankind? Most Bible translations mention the cross many times, in both literal and figurative terms, as symbolizing the meaning of true Christianity as well as the sacrifices and trials that a true Christian must endure in this life to be true to the faith. -
Marks of the Sun
Marks Of The Sun SYMBOLS DECLARING WORSHIP OF LUCIFER , DISPLAY THEM AND YOU WILL LOSE GOD 'S PROTECTION , GUARANTEED ! TRIBWORKS RESEARCH The Masonic “Great Seal” of the United States; the pyramid or sacred triangle and the “All-Seeing-Eye” of the demon posing as Horus, all in one picture. This is also the seal of the Illuminati, formed by occultist Adam Weisshaupt in 1776, 2 months before the Declaration of Independence. This is all the proof we need that key figure Thomas Jefferson was an Illuminatus, for he was the main person on the committee which chose this evil symbol (along with Benjamin Franklin, Rosicrucian and key figure in the Grand Lodge of Pennsylvania). This is the most famous symbol of the sun god (Lucifer) - especially seen among: Freemasonry, Rosicrucians (means “rosy cross”), Knights of all orders, Romanism, and of course, the Egyptian demonology, which is its core origin, Horus, the Egyptian sun god. These spirits leave their tell-tale sign all over the world and throughout history like fingerprints. It is an absolute proof, because it is spiritual. I have often seen people who are merely descendents of sun cult members - but not members themselves, who would buy the symbols shown on this page, often completely oblivious of their own past and the spiritual meaning of them, and how spirits pass from generation to generation, or sexually from partner to partner. Of course, the athiestic medical world tries to explain these things with genes -- it's really hilarious sometimes watching so- called “educated” people try to explain away the spiritual world! Ameritrade .