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Separating Fact from Fiction in the Aiolian Migration
hesperia yy (2008) SEPARATING FACT Pages399-430 FROM FICTION IN THE AIOLIAN MIGRATION ABSTRACT Iron Age settlementsin the northeastAegean are usuallyattributed to Aioliancolonists who journeyed across the Aegean from mainland Greece. This articlereviews the literary accounts of the migration and presentsthe relevantarchaeological evidence, with a focuson newmaterial from Troy. No onearea played a dominantrole in colonizing Aiolis, nor is sucha widespread colonizationsupported by the archaeologicalrecord. But the aggressive promotionof migrationaccounts after the PersianWars provedmutually beneficialto bothsides of theAegean and justified the composition of the Delian League. Scholarlyassessments of habitation in thenortheast Aegean during the EarlyIron Age are remarkably consistent: most settlements are attributed toAiolian colonists who had journeyed across the Aegean from Thessaly, Boiotia,Akhaia, or a combinationof all three.1There is no uniformityin theancient sources that deal with the migration, although Orestes and his descendantsare named as theleaders in mostaccounts, and are credited withfounding colonies over a broadgeographic area, including Lesbos, Tenedos,the western and southerncoasts of theTroad, and theregion betweenthe bays of Adramyttion and Smyrna(Fig. 1). In otherwords, mainlandGreece has repeatedly been viewed as theagent responsible for 1. TroyIV, pp. 147-148,248-249; appendixgradually developed into a Mountjoy,Holt Parker,Gabe Pizzorno, Berard1959; Cook 1962,pp. 25-29; magisterialstudy that is includedhere Allison Sterrett,John Wallrodt, Mal- 1973,pp. 360-363;Vanschoonwinkel as a companionarticle (Parker 2008). colm Wiener, and the anonymous 1991,pp. 405-421; Tenger 1999, It is our hope that readersinterested in reviewersfor Hesperia. Most of trie pp. 121-126;Boardman 1999, pp. 23- the Aiolian migrationwill read both articlewas writtenin the Burnham 33; Fisher2000, pp. -
UNIVERSITY of PENNSYLVANIA Two Hundred Thirty-Fifth Commencement for the Conferring of Degrees
UNIVERSITY of PENNSYLVANIA Two Hundred Thirty-Fifth Commencement for the Conferring of Degrees FRANKLIN FIELD Tuesday, May 21, 1991 SEATING DIAGRAM Guests will find this diagram helpful in locating the approximate seating of the degree candidates. The seating roughly corresponds to the order by school in which the candidates for degrees are presented, beginning at top left with the College of Arts and Sciences. The actual sequence is shown in the Contents on the opposite page under Degrees in Course. Reference to the paragraph on page seven describing the colors of the candidates' hoods according to their fields of study may further assist guests in placing the locations of the various schools. STAGE Graduate Faculty Faculty Faculties Engineering Nursing Medicin College College Wharton Dentaline Arts Dental Medicine Veterinary Medicine Wharton Education Graduate Social Work Annenberg Contents Page Seating Diagram of the Graduating Students . 2 The Commencement Ceremony .. 4 Commencement Notes .. 6 Degrees in Course . 8 The College of Arts and Sciences .. 8 The College of General Studies . 17 The School of Engineering and Applied Science .. 18 The Wharton School .. 26 The Wharton Evening School .. 30 The Wharton Graduate Division .. 32 The School of Nursing .. 37 The School of Medicine .. 39 The Law School .. 40 The Graduate School of Fine Arts .. 42 The School of Dental Medicine .. 45 The School of Veterinary Medicine .. 46 The Graduate School of Education .. 47 The School of Social Work .. 49 The Annenberg School for Communication .. 50 The Graduate Faculties .. 51 Certificates .. 57 General Honors Program .. 57 Advanced Dental Education .. 57 Education .. 58 Fine Arts .. 58 Commissions . -
Trojan War - Wikipedia, the Free Encyclopedia Trojan War from Wikipedia, the Free Encyclopedia for the 1997 Film, See Trojan War (Film)
5/14/2014 Trojan War - Wikipedia, the free encyclopedia Trojan War From Wikipedia, the free encyclopedia For the 1997 film, see Trojan War (film). In Greek mythology, the Trojan War was waged against the city of Troy by the Achaeans (Greeks) after Paris of Troy took Helen Trojan War from her husband Menelaus king of Sparta. The war is one of the most important events in Greek mythology and has been narrated through many works of Greek literature, most notably through Homer's Iliad. The Iliad relates a part of the last year of the siege of Troy; its sequel, the Odyssey describes Odysseus's journey home. Other parts of the war are described in a cycle of epic poems, which have survived through fragments. Episodes from the war provided material for Greek tragedy and other works of Greek literature, and for Roman poets including Virgil and Ovid. The war originated from a quarrel between the goddesses Athena, Hera, and Aphrodite, after Eris, the goddess of strife and discord, gave them a golden apple, sometimes known as the Apple of Discord, marked "for the fairest". Zeus sent the goddesses to Paris, who judged that Aphrodite, as the "fairest", should receive the apple. In exchange, Aphrodite made Helen, the most beautiful Achilles tending the wounded Patroclus of all women and wife of Menelaus, fall in love with Paris, who (Attic red-figure kylix, c. 500 BC) took her to Troy. Agamemnon, king of Mycenae and the brother of Helen's husband Menelaus, led an expedition of Achaean The war troops to Troy and besieged the city for ten years because of Paris' Setting: Troy (modern Hisarlik, Turkey) insult. -
Illinois Classical Studies
LIBRARY OF THE UNIVERSITY OF ILLINOIS AT URBANA-CHAMPAIGN 880 V.2 Classics renew phaH=«= SS^S^jco The person charging this material is re- sponsible for its return to the library from which it was withdrawn on or before the Latest Date stamped below. Theft, mutilation, and underlining of books are reasons for disciplinary action and may result in dismissal from the University. UNIVERSITY OF ILLINOIS LIBRARY AT URBANA-CHAMPAIGN m\ k m OCT IS 386 Air, 1 ? i!;88 WOV 1 5 988 FEB 19 19! i^f' i;^ idi2 CLASSICS L161 — O-1096 ILLINOIS CLASSICAL STUDIES VOLUME II •977 Miroslav Marcovich, Editor UNIVERSITY OF ILLINOIS PRESS Urbana Chicago London 1 1977 by the Board of Trustees of the University of Illinois Manufactured in the United States of America ISBN :o-252-oo629- O ^ Xl^ Preface Volume II (1977) o( Illinois Classical Studies is a contribution of the clas- sicists from the University of Illinois to the celebration of the Bicentennial of the American Revolution (1776-1976). It comprises twenty-one select contributions by classical scholars from Ann Arbor, Berkeley, Cambridge (England), Cambridge (Massachusetts), Chicago, London, New York, Philadelphia, Providence, St. Andrews, Stanford, Swarthmore, Toronto, Urbana and Zurich. The publication of this volume was possible thanks to generous grants by Dean Robert W. Rogers (Urbana-Champaign) and Dean Elmer B. Hadley (Chicago Circle). Urbana, 4 July 1975 Miroslav Marcovich, Editor .. : Contents 1 The Nature of Homeric Composition i G. p. GOOLD 2. The Mare, the Vixen, and the Bee: Sophrosyne as the Virtue of Women in Antiquity 35 HELEN F. -
Sophoclean Tragedy and the Cult of Asclepius Molly C
University of New Mexico UNM Digital Repository Foreign Languages & Literatures ETDs Electronic Theses and Dissertations Spring 4-2-2018 Drama as Dream: Sophoclean Tragedy and the Cult of Asclepius Molly C. Mata University of New Mexico Follow this and additional works at: https://digitalrepository.unm.edu/fll_etds Part of the Classical Literature and Philology Commons, Comparative Literature Commons, French and Francophone Language and Literature Commons, and the German Language and Literature Commons Recommended Citation Mata, Molly C.. "Drama as Dream: Sophoclean Tragedy and the Cult of Asclepius." (2018). https://digitalrepository.unm.edu/ fll_etds/126 This Thesis is brought to you for free and open access by the Electronic Theses and Dissertations at UNM Digital Repository. It has been accepted for inclusion in Foreign Languages & Literatures ETDs by an authorized administrator of UNM Digital Repository. For more information, please contact [email protected]. Molly C. Mata Candidate Foreign Languages and Literatures Department This thesis is approved, and it is acceptable in quality and form for publication: Approved by the Thesis Committee: Professor Monica S. Cyrino, Chairperson Professor Lorenzo F. Garcia, Jr. Professor Osman Umurhan DRAMA AS DREAM: SOPHOCLEAN TRAGEDY AND THE CULT OF ASCLEPIUS by MOLLY C. MATA B.B.A., MANAGEMENT, ANGELO STATE UNIVERSITY 2009 B.A., CLASSICAL STUDIES AND HUMANITIES, UNIVERSITY OF TEXAS AT SAN ANTONIO 2014 THESIS Submitted in Partial Fulfillment of the Requirements for the Degree of MASTER OF ARTS COMPARATIVE LITERATURE AND CULTURAL STUDIES The University of New Mexico Albuquerque, New Mexico MAY, 2018 Acknowledgements My thesis would not have been completed without the direction, support, and editorial advice of my thesis committee. -
In Sophocles' Philoktetes
PhaoS - 2016 (16) - pp. 51-77 HYMN TO GAIA /MOTHER OF THE GODS (391-402) IN SOPHOCLES’ PHILOKTETES* Marcela Alejandra Ristorto Universidad Nacional de Rosario, Argentina [email protected] ABSTRACT The purpose of the present article is to analyse the function of the Hymn to Gaia (vv. 391-402) in Sophocles’ Philoktetes and to examine Sophocles’ re-appropriation of the hymnic tradition. I shall attempt to find the reasons for some of Sophocles’ departures from the tradition in the specific performance’s context. Indeed, the choice of the gods praised in hymns can be related with the notion of “athenocentrism” of Sophocles’ tragedy, that is to say, tragedies that were not located in Athens offer an aition (an explanation of origins) of Athenian’s customs and cults. Keywords: Greek Hymn, Tragedy, performance I propose to examine the hymn to Gaia or Mother Goddess (391-402) in Sophocles’ Philoktetes, taking into account that it is an imitation (μίμησις) of cultic hymns performed in the context of the dramatic fiction. The hymn is sung by the chorus of Neoptolemus’ sailors; they want to help their young and inexperienced leader in his attempt to persuade Philoktetes, and support him in achieving the deception devised by Odysseus. We might think that the hymn creates an environment of trust, as the chorus prays to the goddess to punish perjurers,1 giving further credibility to the story of Neoptolemus. However, we should ask why the chorus invokes Gaia or the Mother Goddess. Segal (1981: 307) suggests the choice is related to the fact that Sophocles had much knowledge about the cults and myths of the West Aegean. -
Proquest Dissertations
MI u Ottawa L'Universite canadierme Canada's university FACULTE DES ETUDES SUPERIEURES run FACULTY OF GRADUATE AND ET POSTOCTORALES U Ottawa POSDOCTORAL STUDIES L'University* eanadieime Canada's university Stephen B. Quinlan AUTEUR DE LA THESE / AUTHOR OF THESIS Ph.D. (Religious Studies) GRADE/DEGREE Department of Classics and Religious Studies FACULTE, ECOLE, DEPARTEMENT/ FACULTY, SCHOOL, DEPARTMENT The Ilaid, the Athlete and the Ancient Greek Polis A Descriptive Study of Homer's Iliad %$>• Hero Myth TITRE DE LA THESE / TITLE OF THESIS Dominique Cote DIRECTEUR (DIRECTRICE) DE LA THESE / THESIS SUPERVISOR Anne Vallely CO-DIRECTEUR (CO-DIRECTRICE) DE LA THESE / THESIS CO-SUPERVISOR Theodore De Bruyn Francisco Gonzalez Gregory Nagy (Harvard Univeristy) Karin Schlapbach Gary W. Slater Le Doyen de la Faculte des etudes superieures et postdoctorales / Dean of the Faculty of Graduate and Postdoctoral Studies The Iliad, the Athlete and the Ancient Greek Polis A Descriptive Study of Homer's Iliad as Hero Myth Stephen B. Quinlan Thesis submitted to the Faculty of Graduate and Postdoctoral Studies In partial fulfillment of the requirements For the PhD in Religious Studies Department of Religious Studies Faculty of Arts University of Ottawa © Stephen B. Quinlan, Ottawa, Canada, 2009 Library and Archives Bibliotheque et 1*1 Canada Archives Canada Published Heritage Direction du Branch Patrimoine de I'edition 395 Wellington Street 395, rue Wellington OttawaONK1A0N4 Ottawa ON K1A 0N4 Canada Canada Your file Votre reference ISBN: 978-0-494-66013-3 Our -
Sing, Goddess, Sing of the Rage of Achilles, Son of Peleus—
Homer, Iliad Excerpts 1 HOMER, ILIAD TRANSLATION BY IAN JOHNSTON Dr. D’s note: These are excerpts from the complete text of Johnston’s translation, available here. The full site shows original line numbers, and has some explanatory notes, and you should use it if you use this material for one of your written topics. Book I: The quarrel between Achilles and Agamemnon begins The Greeks have been waging war against Troy and its allies for 10 years, and in raids against smaller allies, have already won war prizes including women like Chryseis and Achilles’ girl, Briseis. Sing, Goddess, sing of the rage of Achilles, son of Peleus— that murderous anger which condemned Achaeans to countless agonies and threw many warrior souls deep into Hades, leaving their dead bodies carrion food for dogs and birds— all in fulfilment of the will of Zeus. Start at the point where Agamemnon, son of Atreus, that king of men, quarrelled with noble Achilles. Which of the gods incited these two men to fight? That god was Apollo, son of Zeus and Leto. Angry with Agamemnon, he cast plague down onto the troops—deadly infectious evil. For Agamemnon had dishonoured the god’s priest, Chryses, who’d come to the ships to find his daughter, Chryseis, bringing with him a huge ransom. In his hand he held up on a golden staff the scarf sacred to archer god Apollo. He begged Achaeans, above all the army’s leaders, the two sons of Atreus: “Menelaus, Agamemnon, sons of Atreus, all you well-armed Achaeans, may the gods on Olympus grant you wipe out Priam’s city, and then return home safe and sound. -
Aeschylus, Persians
AESCHYLUS PERSIANS Translated by Ian Johnston Vancouver Island University Nanaimo, BC Canada 2012 [Reformatted 2019] Students, teachers, performing artists, and member of the general public are permitted to download and distribute this document freely and without permission; they may also edit or adapt it to suit their purposes. Commercial publication, however, is not permitted without the consent of the translator. For comments and questions, please contact Ian Johnston ([email protected]). PERSIANS TRANSLATOR’S NOTE In the following text, the numbers without brackets refer to the English text, and those in square brackets refer to the Greek text. Indented partial lines are included with the line above in the reckoning. All stage directions and footnotes have been provided by the translator. HISTORICAL NOTE Aeschylus (c.525 BC to c.456 BC) is one of the three great Greek tragic dramatists whose works have survived. Of his many plays, seven still remain. Aeschylus may have fought against the Persians at Marathon (490 BC), and he did so again at Salamis (480 BC). According to tradition, he died from being hit with a tortoise dropped by an eagle. After his death, the Athenians, as a mark of respect, permitted his works to be restaged in their annual competitions. Aeschylus’s play The Persians was first produced in 472 BC. It is the oldest surviving play in our traditions. Originally the work was the second part of a trilogy: the first play was called Phineus, and the third Glaucus. These were followed by a satyr play, Prometheus Pyrcaeus. It is not immediately clear how the subject matter of the missing plays is related to the Persians. -
Table 1: Classical Albedo Names from Ancient Geography
Gangale & Dudley-Flores Proposed Additions to the Cartographic Database of Mars 18 Table 1: Classical Albedo Names From Ancient Geography Feature Name Type Latitude East Longitude Origin Usage Abalos Undae Undae 78.52 272.5 A district of Scandinavia, thought to be an island, noted for amber. Abalos Colles Colles 76.83 288.35 A district of Scandinavia, thought to be an island, noted for amber. Abalos Mensa Mensa 81.17 284.4 A district of Scandinavia, thought to be an island, noted for amber. Abalos Scopuli Scopuli 80.72 283.44 A district of Scandinavia, thought to be an island, noted for amber. Abus Vallis Vallis -5.49 212.8 Classical name for Humber River in England. Acheron Catena Catena 37.47 259.2 "Joyless" in Greek. 1) A river of Bithynia, falling into the Euxine near Heraclea. 2) A river of Bruttium, falling into the Crathis flume near Consentia. 3) A river of Epirus, falling into the Adriatic at Glykys portus. There was an oracle on its banks, where the dead were evoked. In Greek mythology, the son of Gaea and Demeter, turned into the river of woe in the underworld as a punishment for supplying the Titans with water in their struggle with Zeus. 4) a River of Triphylia, falling into the Alpheus near Typana. Gangale & Dudley-Flores Proposed Additions to the Cartographic Database of Mars 19 Feature Name Type Latitude East Longitude Origin Usage Acheron Fossae Fossae 38.27 224.98 "Joyless" in Greek. 1) A river of Bithynia, falling into the Euxine near Heraclea. 2) A river of Bruttium, falling into the Crathis flume near Consentia. -
History of Ancient Greece Institute for the Study of Western Civilization
History of Ancient Greece Institute for the Study of Western Civilization Week 6: Homer October 21, 2018 Homer and Troy The Bronze Age Charioteers The Bronze Age Charioteers Origin and Diffusion of Indo-European Language The Bronze Metalurgy, 3000 BC Charioteers The Fall of Troy, 1184 BC The Bronze Age Collapse, The Bronze Age collapse is a transition in the Aegean Region, and the Eastern Mediterranean from the Late Bronze Age to the Early Iron Age that historians, such as M. Liverani, S. Richard, Robert Drews, Frank J. Yurco, Amos Nur, Leonard R. Palmer, and others, believe was violent, sudden and culturally disruptive. The palace economy of the Aegean Region and Anatolia which characterised the Late Bronze Age was replaced, after a hiatus, by the isolated village cultures of the Greek Dark Ages.In the first phase of this period, almost every city between Pylos and Gaza was violently destroyed, and often left unoccupied thereafter: examples include Hattusa, Mycenae, and Ugarit. Robert Drews describes the collapse as "the worst disaster in ancient history, even more calamitous than the collapse of the Western Roman Empire". A number of people have spoken of the cultural memories of the disaster as stories of a "lost golden age". Hesiod for example spoke of Ages of Gold, Silver and Bronze, separated from the modern harsh cruel world of the Age of Iron by the Age of Heroes. TROY Troy and its Geopolitical Importance Homer in Smyrna, 800 BC-750 BC THE ANCIENT GREEK RENAISSANCE 800 BC The Renaissance of the Eighth Century B.C. Developments in the eighth century B.C. -
Greco-Roman Cities of Aegean Turkey History, Archaeology, Architecture
GRECO-ROMAN CITIES OF AEGEAN TURKEY HISTORY, ARCHAEOLOGY, ARCHITECTURE Henry Matthews EGE YAYINLARI GRECO-ROMAN CITIES OF AEGEAN TURKEY HISTORY, ARCHAEOLOGY, ARCHITECTURE Henry Matthews © 2014 Ege Yayınları & Henry Matthews ISBN 978-605-4701-41-4 Publisher Certificate No: 14641 All rights reserved. Copyediting İnci Türkoğlu Cover and Graphic Design Aydın Tibet Front Cover: Athena Temple, Priene Back Cover: Trajan Temple, Pergamon Printing Oksijen Basım ve Matbaacılık San. Tic. Ltd. Şti. 100. Yıl Mah. Matbaacılar Sit. 2. Cad. No: 202/A Bağcılar - İstanbul/ Türkiye Tel: +90 (212) 325 71 25 Fax: +90 (212) 325 61 99 Certificate No: 29487 Production and Distribution Zero Prodüksiyon Kitap-Yayın-Dağıtım San. Ltd. Şti. Abdullah Sokak, No: 17, Taksim, 34433 İstanbul/Türkiye Tel: +90 (212) 244 7521 Fax: +90 (212) 244 3209 E.mail: [email protected] www.zerobooksonline.com www.egeyayinlari.com TABLE OF CONTENTS Author’s note .................................................................................................................................................. 7 Introduction ........................................................................................................................................................9 Chapters on cities in a north-south sequence Troy ..................................................................................................................................................................... 41 Alexandria Troas .......................................................................................................................................