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The Mystery of the Louvre
~~'ORLU\\ mr I'CBLJEIILNU C ovr \\ i iq 'L:I~1~14 80 i)rill:r the hit-hnonn lio\c.ls uf Ll~e norld ~sitliin tile iach of the rnillioils, by prcsc.r,t~rl,o ilt ttt. lorre\.t powihlc pricc per copy, in cn,iT.l~!:aitsi~e, on ~..cfcllentpaper, with bc:wlii'[il ud duld~le birlrlinq, n long seric~lof storicr, .cl hi( :I el crylbody tins hc:~rd of :rnd could desire to re.d Nc.vrr Iwfnrc 1m It I~c~tlporsiiilc tu pllieni books of the v;orld's most, fnrriorls 11vir19 :r~~tl~orr at sr~clla bmnll price. To render it possible now it will be nert'w~ry th~tcnch rolrln~c should haye a sale of hundreds of thous:incls of copicr and that many volumes of tlic serics diotild in due course iind their wry into nearly ever-/ home, however Inmlble, in thc U~litedStuies and G,~nada. The publisher> hew %he utn~oslooniideim that thi8 c1~1will he achieved. Th(.novels of Wonm WIDE Pbnr I~HI\GCox- PANY will be selected by one of the movt dls. tingwslled of living mcn of letters, nntl II short biog~npl~icaland bibliogruphical notc on the author hnd bir works will I)(* nppc.ndrd lo cnch vulrlmr. THE LOUVR i,:ir~~-l-i)j;~\i~i~ojs1.5 visitcil f):,ris is f,~r~~i[i:irwith !lie Louvre. O~~t~vnrdlyit i:; a lo~ry;,l.?i:lgy, ::!.irn-looking builtling ni sombre grey s,tcmcJ.., that i'! o\irns~nenacin~lyoil to the rue de Rivoli. -
Mr and Mrs Dove 1921
MR AND MRS DOVE (1921) By Katherine Mansfield Of course he knew—no man better —that he hadn't a ghost of a chance, he hadn't an earthly. The very idea of such a thing was preposterous. So preposterous that he'd perfectly understand it if her father —well, whatever her father chose to do he'd perfectly understand. In fact, nothing short of desperation, nothing short of the fact that this was positively his last day in England for God knows how long, would have screwed him up to it. And even now... He chose a tie out of the chest of drawers, a blue and cream check tie, and sat on the side of his bed. Supposing she replied, "What impertinence!" would he be surprised? Not in the least, he decided, turning up his soft collar and turning it down over the tie. He expected her to say someth ing like that. He didn't see, if he looked at the affair dead soberly, what else she could say. Here he was! And nervously he tied a bow in front of the mirror, jammed his hair down with both hands, pulled out the flaps of his jacket pockets. Making betwe en 500 and 600 pounds a year on a fruit farm in —of all places—Rhodesia. No capital. Not a penny coming to him. No chance of his income increasing for at least four years. As for looks and all that sort of thing, he was completely out of the running. He cou ldn't even boast of top-hole health, for the East Africa business had knocked him out so thoroughly that he'd had to take six months' leave. -
Appendix: Major Periodical Publications (1910–22)
Appendix: Major Periodical Publications (1910–22) Short stories (signed Katherine Mansfield unless otherwise stated) ‘Bavarian Babies: The Child-Who-Was-Tired’, New Age, 6.17 (24 February 1910), 396–8 [Katharine Mansfield] ‘Germans at Meat’, New Age, 6.18 (3 March 1910), 419–20 [Katharine Mansfield] ‘The Baron’, New Age, 6.19 (10 March 1910), 444 [Katharine Mansfield] ‘The Luft Bad’, New Age, 6.21 (24 March 1910), 493 [Katharine Mansfield] ‘Mary’, Idler, 36.90 (March 1910), 661–5 [K. Mansfield] ‘At “Lehmann’s” ’, New Age, 7.10 (7 July 1910), 225–7 [Katharine Mansfield] ‘Frau Brechenmacher Attends a Wedding’, New Age, 7.12 (21 July 1910), 273–5 ‘The Sister of the Baroness’, New Age, 7.14 (4 August 1910), 323–4 ‘Frau Fischer’, New Age, 7.16 (18 August 1910), 366–8 ‘A Fairy Story’, Open Window, 1.3 (December 1910), 162–76 [Katharina Mansfield] ‘A Birthday’, New Age, 9.3 (18 May 1911), 61–3 ‘The Modern Soul’, New Age, 9.8 (22 June 1911), 183–6 ‘The Journey to Bruges’, New Age, 9.17 (24 August 1911), 401–2 ‘Being a Truthful Adventure’, New Age, 9.19 (7 September 1911), 450–2 ‘A Marriage of Passion’, New Age, 10.19 (7 March 1912), 447–8 ‘Pastiche: At the Club’, New Age, 10.19 (7 March 1912), 449–50 ‘The Woman at the Store’, Rhythm, no. 4 (Spring 1912), 7–24 ‘Pastiche: Puzzle: Find the Book’, New Age, 11.7 (13 June 1912), 165 ‘Pastiche: Green Goggles’, New Age, 11.10 (4 July 1912), 237 ‘Tales of a Courtyard’, Rhythm, no. -
Modernism Reloaded: the Fiction of Katherine Mansfield
DAVID TROTTER Modernism Reloaded: The Fiction of Katherine Mansfield It’s very largely as a Modernist that we now know Katherine Mansfield. Successive waves of new emphasis in the study of literary Modernism have brought her work ever closer to the centre of current understandings of how, when, where, and why this decisive movement arose, and of what it can be said to have accomplished at its most radical. Gender and sexual politics, the interaction of metropolis and colony, periodical networks: whichever way you look, the new emphasis fits.1 No wonder Mansfield has recently been hailed as Modernism’s “most iconic, most representative writer.”2 The aim of this essay is to bring a further perspective in Modernist studies to bear on Mansfield’s fiction, in order primarily to illuminate the fiction, but also, it may be, the perspective. The one I have in mind is that provided in broad outline by enquiries into the historical sequence which leads from nineteenth- century sciences of energy to twentieth-century sciences of information. Introducing an important collection of essays on the topic, Bruce Clarke and Linda Dalrymple Henderson explain that the invention of the steam engine at the beginning of the nineteenth century resulted both in the technological reorganization of industry and transport, and in a new research emphasis on the mechanics of heat. 1 Respectively, Sydney Janet Kaplan, Katherine Mansfield and the Origins of Modernist Fiction (Ithaca: Cornell University Press, 1991); Elleke Boehmer, “Mansfield as Colonial Modernist: Difference Within,” in Gerry Kimber and Janet Wilson, eds, Celebrating Katherine Mansfield: A Centenary Volume of Essays (New York: Palgrave Macmillan, 2011), 57-71; and Jenny McDonnell, Katherine Mansfield and the Modernist Marketplace: At the Mercy of the Public (New York: Palgrave Macmillan, 2010). -
Alan Lomax: Selected Writings 1934-1997
ALAN LOMAX ALAN LOMAX SELECTED WRITINGS 1934–1997 Edited by Ronald D.Cohen With Introductory Essays by Gage Averill, Matthew Barton, Ronald D.Cohen, Ed Kahn, and Andrew L.Kaye ROUTLEDGE NEW YORK • LONDON Published in 2003 by Routledge 29 West 35th Street New York, NY 10001 www.routledge-ny.com Published in Great Britain by Routledge 11 New Fetter Lane London EC4P 4EE www.routledge.co.uk Routledge is an imprint of the Taylor & Francis Group. This edition published in the Taylor & Francis e-Library, 2005. “To purchase your own copy of this or any of Taylor & Francis or Routledge’s collection of thousands of eBooks please go to www.eBookstore.tandf.co.uk.” All writings and photographs by Alan Lomax are copyright © 2003 by Alan Lomax estate. The material on “Sources and Permissions” on pp. 350–51 constitutes a continuation of this copyright page. All of the writings by Alan Lomax in this book are reprinted as they originally appeared, without emendation, except for small changes to regularize spelling. All rights reserved. No part of this book may be reprinted or reproduced or utilized in any form or by any electronic, mechanical, or other means, now known or hereafter invented, including photocopying and recording, or in any information storage or retrieval system, without permission in writing from the publisher. Library of Congress Cataloging-in-Publication Data Lomax, Alan, 1915–2002 [Selections] Alan Lomax : selected writings, 1934–1997 /edited by Ronald D.Cohen; with introductory essays by Gage Averill, Matthew Barton, Ronald D.Cohen, Ed Kahn, and Andrew Kaye. -
Shapes of Clay
Shapes of Clay Ambrose Bierce The Project Gutenberg EBook of Shapes of Clay, by Ambrose Bierce This eBook is for the use of anyone anywhere at no cost and with almost no restrictions whatsoever. You may copy it, give it away or re-use it under the terms of the Project Gutenberg License included with this eBook or online at www.gutenberg.net Title: Shapes of Clay Author: Ambrose Bierce Release Date: June 19, 2004 [EBook #12658] Language: English Character set encoding: ASCII *** START OF THIS PROJECT GUTENBERG EBOOK SHAPES OF CLAY *** Produced by Rick Niles, Kat Jeter, John Hagerson and PG Distributed Proofreaders [Illustration: Ambrose Bierce.] SHAPES OF CLAY BY AMBROSE BIERCE AUTHOR OF "IN THE MIDST OF LIFE," "CAN SUCH THINGS BE?" "BLACK BEETLES IN AMBER," AND "FANTASTIC FABLES" 1903 DEDICATION. WITH PRIDE IN THEIR WORK, FAITH IN THEIR FUTURE AND AFFECTION FOR Livros Grátis http://www.livrosgratis.com.br Milhares de livros grátis para download. THEMSELVES, AN OLD WRITER DEDICATES THIS BOOK TO HIS YOUNG FRIENDS AND PUPILS, GEORGE STERLING AND HERMAN SCHEFFAUER. A.B. PREFACE. Some small part of this book being personally censorious, and in that part the names of real persons being used without their assent, it seems fit that a few words be said of the matter in sober prose. What it seems well to say I have already said with sufficient clarity in the preface of another book, somewhat allied to this by that feature of its character. I quote from "Black Beetles in Amber:" "Many of the verses in this book are republished, with considerable alterations, from various newspapers. -
ENGL 1102 Writing About Literature Readings Compiled, Annotated, and Edited by Rhonda L
ENGL 1102 Writing about Literature Readings Compiled, annotated, and edited by Rhonda L. Kelley Table of Contents Short Fiction ................................................................................................................................... 3 A Rose for Emily by William Faulkner ........................................................................................ 4 The Yellow Wallpaper by Charlotte Perkins Gilman ................................................................. 11 The Open Window by H. H. Munro (Saki) ............................................................................... 26 The Stranger by Katherine Mansfield ....................................................................................... 29 Guy de Maupassant, The Necklace ........................................................................................... 39 Edgar Allan Poe, The Tell-Tale Heart ....................................................................................... 46 Edgar Allan Poe, Cask of Amontillado ...................................................................................... 50 Edgar Allan Poe, The Masque of the Red Death ....................................................................... 56 Nathaniel Hawthorne, Young Goodman Brown ........................................................................ 61 Rappaccini's Daughter by Nathaniel Hawthorne ..................................................................... 73 Sir Arthur Conan Doyle, The Adventure of the Speckled Band ............................................... -
METAPHOR Undergraduate Interdisciplinary Journal
METAPHOR Undergraduate Interdisciplinary Journal Metaphor is Weber State University’s undergraduate, interdisciplinary journal, in its thirty-third year of publication. The journal is staffed entirely by Weber State University students. Metaphor accepts submissions in visual arts, poetry, fiction, academic literature, and performing arts from students of Weber State University, and selected pieces from national submissions to the National Undergraduate Literature Conference. Publications in Metaphor are chosen through a blind submission pro- cess. The author, visual or performing artist of each piece is unknown until the piece is selected for publication. Metaphor is funded primarily through student fees and is distributed free of charge to students, faculty, guests at Weber State University’s annual National Undergraduate Literature Conference, and the community. Copyright © 2014 is retained by individual authors and visual and per- forming artists. Printed in the United States of America by Weber State University Printing Services, Ogden, Utah. Metaphor Weber State University 1404 University Circle Ogden, Utah 84408-1404 Visit us on the web: www.weber.edu/metaphor Book Design by Drew Bingham Cover Design by Tony D’Amico Acknowledgments Like all good machines, the Metaphor is comprised of many small moving parts. If one gear gets stuck, jammed, cracked, or has any of a myriad of technical issues, the whole system suffers. I would like to thank everyone who helped us get this issue compiled, bound, and delivered. Drew Bingham, our very patient Creative Director. I didn’t envy your part in this, but I am glad you were there to answer the call (and texts, e-mails, Facebook messages…) Brandon Petrizzo, Cindy Stokes, and the staff in Printing and Art Services, for answering all our questions early enough for us to plan and get the journal in the hands of all our readers. -
Just Look at All of You
Just Look at All of You By Christine Pinella A creative project submitted to Sonoma State University in partial fulfillment of the requirements for the degree of MASTER OF THE ARTS in ENGLISH (Creative Writing) Committee Members Stefan Kiesbye, Thesis Chair, First Reader Anne Goldman, Second Reader May 1st, 2017 Copyright 2016 By Christine Pinella ii Authorization for Reproduction of Master’s Project Permission to reproduce this thesis [project] in its entirety must be obtained from me. Permission to reproduce parts of this thesis [project] must be obtained from me. Date: May 1st, 2017 Christine Pinella iii Just Look at All of You Creative Project by Christine Pinella ABSTRACT Just Look at All of You is a creative project containing a collection of short fiction stories. Thematically, the pieces as a unified whole aim to explore the intricacies of human relationships, trauma and recovery, and loss and grief. The collection title is a nod to the complex nature of human existence, the chapters of memory which make us who we are as people, how we relate to each other, and how we navigate through the world. MA Program: English Sonoma State University May 1st, 2016 iv ACKNOWLEDGMENTS Thank you to Stefan Kiesbye, for your insight, your humor, and your willingness to be patient with me as I realized my own potential. Thank you for your friendship, and of course, for the beers. Thank you to Anne Goldman, for your positivity and for being so generous with your time. Thank you for your direction, your selfless dedication to the program, and your confidence in me as a growing writer. -
Hide Pdf, Epub, Ebook
HIDE PDF, EPUB, EBOOK Lisa Gardner | 451 pages | 20 May 2008 | Random House USA Inc | 9780553588088 | English | New York, United States Hide PDF Book What Does 'Eighty-Six' Mean? Universal Music. Watch how it works X. Retrieved December 12, Prior to his death, Hide and Yoshiki talked about restarting X Japan with a new vocalist in the year What Features are included in all plans? Comments on hide What made you want to look up hide? And he scarcely bothered to hide his chief ambition: to lead his country as prime minister. Z in See more words from the same century Thesaurus Entries near hide hidden hidden tax hidden taxes hide hideaway hideaways hidebound. Tim Evans Geraldine Singer Trailers and Videos. Spread Beaver guitarist K. Approximately 50, people who attended his funeral at Tsukiji Hongan-ji on May 7, where 56 people were hospitalized and people received medical treatment in first aid tents due to a mixture of emotional exhaustion and heat, with the funeral taking place on the warmest day of the year at that point, at 27 degrees Celsius about Archived from the original on January 25, Archived from the original on October 25, While they never achieved mainstream success in the United States one of their songs was included on the soundtrack for Heavy Metal Test Your Vocabulary. Main article: Hide discography. Retrieved May 1, He was the lead guitarist of the rock band X Japan from onward, and a solo artist from onward. Main article: X Japan. Retrieved September 12, June 18, He's talked about suicide in his records for five years. -
Neurophysiology of Philematology and Some Infectious Disease
Advances in Biological Chemistry, 2019, 9, 143-155 http://www.scirp.org/journal/abc ISSN Online: 2162-2191 ISSN Print: 2162-2183 Neurophysiology of Philematology and Some Infectious Disease H. K. Agyeman1*, J. Owusu-Banahene1,2, B. K. Agyeman1, E. O. Darko1,2, D. Agyeman3, C. Afful3, F. Akuffo1, K. M. Bonsu3, S. Inkoom1,2, E. T. Glover2, D. F. Charles1, Wilheliaina Korletey2 1Radiation Protection Institute, Ghana Atomic Energy Commission, Accra, Ghana 2Graduate School of Nuclear and Allied Sciences, Atomic Campus, Accra, Ghana 3University of Ghana, Legon, Ghana How to cite this paper: Agyeman, H.K., Abstract Owusu-Banahene, J., Agyeman, B.K., Darko, E.O., Agyeman, D., Afful, C., Akuffo, F., Bon- The scientific studying of kissing is known as Philematology. This originates su, K.M., Inkoom, S., Glover, E.T., Charles, from the Greek word PHILOS in the ancient days meaning earthly. The study D.F. and Korletey, W. (2019) Neurophysiolo- gy of Philematology and Some Infectious Dis- of kissing shows you what kissing means and its place in various cultures. ease. Advances in Biological Chemistry, 9, (Lana Citron 2010, a Compendium of Kisses), and the difference between 143-155. Simple Kiss versus Passionate kiss. In simple kisses only 2 muscles are in- https://doi.org/10.4236/abc.2019.94011 volved. While in passionate kisses there may be about 23 - 34 facial muscles Received: March 15, 2019 and 112 postural muscles involved. What you can tell from even the simplest Accepted: August 18, 2019 of kisses. From the book I Love You. Now What? During kissing, a lot of Published: August 21, 2019 chemical reactions take place in the brain and the body as a whole. -
Ambrose Bierce - Poems
Classic Poetry Series Ambrose Bierce - poems - Publication Date: 2012 Publisher: Poemhunter.com - The World's Poetry Archive Ambrose Bierce(24 June 1842 - 26 December 1913) Ambrose Gwinnett Bierce was an American editorialist, journalist, short story writer, fabulist and satirist. Today, he is probably best-known for his short story "An Occurrence at Owl Creek Bridge" and his satirical lexicon The Devil's Dictionary. His vehemence as a critic, his motto "Nothing matters" and the sardonic view of human nature that informed his work all earned him the nickname "Bitter Bierce". Despite his reputation as a searing critic, Bierce was known to encourage younger writers, including poet George Sterling and fiction writer W. C. Morrow. Bierce employed a distinctive style of writing, especially in his stories. His style often embraces an abrupt beginning, dark imagery, vague references to time, limited descriptions, impossible events and the theme of war. In 1913, Bierce traveled to Mexico to gain first-hand experience of the Mexican Revolution. While traveling with rebel troops, he disappeared without a trace. <b>Biography</b> Bierce was born at Horse Cave Creek in Meigs County, Ohio to Marcus Aurelius Bierce (1799–1876) and Laura Sherwood Bierce. His mother was a descendant of William Bradford. His parents were a poor but literary couple who instilled in him a deep love for books and writing. The boy grew up in Kosciusko County, Indiana, attending high school at the county seat, Warsaw. He was the tenth of thirteen children whose father gave all of them names beginning with the letter "A". In order of birth, the Bierce siblings were Abigail, Amelia, Ann, Addison, Aurelius, Augustus, Almeda, Andrew, Albert, Ambrose, Arthur, Adelia, and Aurelia.