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The Collected Fiction of Katherine Mansfield

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The Collected Fiction of Katherine Mansfield The Collected Fiction of Katherine Mansfield, Edited by Gerri and Vincent O'Sullivan Mansfield, Katherine digitalisiert durch: The Edinburgh edition of the collected works of Katherine ... IDS Luzern 2012- Contents Acknowledgements ix Abbreviations and Textual Note xi Chronology xiii Introduction xix Fiction Enna Blake 3 A Happy Christmas Eve 5 The Great Examination 7 The Pine Tree, The Sparrows, and You and I Misunderstood She A True Tale was a big bare house' 'I am afraid I be very Two with One Moral Die Einsame (The Lonely One) 20 Your Birthday 22 One Day 24 About Pat 29 CONTENTS My Potplants Les Deux Etrangeres 3 5 Juliet 37 '"I was never happy", Huia said' Memories 63 The Tale of the Three 64 66 Vignette: Summer in Winter 66 Summer Idyll 67 Night Swiftly She and the Boy; or the Story of the 73 'She unpacked her box' Vignettes Vignette: Through the Afternoon Silhouettes 83 In the Botanical Gardens 84 In a Cafe Leves 89 The Story of Pearl Button Vignette: Sunset Tuesday 'On waking next morning' 94 An 97 Vignette: Westminster Cathedral 'She on the broad 99 The Man, the Monkey and the Mask The Education of Audrey Juliette Delacour The Unexpected Must Happen Vignette: By the Sea In Summer The Yellow Chrysanthemum The Thoughtful Her Literary Aspirations Vignette: They are a ridiculous Company The Thoughtful Child Rewa The Tiredness of Rosabel Study: The Death of a Rose 'Youth and Age' CONTENTS Vignette: 'I out through the window' Almost a Tragedy: The Cars on Lambton Quay A God, One Day on Mount Olympus 'He her again on the Pier at Prose His Sister's Keeper The 8 Germans at Meat Mary The Baron The Luftbad At Frau Brechenmacher Attends a Wedding The Sister of the Baroness Frau Fischer A Fairy Story A Birthday 206 The Modern Soul The Festival of the Coronation The Journey to Bruges 224 Being a Truthful Adventure 229 The Advanced Lady 234 The Swing of the Pendulum The Green Tree - A Fairy Tale 255 A Marriage of Passion At the Club 266 The at the Store 268 Green Goggles 277 Tales of a Courtyard 280 How Pearl Button was Kidnapped Spring in a New Dresses The Little Girl The House 304 Cockatoo CONTENTS Epilogue I: Pension Seguin 322 Millie 326 Epilogue II Bains Turcs Old Tar Maata 344 Young Country 365 Rose Something Childish But Very Natural 373 K.T. and her sister 388 Hydrangeas 389 'There is always something wonderfully touching' 392 Brave Love 398 The Little Governess 422 The Beautiful Miss Richardson 433 Spring Pictures 435 Rough Sketch An Indiscreet Journey 439 Autumns: I Autumns: II 454 458 The Dark Hollow 462 The Aloe Appendix A: Plan of Maata Appendix B: Unpublished stories in King's College London 529 Index of First Lines Index of Stories The Collected Fiction of Katherine Edited by and Vincent O'Sullivan Contents Abbreviations and Textual Note ix Fiction That 3 Last Words to Youth 4 The Laureis 5 The Lost Toots Two Tuppenny Ones, Please 22 Late at Night 24 The Black Cap 27 In Confidence The Common Round A Pic-Nic Mr Reginald Peacock's Day 49 Prelude 56 Feuille A Dill Pickle Je ne parle pas Sun and Moon The Boy with the Jackdaw To the Last Moment Carnation Love in 'Did M, a grey dressing CONTENTS 'A stupid, Keeping Up 'Don't you think it be A Suburban Fairy Tale 'It was neither dark nor in the cabin' See-Saw Pictures first husband was a pawnbroker' Late Spring This Flower Psychology The Man Without a Temperament The Wrong House Revelations The Escape A Dance at 222 Bank Holiday 223 The Wind 226 The Young Girl 230 The Singing Lesson 235 The Stranger 240 Miss 250 Poison 255 The Maid The Daughters of the Late Colonel 266 There is No wer 284 You Love Me - Still? 287 Tea on the Train 289 Life of Ma Parker 292 'After a succession' 297 Mr and Mrs Dove 300 Susannah 307 Such a Sweet Old Lady 309 Sixpence An Ideal Family Hat with a Feather Her First 324 Marriage Mode 330 CONTENTS Widowed 338 At the Bay 342 The Voyage 372 A Married Man's Story 379 Second Violin All Serene! 394 By Moonlight 398 The Garden Party The Doll's House Six Years After Weak Heart 426 Daphne 429 'I suppose doctor' 434 'Carriages are not allowed' 434 'It so softly, so gently' 'On her way back to the garden' 436 'What was there about that little house' The Pessimist 438 The Sisters 442 'Lucien's was a 443 Honesty 444 The Doves' Nest 448 A Cup of Tea Taking the 467 Mr and Mrs Williams 472 The 476 480 The New Baby 'Have you seen cosmias dear?' 484 A Man and His Dog 486 Honeymoon 488 'It was the late 493 A Family Dance 'Behind the - deux pas de l'hotel' 497 Father and the Girls My Darling 502 The 503 Our 504 'One great advantage' 505 are certain human beings' 507 A Bad 509 The Canary CONTENTS Appendix A: Attributed Stories The Breidenbach Family in England The Mating of Gwendolyn A Flirtation 523 The Wild Rabbit: A Fantasy of the Future 529 Bibliography 533 Index of First Lines Index of Stories 539 .
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    This work has been submitted to NECTAR, the Northampton Electronic Collection of Theses and Research. Article Title: Katherine Mansfield’s modernist short stories Creator: Kimber, G. Example citation: Kimber, G. (2016) Katherine Mansfield’s modernist short stories. Gale Researcher. It is advisable to refer to the publisher's version if you intend to cite from this work. Version: Accepted version Official URL: http://learn.cengage.com/GaleResearcher NECTARhttp://nectar.northampton.ac.uk/8934/ Katherine Mansfield’s Modernist Short Stories Gerri Kimber University of Northampton Department of English and Creative Writing Gerri Kimber is coeditor of the annual yearbook Katherine Mansfield Studies and chair of the Katherine Mansfield Society. She is the series editor of the four-volume Edinburgh Edition of the Collected Works of Katherine Mansfield (2012–2016). Kimber is author of Katherine Mansfield: The Early Years (2016), Katherine Mansfield and the Art of the Short Story (2015), and Katherine Mansfield: The View from France (2008). Katherine Mansfield employed free indirect discourse, literary impressionism, and the innovative use of time and symbolism, culminating in her position as one of the most important early exponents of the modernist short story. Mansfield’s fiction—and literary modernism as a whole—is associated with a rejection of conventional plot structure and dramatic action in favor of the presentation of character through narrative voice. Many different influences converged to create Mansfield’s own personal aesthetic philosophy, which continually evolved and developed throughout her short lifetime. She presents a down- to-earth kind of “truth,” with its foundations in her observations of the everyday world.
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