Mr and Mrs Dove 1921
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Appendix: Major Periodical Publications (1910–22)
Appendix: Major Periodical Publications (1910–22) Short stories (signed Katherine Mansfield unless otherwise stated) ‘Bavarian Babies: The Child-Who-Was-Tired’, New Age, 6.17 (24 February 1910), 396–8 [Katharine Mansfield] ‘Germans at Meat’, New Age, 6.18 (3 March 1910), 419–20 [Katharine Mansfield] ‘The Baron’, New Age, 6.19 (10 March 1910), 444 [Katharine Mansfield] ‘The Luft Bad’, New Age, 6.21 (24 March 1910), 493 [Katharine Mansfield] ‘Mary’, Idler, 36.90 (March 1910), 661–5 [K. Mansfield] ‘At “Lehmann’s” ’, New Age, 7.10 (7 July 1910), 225–7 [Katharine Mansfield] ‘Frau Brechenmacher Attends a Wedding’, New Age, 7.12 (21 July 1910), 273–5 ‘The Sister of the Baroness’, New Age, 7.14 (4 August 1910), 323–4 ‘Frau Fischer’, New Age, 7.16 (18 August 1910), 366–8 ‘A Fairy Story’, Open Window, 1.3 (December 1910), 162–76 [Katharina Mansfield] ‘A Birthday’, New Age, 9.3 (18 May 1911), 61–3 ‘The Modern Soul’, New Age, 9.8 (22 June 1911), 183–6 ‘The Journey to Bruges’, New Age, 9.17 (24 August 1911), 401–2 ‘Being a Truthful Adventure’, New Age, 9.19 (7 September 1911), 450–2 ‘A Marriage of Passion’, New Age, 10.19 (7 March 1912), 447–8 ‘Pastiche: At the Club’, New Age, 10.19 (7 March 1912), 449–50 ‘The Woman at the Store’, Rhythm, no. 4 (Spring 1912), 7–24 ‘Pastiche: Puzzle: Find the Book’, New Age, 11.7 (13 June 1912), 165 ‘Pastiche: Green Goggles’, New Age, 11.10 (4 July 1912), 237 ‘Tales of a Courtyard’, Rhythm, no. -
Modernism Reloaded: the Fiction of Katherine Mansfield
DAVID TROTTER Modernism Reloaded: The Fiction of Katherine Mansfield It’s very largely as a Modernist that we now know Katherine Mansfield. Successive waves of new emphasis in the study of literary Modernism have brought her work ever closer to the centre of current understandings of how, when, where, and why this decisive movement arose, and of what it can be said to have accomplished at its most radical. Gender and sexual politics, the interaction of metropolis and colony, periodical networks: whichever way you look, the new emphasis fits.1 No wonder Mansfield has recently been hailed as Modernism’s “most iconic, most representative writer.”2 The aim of this essay is to bring a further perspective in Modernist studies to bear on Mansfield’s fiction, in order primarily to illuminate the fiction, but also, it may be, the perspective. The one I have in mind is that provided in broad outline by enquiries into the historical sequence which leads from nineteenth- century sciences of energy to twentieth-century sciences of information. Introducing an important collection of essays on the topic, Bruce Clarke and Linda Dalrymple Henderson explain that the invention of the steam engine at the beginning of the nineteenth century resulted both in the technological reorganization of industry and transport, and in a new research emphasis on the mechanics of heat. 1 Respectively, Sydney Janet Kaplan, Katherine Mansfield and the Origins of Modernist Fiction (Ithaca: Cornell University Press, 1991); Elleke Boehmer, “Mansfield as Colonial Modernist: Difference Within,” in Gerry Kimber and Janet Wilson, eds, Celebrating Katherine Mansfield: A Centenary Volume of Essays (New York: Palgrave Macmillan, 2011), 57-71; and Jenny McDonnell, Katherine Mansfield and the Modernist Marketplace: At the Mercy of the Public (New York: Palgrave Macmillan, 2010). -
The Garden Party
The Garden Party by Katherine Mansfield 图书在版编目(CIP)数据 The Garden Party /杨丹主编 飞天电子音像出版社 2004 ISBN 7-900363-43-2 监 王 出版发行 飞天电子音像出版社 责任编辑 杨丹 经销 全国各地新华书店 印刷 北京施园印刷厂 版次 2004年6月第1版 书号 ISBN 7-900363-43-2 CONTENTS 1. AT THE BAY................................................................................... 1 2. THE GARDEN PARTY.................................................................... 80 3. THE DAUGHTERS OF THE LATE COLONEL. ......................... 112 4. MR. AND MRS. DOVE. ................................................................ 158 5. THE YOUNG GIRL....................................................................... 176 6. LIFE OF MA PARKER. ................................................................. 189 7. MARRIAGE A LA MODE............................................................. 203 8. THE VOYAGE. .............................................................................. 226 9. MISS BRILL. ................................................................................. 244 10. HER FIRST BALL. ...................................................................... 255 11. THE SINGING LESSON. ............................................................ 269 12. THE STRANGER ........................................................................ 281 13. BANK HOLIDAY......................................................................... 308 14. AN IDEAL FAMILY..................................................................... 315 15. THE LADY'S-MAID................................................................... -
Journal of the Short Story in English, 51
Journal of the Short Story in English Les Cahiers de la nouvelle 51 | Autumn 2008 Theatricality in the Short Story in English Electronic version URL: https://journals.openedition.org/jsse/883 ISSN: 1969-6108 Publisher Presses universitaires de Rennes Printed version Date of publication: 1 December 2008 ISSN: 0294-04442 Electronic reference Journal of the Short Story in English, 51 | Autumn 2008, “Theatricality in the Short Story in English” [Online], Online since 01 December 2011, connection on 09 August 2021. URL: https:// journals.openedition.org/jsse/883 This text was automatically generated on 9 August 2021. © All rights reserved 1 TABLE OF CONTENTS Foreword Laurent Lepaludier and Michelle Ryan-Sautour Part 1: Theatricality and the Short Story Theatricality in the Short Story: Staging the Word? Laurent Lepaludier Chekhov’s Legacy: the influence of the implicit and the dramatic effect Jacqueline Phillips Part 2: Theatricality and the Modernist Short Story Theatricality, Melodrama and Irony in Stephen Crane’s Short Fiction Martin Scofield Charades and Gossip: The Minimalist Theatre of Joyce’s Dubliners Valérie Bénéjam Staging Social and Political Spaces: Living Theatre in Joyce’s “The Dead” Rita Sakr The dramaturgy of voice in five modernist short fictions: Katherine Mansfield’s “The Canary”, “The Lady’s Maid” and “Late at Night”, Elizabeth Bowen’s “Oh! Madam…” and Virginia Woolf’s “The Evening Party” Anne Besnault-Levita "Wash" as Faulkner's Prose Tragedy Françoise Buisson Part 3: Theatricality and the Contemporary Short Story Behind -
The Collected Fiction of Katherine Mansfield
The Collected Fiction of Katherine Mansfield, Edited by Gerri and Vincent O'Sullivan Mansfield, Katherine digitalisiert durch: The Edinburgh edition of the collected works of Katherine ... IDS Luzern 2012- Contents Acknowledgements ix Abbreviations and Textual Note xi Chronology xiii Introduction xix Fiction Enna Blake 3 A Happy Christmas Eve 5 The Great Examination 7 The Pine Tree, The Sparrows, and You and I Misunderstood She A True Tale was a big bare house' 'I am afraid I be very Two with One Moral Die Einsame (The Lonely One) 20 Your Birthday 22 One Day 24 About Pat 29 CONTENTS My Potplants Les Deux Etrangeres 3 5 Juliet 37 '"I was never happy", Huia said' Memories 63 The Tale of the Three 64 66 Vignette: Summer in Winter 66 Summer Idyll 67 Night Swiftly She and the Boy; or the Story of the 73 'She unpacked her box' Vignettes Vignette: Through the Afternoon Silhouettes 83 In the Botanical Gardens 84 In a Cafe Leves 89 The Story of Pearl Button Vignette: Sunset Tuesday 'On waking next morning' 94 An 97 Vignette: Westminster Cathedral 'She on the broad 99 The Man, the Monkey and the Mask The Education of Audrey Juliette Delacour The Unexpected Must Happen Vignette: By the Sea In Summer The Yellow Chrysanthemum The Thoughtful Her Literary Aspirations Vignette: They are a ridiculous Company The Thoughtful Child Rewa The Tiredness of Rosabel Study: The Death of a Rose 'Youth and Age' CONTENTS Vignette: 'I out through the window' Almost a Tragedy: The Cars on Lambton Quay A God, One Day on Mount Olympus 'He her again on the Pier at Prose -
Je Ne Parle Pas Français”
Journal of Literature and Art Studies, August 2016, Vol. 6, No. 8, 869-881 doi: 10.17265/2159-5836/2016.08.001 D DAVID PUBLISHING Katherine Mansfield’s Art of Changing Masks in “Je ne parle pas français” SHIEH Wen-Shan Shih Chien University, Kaohsiung Campus, Kaohsiung City, Taiwan In a letter to Vita Sackville-West dated 8 August 1931, eight years after Katherine Mansfield’s death, Virginia Woolf confides that she “gave up” reading her literary rival’s stories “because of their cheap sharp sentimentality”. Woolf’s observation invites us to question: is Mansfield a mere sentimentalist or is her characterisation technique misunderstood? The first section of this paper demonstrates that attributing Mansfield’ works as “sentimental” is erroneous since Mansfield’s strategy is to change the masks of her characters within her stories, revealed in her letters and journal entries. Following the first section of this paper, I aim to explore how Mansfield extends this strategy of changing masks in daily life to her fictional characters in “Je ne parle pas français” (1918) by equipping them with different types of masks—speech and facial expressions, gender, and animality—to respond to changes in their situations and toward the characters around them. Particularly important to this exploration are Joan Rivière’s insights into gender in her article, “Womanliness as Masquerade”, Michael Goldman’s theory of masks in acting in his The Actor’s Freedom: Toward a Theory of Drama and Gilles Deleuze and Félix Guattari’s concept of “becoming-animal” in Kafka: Towards a Minor Literature. Keywords: Katherine Mansfield, masks, sentimentality, speech, animal, gender Introduction The first section of this paper traces Katherine Mansfield’s art of changing masks with reference to her letters and journal entries. -
Introduction
Notes The following abbreviations are used throughout: ATL Alexander Turnbull Library, Wellington, New Zealand Journal The Journal of Katherine Mansfield, ed. J. M. Murry (1954) LJMM Katherine Mansfield's Letters to J. Middleton Murry, ed. J. Middleton Murry (1951) NN Katherine Mansfield, Novels and Novelists (New York, 1930) Books published in London unless otherwise indicated. INTRODUCTION 1. LJMM, p. 435 (8 Dec 1919). 2. Ibid., p. 283 (5 June 1918). 3. In conversation with the author, August 1983. 4. Michael Holroyd, Lytton Strachey: A Critical Biography (1968) II, 538. 5. LJMM, p. 4 (Summer 1913). 6. The Letters and Journals of Katherine Mansfield, ed. C. K. Stead (1977) p. 225 (June-July 1921). 7. LJMM, p. 614. 8. Je ne parle pas fra nr;a is (Hampstead: Heron Press, 1919). 9. Leonard Woolf, Beginning Again: An Autobiography of the Years 1911-18 (1964) p. 204. 10. NN, p. 22. 11. ATL, MS Papers 119, Notebook 46. 12. The reference is to Rhythm (1911-13), wh ich had for its slogan a phrase taken from Synge 'Before art can be human again it must learn to be brutal' (slightly misquoted from the Preface to Synge's Poems and Translations) . 13. LJMM, pp. 612-13. 14. See Journal, p. 205, for a discussion of the artificial nature of 'the personal'. 15. NN, p. 314. 16. Ibid., pp. 112-13. 17. Ibid., p. 320. 18. Leonard Woolf, Beginning Again, p. 204. 19. A brief definition of terms: Symbolism capitalised is taken here to refer specifically to the Symbolist movement in French poetry towards the 130 Notes 131 end of the nineteenth century; symbolism (Iower-case) is used more broadly to describe the twentieth-century post-Symbolist movement in European Literature. -
The Doves' Nest, and Other Stories
• • #z* • • •Z* •T* • • •T* • ft. ft ft |M»- ft. ft A ft. ft ft. ft ft ft ft ft u ft ft ft ft .ft ft ft ft Digitized by the Internet Archive in 2012 with funding from Brigham Young University-Idaho http://archive.org/details/dovesnestotherstOOmans THE DOVES' NEST AND OTHER STORIES BOOKS OF STORIES BY KATHERINE MAN S FIELD BLISS THE GARDEN PARTY THE DOVES' NEST NEW YORK: ALFRED -A 'KNOPF ' THE DOVES' NEST AND OTHER STORIES BY KATHERINE MANSFIELD ' "Reverence, that angel of the world. NEW YORK ALFRED . A . KNOPF MCMXXIII COPYRIGHT, 1923, BY ALFRED A. KNOPF, INC. Published, August, 19i3 Second Printing, August, 1923 Third Printing, October, 1923 Fourth Printing. November, 1923 Set up, electrotyped, and printed by the Vail-Ballou Press, Inc., Binghamton, N. Y. Paper furnished by W. F. Etherington & Co., New York. Bound by the H. Wolff Estate, New York, N. Y. MANUFACTURED IN THE UNITED STATES OF AMERICA TO WALTER DE LA MARE CONTENTS Introductory Note 9 The Doll's House 25 Honeymoon 39 A Cup of Tea 50 Taking the Veil 65 The Fly 74 The Canary 85 Unfinished Stories: A Married Man's Story 92 The Doves' Nest 117 Six Years After 147 Daphne 156 Father and the Girls 166 All Serene! 177 A Bad Idea 186 A Man and His Dog 191 Contents Such a Sweet Old Lady 197 Honesty 202 Susannah 209 Second Violin 2I 4 Mr. and Mrs. Williams 22° Weak Heart 227 Widowed 2 34 INTRODUCTORY NOTE KATHERINE MANSFIELD died at Fontainebleau on January 9th 1923, at the age of thirty-four. -
Final Draft Newsletter May 2010.Pub
ISSN 2040-2597 (Online) NNEEWSLETTEREEWSLETTERWSLETTERWSLETTER Issue 5 April 2010 Inside: KMS News and Competition Results Page 2 ‘Peacock’s Day’ by Quentin Furlong Page 3-5 ‘At Katherine’s Bay’ by Maggie Rainey- Smith Page 6 ‘Something Childish but Very Natural’ by Gary Abrahams Page 7-10 ‘Katherine Mansfield, the Underworld and the Blooms Berries’ Page 11 Gerri Kimber speaks at the Godolphin and Latymer School Page 12 Westonbirt lecture Page 13 Book Announcements Page 14-15 Conference Announcements Luisa Hastings Edge as Mrs Dove in the 2006 London production of Page 16 Gary Abrahams’ Something Natural but Very Childish Issue 5 April 2010 Page 2 KMS News This issue is for the creative types among us. We feature a poem, ‘At Katherine’s Bay’, from KMS member Maggie Rainey-Smith, a Wellington writer and kayaker (check out the photo of KM’s holi- day home on page 6). We also bring you two articles by artists who are reworking KM’s stories in new ways. Filmmaker Quentin Furlong discusses her new short film ‘Peacock’s Day’, adapted from the story ‘Reginald Peacock’s Day’, set and shot in Dunedin and due for release in 2011. She has promised to keep those of us not fortunate enough to be there posted about a possible DVD release. Actor and theatre director Gary Abrahams also discusses the artistic processes that went into his play ‘Something Childish but Very Natural’ to be performed at La Mama theatre in Melbourne next month. La Mama is offering a discounted ticket price for KMS members (details are on page 10). -
Katherine Mansfield: a Thematic Study
KATHERINE MANSFIELD: A THEMATIC STUDY Ajcmta Deb A THESIS SUBMITTED TO THE UNIVERSITY OF NORTH BENGAL IN PARTIAL FULFILMENT OF THE REQUIREMENTS FOR THE DEGREE OF DOCTOR OF PHILOSOPHY (PH.D) IN ENGLISH 1999 Supervisor: Professor K.K. Roy S'i' - >^iM^ I28?4o " ^ APR tm Dedicated to my late unfathomable pa-man Preface This study is both a descriptive and an analytic examinar* tion of doniinant theraes and patterns in Katheriiie Mansfield's stories. Arbitrarily referred to as the author oE "The Ply" or "Prelude"^ Mansfield remains scanething of an enigma^ shrouded in mystery. Much of the confusion may directly be attributed to her wild propensities. Tolerance and a comprehensive Judgment are absolute essentials for studying the works of a writer who has perfomied with great elan. The present work intends to discern the shifts and dis~ placeinents of a sensibility^ rather than to proffer a bland discussion of essential thematic structures in Mansfield's stories i.e. the question how Mansfield in "The woman at the Store" differs frcan Mansfield of "Prelude" has been regarded as more important than the intrinsic qualities of each as a short story. Her almost belligerent insistence on the rational incoherence in the sequence of feeling in each character has been highlighted. Yet the incoherence is psychologically fully con vincing. Mansfield' s protagonists are incapable of leading a strict and methodical life. Their waverings may be partly ascribed to the lapse of time sense in the sleepy, temperate and equable climate of New Zealand. The luxuriant vegetation and sub-tropical forests with dense undergrowth have active participation in the human drama* Oi) what may be called Mansfield's 'strife* is strangely woven into modem consciousness, possessing the power to startle and to charm. -
Escape from Servitude of Marriage to a Heaven of Freedom in Kate Chopin and Katherine Mansfield's Selected Stories
International Journal of Language and Literature June 2017, Vol. 5, No. 1, pp. 87-92 ISSN: 2334-234X (Print), 2334-2358 (Online) Copyright © The Author(s). All Rights Reserved. Published by American Research Institute for Policy Development DOI: 10.15640/ijll.v5n1a12 URL: https://doi.org/10.15640/ijll.v5n1a12 Escape from Servitude of Marriage to a Heaven of Freedom in Kate Chopin and Katherine Mansfield's Selected Stories Mohammed Matarneh1 & Hussein Zeidanin1 Abstract This paper questions the patriarchal institution of marriage and critically examines Kate Chopin and Katherine Mansfield's feminist perceptions of marriage. Like other first wave feminists, they denunciate marriage for domesticating, objectifying and marginalizing women. The fictional women in their short stories accordingly rebel against the social order relegating them as wives and mothers, ensuring their submission and loyalty to their husbands, and stereotyping them as objects of sex and pleasure. Their conception of inter gender relations undergoes a substantial change in the course of the struggle they wage for freedom from the constraints of marriage. They have become aware that the solitude and loneliness of spinsterhood, divorce or death are more tolerable than the servitude and subservience of marriage. Keywords: First Wave Feminism, Patriarchy, Marriage, Gender Relations, Freedom, Struggle 1. Introduction Women's writing subjectively reconstructs gender relations based on the ideals of equality, freedom and autonomy. Marriage life instantiates an intergender relation w needs to be reconsidered in the light of feminist norms. This paper argues that Chopin and Mansfield consider marriage as plague women should avoid; Kate Chopin in The Story of an Hour (1894) and Regret (1897), and Katherine Mansfield in Marriage a la Mode (1921) and The Married Man Story (1923) create fictional characters of various perspectives towards marriage. -
A Feminist Analysis of Mr. and Mrs. Dove by Katherine Mansfield
Journal of Literature and Art Studies, October 2015, Vol. 5, No. 10, 842-846 doi: 10.17265/2159-5836/2015.10.005 D DAVID PUBLISHING A Feminist Analysis of Mr. and Mrs. Dove by Katherine Mansfield LIU Xi, HUANG Xin Changchun University, Changchun, China Katherine Mansfield (1888-1923), a New Zealand’s celebrated short story writer, was famous for her exquisite portrayals of women and she made great contribution to the British short story as well. Greatly influenced by Anton Chekhov, her writing firmly fixed on the small details of human behavior. She created her best works in the early 1920s, and her book, The Garden Party, arrived at the peak of great achievement. Set in England, her short story, Mr. and Mrs. Dove, described a story about the man’s last day in England and a series of things that happened to his visit to his beloved woman’s home which presented the relationships between his mom and him, and his beloved woman and him. This paper mainly explores the feminist thoughts of the female characters. The paper concludes that the awakening awareness of women in this story was obviously from the perspectives of striking against the patriarchal system and Mansfield was actually a feminist pioneer who promoted the development of feminism in the whole world. Keywords: feminism, authority, rebellion, independence Introduction Katherine Mansfield’s works often focus on the inner sensations of women, and she was skilled at sketching the mental activities of the women roles. To some extent, she became the representative writer on the academic field of feminism.