DOCSLIB.ORG

The Mystery of the Louvre

Total Page：16

File Type：pdf, Size：1020Kb

Download full-text PDF Read full-text
The Mystery of the Louvre ~~'ORLU\\ mr I'CBLJEIILNU C ovr \\ i iq 'L:I~1~14 80 i)rill:r the hit-hnonn lio\c.ls uf Ll~e norld ~sitliin tile iach of the rnillioils, by prcsc.r,t~rl,o ilt ttt. lorre\.t powihlc pricc per copy, in cn,iT.l~!:aitsi~e, on ~..cfcllentpaper, with bc:wlii'[il ud duld~le birlrlinq, n long seric~lof storicr, .cl hi( :I el crylbody tins hc:~rd of :rnd could desire to re.d Nc.vrr Iwfnrc 1m It I~c~tlporsiiilc tu pllieni books of the v;orld's most, fnrriorls 11vir19 :r~~tl~orr at sr~clla bmnll price. To render it possible now it will be nert'w~ry th~tcnch rolrln~c should haye a sale of hundreds of thous:incls of copicr and that many volumes of tlic serics diotild in due course iind their wry into nearly ever-/ home, however Inmlble, in thc U~litedStuies and G,~nada. The publisher> hew %he utn~oslooniideim that thi8 c1~1will he achieved. Th(.novels of Wonm WIDE Pbnr I~HI\GCox- PANY will be selected by one of the movt dls. tingwslled of living mcn of letters, nntl II short biog~npl~icaland bibliogruphical notc on the author hnd bir works will I)(* nppc.ndrd lo cnch vulrlmr. THE LOUVR i,:ir~~-l-i)j;~\i~i~ojs1.5 visitcil f):,ris is f,~r~~i[i:irwith !lie Louvre. O~~t~vnrdlyit i:; a lo~ry;,l.?i:lgy, ::!.irn-looking builtling ni sombre grey s,tcmcJ.., that i'! o\irns~nenacin~lyoil to the rue de Rivoli. I Lic~e :,r.ison-liI;e wnlL i~o;r-e\lclr enclc,se a beai~tifuk j-D,~l;:ccthat, belore the Rc'i'olutio!~,was one of the ,?:i.nlr reid~~iicc;~of t1:c Kings of I.'racce. To-d:ly i; i; one of the richest mrwums in the .,odd, ro:~t:linirigpricelc:::: &$113S ill the sl3;:pe of pii't!u-:::i ;:nil sculpt urc. PJanjr great \~.riic,rsof talcs of m!rstcr!f :d. ac1vcntu:e h2.w chnsi~;~~ell-lii:~)\\~11pui:lic 1r::iltl- iiigr; as a scttil~c;for their stories. ic'l~l~c!-111i1(:11- hack of Notre Dame" 11~1 Victor Hugo is ill: o:~tstancling T;~.iwhcx~lnplc;\;.llile in E~iglis!: ore have "The Tower of London " and "O!:l St. C'n~~l's,"two of I-Iarrisnn Ains\vorth's 12est and noct exciting no\~cls. Internrovi-n into th:. !)lot iiwe is very often n threxl of trne fact Some j.)opuiar I~i!,t~ric;~lcllaracter or son]? ~,-(:ll-!:\:ow~i c-vcnl: is introcluccd ~vhicl~lend.; an aclt1c.d air of reality to tiic 'i.\rllulc ~m-ralivc. LIoi-isiei~r r I , ilie ce1cbr::iicci frei-~;:liantilor \\,lie has u.ritrc~l "l'hc Rljlstcry <,I: !.~)l,r.i-~,"!Ins .:!:(;sen ',.*LaI>-4.L ,..-tb o~~u-w~~~d.1.' C.- .-- ;;lC~7~!!/;1~?1:~/i.f~!Ol'/q/~l!fo!, fllc 5ctting Or tl~isCiL- t,-tmel\. C~CXTI-:I,!I,: Here, on the inaorning of ihe 17th of May, 1925, the extraordinary new was circulated that a ~nysteriousghost had been seen in 'The Room of the Barbarous Gods." An att;.ndnnt named %:barat asked permission to be nllo\ved to pass the fallowing night in thi5 particular gallery and .~ntchlor the ghost's appenr,ince. The next morning the poor fellow ftiuild dead, lying tn front sf tlic statue of Be!plicgx, the God of the Moabites, mysterious as a .;pil;nx, as disturb- LII~as a wicked archangc!-a veritable Lucifer! 4 he whole circumstance; were nlost perplexing, Who could have committed suc-11 a dastardly c rime? \\'as it the nork of a hlma~ror QE supernatural Land 3 \iVl~:~twas the rnotivc ? Why was it done? 'The book deals with the elucidation of this ;!, xplicablc mystery which for a long time Ihnfies both the museum authorities and the jock sf the French cletectivcc;. 'There Is always a. subtle anc! magnetic fascina- rim h.i 3. tale with a secret. It i. a type of story rhnt never fails to attract 311 sorts and conditions a f men with intellects fiom the wry highest to the vely humblest. Undoubtedly one great r:<15on ier this is because it mal.;es a direct appeal :o the gambling instinct that lies buried deep ,&wn in the heart of every living soul. Evcn the perfemid Purit,~nor the .tiictcst Church- ;.mar, WJIO ~vouldbe justly shocktcl if you were tc ~~~ggestthat he is a gxnbler or s betting man, is frcqua:t]y svcrcome by ar ~-:nii:;tible desire (: t1A$'Y ER T TXE E!3081 01; l1iL UAb:L.~l:ri'i.~I)!? US~':\'ILILl:I) GIJDS '.SI~EREis a ghost ;ti il~eLou\.r~:! 5u(:Ii ~7;~sI:I<~ ~L;,!:I:;I: TLIII~OIII.~l~ich,1111 the 1i101.11ifl: of the 1;.i11 .':i.11., 1,.;2,i,\v;is ~circu!;~tcdill our gl-c,:; ns~ion:~!- pi~tui-c:;;ill, 5. ~vcry~vI:i:rc-in Ilii: vcstil)~~leu,in 111~Irissages, on tllc st;;irca.?cs-onc s:;w cmlv people r;:~:iierc(l iogutllcr: frixlitcncil oats and i~~crctlil~lciinrs, \v!io co~iln!c.ntccl oil the stiLi~ig~2nd ii1nt:lstic iic\l:s. in the ah\-e-mei~:ioned rooin, ill !'lmi?t of the LC:(,- braid picture "'Tlic ('on,n.~:ioil 01 K,.l>,,lc:,n," il.i~i kccxper-; wo~-ct;alltiii: iuii~i~;~t~~tliya.t~oiilt1.c qiroqt siory Shortly, the c!c,incrs-wno, oil this CL.::, o:iIy cliti I!:;:r uor!i ill a r!i~lra!.:cil ~nanner-npp~~;~ii'!,(l tl:!.~il in c,rtic~ to Iistcn to tiieir con~.c'i's~lion\vl~ic'il ~,~JLIII!II~JL f.1i1 LC ,11icrcst tli~lll. ''I ttell yon that ir is ;I g!io.;t," :;;tit1 o:ic ~~1'tl!c !.:,,cj>ec;. ,. !he otlicr Ixqm [,i~:: ; OLI: ~LII?!I;II~,;L:I,i >,;irt.,~:;,t I his shoulcler:. " G~utra~sl~asSI-c.11 ~t!.'~ii(l IIC I,.: li'ii: n jolter or a coward! He \+-en: to repori it lo llie Cc~ti- scrvator." In the office 01 this high ofic~:.l, I'll-r-1-1,(;,rat!-xi<, a gailant, rciiiust fellow wilh SIIULLI-esho~~lclcrs and 3 '~.:iik face, reported the incident ti) 1:;s sapl ior, iil. Lave i ;i:c, wl~osat in front oP I~isclcslc nritll his co!!t.;~$-ue:in(! i.wrc- t:iry and lislened to him in nfrimdly but r~ithcrsc~i.i,iii~:~l n1;inner. " I haye seen him as I scc yo~anow! I cut oi! pri\, 11catl r,itlicl- tlnn deny it-.!' "?'c!i me, Gnutrak, yoia bad not bccn t1rinliil;g a little ten TXL!C.:!I ? " &served M. L:~~~iq!~e. "Oh, sir, you know well that I mvel- get rips!;,'' ' Thcn you 11ni.c li;itl .I halluc-iilatiorr.'" =. 13 [ 1.1fi; ~~~~-].$~~.~\~91,. ,[j lii ,9:h f?,l is\:!: c,r --- -- "Oh, no, sir. H was ;-cry much niv,ik:: -:l!iit;. rn:!yt:.r of mysi:lf." "At what 51no did this ~,iiino~c.no:i;irow it ;:I!:>" :~s!i~tlthe Assist:tnt.-&onscrvi~t~>i', "Chic o'clock it; the n-~orning,M. iti~t,~~wfi,"r::pId the Itceper. "1was just ~naliingniy round in the rtx-mr 011 tlic ground floor which Iook out on Irl tl~c:walcr, ivi:::!~ -all of a sudden--on arriving in t!~e 'Kooa: of ti:,? 13arbarous Gods,' I perceivcd a hunxri I'o.rio who, roll6.d in a black shroud and wcaring a. iii~ltlof lioorl, turnctl 11,; back un me and ~ntand stood close to :tie sl:lt~c.of Belpllcgor. "Seizing my revolver, 1 shot ill its dircctiorm. T s.>iv it at the moment where, after having nlounLcd tilo steps, it reachcd the landing and, le:.elling my wenp,c~ at him, I said, 'Halt or I shall shoot!' But scsrccijr had I put my finger to tl~ctrigger than the gl~ortmxle a jump sideways and tlisnppcared as if he had ~ni.ltc,tl into darkness." LTisiblyimpressed by the sincerity oE the keeper, n.htlrn everyone highly respected, 31. Lavergile looked from 0110 to the other of his colleagues who appcnred scarcciy less troubled than he by the story which they had ji1:;t: heard. Then, getting up, he said: "Ah, well! we are going ! see; fo!!ow me, Gautrais." They reached the "Room 01 the Eorbnrous God:;,'" where a group of ernployecs were talliillg in front nf the statue of Helphegor, As soon as they saw the new arsir.als, they I~ussicdlyrriovctl awn.)-, with thc esccptioir of the chief kce~~rr,Jean Sabarat, a kruat: big utliiclic: sort of man. Rcspcctfully taking off his cap, Snl::tut turned tow;~.rdsthe Conservator and said; "SIS,WIII~ traces have bean discovered here," M. Laverpie approached and examined the s1at1.1~ eloscly. He saw some quite deep scratches wl~icla loolred as tbough they had just been done and which appeared to have been made with tho aid od i$ ccM~ ch~srl. Troublcd by this divmrwy, t!!c Coneermt~rsnit!: "This semis unusual. Is it possible that o burgla: bas got int~the building ? " h[. J4avergne dttciti~dthat he wc;uld infnrni the polici?. EIo )vent a7.vay with ilia :d!cguec, hot Snbrrrnt, nc itlc,~.
Load more

Recommended publications
  • Tim Young, Adam Fine, Tricia Southard.Pdf
    \ earn name here TRASHMASTERS 2004 - UT-CHATTANOOGA ) Tim Young, Adam Fine, and Tricia Southard , J t-/ILJjl£; // / He led the American League in hits in his rookie season of 1942, but then spent three years fighting in World War / /fI. While with Detroit in 1952, he helped Virgil Trucks record his second no-hitter of the season after admitting that he ,/' misplayed a Phil Rizzuto ball originally called a hit. The goat of the 1946 World Series when he allowed Enos Slaughter / to score, FrP name this Red Sox shortstop, born John Paveskovich, the namesake of the right field foul pole in Fenway Park. Answer: Johnny Pesky 2. The title came about as a catch phrase among band members about what they hoped would happen to people "behaving in a shitty way." The piano riff in the chorus echoes another song about someone acting badly, the Beatles' "Sexy Sadie." The lyrics decry a man who "buzzes like a detuned radio" and a girl with a "Hitler hairdo," and hope that the titular entity will arrest them. We are told in the coda that the narrator "For a minute there . .I lost myself' over and over. FTPname this 1997 song, the third single from "OK Computer," a major hit for Radiohead. Answer: Karma Police 3. A 1979 graduate of Davidson College, this woman won an investigative reporting honor from the North Carolina Press Association for a series of articles about crime and prostitution in Charlotte. Her first book, An Uncommon Friend, was a biography of Billy Graham's wife, but her six years of work for the Virginia Chief Medical Examiner's Office inspired her best know series of a dozen novels.
    [Show full text]
  • Shapes of Clay
    Shapes of Clay Ambrose Bierce The Project Gutenberg EBook of Shapes of Clay, by Ambrose Bierce This eBook is for the use of anyone anywhere at no cost and with almost no restrictions whatsoever. You may copy it, give it away or re-use it under the terms of the Project Gutenberg License included with this eBook or online at www.gutenberg.net Title: Shapes of Clay Author: Ambrose Bierce Release Date: June 19, 2004 [EBook #12658] Language: English Character set encoding: ASCII *** START OF THIS PROJECT GUTENBERG EBOOK SHAPES OF CLAY *** Produced by Rick Niles, Kat Jeter, John Hagerson and PG Distributed Proofreaders [Illustration: Ambrose Bierce.] SHAPES OF CLAY BY AMBROSE BIERCE AUTHOR OF "IN THE MIDST OF LIFE," "CAN SUCH THINGS BE?" "BLACK BEETLES IN AMBER," AND "FANTASTIC FABLES" 1903 DEDICATION. WITH PRIDE IN THEIR WORK, FAITH IN THEIR FUTURE AND AFFECTION FOR Livros Grátis http://www.livrosgratis.com.br Milhares de livros grátis para download. THEMSELVES, AN OLD WRITER DEDICATES THIS BOOK TO HIS YOUNG FRIENDS AND PUPILS, GEORGE STERLING AND HERMAN SCHEFFAUER. A.B. PREFACE. Some small part of this book being personally censorious, and in that part the names of real persons being used without their assent, it seems fit that a few words be said of the matter in sober prose. What it seems well to say I have already said with sufficient clarity in the preface of another book, somewhat allied to this by that feature of its character. I quote from "Black Beetles in Amber:" "Many of the verses in this book are republished, with considerable alterations, from various newspapers.
    [Show full text]
  • Download the December 2019 Newsletter
    December 2019 Oakland Magic Circle Newsletter Official Website: www.OaklandMagicCircle.com Bjornson Hall, 2258 MacArthur Blvd., Oakland, CA 94602 . David, a member of the OMC, has been collecting commercial practical jokes for decades and has DECEMBER MEETING-Tuesday, December 3 what is likely one of the most extensive collections 6:00pm- Doors Open- Come early to share ideas, ​ ​ in the country with items going back to the early effects and news informally. Free back issues of 1900s. Linking Ring magazine. Complimentary cookies, ​ coffee and tea. And David’s Corner (see below) ​ ​ 7:00- Business meeting, Confirmation of 2020 ​ Officers and Good of the Order News and ​ Announcements 7:30ish: Break and more David’s Corner ​ ​ 8:00- Open Performance- with a Holiday Theme ​ DAVID'S CORNER: DRIBBLE GLASSES, JOY BUZZERS AND X-RAY SPECS David Liotta will bring a sampling of vintage collectible novelty and joke items from his extensive collection to the December 3 Oakland Magic Circle meeting. Selections from his collection will be on display before the meeting and during the break with David explaining their history and function. There will be things you haven't seen in years or maybe you never knew existed. Stuff you remember from comic book ads. Novelties you walked past-- the bread and butter for most small magic shops – to get to the magic counter at stores when you were a kid. This collection will surely offer surprises, make you laugh out loud and send you home with ideas and Oakland Magic Circle December 2019 Newsletter 1 an appreciation for the kind of humor many of us grew up loving and even incorporating into our act and sometimes our daily life.
    [Show full text]
  • ENGL 1102 Writing About Literature Readings Compiled, Annotated, and Edited by Rhonda L
    ENGL 1102 Writing about Literature Readings Compiled, annotated, and edited by Rhonda L. Kelley Table of Contents Short Fiction ................................................................................................................................... 3 A Rose for Emily by William Faulkner ........................................................................................ 4 The Yellow Wallpaper by Charlotte Perkins Gilman ................................................................. 11 The Open Window by H. H. Munro (Saki) ............................................................................... 26 The Stranger by Katherine Mansfield ....................................................................................... 29 Guy de Maupassant, The Necklace ........................................................................................... 39 Edgar Allan Poe, The Tell-Tale Heart ....................................................................................... 46 Edgar Allan Poe, Cask of Amontillado ...................................................................................... 50 Edgar Allan Poe, The Masque of the Red Death ....................................................................... 56 Nathaniel Hawthorne, Young Goodman Brown ........................................................................ 61 Rappaccini's Daughter by Nathaniel Hawthorne ..................................................................... 73 Sir Arthur Conan Doyle, The Adventure of the Speckled Band ...............................................
    [Show full text]
  • Chinese Cinderella: the True Story of an Unwanted Daughter
    After a while I said, “When did my mama die?” “Your mama came down with a high fever three days after you were born. She died when you were two weeks old. …” Though I was only four years old, I understood I should not ask Aunt Baba too many questions about my dead mama. Big Sister once told me, “Aunt Baba and Mama used to be best friends. A long time ago, they worked together in a bank in Shanghai owned by our grandaunt, the youngest sister of Grandfather Ye Ye. But then Mama died giving birth to you. If you had not been born, Mama would still be alive. She died because of you. You are bad luck.” ALSO AVAILABLE IN LAUREL-LEAF BOOKS: THE HERMIT THRUSH SINGS, Susan Butler BURNING UP, Caroline B. Cooney ONE THOUSAND PAPER CRANES, Takayuki Ishii WHO ARE YOU?, Joan Lowery Nixon HALINKA, Mirjam Pressler TIME ENOUGH FOR DRUMS, Ann Rinaldi CHECKERS, John Marsden NOBODY ELSE HAS TO KNOW, In- grid Tomey TIES THAT BIND, TIES THAT BREAK, Lensey Namioka CONDITIONS OF LOVE, Ruth Pennebaker I have always cherished this dream of creating something unique and imper- ishable, so that the past should not fade away forever. I know one day I shall die and vanish into the void, but hope to preserve my memories through my writing. Perhaps others who were also unwanted children may see them a hundred years from now, and be encouraged. I imagine them opening the pages of my book and meeting me (as a ten-year-old) in Shanghai, without actually having left 6/424 their own homes in Sydney, Tokyo, London, Hong Kong or Los Angeles.
    [Show full text]
  • "Now I Ain't Sayin' She's a Gold Digger": African American Femininities in Rap Music Lyrics Jennifer M
    Florida State University Libraries Electronic Theses, Treatises and Dissertations The Graduate School 2008 "Now I Ain't Sayin' She's a Gold Digger": African American Femininities in Rap Music Lyrics Jennifer M. Pemberton Follow this and additional works at the FSU Digital Library. For more information, please contact [email protected] FLORIDA STATE UNIVERSITY COLLEGE OF SOCIAL SCIENCES “NOW I AIN’T SAYIN’ SHE’S A GOLD DIGGER”: AFRICAN AMERICAN FEMININITIES IN RAP MUSIC LYRICS By Jennifer M. Pemberton A Dissertation submitted to the Department of Sociology in partial fulfillment of the requirements for the degree of Doctor of Philosophy Degree Awarded: Spring Semester, 2008 The members of the Committee approve the dissertation of Jennifer M. Pemberton defended on March 18, 2008. ______________________________ Patricia Yancey Martin Professor Directing Dissertation ______________________________ Dennis Moore Outside Committee Member ______________________________ Jill Quadagno Committee Member ______________________________ Irene Padavic Committee Member Approved: ___________________________________ Irene Padavic, Chair, Department of Sociology ___________________________________ David Rasmussen, Dean, College of Social Sciences The Office of Graduate Studies has verified and approved the above named committee members. ii For my mother, Debra Gore, whose tireless and often thankless dedication to the primary education of children who many in our society have already written off inspires me in ways that she will never know. Thank you for teaching me the importance of education, dedication, and compassion. For my father, Jeffrey Pemberton, whose long and difficult struggle with an unforgiving and cruel disease has helped me to overcome fear of uncertainty and pain. Thank you for instilling in me strength, courage, resilience, and fortitude.
    [Show full text]
  • Voci Program Spr2018 Rev4-11-18-Extrapgs-BLOCKED
    Special thanks to you, our Friends of Voci, for your support! Our 2017–18 season is made possible through your generous contributions, and by a grant from the Alameda County Arts Commission ARTSFUND Thank you… to West Coast Arts, St. Mary Magdalen Church, St. Paul’s Episcopal Church, Orinda Community Church, and to all the friends, family and members of Voci who volunteer countless hours of work to make our performances possible! Voci is a not-for-profit charitable organization, and donations are deductible to the full extent allowed by law. Please consider joining the Friends of Voci by making a donation today. Voci Women’s Vocal Ensemble 4024 Everett Avenue, Oakland, CA 94602 www.vocisings.org www.facebook.com/vocisings www.paypal.me/Voci Air Water Earth Fire About Today’s Program In contrast to our December concerts, which featured music that was written over a 50- year period and focused tightly on the musical life of 18th century Venice, the music for today’s ELEMENTS program is all about variety. We will explore a rich spectrum of musical styles, from the post-romantic expression of Rachmaninoff to the experimental and aleatoric music of Voci Composer-in-Residence Julie Herndon. We also present music by composers from the United States, Australia, Russia and England, influenced by different world cultures. What this music has in common is that all of it is about Earth, Air, Fire and Water. It was also all written after the turn of the 20th century—a time when the Western world was preoccupied with bending these four “elements” to its will.
    [Show full text]
  • METAPHOR Undergraduate Interdisciplinary Journal
    METAPHOR Undergraduate Interdisciplinary Journal Metaphor is Weber State University’s undergraduate, interdisciplinary journal, in its thirty-third year of publication. The journal is staffed entirely by Weber State University students. Metaphor accepts submissions in visual arts, poetry, fiction, academic literature, and performing arts from students of Weber State University, and selected pieces from national submissions to the National Undergraduate Literature Conference. Publications in Metaphor are chosen through a blind submission pro- cess. The author, visual or performing artist of each piece is unknown until the piece is selected for publication. Metaphor is funded primarily through student fees and is distributed free of charge to students, faculty, guests at Weber State University’s annual National Undergraduate Literature Conference, and the community. Copyright © 2014 is retained by individual authors and visual and per- forming artists. Printed in the United States of America by Weber State University Printing Services, Ogden, Utah. Metaphor Weber State University 1404 University Circle Ogden, Utah 84408-1404 Visit us on the web: www.weber.edu/metaphor Book Design by Drew Bingham Cover Design by Tony D’Amico Acknowledgments Like all good machines, the Metaphor is comprised of many small moving parts. If one gear gets stuck, jammed, cracked, or has any of a myriad of technical issues, the whole system suffers. I would like to thank everyone who helped us get this issue compiled, bound, and delivered. Drew Bingham, our very patient Creative Director. I didn’t envy your part in this, but I am glad you were there to answer the call (and texts, e-mails, Facebook messages…) Brandon Petrizzo, Cindy Stokes, and the staff in Printing and Art Services, for answering all our questions early enough for us to plan and get the journal in the hands of all our readers.
    [Show full text]
  • Just Look at All of You
    Just Look at All of You By Christine Pinella A creative project submitted to Sonoma State University in partial fulfillment of the requirements for the degree of MASTER OF THE ARTS in ENGLISH (Creative Writing) Committee Members Stefan Kiesbye, Thesis Chair, First Reader Anne Goldman, Second Reader May 1st, 2017 Copyright 2016 By Christine Pinella ii Authorization for Reproduction of Master’s Project Permission to reproduce this thesis [project] in its entirety must be obtained from me. Permission to reproduce parts of this thesis [project] must be obtained from me. Date: May 1st, 2017 Christine Pinella iii Just Look at All of You Creative Project by Christine Pinella ABSTRACT Just Look at All of You is a creative project containing a collection of short fiction stories. Thematically, the pieces as a unified whole aim to explore the intricacies of human relationships, trauma and recovery, and loss and grief. The collection title is a nod to the complex nature of human existence, the chapters of memory which make us who we are as people, how we relate to each other, and how we navigate through the world. MA Program: English Sonoma State University May 1st, 2016 iv ACKNOWLEDGMENTS Thank you to Stefan Kiesbye, for your insight, your humor, and your willingness to be patient with me as I realized my own potential. Thank you for your friendship, and of course, for the beers. Thank you to Anne Goldman, for your positivity and for being so generous with your time. Thank you for your direction, your selfless dedication to the program, and your confidence in me as a growing writer.
    [Show full text]
  • 3 Doors Down Away from the Sun 3 Doors
    3 Doors Down Away From The Sun 3 Doors Down Be Like That 3 Doors Down Behind Those Eyes 3 Doors Down Duck And Run 3 Doors Down Here By Me 3 Doors Down Here Without You 3 Doors Down It's Not My Time (I Won't Go) 3 Doors Down Kryptonite 3 Doors Down Landing In London 3 Doors Down Let Me Be Myself 3 Doors Down Let Me Go 3 Doors Down Live For Today 3 Doors Down Loser 3 Doors Down Road I'm On, The 3 Doors Down Train 3 Doors Down When I'm Gone 4 Non Blondes What's Up 5 Seconds of Summer Youngblood 5th Dimension, The Aquarius (Let The Sun) 5th Dimension, The Never My Love 5th Dimension, The One Less Bell To Answer 5th Dimension, The Stoned Soul Picnic 5th Dimension, The Up, Up and Away 5th Dimension, The You Don't Have To Be A Star 10,000 Maniacs Because The Night 10,000 Maniacs Candy Everybody Wants 10,000 Maniacs Like The Weather 10,000 Maniacs More Than This 10,000 Maniacs These Are The Days 10,000 Maniacs Trouble Me 10CC I'm Not In Love 38 Special Caught Up In You 38 Special Hold On Loosely 38 Special Second Chance 98 Degrees Give Me Just One More Night 98 Degrees Hardest Thing, The 98 Degrees I Do (Cherish You) 98 Degrees My Everything 98 Degrees & Stevie Wonder True To Your Heart 98 Degress Because Of You 112 Cupid 112 Dance With Me 311 Amber 311 Beyond The Gray Sky 311 Creatures (For A While) 311 I'll Be Here Awhile 311 Love Song 311 You Wouldn't Believe A-Ha Sun Always Shines On TV, The A-Ha Take On Me A-Ha Take On Me (Acoustic) Aaliyah Are You That Somebody Aaliyah Come Over Aaliyah I Care 4 You Aaliyah I Don't Wanna Aaliyah Miss You
    [Show full text]
  • N:° Billboard HITS of the WORLD.. Ac.- JAPAN UNITED KINGDOM FRANCE GERMANY
    _n:° Billboard HITS OF THE WORLD.. Ac.- JAPAN UNITED KINGDOM FRANCE GERMANY 3 3 g 3 ! 3 (DEMPA PUBLICATIONSINC.)0á/12A14 3 g (THE OFFICIAL UK CHARTS CO.106/07/04 g ISNEP /IFOP,7ITE- LIVE)0608 /04 3 (MEDIA CONTROLI06,'09/04 SINGLES SINGLES SINGLES SINGLES 1 NEW DAREKANO NEGAIGA KANAUKORO I I DON'T WANNA KNOW 1 1 DRAGOSTEA DIN TEI 1 1 DRAGOSTEA DIN TEI HIKARU UTADA TOSHIBA/EMI MARIO WINANS FT ENYA 8 P DIDDY BAD BOY/UNIVERSAL 0 -ZONE MEDIA SERVICES/TIME 0 -ZONE MEDIA SERVICES/TIME 2 2 HITOMI O TOJITE 2 1 F.U.R.B (F U RIGHT BACK) _ 57 LE POULAILLER 2 2 F * *K IT (I DON'T WANT YOU BACK) KEN HIRAI DEFSTAR FRANKEE ALL AROUND THE WORLD LE 6-9 ULM EAMON JIV 3 KABAN 3 NEW INSANIA 2- 50 FEMME LIKE U 3 4 DRAGOSTEA DIN TEI AIKO PONY CANYON PETER ANDRE EAST WEST K -MARS EAST WEST HAIDUCII UNIVERSO 4 AYA AJA 4 2 TRICK ME a NEW GARDE -MOI 1 3 I DON'T WANNA KNOW SOUTHERN ALL STARS VICTOR KELIS VIRGIN STEEVE ESTATOF RCA/ARISTA MARIO WINANS FT ENVA & P. DIDDY BAD BOY/UNIVERSAL 5 SOUND OF MUSIC 3 3 F * *K IT (I DON'T WANT YOU BACK) _ 2 SOBRI NOTRE DESTIN 5 5 EVERYTIME TAMIS OKUDA SONY MUSIC EAMON JIVE LESLIE M6 INT. BRITNEY SPEARS JIVE 6 NAMIDA 3 4 HOTEL = 4 F * *K IT (I DON'T WANT YOU BACK) 5 6 NEMO KETSUMEISHI TOY'S FACTORY CASSIDY FT.
    [Show full text]
  • Fasig-Tipton
    Barn E2 Hip No. Consigned by Roger Daly, Agent 1 Perfect Lure Mr. Prospector Forty Niner . { File Twining . Never Bend { Courtly Dee . { Tulle Perfect Lure . Baldski Dark bay/br. mare; Cause for Pause . { *Pause II foaled 1998 {Causeimavalentine . Bicker (1989) { Iza Valentine . { Countess Market By TWINING (1991), [G2] $238,140. Sire of 7 crops, 23 black type win- ners, 248 winners, $17,515,772, including Two Item Limit (7 wins, $1,060,585, Demoiselle S. [G2], etc.), Pie N Burger [G3] (to 6, 2004, $912,133), Connected [G3] ($525,003), Top Hit [G3] (to 6, 2004, $445,- 357), Tugger ($414,920), Dawn of the Condor [G2] ($399,615). 1st dam CAUSEIMAVALENTINE, by Cause for Pause. 2 wins at 3, $28,726. Dam of 4 other foals of racing age, including a 2-year-old of 2004, one to race. 2nd dam Iza Valentine, by Bicker. 5 wins, 2 to 4, $65,900, 2nd Las Madrinas H., etc. Half-sister to AZU WERE. Dam of 11 winners, including-- FRAN’S VALENTINE (f. by Saros-GB). 13 wins, 2 to 5, $1,375,465, Santa Susana S. [G1], Kentucky Oaks [G1], Hollywood Oaks [G1]-ntr, Santa Maria H. [G2], Chula Vista H. [G2], Las Virgenes S. [G3], Princess S. [G3], Yankee Valor H. [L], B. Thoughtful H. (SA, $27,050), Dulcia H. (SA, $27,200), Black Swan S., Bustles and Bows S., 2nd Breeders’ Cup Distaff [G1], Hollywood Starlet S.-G1, Alabama S. [G1], etc. Dam of 5 winners, including-- WITH ANTICIPATION (c. by Relaunch). 15 wins, 2 to 7, placed at 9, 2004, $2,660,543, Sword Dancer Invitational H.
    [Show full text]