Neurophysiology of Philematology and Some Infectious Disease
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The Mystery of the Louvre
~~'ORLU\\ mr I'CBLJEIILNU C ovr \\ i iq 'L:I~1~14 80 i)rill:r the hit-hnonn lio\c.ls uf Ll~e norld ~sitliin tile iach of the rnillioils, by prcsc.r,t~rl,o ilt ttt. lorre\.t powihlc pricc per copy, in cn,iT.l~!:aitsi~e, on ~..cfcllentpaper, with bc:wlii'[il ud duld~le birlrlinq, n long seric~lof storicr, .cl hi( :I el crylbody tins hc:~rd of :rnd could desire to re.d Nc.vrr Iwfnrc 1m It I~c~tlporsiiilc tu pllieni books of the v;orld's most, fnrriorls 11vir19 :r~~tl~orr at sr~clla bmnll price. To render it possible now it will be nert'w~ry th~tcnch rolrln~c should haye a sale of hundreds of thous:incls of copicr and that many volumes of tlic serics diotild in due course iind their wry into nearly ever-/ home, however Inmlble, in thc U~litedStuies and G,~nada. The publisher> hew %he utn~oslooniideim that thi8 c1~1will he achieved. Th(.novels of Wonm WIDE Pbnr I~HI\GCox- PANY will be selected by one of the movt dls. tingwslled of living mcn of letters, nntl II short biog~npl~icaland bibliogruphical notc on the author hnd bir works will I)(* nppc.ndrd lo cnch vulrlmr. THE LOUVR i,:ir~~-l-i)j;~\i~i~ojs1.5 visitcil f):,ris is f,~r~~i[i:irwith !lie Louvre. O~~t~vnrdlyit i:; a lo~ry;,l.?i:lgy, ::!.irn-looking builtling ni sombre grey s,tcmcJ.., that i'! o\irns~nenacin~lyoil to the rue de Rivoli. -
Can Population-Level Laterality Stem from Social Pressures? Evidence from Cheek Kissing in Humans
RESEARCH ARTICLE Can Population-Level Laterality Stem from Social Pressures? Evidence from Cheek Kissing in Humans Amandine Chapelain1*, Pauline Pimbert1, Lydiane Aube1, Océane Perrocheau1, Gilles Debunne3, Alain Bellido2, Catherine Blois-Heulin1 1 UMR 6552 Université de Rennes 1—CNRS, Station biologique, 35380, Paimpont, France, 2 UMR 6553 Université de Rennes 1—CNRS, Station biologique, 35380, Paimpont, France, 3 QDC, département R&D, 31000, Toulouse, France * [email protected] Abstract Despite extensive research, the origins and functions of behavioural laterality remain largely unclear. One of the most striking unresolved issues is the fact that laterality generally occurs at the population-level. Why would the majority of the individuals of a population exhibit the same laterality, while individual-level laterality would yet provide the advantages in terms of OPEN ACCESS improving behavioural efficiency? Are social pressures the key factor? Can social pressures Citation: Chapelain A, Pimbert P, Aube L, induce alignment of laterality between the individuals of a population? Can the effect of Perrocheau O, Debunne G, Bellido A, et al. (2015) social pressures overpass the effect of other possible determining factors (e.g. genes)? We Can Population-Level Laterality Stem from Social tested this important new hypothesis in humans, for the first time. We asked whether popu- Pressures? Evidence from Cheek Kissing in Humans. lation-level laterality could stem from social pressures. Namely, we assessed social pres- PLoS ONE 10(8): e0124477. doi:10.1371/journal. pone.0124477 sures on laterality in an interactive social behaviour: kissing on the cheek as a greeting. We performed observations in 10 cities of France. -
The Association for Diplomatic Studies and Training Foreign Affairs Oral History Project
The Association for Diplomatic Studies and Training Foreign Affairs Oral History Project PETER KOVACH Interviewed by: Charles Stuart Kennedy Initial Interview Date: April 18, 2012 Copyright 2015 ADST Q: Today is the 18th of April, 2012. Do you know ‘Twas the 18th of April in ‘75’? KOVACH: Hardly a man is now alive that remembers that famous day and year. I grew up in Lexington, Massachusetts. Q: We are talking about the ride of Paul Revere. KOVACH: I am a son of Massachusetts but the first born child of either side of my family born in the United States; and a son of Massachusetts. Q: Today again is 18 April, 2012. This is an interview with Peter Kovach. This is being done on behalf of the Association for Diplomatic Studies and I am Charles Stuart Kennedy. You go by Peter? KOVACH: Peter is fine. Q: Let s start at the beginning. When and where were you born? KOVACH: I was born in Worcester, Massachusetts three days after World War II ended, August the 18th, 1945. Q: Let s talk about on your father s side first. What do you know about the Kovaches? KOVACH: The Kovaches are a typically mixed Hapsburg family; some from Slovakia, some from Hungary, some from Austria, some from Northern Germany and probably some from what is now western Romania. Predominantly Jewish in background though not practice with some Catholic intermarriage and Muslim conversion. Q: Let s take grandfather on the Kovach side. Where did he come from? KOVACH: He was born I think in 1873 or so. -
Cutthroat 26 Copy FINAL AUG
1 EDITOR IN CHIEF: PAMELA USCHUK FICTION EDITOR: WILLIAM LUVAAS ASSISTANT FICTION EDITOR: JULIE JACOBSON GUEST POETRY EDITOR: LESLIE CONTRERAS SCHWARTZ POETRY EDITOR: HOWIE FAERSTEIN POETRY EDITOR: TERI HAIRSTON POETRY EDITOR: MARK LEE POETRY EDITOR: WILIAM PITT ROOT MANAGING EDITOR: ANDREW ALLPORT DESIGN EDITOR: ALEXANDRA COGSWELL CONTRIBUTING EDITORS: Sandra Alcosser, Charles Baxter, Frank Bergon, Janet Burroway, Robert Olen Butler, Ram Devineni, Joy Harjo, Richard Jackson, Marilyn Kallet, Zelda Lockhart, Demetria Martinez, John McNally, Dennis Sampson, Rebecca Seiferle, Luis Alberto Urrea, Lyrae van Clief, and Patricia Jabbeh Wesley. Jane Mead, Rick DeMarinis, Penelope Niven, and Red Bird, in memorium. Send submissions, subscription payments and inquiries to CUTTHROAT, A JOURNAL OF THE ARTS, 5401 N Cresta Loma Drive, Tucson, AZ 85704. ph: 970-903-7914 email: [email protected] Make checks payable to Cutthroat, A Journal of the Arts Subscriptions are $25 per two issues or $15 for a single issue. We are self-funded so all Donations gratefully accepted. Copyright@2021 CUTTHROAT, A Journal Of The Arts 2 CUTTHROAT THANKS WEBSITE DESIGN: LAURA PRENDERGAST PAMELA USCHUK COVER LAYOUT: PAMELA USCHUK MAGAZINE LAYOUT: PAMELA USCHUK LOGO DESIGN: LYNN MCFADDEN WATT FRONT COVER ART: ALBERT KOGEL “PESCADOS,” acrylic on canvas INSIDE ART: JACQUELINE JOHNSON, quilts JERRY GATES, oil pastels on paper RON FUNDINGSLAND, prints on paper AND THANK YOU TO: Andrew Allport, Howie Faerstein, CM Fhurman, Teri Hairston, Richard Jackson, Julie Jacobson, Marilyn Kallet, Tim Rien, William Pitt Root, Pamela Uschuk and Patricia Jabbeh Wesley, for serving as readers for our literary contests. To our final contest judges: Kimberly Blaeser, Poetry; Amina Gautier, Short Story; Fenton Johnson, Nonfiction. -
DECEMBER 08 Doing Business Globally Requires More Than Compliance with Legal Mandates
ows When stepping into a foreign country, be sure to start on the right foot. DECEMBER 08 Doing business globally requires more than compliance with legal mandates. Knowledge of local customs is also critical, especially when making a first impression. A monthly best practices alert for multinationals confronting the As 2008 draws to a close (none too soon), and we all look forward to greeting the New challenges of the global workplace Year, we offer some tips on how to say hello in countries around the world. This Month’s With best wishes from the International Labor Group. Challenge When doing business abroad, Hugs and Business Gestures/ not knowing the local customs Country Handshake Eye Contact Other Kisses Cards Physical Space can lead to serious embarrassment. EUROPE UK A handshake Generally Customs Avoid Direct eye Pants actually Best Practice is the most no kissing similar to excessive hand contact is means appropriate or hugging. U.S. gestures and common and underwear, not Tip of the Month greeting. displays of acceptable, but trousers. emotion. don’t be too A little preparation can prevent intense. a lot of trouble. Get to know France A handshake In social Cards The U.S. sign Direct eye Always apologize the local customs before is the most settings, should be for ok means contact is if you do not embarking for an international appropriate friends do printed in zero in France. common and speak French business meeting. greeting and les bises English acceptable, and or if you need to farewell. (touching on one sometimes conduct business However, cheeks and side and intense. -
EMS PRICE MFO1 /PC14 Plus Postage
DOCUMENT RESUME ED 250 950 FL 014 721 TITLE Cultural Orientation Resource Manual, Volume III, Supplement 1983. INSTITUTION Center for Applied Linguistics, Washington, D.C. SPONS AGENCY Department of State, Washington, DC. Bureau of Refugee Programs. PUB DATE 83 NOTE 335p.; For related documents, see FL 014 671-672 and ED 221 068-071. PUB TYPE Guides - Classroom Use - Guides (For Teachers) (052) EMS PRICE MFO1 /PC14 Plus Postage. DESCRIPTORS *Class Activities; *Cultural Education; Curriculum Guides; *Daily Living Skills; English (Second Language); Instructional Materials; Intensive Language Courses; Lesson Plans; *Orientation Materials; *Refugees; Staff Development; Teaching Guides IDENTIFIERS *Refugee Camps ABSTRACT This volume of supplementary materials is intended for use in the Department of State's intensive English as aSecond Language, Cultural Orientation, and Pre-EmploymentTraining Program for United States-bound Southeast Asian refugees. It contains an introductory section on the program's history, descriptions of the program sites in Bataan(Philippines), Galang (Indonesia), and Phanat Nikhom (Thailand), notes on content standards, an activitiesguide, training guides, and resource materials for the culturalorientation component of the program. The section on contentstandards outlines the development of standards, a synopsis of contentby topic area, a topical list of content standards, additionalrecommended subtopics, and an alphabetical list of standards. The activitiesguide contains information concerning classroom orientation, -
June 2020 #211
Click here to kill the Virus...the Italian way INSIDE THIS ISSUE: Table of Contents 1 Notams 2 Admin Reports 3-4-5 Covid19 Experience Flying the Line with Covid19 Paul Soderlind Scholarship Winners North Country Don King Atkins Stratocruiser Contributing Stories from the Members Bits and Pieces-June Gars’ Stories From here on out the If you use and depend on the most critical thing is NOT to RNPA Directory FLY THE AIRPLANE. you must keep your mailing address(es) up to date . The ONLY Instead, you MUST place that can be done is to send KEEP YOUR EMAIL UPTO DATE. it to: The only way we will have to The Keeper Of The Data Base: communicate directly with you Howie Leland as a group is through emails. Change yours here ONLY: [email protected] (239) 839-6198 Howie Leland 14541 Eagle Ridge Drive, [email protected] Ft. Myers, FL 33912 "Heard about the RNPA FORUM?" President Reports Gary Pisel HAPPY LOCKDOWN GREETINGS TO ALL MEMBERS Well the past few weeks and months have been a rude awakening for our past lifestyles. Vacations and cruises cancelled, all the major league sports cancelled, the airline industry reduced to the bare minimum. Luckily, I have not heard of many pilots or flight attendants contracting COVID19. Hopefully as we start to reopen the USA things will bounce back. The airlines at present are running at full capacity but with several restrictions. Now is the time to plan ahead. We have a RNPA cruise on Norwegian Cruise Lines next April. Things will be back to the new normal. -
Shotgun Wedding by Tiffany Zehnal
Shotgun Wedding by Tiffany Zehnal Writer's First Draft May 22, 2006 FADE IN: EXT. A SMALL TEXAS TOWN - EARLY MORNING The kind of town where people get by and then die. The morning sun has no choice but to come up over the horizon. A SQUIRREL... scurries across a telephone line... down a pole... over a "DON'T MESS WITH TEXASS" sticker... into an apartment complex parking lot... EXT. SHERWOOD FOREST APARTMENT COMPLEX ...and under a BLACK EXTENDED CAB PICK-UP TRUCK that faces out of its parking spot. It's filthy. As evident by the dirt graffiti: "F'ing Wash Me!" The driver's side mirror hangs by a metal thread. On the windshield, ONE DEAD GOLDFISH, eyes wide open... ...and in the back window, an EMPTY GUN RACK. INT. BATHROOM A box of AMMUNITION. A pair of female hands with a perfect FRENCH MANICURE loads bullets into a SHOTGUN. One by one. The only jewelry, a THIN, SILVER BAND on the middle finger of her left hand. INT. BEDROOM A clock radio -- the numbers flip from 5:59 to 6:00. COUNTRY MUSIC fills the room as a hand reaches over and HITS the snooze button. A millisecond of silence. An OFF-SCREEN SHOTGUN IS COCKED. The mound in the middle of the bed lifts his eye mask. This is WYATT, 34, handsome in a ruggedly casual never-washes-his- jeans way. He has a SMALL MOLE on his neck which, if you squint, looks like Texas. Wyatt’s all about maintaining the status quo. If he used words like status quo. -
Shapes of Clay
Shapes of Clay Ambrose Bierce The Project Gutenberg EBook of Shapes of Clay, by Ambrose Bierce This eBook is for the use of anyone anywhere at no cost and with almost no restrictions whatsoever. You may copy it, give it away or re-use it under the terms of the Project Gutenberg License included with this eBook or online at www.gutenberg.net Title: Shapes of Clay Author: Ambrose Bierce Release Date: June 19, 2004 [EBook #12658] Language: English Character set encoding: ASCII *** START OF THIS PROJECT GUTENBERG EBOOK SHAPES OF CLAY *** Produced by Rick Niles, Kat Jeter, John Hagerson and PG Distributed Proofreaders [Illustration: Ambrose Bierce.] SHAPES OF CLAY BY AMBROSE BIERCE AUTHOR OF "IN THE MIDST OF LIFE," "CAN SUCH THINGS BE?" "BLACK BEETLES IN AMBER," AND "FANTASTIC FABLES" 1903 DEDICATION. WITH PRIDE IN THEIR WORK, FAITH IN THEIR FUTURE AND AFFECTION FOR Livros Grátis http://www.livrosgratis.com.br Milhares de livros grátis para download. THEMSELVES, AN OLD WRITER DEDICATES THIS BOOK TO HIS YOUNG FRIENDS AND PUPILS, GEORGE STERLING AND HERMAN SCHEFFAUER. A.B. PREFACE. Some small part of this book being personally censorious, and in that part the names of real persons being used without their assent, it seems fit that a few words be said of the matter in sober prose. What it seems well to say I have already said with sufficient clarity in the preface of another book, somewhat allied to this by that feature of its character. I quote from "Black Beetles in Amber:" "Many of the verses in this book are republished, with considerable alterations, from various newspapers. -
ENGL 1102 Writing About Literature Readings Compiled, Annotated, and Edited by Rhonda L
ENGL 1102 Writing about Literature Readings Compiled, annotated, and edited by Rhonda L. Kelley Table of Contents Short Fiction ................................................................................................................................... 3 A Rose for Emily by William Faulkner ........................................................................................ 4 The Yellow Wallpaper by Charlotte Perkins Gilman ................................................................. 11 The Open Window by H. H. Munro (Saki) ............................................................................... 26 The Stranger by Katherine Mansfield ....................................................................................... 29 Guy de Maupassant, The Necklace ........................................................................................... 39 Edgar Allan Poe, The Tell-Tale Heart ....................................................................................... 46 Edgar Allan Poe, Cask of Amontillado ...................................................................................... 50 Edgar Allan Poe, The Masque of the Red Death ....................................................................... 56 Nathaniel Hawthorne, Young Goodman Brown ........................................................................ 61 Rappaccini's Daughter by Nathaniel Hawthorne ..................................................................... 73 Sir Arthur Conan Doyle, The Adventure of the Speckled Band ............................................... -
Fox,Kate,Watching the English.Pdf
Kate Fox Watching the English WATCHING THE ENGLISH The Hidden Rules of English Behaviour Kate Fox HODDER & STOUGHTON Kate Fox, a social anthropologist, is Co-Director of the Social Issues Research Centre in Oxford and a Fellow of the Institute for Cultural Research. Following an erratic education in England, America, Ireland and France, she studied anthropology and philosophy at Cambridge. ‘Watching the English . will make you laugh out loud (“Oh God. I do that!”) and cringe simultaneously (“Oh God. I do that as well.”). This is a hilarious book which just shows us for what we are . beautifully-observed. It is a wonderful read for both the English and those who look at us and wonder why we do what we do. Now they’ll know.’ Birmingham Post ‘Fascinating reading.’ Oxford Times ‘The book captivates at the first page. It’s fun. It’s also embarrassing. “Yes . yes,” the reader will constantly exclaim. “I’m always doing that”’. Manchester Evening News ‘There’s a qualitative difference in the results, the telling detail that adds real weight. Fox brings enough wit and insight to her portrayal of the tribe to raise many a smile of recognition. She has a talent for observation, bringing a sharp and humorous eye and ear to everyday conventions, from the choreography of the English queue to the curious etiquette of weather talk.’ The Tablet ‘It’s a fascinating and insightful book, but what really sets it apart is the informal style aimed squarely at the intelligent layman.’ City Life, Manchester ‘Fascinating . Every aspect of English conversation and behaviour is put under the microscope. -
Ascoltare Con Gli Occhi Il Linguaggio Non Verbale E Le Differenze Culturali
Corso di Laurea magistrale in Scienze Del Linguaggio Tesi di Laurea: Ascoltare con gli Occhi Il Linguaggio Non Verbale e le Differenze Culturali Relatore Ch. Prof. Fabio Caon Correlatore Ch. Prof. Graziano Serragiotto Laureando Marco Munari Matricola 820853 Anno Accademico 2014 / 2015 ASCOLTARE CON GLI OCCHI IL LINGUAGGIO NON VERBALE E LE DIFFERENZE CULTURALI INDICE: INTRODUCTION 1. INTERCULTURAL COMMUNICATIVE COMPETENCE 2. NON-VERBAL COMMUNICATION 2.1 KINESICS 2.1.1 FACE AND EMOTIONS 2.1.1.1 HAPPINESS 2.1.1.2 SADNESS 2.1.1.3 FEAR 2.1.1.4 ANGER 2.1.1.5 DISGUST 2.1.1.6 SURPRISE 2.1.1.7 COUNTERFEITING EMOTIONS 2.1.2 THE GAZE 2.1.2.1 GAZE AND MUTUAL GAZE 2.1.2.1.1 REGULATING THE FLOW OF COMMUNICATION 2.1.2.1.2 MONITORING FEEDBACK 2.1.2.1.3 DISPLAYING COGNITIVE ACTIVITY 2.1.2.1.4 EXPRESSING EMOTIONS 2.1.2.1.5 COMMUNICATING THE TYPE OF RELATIONSHIP BETWEEN THE INTERLOCUTORS 2.1.2.2 DILATION AND CONTRACTION OF PUPILS 2.1.2.3 THE GLANCE AS GUIDE TO THE COGNITIVE PROCESSES 2.1.3 HANDS AND ARMS 2.1.3.1 INDIPENDENT GESTURES 2.1.3.2 DIPENDENT GESTURES 2.1.3.2.1 GESTURES BOUND TO REFERENT/SPEAKER 2.1.3.2.2 GESTURES INDICATIVE OF REFERENT/SPEAKER RELATIONSHIP 2.1.3.2.3 PUNCTUATION GESTURES 2.1.3.2.4 INTERACTIVE GESTURES 2.1.3.3 SELF-HANDLING 2.1.3.4 FREQUENCY OF GESTURES 2.1.3.5 INTERACTIVE SYNCHRONY 2.1.3.6 WIDESPREAD GESTURES 2.1.4 PHYSICAL CONTACT 2.1.5 LEGS AND FEET 2.1.6 DIRECTION OF THE BODY AND POSTURE 2.1.6.1 INTERPERSONAL ATTITUDES 2.1.7 SMELLS AND NOISES OF THE BODY 2.2 PROSSEMICA 2.2.1 LO SPAZIO PERSONALE 2.2.2 INVASIONE DEL TERRITORIO 2.2.3 DENSITÀ ED AFFOLLAMENTO 2.2.4 COMPORTAMENTI SPAZIALI 2.2.4.1 IN ASCENSORE 2.2.4.2 IN MACCHINA 2.2.4.3 DA SEDUTI 2.3 VESTEMICA 2.4 OGGETTEMICA 3 IL LINGUAGGIO PARAVERBALE 3.1 ESPRESSIONE DELLE EMOZIONI 3.2 ATTEGGIAMENTI INTERPERSONALI 3.3 INFORMAZIONI SUL MITTENTE 3.3.1 PERSONALITÀ 3.3.2 CLASSE SOCIALE 3.3.3 SESSO 3.3.4 ETÀ 3.4 PROSODIA E COMPRENSIONE 3.5 PROSODIA E PERSUASIONE 3.6 PROSODIA E TURNI DI PAROLA 3.7 PAUSE E SILENZI 4 NATURAL VS.