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Atlas of American Orthodox Christian Monasteries
Atlas of American Orthodox Christian Monasteries Atlas of Whether used as a scholarly introduction into Eastern Christian monasticism or researcher’s directory or a travel guide, Alexei Krindatch brings together a fascinating collection of articles, facts, and statistics to comprehensively describe Orthodox Christian Monasteries in the United States. The careful examina- Atlas of American Orthodox tion of the key features of Orthodox monasteries provides solid academic frame for this book. With enticing verbal and photographic renderings, twenty-three Orthodox monastic communities scattered throughout the United States are brought to life for the reader. This is an essential book for anyone seeking to sample, explore or just better understand Orthodox Christian monastic life. Christian Monasteries Scott Thumma, Ph.D. Director Hartford Institute for Religion Research A truly delightful insight into Orthodox monasticism in the United States. The chapters on the history and tradition of Orthodox monasticism are carefully written to provide the reader with a solid theological understanding. They are then followed by a very human and personal description of the individual US Orthodox monasteries. A good resource for scholars, but also an excellent ‘tour guide’ for those seeking a more personal and intimate experience of monasticism. Thomas Gaunt, S.J., Ph.D. Executive Director Center for Applied Research in the Apostolate (CARA) This is a fascinating and comprehensive guide to a small but important sector of American religious life. Whether you want to know about the history and theology of Orthodox monasticism or you just want to know what to expect if you visit, the stories, maps, and directories here are invaluable. -
If the Hat Fits, Wear It!
If the hat fits, wear it! By Canon Jim Foley Before I put pen to paper let me declare my interests. My grandfather, Michael Foley, was a silk hatter in one of the many small artisan businesses in Claythorn Street that were so characteristic of the Calton district of Glasgow in late Victorian times. Hence my genetic interest in hats of any kind, from top hats that kept you at a safe distance, to fascinators that would knock your eye out if you got too close. There are hats and hats. Beaver: more of a hat than an animal As students for the priesthood in Rome the wearing of a ‘beaver’ was an obligatory part of clerical dress. Later, as young priests we were required, by decree of the Glasgow Synod, to wear a hat when out and about our parishes. But then, so did most respectable citizens. A hat could alert you to the social standing of a citizen at a distance of a hundred yards. The earliest ‘top’ hats, known colloquially as ‘lum’ hats, signalled the approach of a doctor, a priest or an undertaker, often in that order. With the invention of the combustion engine and the tram, lum hats had to be shortened, unless the wearer could be persuaded to sit in the upper deck exposed to the elements with the risk of losing the hat all together. I understand that the process of shortening these hats by a few inches led to a brief revival of the style and of the Foley family fortunes, but not for long. -
Aug-Sept 2016
The Goodnewsletter A Newsletter for Members of St. Ann, St. Vincent de Paul & St. Patrick Parishes Stannlenox.org/[email protected] 134 Main St., Lenox, MA 01240 (413) 637-0157 Volume 4 - Issue 2 September 2016 A NOTE FROM OUR PASTOR . On June 20th, our first parish meeting was held in the Family Center. There were some 55 people in attendance. To prepare for the parish meeting a survey was posted on the parish website and available for parishioners to answer. Some submitted an available paper survey. The results are posted on the parish web site and will remain available for anyone to consult throughout the year. Some 58 persons answered the survey. The results ran to some 50+ pages. A synthesis of the material will be posted on the website soon. However, I urge everyone to read the survey responses. All of the responses were well thought out and cogently expressed. There seems to be a remark- able consensus on many mattes and a thoughtful disagreement on others. At the parish meeting, fortunately, it turns out; I was not able to present a synthesis of the survey because I could not hook up my laptop to the projector. As a happy consequence the conversation among the participants begins right away, based upon what they wanted to express and not as a response to my presentation. The conversation was spirited and fruitful. Participants focused on three overriding issues: faith formation, stabilizing our financial situation, and outreach in general but particularly to youth and young adults. A variety of views were expressed and differences were very respectfully express and received. -
How Do Cardinals Choose Which Hat to Wear?
How Do Cardinals Choose Which Hat to Wear? By Forrest Wickman March 12, 2013 6:30 PM A cardinal adjusts his mitre cap. Photo by Alessia Pierdomenico/Reuters One-hundred-fifteen Roman Catholic cardinals locked themselves up in the Vatican today to select the church’s next pope. In pictures of the cardinals, they were shown wearing a variety of unusual hats. How do cardinals choose their hats? To suit the occasion, to represent their homeland, or, sometimes, to make a personal statement. Cardinals primarily wear one of three different types. The most basic hat is a skullcap called the zucchetto (pl. zucchetti), which is a simple round hat that looks like a beanie or yarmulke. Next is the collapsible biretta, a taller, square-ridged cap with three peaks on top. There are certain times when it’s customary to put on the biretta, such as when entering and leaving church for Mass, but it’s often just personal preference. Cardinals wear both of these hats in red, which symbolizes how each cardinal should be willing to spill his blood for the church. (The zucchetto is actually worn beneath the biretta.) Some cardinals also wear regional variations on the hat, such as the Spanish style, which features four peaks instead of three. On special occasions, such as when preparing to elect the next leader of their church, they may also wear a mitre, which is a tall and usually white pointed hat. The mitre is the same style of cap commonly worn by the pope, and it comes in three different styles with varying degrees of ornamentation, according to the occasion. -
Rulers Portraits on Coins and in Arts – a Comparison
Rulers Portraits on Coins and in Arts – a Comparison By Carol Schwyzer, © MoneyMuseum Sometimes, portraits can be so lifelike that they cost the portrayed's life. In 1793 the French king Louis XVI ended up on the scaffold because in Varennes, on his way out of the country, he was recognised by a postmaster's son. The king bore far too much resemblance to his effigy on the circulating coins! Whenever a ruler has him or herself portrayed, two components come into play: the person as an individual and as the representative of his realm, his throne and his people. Besides, regents like to be portrayed by the best artists of their time, because every subject or citizen is to know what the boss looks like. On the other hand his image is to be kept until long after his death. This picture tour is all about such portraits, comparing the effigies of rulers on coins with those of other forms of portrayal and revealing thus different facets of their personality. 1 von 16 www.sunflower.ch Alexander III the Great, king of Macedonia (336-323 BC) Left: Motif on a tetradrachm, minted under Ptolemy I Soter, satrap of the kingdom of Egypt, Alexandria, around 320 BC. Right: Detail from the Alexander mosaic, Pompeii, 2nd half of the 2nd century BC, Museo Archeologico Nazionale, Naples The tetradrachm shows Alexander the Great wearing an elephant's scalp, a symbol referring to his conquest of India, and the attributes of Zeus: the horn of Ammon and the aegis, a cape worn to demonstrate protection provided by a high religious authority or even a god. -
Indeed He Is Risen! Christ Is Risen!
Your Diocese Alive in Christ The Magazine of the Diocese of Eastern Pennsylvania, Orthodox Church in America Volume XXI, No. 1 Spring, 2005 Christ is Risen! Indeed He Is Risen! 1ooth Anniversary of St. Tikhon’s Monastery Plan now to organize a bus from your parish or group PASCHA Christ is Risen! Indeed He is Risen! 2005 To the Very Reverend and Reverend Clergy, Monastics, and Faithful of the Orthodox Church in America: Dearly Beloved in the Lord, nce again, we greet one another with these joyous words, words that not only embody the essence of our Paschal celebration, but embody the very essence of our faith and Ohope in the love of Our Lord. Central to our faith are the words of Saint Paul: “If Christ is not risen, our preaching is in vain and your faith is also in vain” (1 Corinthians 15:14). Having desired to reconcile all creation to its Creator, the only-begotten Son of God took on our human fl esh. He entered human history, time, and space, as one of us. He came not to be served but, rather, to serve. And in so doing, He revealed that God “is not the God of the dead, but of the living” (Matthew 22:32), the God Who desired the renewal and transformation of His people and all creation with such intensity that He was willing to die, that life might reign. By His death and resurrection, He led us into a new promised land, one in which there is no sickness, sorrow, nor sighing, but life everlasting. -
The Corsini Collection: a Window on Renaissance Florence Exhibition Labels
The Corsini Collection: A Window on Renaissance Florence Exhibition labels © Auckland Art Gallery Toi o Tāmaki, 2017 Reproduction in part or in whole of this document is prohibited without express written permission. The Corsini Family Members of the Corsini family settled in Florence in the middle of the 13th century, attaining leading roles in government, the law, trade and banking. During that time, the Republic of Florence became one of the mercantile and financial centres in the Western world. Along with other leading families, the Corsini name was interwoven with that of the powerful Medici until 1737, when the Medici line came to an end. The Corsini family can also claim illustrious members within the Catholic Church, including their family saint, Andrea Corsini, three cardinals and Pope Clement XII. Filippo Corsini was created Count Palatine in 1371 by the Emperor Charles IV, and in 1348 Tommaso Corsini encouraged the foundation of the Studio Fiorentino, the University of Florence. The family’s history is interwoven with that of the city and its citizens‚ politically, culturally and intellectually. Between 1650 and 1728, the family constructed what is the principal baroque edifice in the city, and their remarkable collection of Renaissance and Baroque art remains on display in Palazzo Corsini today. The Corsini Collection: A Window on Renaissance Florence paints a rare glimpse of family life and loyalties, their devotion to the city, and their place within Florence’s magnificent cultural heritage. Auckland Art Gallery Toi o Tāmaki is delighted that the Corsini family have generously allowed some of their treasures to travel so far from home. -
… a Jaz Imam Po Strani Klobuk, Pa Kaj Mi Vse Drugo Mar!«
» … a jaz imam po strani klobuk, pa kaj mi vse drugo mar!« Oton Župančič: Po strani klobuk Razstava: » …a jaz imam po strani klobuk, pa kaj mi vse drugo mar!« Kustosinja razstave: Mojca Šifrer Bulovec 13. 6. 2018–12. 8. 2018 Galerija Ivana Groharja Mestni trg 37 4220 Škofja Loka T:+386(0)4 5170 400 E: [email protected] W: www.loski-muzej.si Besedila: Mojca Šifrer Bulovec Lektoriranje: Anja Strajnar Grafično oblikovanje: Katarina Čirič Fotografije: fototeka Loškega muzeja Škofja Loka, Narodna galerija, Ljubljana, Slovenski etnografski muzej, Slamnikarski muzej KD Domžale, Heraldično, genealoško in veksilološko društvo, fototeka Polone Poklukar (foto: Damjan Švarc) Postavitev razstave: Katarina Čirič, Boris Kranjc, Mojca Šifrer Bulovec Avtor fotografij razstave: Janez Pelko Izdajatelj: Loški muzej Škofja Loka Zanj: Saša Nabergoj Razstavo so podprli: Ministrstvo za kulturo Republike Slovenije Občina Škofja Loka Osnovna funkcija klobuka je zaščita glave pred klimatskimi vplivi, umazanijo, delovnimi in drugimi poškodbami. Ker klobuk dajemo na glavo, ki simbolizira univerzum – mikro- in makrokozmos (po Platonu), klobuk kot njeno pokrivalo predstavlja tudi misel in je hkrati še simbol identifikacije. Klobuk na glavi kaže na položaj posameznika v družbi. Tisti, ki ga nosi, lahko na ta način izraža pripadnost določeni družbeni, etnični in narodni ter verski ali poklicni skupini. Signalizira lahko ekonomsko moč in zakonski stan posameznika. Na obliko pokrivala je skozi stoletja precej vplivala tudi moda. Razstava obiskovalca popelje skozi zgodovino klobuka, seznanja ga z obrtmi, ki so botrovale njegovi izdelavi, ter ga pouči o bontonu v povezavi s klobukom. Na razstavo »… a jaz imam po strani klobuk, pa kaj mi vse drugo mar!« smo povabili oblikovalko in umetnico Polono Poklukar. -
UC Riverside Electronic Theses and Dissertations
UC Riverside UC Riverside Electronic Theses and Dissertations Title Descending from the Throne: Byzantine Bishops, Ritual and Spaces of Authority Permalink https://escholarship.org/uc/item/5q80k7ct Author Rose, Justin Richard Publication Date 2017 Peer reviewed|Thesis/dissertation eScholarship.org Powered by the California Digital Library University of California UNIVERSITY OF CALIFORNIA RIVERSIDE Descending from the Throne: Byzantine Bishops, Ritual and Spaces of Authority A Dissertation submitted in partial satisfaction of the requirements for the degree of Doctor of Philosophy in Religious Studies by Justin Richard Rose December 2017 Dissertation Committee: Dr. Michael Alexander, Co-Chairperson Dr. Sherri Franks Johnson, Co-Chairperson Dr. Sharon E. J. Gerstel Dr. Muhammad Ali Copyright by Justin Richard Rose 2017 The Dissertation of Justin Richard Rose is approved: Committee Co-Chairperson ____________________________________________________________ Committee Co-Chairperson University of California, Riverside Acknowledgements Before all else, I give thanks to Almighty God, Father, Son and Holy Spirit. Here on earth, I am grateful to my mother, friends and parishioners who have encouraged and supported me throughout this last round of graduate study. And, yes, Mother, this is the last round of graduate study. My experience at the University of California Riverside has been extraordinary. I am especially grateful to Dr. Sherri Franks Johnson for her support and guidance over the last six years. Sherri made my qualifying exam defense a truly positive experience. I am grateful for her continued support even after leaving the UCR faculty for Louisiana State University at Baton Rouge. Thanks to the Religious Studies department for the opportunities I have had during my academic study. -
Vestments Are More Than Just Clothes for the Pope Sunday, April 13, 2008 by DAVID GIBSON
Vestments are more than just clothes for the pope Sunday, April 13, 2008 BY DAVID GIBSON During Pope Benedict XVI's visit this week, the first since his election three years ago, Catholics will listen intently to what he says, and how he says it, all in hopes of figuring out if Joseph Ratzinger has indeed become a kindly German shepherd or whether he remains God's Rottweiler, one of the many monikers he earned during a long tenure as the Vatican's doctrinal watchdog. Yet as important as Benedict's words will be in introducing the pope to an American audience that knows little about him, it may be just as important to check out what he's wearing. No, not the red Prada shoes that set tongues wag ging early on in his pontificate. (Besides, the designer kicks were apparently knockoffs by the papal cobbler.) Of greater import than Benedict's shoes or his sunglasses (rumored to be Serengetis by Bushnell) will be his choice of liturgical vestments and other papal accouterments, choices that speak volumes not only about his personal tastes but also about his vision of the church's future and its past. With increasing regularity, Benedict has been reintroducing elaborate lace garments and monarchical regalia that have not been seen around Rome in decades, even centuries. He has presided at mass using the wide cope (a cape so ample it is held up by two attendants) and high mitre of Pius IX, a 19th-century pope known for his dim views of the modern world, and on Ash Wednesday he wore a chasuble modeled on one worn by Paul V, a Borghese pope of the 17th century remembered for censuring Galileo. -
November 2004
St. Xenia Parish News 170 North Lowell Street, Methuen, MA 01844 November-December 2004 On the Covering of Heads By Archpriest Victor Potapov But every woman that prayeth or prophesieth with We find the basis for covering the head in Sacred Scripture her head uncovered dishonoureth her head. itself, in the New Testament. The Most Holy Virgin Mary (I Corinthians 11:5). covered her head in the holy temple from her young years. According to tradition, her head-covering in the Jerusalem Orthodox women, according to the words of the holy Apostle temple was light blue; therefore, on the feast days of the The- Paul, go to God's church with covered heads. For nearly two otokos our clergy wear light blue vestments. The Most Holy thousand years now, this custom has been kept by faithful Theotokos wore a kerchief as a sign of her humility and sub- women and has been handed down from generation to genera- missiveness to God's will, which was manifested on the day of tion. It is a custom not only of the local churches, but also of the Annunciation. In wearing a kerchief, the faithful woman the Universal Church, and, therefore whether we be in a recalls the image of her who was vouchsafed to carry the Sav- Greek, in a Serbian or Russian church the women in the iour Himself. If the Most Pure and Most Blessed One herself church have their heads covered. Not long ago, we happened had a covered head, shall we really consider the imitation of to talk with a woman who had only just been in Russia. -
Ordination Text
Taa\\nnstvo Svqq]]ensttvvaa Mys Mysterytery of of OrdinationOrdination 2 THE ORDINATION OF A CANDLE-BEARER, REA DERDER ANDAND CANTORCANTOR The candidate who desires to be made a candle-bearer, is brought by the archdeacon to the middle of the church and makes three metanias. He bows before the bishop three times and, approaching the bishop, bows his head. The bishop makes a sign of the cross over his head three times. Then, he places his hand on the head of the candidate, and says following prayer: O Lord, Who enlighten all creation with the light of your wonders, Who know the deeds of men even before they came into being know beforehand every- one’s life-decisions, Who strengthen those who want to serve You, beautify your servant, N., who has cho- sen to become a candle-bearer before your holy mys- teries with spotless and most pure adornments, so that enlightened, he may meet You in the world to come and may receive the incorruptible crown of life, and with your elect may rejoice in everlasting bliss: Exclamation: For You are holy and glorified is your most hon- orable and sublime name, Father, Son, and Holy Spirit, now and for ever and ever. Choir: Amen. The bishop gives a candle to the candidate, who kisses the candle and the hand of the bishop. 3 The bishop says: Blessed is our God, always, now and for ever and ever. Choir: Amen. The candidate, with a burning candle in his hand, says: Heavenly King, Advocate, Spirit of Truth, Who are every- where present and fill all things, Treasury of Blessings, Bestower of Life, come and dwell within us; cleanse us of all that defiles us, and, O Good One, save our souls.