DOCSLIB.ORG

UC Riverside Electronic Theses and Dissertations

Total Page：16

File Type：pdf, Size：1020Kb

Download full-text PDF Read full-text
UC Riverside Electronic Theses and Dissertations UC Riverside UC Riverside Electronic Theses and Dissertations Title Descending from the Throne: Byzantine Bishops, Ritual and Spaces of Authority Permalink https://escholarship.org/uc/item/5q80k7ct Author Rose, Justin Richard Publication Date 2017 Peer reviewed|Thesis/dissertation eScholarship.org Powered by the California Digital Library University of California UNIVERSITY OF CALIFORNIA RIVERSIDE Descending from the Throne: Byzantine Bishops, Ritual and Spaces of Authority A Dissertation submitted in partial satisfaction of the requirements for the degree of Doctor of Philosophy in Religious Studies by Justin Richard Rose December 2017 Dissertation Committee: Dr. Michael Alexander, Co-Chairperson Dr. Sherri Franks Johnson, Co-Chairperson Dr. Sharon E. J. Gerstel Dr. Muhammad Ali Copyright by Justin Richard Rose 2017 The Dissertation of Justin Richard Rose is approved: Committee Co-Chairperson ____________________________________________________________ Committee Co-Chairperson University of California, Riverside Acknowledgements Before all else, I give thanks to Almighty God, Father, Son and Holy Spirit. Here on earth, I am grateful to my mother, friends and parishioners who have encouraged and supported me throughout this last round of graduate study. And, yes, Mother, this is the last round of graduate study. My experience at the University of California Riverside has been extraordinary. I am especially grateful to Dr. Sherri Franks Johnson for her support and guidance over the last six years. Sherri made my qualifying exam defense a truly positive experience. I am grateful for her continued support even after leaving the UCR faculty for Louisiana State University at Baton Rouge. Thanks to the Religious Studies department for the opportunities I have had during my academic study. I am grateful to Professor Emerita Vivian Lee Nyitray; Professors Muhammad Ali, Michael Alexander, Melissa Wilcox and Pashaura Singh. I am especially grateful for the funding that allowed me to complete field work in Greek and Macedonia in summer 2015. Thanks to Jennifer Sheper Hughes and Michele Rene Salzman in the History Department and Benjamin King in Classics. Thanks to the Interlibrary Loan Department of Rivera Library at UCR for their prompt and generous support in finding any number of obscure titles. iv The University of California has an extraordinary network of resources and professors. I am grateful to Professor Elizabeth Digeser of UC Santa Barbara for her assistance in preparing for my exams. I am deeply grateful to Sharon E.J. Gerstel, Professor of Art History at UCLA, for her generosity and direction in the dissertation process. She ably directed my study of the various bishops and spaces I consider in this dissertation. I hope that I have returned all the books she loaned me. I am most thankful for her helping me to see my priesthood as an asset in my academic study. Thanks to Koç university and the Center for Anatolian Studies in Istanbul for the partial scholarship that made it possible to participate in the Cappadocia in Context program during the summer of 2012. I am grateful to my fellow troglodytes, especially Alice Lynn McMichael. For the last three years, I have had the opportunity to serve as a graduate student peer mentor for beginning Ph. D. students. This unexpected role has been one of the most rewarding experiences of my life. I want to thank my mentees for keeping me honest and on track and following my own advice: Dani Dempsey, Walter Merriman, Alan Malfavon de la Torre, Mayela Caro, Hassanah El Yacoubi, Franka Rissmann, Barbara Rodriguez Navaza, Elizabeth Beckner and my unofficial advisee, Katie Philips. I am proud of you and look forward to your continued success. Thanks to Cori Knight for our writing group. I am grateful for the support and camaraderie of my colleagues, especially Shou Jen Kuo, Shawn Ragan, Jeremy Guida, Sean Sagan, Jessica Rehman, Nathan Womack and Cristina Rosetti. v Dedication To Sayeed, Dudley, Saideh and Lily Διά τής τῶν ὄδóντων βλάβης παρέσχεν ὅ κύων μετά τοῦ τάχους τήν ἰδίαν γένυν τῇ ἠμετέρᾳ χρείᾳ οἷóν τις ἔμψυχος μάχαιρα τῷ ἀνθρώπῳ γενóμενος. - St. Gregory of Nyssa, ΠΕΡΙ ΚΑΤΑΣΚΕΥΗΣ ΑΝΘΡΩΠΟΥ, VII.3 vi ABSTRACT OF THE DISSERTATION Descending from the Throne: Byzantine Bishops, Ritual and Spaces of Authority by Justin Richard Rose Doctor of Philosophy, Graduate Program in Religious Studies University of California, Riverside, December 2017 Drs. Sherri Johnson and Michael Alexander, Co-Chairpersons Descending from the Throne studies the how medieval and contemporary Byzantine bishops used thrones in monumental art, ritual and text to craft spaces of authority. Constantine the Great and his successors crafted Constantinople innovatively drawing upon the tradition of Rome and Jerusalem to make the imperial city a space of civil and sacred authority. vii Drawing upon the tradition of the Great Church, Hagia Sophia, in Constantinople, medieval bishops innovated art, text and ritual to stabilize authority in their local circumstances. This dissertation will consider the work of Demetrios Chomatenos, Archbishop of Ohrid and rival of the Despotate of Nicaea for the patriarchal title following the Latin occupation of the Fourth Crusade. Drawing from his years as a canon lawyer in Constantinople, he innovatively crafted a space of legal authority in the upper narthex of Sveti Sophia in Ohrid to preserve Byzantine tradition. Nikephoros Moschopoulos, Archbishop of Crete, served as proedros of Mistra because he was not able to occupy his see due to Venetian control of the island granted by imperial decree. In Mistra, Nikephoros inscribed a space of authority using art and ritual to stabilize his claims to land holdings. Symeon of Thessalonike served as Archbishop of Thessalonike in the last years of Byzantium. The medieval Thessalonians had a deep distrust of nobility and had even ruled the city democratically for a period. Symeon used an ancient liturgical form, called the “Sung Office,” to bring the authority of Constantinople to bear on his unruly flock in Thessalonike. Contemporary Byzantine bishops, with the loss of Byzantium in 1453, nevertheless continue to innovate using tradition to craft a space of shared authority as evidenced by the development of the Hierarchical Divine Liturgy. viii Preface Words have semantic fields. Often the same word can have nuanced meanings depending upon the context. For scholars, the term “Byzantine” refers to history, artifacts, iconography or ideas generated (arguably) from the reign of the Roman Emperor Constantine the Great and ending (unanimously) in 1453 with the fall of Constantinople. Although the Byzantines would never have described themselves as byzantine, this term is useful to denote what was going on in the eastern part of the Roman Empire, especially as East and West drifted further apart in the Middle Ages. If you ask a contemporary Orthodox or Greek Catholic Christian, however, the term “Byzantine” still applies to the ritual, spirituality, theology and identity lived by a diverse group of Christians in places like Greece, Russia, Bulgaria, Macedonia, Ukraine, Georgia, Romania, Europe, North and South America. These Christians celebrate the “Byzantine rite” and some, like Ruthenian Catholics, even use the term “Byzantine” as the title of their particular jurisdiction. Who knew that the meaning of Byzantium could be so byzantine? It has been brought to my attention that, in this dissertation, I have run carefree in these various semantic fields, gathering from each what is useful for my work. Religious Studies offers the freedom to cross disciplines and engage both scholars and practitioners. As such, I beg the indulgence of Byzantinist scholars when I use the term Byzantine in a contemporary context. ix Table of Contents Introduction……………………………………………………………………….1 Chapter One……………………………………………………………………...10 Chapter Two……………………………………………………………………..55 Chapter Three……………………………………………………….…………...95 Chapter Four……………………………………………………………………134 Chapter Five…………………………………………………………………....164 Conclusion……………………………………………………………………...188 Illustrations……………………………………………………………….…….195 Bibliography……………………………………………………………………232 x List of Illustrations Fig 1.1 Hagia Sophia exterior………………………………………… 196 Fig. 1.2 Hagia Sophia interior…………………………………………. 197 Fig 1.3 Synthronon in Ruins of St. John in Ephesus…………………. 198 Fig. 1.4 Templon in Hagia Sophia……………………………………... 199 Fig. 1.5 Detail of Christ Enthroned-Royal Doors Hagia Sophia………. 200 Fig. 1.6 Detail of Hetoimasia over Royal Doors Hagia Sophia…………201 Fig. 1.7 Detail of Enthroned Cross under Enpress’ Loge Hagia Sophia ..202 Fig. 1.8 Deisis in Gallery Hagia Sophia…………………………………203 Fig. 1.9 Kom el-Dikka lecture hall………………………………………204 Fig. 1.10 Epitaphios……………………………………………………….205 Fig. 1.11 Antimension…………………………………………………….206 Fig. 2.1 Sveti Sophia lower narthex……………………………………..207 Fig. 2.2 Sveti Sophia upper narthex……………………………………..208 Fig. 2.3 Sveti Sophia-upper narthexdetail………………..……………...209 Fig. 2.4 Detail Hetoimasia-Sveti Sophia………………………………...210 Fig 2.5 Sveti Sophia-view from narthex to nave………………………..211 Fig. 2.6 Sveti Sophia-detail monastic saints……………………………..212 Fig. 2.7 Sveti Sophia-southern tympanum……………………………….213 Fig. 2.8 Sveti Sophia-northern tympanum……………………………….214 Fig. 3.1 Mistra-Metropolis lintel………..……………………………..…215 Fig. 3.2 Mistra-Brotochion Monastery…………………………………..216 Fig. 3.3 Mistra-Hodegitria interior……………………………………….217 Fig. 3.4 Mistra-detail Hodegitria Chrysobull Room……………………...218 Fig. 3.5 Mistra-detail
Load more

Recommended publications
  • Holy Eucharist December 11, 2016 at 9 A.M
    Holy Eucharist December 11, 2016 at 9 a.m. Third Sunday of Advent Trinity Church in the City of Boston The Rev. Rainey G. Dankel, Presiding The Rev. Samuel T. Lloyd III, Preaching Welcome to Trinity Church. Listening devices for the hearing impaired and large print bulletins are available from an usher. Gathering Prelude Prière à Notre Dame Leon Boëllmann (1862-1987) Introit Advent Responsory adapted by G. P. da Palestrina (1525-1594) I look from afar: and lo, I see the power of God coming, and a cloud covering the whole earth. Go ye out to meet him and say: Tell us, art thou he that should come to reign over thy people Israel? Please stand and join in singing all hymns. Hymn in Procession 59 Hark! A thrilling voice is sounding (Merton) Opening Acclamation Blessed be God, Father, Son, and Holy Spirit. And blessed be God’s kingdom, now and for ever. Amen. Song of Praise All sing. People, look East Collect of the Day Remain standing. See insert for text. The Lord be with you. And also with you. Let us pray. 9 a.m. — 1 Word of God First Reading Be seated. See insert for text. The Word of the Lord. Thanks be to God. Psalm 146:4-9 Remain seated. All sing as indicated. Cantor Happy are they who have the God of Jacob / for their help, * Whose hope is / in the Lord their God All Who made heaven and earth, the seas, and all that is / in them; * Who keeps his pro/mise for ever; Cantor Who gives justice to those who / are oppressed * and food to / those who hunger.
    [Show full text]
  • Byzantines, Jews, and Latins in Medieval Bulgaria: Others, Within
    Reviews Рецензии Byzantines, Jews, and Византийцы, иудеи Latins in Medieval и латиняне Bulgaria: Others, в средневековой Болгарии: within and outside Другие внутри the Commonwealth и вне сообщества Dmitry I. Polyvyannyy Дмитрий Игоревич Полывянный Ivanovo State University, Ивановский государственный Ivanovo, Russia университет, Иваново, Россия АНГЕЛОВ П., Чуждите народи в представите на средновековния българин, София, ТАНГРА ТанНакРА ИК ООД, 2013, 262 с. Professor Peter Angelov, the renowned medievalist from Sofia University “St. Clement of Ohrid,” has published a new book, Foreign Peoples as Viewed by a Medieval Bulgarian, following the path laid out in his previous works on images of Bulgaria and Bulgarians in Byzantium and on medieval Bulgarian diplomacy [Angelov 1999; idem 2011]. His new research uncovers unexplored perspectives provided by an imagological approach to the study of the Bulgarian mind during the Middle Ages, and he raises new questions about the rare written, iconographical, and folklore evidence that originated in both domest ic and foreign sources. Angelov chooses as his subjects those who differ from Bul garians by faith (for example, Judaists and Catholics) and by the polities to which they belonged (for example, Byzantines or Westerners, who, in medieval Bulgaria, were called Franks or Latins). Depending on the circumstances, members of each of these groups might be considered by the medieval Bulgarian state and society as insiders or outsiders. Proving that this situation to some extent was rooted in the regional specifics of Bulgaria, Angelov quotes the evidence of writings by Demetrios Chomatenos, arch­ bishop of Bulgaria (1216–1236), which state that the territory of his diocese, with its see in Ohrid, “from ancient times was allowed to be inhabited by peoples of other faiths and by different pagans, namely Jews, Armenians, Ishmaelites, Hagarians, etc.” (p.
    [Show full text]
  • GRAMMENOS KARANOS 83 Sherman Road, Brookline, MA 02467 Telephone: 617-850-1236 E-Mail: [email protected], [email protected]
    REV. DR. GRAMMENOS KARANOS 83 Sherman Road, Brookline, MA 02467 Telephone: 617-850-1236 E-mail: [email protected], [email protected] Curriculum Vitae Last updated August 22, 2018 Education National and Kapodistrian University of Athens, Athens, Greece School of Philosophy, Department of Musical Studies • Ph.D. in Byzantine Musicology and Psaltic Art (2011) • Dissertation: Τὸ Καλοφωνικὸν Εἱρμολόγιον [The Kalophonic Heirmologion] • Advisors: Gregorios Stathis, Achilleus Chaldaeakes, Demetrios Balageorgos Boston University, Boston, MA Graduate School of Management • Master of Business Administration (2004) Harvard University, Cambridge, MA Harvard-Radcliffe Colleges • Bachelor of Arts cum laude in Government (1997) • Senior Thesis: The Concept of Moderation in the Theories of Plato and Aristotle • Advisor: Petr Lom Greek Orthodox Metropolis of Boston, Boston, MA School of Byzantine Music • Certificate of Byzantine Music with highest distinction (2002) • Studied under Professor Photios Ketsetzis, Archon Protopsaltis of the Greek Orthodox Archdiocese of America. Teaching Experience / Appointments Hellenic College/Holy Cross Greek Orthodox School of Theology, Brookline, MA Assistant Professor of Byzantine Liturgical Music (September 2011 – present) Mathimata, Kratimata, and Deinai Theseis The Kalophonic Heirmologion History of Western Music History of Byzantine Music Directed Study in Byzantine Music Instruction for Beginners Directed Study in Advanced Ecclesiastical Composition in English Service Rubrics Byzantine Music for Clergy Byzantine Music X – Papadike, Old Sticherarion, and Kalophonic Heirmoi Byzantine Music IX – Papadike and Old Sticherarion CV of Grammenos Karanos Byzantine Music VIII – Divine Liturgy Byzantine Music VII – Doxastarion & Slow Heirmologion Byzantine Music VI – Holy Week Byzantine Music V – Prosomoia and Music for Sacraments Byzantine Music IV – Anastasimatarion: Modes II, Pl. II & Varys Byzantine Music III – Anastasimatarion: Modes III, IV & Pl.
    [Show full text]
  • Domitian's Arae Incendii Neroniani in New Flavian Rome
    Rising from the Ashes: Domitian’s Arae Incendii Neroniani in New Flavian Rome Lea K. Cline In the August 1888 edition of the Notizie degli Scavi, profes- on a base of two steps; it is a long, solid rectangle, 6.25 m sors Guliermo Gatti and Rodolfo Lanciani announced the deep, 3.25 m wide, and 1.26 m high (lacking its crown). rediscovery of a Domitianic altar on the Quirinal hill during These dimensions make it the second largest public altar to the construction of the Casa Reale (Figures 1 and 2).1 This survive in the ancient capital. Built of travertine and revet- altar, found in situ on the southeast side of the Alta Semita ted in marble, this altar lacks sculptural decoration. Only its (an important northern thoroughfare) adjacent to the church inscription identifies it as an Ara Incendii Neroniani, an altar of San Andrea al Quirinale, was not unknown to scholars.2 erected in fulfillment of a vow made after the great fire of The site was discovered, but not excavated, in 1644 when Nero (A.D. 64).7 Pope Urban VIII (Maffeo Barberini) and Gianlorenzo Bernini Archaeological evidence attests to two other altars, laid the foundations of San Andrea al Quirinale; at that time, bearing identical inscriptions, excavated in the sixteenth the inscription was removed to the Vatican, and then the and seventeenth centuries; the Ara Incendii Neroniani found altar was essentially forgotten.3 Lanciani’s notes from May on the Quirinal was the last of the three to be discovered.8 22, 1889, describe a fairly intact structure—a travertine block Little is known of the two other altars; one, presumably altar with remnants of a marble base molding on two sides.4 found on the Vatican plain, was reportedly used as building Although the altar’s inscription was not in situ, Lanciani refers material for the basilica of St.
    [Show full text]
  • Byzantine Missionaries, Foreign Rulers, and Christian Narratives (Ca
    Conversion and Empire: Byzantine Missionaries, Foreign Rulers, and Christian Narratives (ca. 300-900) by Alexander Borislavov Angelov A dissertation submitted in partial fulfillment of the requirements for the degree of Doctor of Philosophy (History) in The University of Michigan 2011 Doctoral Committee: Professor John V.A. Fine, Jr., Chair Professor Emeritus H. Don Cameron Professor Paul Christopher Johnson Professor Raymond H. Van Dam Associate Professor Diane Owen Hughes © Alexander Borislavov Angelov 2011 To my mother Irina with all my love and gratitude ii Acknowledgements To put in words deepest feelings of gratitude to so many people and for so many things is to reflect on various encounters and influences. In a sense, it is to sketch out a singular narrative but of many personal “conversions.” So now, being here, I am looking back, and it all seems so clear and obvious. But, it is the historian in me that realizes best the numerous situations, emotions, and dilemmas that brought me where I am. I feel so profoundly thankful for a journey that even I, obsessed with planning, could not have fully anticipated. In a final analysis, as my dissertation grew so did I, but neither could have become better without the presence of the people or the institutions that I feel so fortunate to be able to acknowledge here. At the University of Michigan, I first thank my mentor John Fine for his tremendous academic support over the years, for his friendship always present when most needed, and for best illustrating to me how true knowledge does in fact produce better humanity.
    [Show full text]
  • Epiphany 3 Instructed 10Am Font Change
    Third Sunday After Epiphany January 22, 2017 10:00 am Welcome We are delighted that you are here for worship. This bulletin should provide the information you need to participate fully in the service today. The hymn numbers refer to the blue Hym- nal 1982 in the pew rack. If you need additional guidance, just ask someone near you. Please consider coming to coffee hour in the parish hall after the conclusion of worship. At coffee hour we continue our Sunday celebration and get a chance to meet and socialize with each other and with our guests. The parish hall is to the left after you go out the doors at the back of the church, or through one of the doors on the right-hand side of the church as you face the altar. We are a community centered around the Eucharist, the consecrated bread and wine. We believe in the real presence of Christ's body and blood in the bread and wine that we receive at communion. We also believe that Christ is the host at the altar, and we are all his guests. All who seek God and are drawn to Christ are warmly invited to share in this meal, to partake of Christ's body and blood in the bread and wine. An usher will indicate to you when it is time to go forward. Please kneel or stand at the altar rail, and hold out your hands to receive the bread. You may either eat the bread and then drink from the cup, or hold the bread in your hand to dip into the wine.
    [Show full text]
  • Did You Know? Facts About Our Faith & Our Church a Series By: Kevin Mathieu - Director of Liturgical Music & Parish Communications January, 2021 Issue Number: 2
    Did you know? Facts about our Faith & our Church a series by: Kevin Mathieu - Director of Liturgical Music & Parish Communications January, 2021 Issue Number: 2 Sacred Vessels & Altar Appointments What are all those things called? - The Catholic Church has a long tradition of beautiful well appointed items used in the Sacred Liturgy, each having a special name and function. In this issue I will just scratch the surface to identify and explain most of the common items we see each week, and a few of the “special occasion” items that only appear a few times, or even only once a year. Please bear with me as I try not to get to “in depth” with the following descriptions. We can begin with one of the most recognized liturgical items, the Chalice. From the Roman word calix, a chalice is a tall, footed goblet for holding drink. In the Catholic Church, the chalice holds the blessed, then consecrated wine, the Precious Blood of Jesus Christ. Usually made of precious metals and sometimes richly ornamented, they show just how special what they contain is. The Catholic Church sets forth guidelines on construction and materials for chalices, one of those being, the cup that will contain the Precious Blood must be lined with precious metal (usually gold) if it is not constructed of it. While we all get to see the beautiful silver of Father Lizewski’s chalice, not many see the gold interior. Blessed by a Bishop (usually at a priests ordination) the chalice is truly the most important of the sacred vessels used at MASS every day.
    [Show full text]
  • “Introibo Ad Altare Dei” the Consecration of the Seminary’S Main Altar + a Photo Essay +
    ISSUE No. 52 WINTER, 1994 Saint Thomas Aquinas Seminary Winona, Minnesota Stockton Hill 55987 U.S.A. “Introibo Ad Altare Dei” The Consecration of the Seminary’s Main Altar + A Photo Essay + Although it had been six years since the Society of St. Pius X acquired the former Dominican Novitiate in Winona as the site of our North American seminary, it was only in November of this past year that the altar in the Main Chapel was at last consecrated. Or, more precisely, re-consecrated. This consecration was necessary because, when the building was sold by the Dominicans in 1970 due to a lack of vocations, they properly removed the relics from the main altar, and thus the altar lost its consecration. The ceremony for the consecration of an altar is unlike anything most people have ever seen, lasting five hours when combined with the Pontifical High Mass which follows it. For most Traditional Catholics today, it is a once-in-a- lifetime experience. Many, indeed, will probably never witness such a magnificent event. And it is to those that we present this “photo essay” of our altar consecration. On this page are shown the two patrons of our Seminary, memorialized in the original stained glass windows that, appropriately enough, stand side-by-side in the Main Chapel. On the left, St. Peter Martyr, a Dominican from the 1200’s killed by the Albigensians and from whom this former Dominican Novitiate was originally named; and St. Thomas Aquinas, the great Dominican “Angelic Doctor” whose teachings are closely adhered to by the Society of St.
    [Show full text]
  • Altar Server Instructions Booklet
    Christ the King Catholic Church ALTAR SERVER INSTRUCTIONS Revised May, 2012 - 1 - Table of Contents Overview – All Positions ................................................................................................................ 4 Pictures of Liturgical Items ............................................................................................................. 7 Definition of Terms: Liturgical Items Used At Mass ..................................................................... 8 Helpful Hints and Red Cassocks................................................................................................... 10 1st Server Instructions ................................................................................................................. 11 2nd Server Instructions ................................................................................................................ 14 Crucifer Instructions .................................................................................................................... 17 Special Notes about FUNERALS ................................................................................................ 19 BENEDICTION .......................................................................................................................... 23 - 2 - ALTAR SERVER INSTRUCTIONS Christ the King Church OVERVIEW INTRODUCTION First of all, THANK YOU for answering God’s call to assist at Mass. You are now one of the liturgical ministers, along with the priest, deacon, lector and Extraordinary
    [Show full text]
  • Imge A&Ea Dem Bepaa® Dbs P&Mareaats Mattaabs' I, Voa Kanflftaaimopat, By3, 37, 1987 (1S88), 417=418
    Durham E-Theses Matthew I, Patriarch of Constantinople (1397 - 1410), his life, his patriarchal acts, his written works Kapsalis, Athanasius G. How to cite: Kapsalis, Athanasius G. (1994) Matthew I, Patriarch of Constantinople (1397 - 1410), his life, his patriarchal acts, his written works, Durham theses, Durham University. Available at Durham E-Theses Online: http://etheses.dur.ac.uk/5836/ Use policy The full-text may be used and/or reproduced, and given to third parties in any format or medium, without prior permission or charge, for personal research or study, educational, or not-for-prot purposes provided that: • a full bibliographic reference is made to the original source • a link is made to the metadata record in Durham E-Theses • the full-text is not changed in any way The full-text must not be sold in any format or medium without the formal permission of the copyright holders. Please consult the full Durham E-Theses policy for further details. Academic Support Oce, Durham University, University Oce, Old Elvet, Durham DH1 3HP e-mail: [email protected] Tel: +44 0191 334 6107 http://etheses.dur.ac.uk 2 MATTHEW I, PATRIARCH OF CONSTANTINOPLE (1397 - 1410), HIS LIFE, HIS PATRIARCHAL ACTS, HIS WRITTEN WORK: The copyright of this thesis rests with the author. No quotation from it should be published without his prior written consent and information derived from it should be acknowledged. MASTER OF ARTS THESIS, SUBMITTED TO THE FACULTY OF ARTS DEPARTMENT OF THEOLOGY UNIVERSITY OF DURHAM 1994 A 4} nov m This copy has been supplied for the purpose of research or private study on the understanding that it is copyright material and that no quotation from the thesis may be published without proper acknowledgement.' =1= CONTENTS ABSTRACT XV-V LIST OF ABBREVIATIONS VX-VIII ACKNOWLEDGEMENTS DC NOTES ON PROPER NAMES X GENERAL INTRODUCTION A brief Historical, Political and Eccle• siastical description of Byzantium during the XTV century and the beginning of the XV.
    [Show full text]
  • The Little Metropolis at Athens 15
    Bucknell University Bucknell Digital Commons Honors Theses Student Theses 2011 The Littleetr M opolis: Religion, Politics, & Spolia Paul Brazinski Bucknell University Follow this and additional works at: https://digitalcommons.bucknell.edu/honors_theses Part of the Classics Commons Recommended Citation Brazinski, Paul, "The Little eM tropolis: Religion, Politics, & Spolia" (2011). Honors Theses. 12. https://digitalcommons.bucknell.edu/honors_theses/12 This Honors Thesis is brought to you for free and open access by the Student Theses at Bucknell Digital Commons. It has been accepted for inclusion in Honors Theses by an authorized administrator of Bucknell Digital Commons. For more information, please contact [email protected]. Paul A. Brazinski iv Acknowledgements I would like to acknowledge and thank Professor Larson for her patience and thoughtful insight throughout the writing process. She was a tremendous help in editing as well, however, all errors are mine alone. This endeavor could not have been done without you. I would also like to thank Professor Sanders for showing me the fruitful possibilities in the field of Frankish archaeology. I wish to thank Professor Daly for lighting the initial spark for my classical and byzantine interests as well as serving as my archaeological role model. Lastly, I would also like to thank Professor Ulmer, Professor Jones, and all the other Professors who have influenced me and made my stay at Bucknell University one that I will never forget. This thesis is dedicated to my Mom, Dad, Brian, Mark, and yes, even Andrea. Paul A. Brazinski v Table of Contents Abstract viii Introduction 1 History 3 Byzantine Architecture 4 The Little Metropolis at Athens 15 Merbaka 24 Agioi Theodoroi 27 Hagiography: The Saints Theodores 29 Iconography & Cultural Perspectives 35 Conclusions 57 Work Cited 60 Appendix & Figures 65 Paul A.
    [Show full text]
  • Let's Review Text Structure!
    Grade 6 Day 18 ELA q I Grade 6 Day 18 ELA Grade 6 Day 18 ELA W o Grade 6 Bearcat Day 18 Math pl Grade 6 Bearcat Day 18 Math P2 Grade 6 Bearcat Day 18 Math 173 Grade 6 Bearcat Day 18 Math 104 Grade 6 Day 18 Science pl Grade 6 Day 18 Science P2 Grade 6 Day 18 Science 123 Question for you to turn in. Describe how processes were used to form a landform. Use vocabulary and evidence from the passage to support your answer. RACE. Grade 6 Day 18 Social Studies Grade 6 Day 18 Social Studies to . I ] l n n t t e o o r n n m i i i t r r t t a a p t t h e e a a . r r m h h 1 o o m m t t E r r 0 p p O O e o o n s f f m m r n a i i i l n n o i i r m e e o m p i R t / l m ? ? d d e l l a l l E e e h a a , ci s s T f f s e u u n n n a a m o sp w w o i C C r o o s/ f t t ct t n D D a a e n a s h h s s e i i t m e W W h h n o h r t / co s o t e d r i n n s s p o a i e e e e t i i m s v v n e p r r m m / e i l t e e e e g t c r s s n n a e e o o l E E R R e s.
    [Show full text]