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STEPHEN MOYER in for ITV, UK
Issue #7 April 2017 The magazine celebrating television’s golden era of scripted programming LIVING WITH SECRETS STEPHEN MOYER IN for ITV, UK MIPTV Stand No: P3.C10 @all3media_int all3mediainternational.com Scripted OFC Apr17.indd 2 13/03/2017 16:39 Banijay Rights presents… Provocative, intense and addictive, an epic retelling A riveting new drama series Filled with wit, lust and moral of the story of Versailles. Brand new second season. based on the acclaimed dilemmas, this five-part series Winner – TVFI Prix Export Fiction Award 2017. author Åsa Larsson’s tells the amazing true story of CANAL+ CREATION ORIGINALE best-selling crime novels. a notorious criminal barrister. Sinister events engulf a group of friends Ellen follows a difficult teenage girl trying A husband searches for the truth when A country pub singer has a chance meeting when they visit the abandoned Black to take control of her life in a world that his wife is the victim of a head-on with a wealthy city hotelier which triggers Lake ski resort, the scene of a horrific would rather ignore her. Winner – Best car collision. Was it an accident or a series of events that will change her life crime. Single Drama Broadcast Awards 2017. something far more sinister? forever. New second series in production. MIPTV Stand C20.A banijayrights.com Banijay_TBI_DRAMA_DPS_AW.inddScriptedpIFC-01 Banijay Apr17.indd 2 1 15/03/2017 12:57 15/03/2017 12:07 Banijay Rights presents… Provocative, intense and addictive, an epic retelling A riveting new drama series Filled with wit, lust and moral of the story of Versailles. -
The Hunt Thomas Vinterberg Susanne Bier Bille August Slug Invasion Cinefondation PAGE 2 / FILM#75 / CANNES ISSUE
Film is published#75 by the Danish Film institute / may 2012 Cannes issue 2012 THE HUNT THOMAS VINTERBERG SUSANNE BIER BILLE AUGUST SLUG INVASION CINEFONDATION PAGE 2 / FILM#75 / CANNES ISSUE 10 14 05 19 25 INSIDE 03 Editorial and short news 22 Tobias lindholm Writer on Vinterberg's Cannes competitor The Hunt 05 The Hunt by Thomas Vinterberg and the hit TV series Borgen, Tobias Lindholm has / Cannes Competition carved out a name for himself as a skilled storyteller. Film#75 Cannes issue The Hunt is the first collaboration between may 2012 Mads Mikkelsen and director Thomas Vinterberg 25 From The Kingdom to The Killing who shook the film world with his 1998 Cannes A modernisation strategy in the '90s in the drama Published by Danish Film Institute winner, the tough family drama The Celebration. department at national broadcaster DR laid the foun- Editor Susanna Neimann (SN) dation for the current golden age in Danish TV drama. Co-editor Annemarie Hørsman (AH) Editorial team Lars Fiil-Jensen (LFJ), 10 Susanne Bier Anders Budtz-Jørgensen (ABJ), Lizette Gram "With this film there is less of a difference between 28 You & me Forever Mygind, Christian Juhl Lemche who I am and what the movie is like," says Oscar Kaspar Munk deliberately started making You & Me Translations Glen Garner laureate Susanne Bier about Love Is All You Need. Forever without funding – he wanted to have ultimate Design Rasmus Koch Studio AD Morten Bak freedom to experiment with ideas and methods. Type Holton, Akzidenz-Grotesk, Cendia 14 Bille August Paper Munken Lynx 100 g Bille August uses a famous piece of Danish art history 30 The Bird Chase Printed by Rosendahls-Schultz Grafisk as the backdrop for his story about Marie Krøyer, "We tend to make family films too nice," says Christian Circulation 6,000 iSSN 1399-2813 (print version) a woman who challenged the conventions of society. -
DVD 10 54 Mike Myers/ Salma Hayek
www.antikvariatetpennylane.dk Står der ikke noget, er de med KØB 10 og få 50 % !! danske tekster. Titel Skuespillere/ Instruktører mm. Type Beskrivelse Pris 8 1/2 Fellini klassiker. DVD 10 54 Mike Myers/ Salma Hayek. DVD 2 54 Mike Myers/ Salma Hayek. DVD 2 300 Sparta-krig. DVD Blue-Ray. 5 Stephen King-gyser med John 1408 DVD 2 DVD´er. 5 Cusack og Samuel L. Jackson. Bertolucci- mesterværk med Robert 1900 de Niro/ Gerard Depardieu/ Donald DVD 2 DVD´er. 10 Sutherland. 2012 John Cusack/ Danny Glover. DVD 3 10.000 Fortidsfabel DVD Blue-Ray. 5 Film 2 med Morgan Freeman og Jack 10.000 BC/ The bucket List DVD Blue-Ray. 2 film. 5 Nicholson. 12 Monkeys- collector´s Bruce Willis. DVD 5 edition 12 Monkeys- Special edition Bruce Willis. DVD 5 12 years a slave Oscar bedste film. DVD i uåbnet emballage. 5 127 hours James Franco. DVD 2 150 kg. Over bæltestedet Stand-up med Amin Jensen. DVD 5 16 blocks Bruce Willis/ David Morse/ Mos Def. DVD 3 17 again Zac Efron. DVD 2 1944 forced to fight DVD 2 2 fast 2 furious Paul Walker/Tyrese/ Eva Mendes. DVD 2 2 fast 2 furious Paul Walker/Tyrese/ Eva Mendes. DVD 2 2 fast 2 furious Paul Walker/Tyrese/ Eva Mendes. DVD 2 2 fast 2 furious Eva Mendes. DVD 2 2 fast 2 furious. 2 Paul Walker/Tyrese/ Eva Mendes. 2001 maiacs Robert Englund. DVD 2 24 hours. The story of Michael DVD 2 Vaillant 24. Sæson 2. Serie med Kiefer Sutherland. DVD Boks med 5 DVD´er. -
1 Děkuji Vedoucímu Práce Mgr. Pavlu Skopalovi Za Veškeré Připomínky
Děkuji vedoucímu práce Mgr. Pavlu Skopalovi za veškeré připomínky, za pomoc při určování směru této práce a za poskytnutí dodatečných pramenů nezbytných k jejímu usměrňování a včasnému dokončení. Prohlašuji, že jsem pracoval samostatně a použil jen uvedených pramenů. V _____________________ Dne ___________________ 1 Masarykova universita Filosofická fakulta Ústav filmu a audiovizuální kultury Petr Kocanda (FAV, bakalářské prezenční studium) Hellboy: tematický přístup filmové hudby vs. jednotná tematická koncepce v komiksovém filmu (bakalářská práce oborová) Vedoucí práce: Mgr. Pavel Skopal Brno 2006 2 O B S A H 1. ÚVOD -------------------------------------------4 2. POČÁTKY A VÝVOJ TEMATICKÉ SKLADBY --------------6 3. SUBŽÁNRY KOMIKSOVÉHO FILMU ---------------------10 4.A. MARCO BELTRAMI ---------------------------------12 4.B. GRAEME REVELL ----------------------------------15 4.C. JOHN OTTMAN ------------------------------------16 4.D. DANNY ELFMAN -----------------------------------18 5. KLASICKY VZDĚLÁNÍ SKLADATELÉ VS. „SAMOUCI“ -----20 6. OPAKOVANÁ SPOLUPRÁCE SKLADATELE A REŽISÉRA -----23 7.1.A. TÉMATA HELLBOYE --------------------------------25 7.1.B. MILOSTNÉ TÉMA HELLBOYE A LIZ SHERMANOVÉ --------28 7.1.C. TÉMA PROFESORA BROOMA --------------------------30 7.1.D. TÉMA EVIL DOERS --------------------------------33 7.1.E. KROENEN ----------------------------------------34 7.1.F. TÉMA RASPUTINA ---------------------------------36 7.2. PŮVODNÍ VERZE HELLBOYE A DIRECTOR´S CUT --------37 7.2.A. SCÉNY ROZŠÍŘENÉ --------------------------------38 -
Die Vertretungslehrerin Regisseur Ole Bornedal, Jahrgang 1959, Begann the Substitute Beim Hörfunk Und War Von 1982 Bis 1987 Regisseur Von Zehn Hörspielen
Dänemark Denmark Kinder- und Jugendfilme Children’s and Youth Films 2007, 93 Min., 35 mm, Farbe colour, englische Unter- titel English subtitles Ab 10 Jahren 10 years and older Regie Director Ole Bornedal Drehbuch Screenplay Ole Bornedal, Henrik Prip Kamera Camera Dan Laustsen Schnitt Editing Thomas Krag Musik Music Marco Beltrami Rollen Cast Paprika Steen (Ulla), Ulrich Thomsen (Carls Vater), Jonas Wandschneider (Carl), Jakob Fals Nygaard (Albert), Nikolaj Falkenberg-Klok (Phillip), Emma Juel Justesen (Rikke), Sonja Richter (Maria) Produktion Production Michael Obel, Thura film Adresse Address Indiakaj 12, 2100 København, Den- mark, Tel: +45 35 44 11 11, Fax: +45 35 43 40 15, e-mail [email protected] Weltvertrieb World Sales Nordisk Film Interna- tional Sales, Mosedalvej 14, 2500 Valby, Denmark, Vikaren e-mail [email protected] Die Vertretungslehrerin Regisseur Ole Bornedal, Jahrgang 1959, begann The Substitute beim Hörfunk und war von 1982 bis 1987 Regisseur von zehn Hörspielen. Danach wechselte er zum Fern- Als der zwölfjährige Carl eine neue Vertretungslehrerin bekommt, sehen, schrieb und inszenierte TV-Shows, Kurzfilme merkt der Schüler sofort, dass mit ihr etwas nicht stimmt: Ulla ist und Fernsehspiele. Seine Stellung als Fernsehspiel- gemein und gefühllos, sie quält die Kinder im Sportunterricht und chef bei Danmarks Radio gab er nach dem Erfolg sei- demütigt sie bei jeder Gelegenheit. Carl und seine Freunde sind nes Debütspielfilms „Nachtwache“ 1994 auf. Er bekam überzeugt: Ulla ist ein Alien aus dem Weltraum, das mit finste- ein Angebot aus Hollywood und drehte dort ein Re- ren Eroberungsplänen auf die Erde gekommen ist. Als die Schü- make („Nightwatch", 1998). Daneben hat er sich als ler ihren Eltern von ihrem Verdacht erzählen, wird das als Er- Dramatiker und Theaterregisseur etabliert. -
Newsletter 15/10 DIGITAL EDITION Nr
ISSN 1610-2606 ISSN 1610-2606 newsletter 15/10 DIGITAL EDITION Nr. 278 - September 2010 Michael J. Fox Christopher Lloyd LASER HOTLINE - Inh. Dipl.-Ing. (FH) Wolfram Hannemann, MBKS - Talstr. 11 - 70825 K o r n t a l Fon: 0711-832188 - Fax: 0711-8380518 - E-Mail: [email protected] - Web: www.laserhotline.de Newsletter 15/10 (Nr. 278) September 2010 editorial Hallo Laserdisc- und DVD-Fans, auch jede Menge Filme auf dem liebe Filmfreunde! Fantasy Filmfest inspiziert. Diese sind Herzlich willkommen zum ersten jedoch in seinem Blog nicht enthalten, Newsletter nach unserer Sommer- sondern werden wie üblich zu einem pause. Es ist schon erstaunlich, wie späteren Zeitpunkt in einem separaten schnell so ein Urlaub vorbeigehen Artikel besprochen werden. Als ganz kann. Aber wie sollten wir es auch besonderes Bonbon werden wir in ei- merken? Denn die meiste Zeit ha- ner der nächsten Ausgaben ein exklu- ben wir im Kino verbracht. Unser sives Interview mit dem deutschstäm- Filmblogger Wolfram Hannemann migen Regisseur Daniel Stamm prä- hat es während dieser Zeit immer- sentieren, das unser Filmblogger wäh- hin auf satte 61 Filme gebracht! Da rend des Fantasy Filmfests anlässlich bleibt nicht viel Zeit für andere Ak- des Screenings von Stamms Film DER tivitäten, zumal einer der gesichte- LETZTE EXORZISMUS geführt ten Filme mit einer Lauflänge von 5 hat. ½ Stunden aufwartete. Während wir dieses Editorial schreiben ist er Sie sehen – es bleibt spannend! schon längst wieder dabei, Filmein- führungen für das bevorstehende Ihr Laser Hotline Team 70mm-Filmfestival der Karlsruher Schauburg zu schreiben. Am 1. Ok- tober geht’s los und hält uns und viele andere wieder für drei ganze Tage und Nächte auf Trab. -
Pussy Riot and the Translatability of Cultures
transcultural studies 13 (2017) 264-286 brill.com/ts Pussy Riot and the Translatability of Cultures Irina Dzero and Tatyana Bystrova Kent State University [email protected]; [email protected] Abstract The punk feminist collective Pussy Riot translate new ideas by embedding them in the visual symbols of the target culture. With their short bright-colored dresses and tights they tap into the stylistics of the Russian female performance as non-threatening am- biance to take the stage and protest against misogyny and authoritarianism. In 2012 they performed at Moscow’s Christ the Savior Cathedral and asked the Virgin Mary to put an end to Vladimir Putin’s rule. They were captured and sentenced to two years in prison for instigating religious hatred. Welcomed in the West, they made a music video “I Can’t Breathe” (2015) using the case of Eric Garner to explain the tolerance for au- thority in Russia. We look at the eclectic mix of thinkers and artists Pussy Riot named as their inspirers, and use the collective’s work to examine the changing attitude to the translatability of cultures. Keywords Pussy Riot – tolerance for authority – authoritarianism – intercultural translation – performance art Pussy Riot, a Russian punk feminist collective, rose to fame after their “punk prayer” – dancing at the altar at the Moscow Christ the Savior Cathedral and asking the Virgin Mary to “chase away” Vladimir Putin, Russia’s ruler since 2000. This article examines the collective’s work as intercultural translation: they seek to make intelligible bodies of knowledge poorly known or understood in the target culture. -
Borderlines Film Festival 2013
Friday 1 to Sunday 17 March BORDERLINES FILM FESTIVAL 2013 borderlinesfilmfestival.org @borderlines #borderlines2013 2 / 3 A – Z Film Index Central Box Office 01432 340555 / #borderlines2013 / www.borderlinesfilmfestival.org film ProGrammer david sin PuTs a dozen films in The sPoTliGhT BeasTs of The souThern Wild (12a) p.15 Blackmail (PG) p.16 The conformisT (15) p.19 hiTchcock (12a) p.21 Showy, bold and richly imaginative, this debut Hitchcock’s final silent film with haunting Simply one of the most influential films Anthony Hopkins and Helen Mirren feature, set in a semi-mythical Deep South, London locations and live accompaniment of the 20th century and one of Festival in a wonderful behind-the-scenes drama is hard to resist from the accomplished Stephen Horne Patron Chris Menges’ favourites about the making of Psycho in The house (15) p.24 i Wish (PG) p.25 a laTe QuarTeT (15) p.27 mccullin (15) p.31 Kristin Scott Thomas in sparkling comedic From the director of Still Walking, a marvellous A nuanced affirmation of the power of music If you grew up in the ‘60s or ‘70s this form features in this sly, teasing conundrum evocation of childhood against the growing as inner and outer tensions threaten the honest and riveting documentary will stir of a movie with a strong backbite cloud of volcanic ash dynamics of a New York chamber quartet up strong memories no (15) p.34 rusT & Bone (15) p.39 sTarBuck (15) p.46 Wadjda (12a) p.50 Chilean director Larraín and lead Gael García Muscular and tender, this unlikely love story Warm, witty comedy -
Product Guide
AFM PRODUCTPRODUCTwww.thebusinessoffilmdaily.comGUIDEGUIDE AFM AT YOUR FINGERTIPS – THE PDA CULTURE IS HAPPENING! THE FUTURE US NOW SOURCE - SELECT - DOWNLOAD©ONLY WHAT YOU NEED! WHEN YOU NEED IT! GET IT! SEND IT! FILE IT!© DO YOUR PART TO COMBAT GLOBAL WARMING In 1983 The Business of Film innovated the concept of The PRODUCT GUIDE. • In 1990 we innovated and introduced 10 days before the major2010 markets the Pre-Market PRODUCT GUIDE that synced to the first generation of PDA’s - Information On The Go. • 2010: The Internet has rapidly changed the way the film business is conducted worldwide. BUYERS are buying for multiple platforms and need an ever wider selection of Product. R-W-C-B to be launched at AFM 2010 is created and designed specifically for BUYERS & ACQUISITION Executives to Source that needed Product. • The AFM 2010 PRODUCT GUIDE SEARCH is published below by regions Europe – North America - Rest Of The World, (alphabetically by company). • The Unabridged Comprehensive PRODUCT GUIDE SEARCH contains over 3000 titles from 190 countries available to download to your PDA/iPhone/iPad@ http://www.thebusinessoffilm.com/AFM2010ProductGuide/Europe.doc http://www.thebusinessoffilm.com/AFM2010ProductGuide/NorthAmerica.doc http://www.thebusinessoffilm.com/AFM2010ProductGuide/RestWorld.doc The Business of Film Daily OnLine Editions AFM. To better access filmed entertainment product@AFM. This PRODUCT GUIDE SEARCH is divided into three territories: Europe- North Amerca and the Rest of the World Territory:EUROPEDiaries”), Ruta Gedmintas, Oliver -
The Vanishing and Nightwatch
The Vanishing and Nightwatch By Steven Jay Schneider Spring 2002 Issue of KINEMA REPACKAGING RAGE: THE VANISHING AND NIGHTWATCH It’s the same movie, only completely different. It follows the same plot, except where it changes everything. - Desmond Howe, on The Vanishing(1) As for the work of Bornedal, I’d best reserve comment. ...Maybe he looked at the final cut and said, ”Mik bortaagë dåntü ødån!” (”This is f...in’ great!”). Maybe it’s a great film in Denmark, but it’s a terrible, terrible movie in America. - Shane Ham, on Nightwatch(2) Sometimes the devil is in the details. - Barney Cousins (Jeff Bridges) in The Vanishing In 1988, Spoorloos, a Dutch thriller directed by George Sluizer, premiered in the Netherlands to packed houses and rave reviews. Six years later, in 1994, Ole Bornedal’s Danish thriller Nattevagten was released in its home country, also to critical and commercial acclaim. Besides evincing a clear Hitchcockian influence, both pictures were made on relatively low budgets, both exhibit a bizarre sense of humour, and both took home multiple awards at prestigious European film festivals. In 1993, The Vanishing, a big-budget Hollywood thriller produced by 20th Century Fox, made its debut on screens throughout the United States after a great deal of fanfare. Five years later, Dimension Films (the so-called ”genre division” of Miramax), released a thriller of its own entitled Nightwatch. Both films were financial and critical failures, condemned for their inability to generate more than a modicum ofsuspense. That is not all they have in common: both films star big-name actors, both are distinctly unfunny, and both were completely forgotten during awards time. -
FOX SEARCHLIGHT PICTURES Presents A
FOX SEARCHLIGHT PICTURES Presents A DOUBLE DARE YOU Production A GUILLERMO DEL TORO Film SALLY HAWKINS MICHAEL SHANNON RICHARD JENKINS DOUG JONES MICHAEL STUHLBARG and OCTAVIA SPENCER DIRECTED BY ............................................................. GUILLERMO DEL TORO SCREENPLAY BY ....................................................... GUILLERMO DEL TORO & ....................................................................................... VANESSA TAYLOR STORY BY .................................................................... GUILLERMO DEL TORO PRODUCED BY ........................................................... GUILLERMO DEL TORO, p.g.a. ....................................................................................... J. MILES DALE, p.g.a. DIRECTOR OF PHOTOGRAPHY .............................. DAN LAUSTSEN, DFF PRODUCTION DESIGNER ......................................... PAUL DENHAM AUSTERBERRY FILM EDITOR .............................................................. SIDNEY WOLINSKY, ACE ASSOCIATE PRODUCER ........................................... DANIEL KRAUS VISUAL EFFECTS SUPERVISOR .............................. DENNIS BERARDI MUSIC BY .................................................................... ALEXANDRE DESPLAT COSTUME DESIGNER ............................................... LUIS SEQUEIRA CASTING BY ............................................................... ROBIN D. COOK, CSA www.foxsearchlight.com/press Rated R Running time 123 minutes Publicity Contacts: Los Angeles New York Regional -
A Small Region in a Global World. Patterns in Scandinavian Film and TV Culture
A Small Region in a Global World. Patterns in Scandinavian Film and TV Culture Ib Bondebjerg & Eva Novrup Redvall 2011 2 Table of Contents List of figures ................................................................................................................... 3 Acknowledgments ........................................................................................................... 5 Films in a New Context: Summary and Main Conclusions .................................................. 7 Introduction: Scandinavian Film Culture, Globalisation and the Digital Challenge ............ 13 The Cultural Diversity Model: The Scandinavian Film Support System ............................. 18 Film support between the nation state and market ........................................................... 19 The Europeanisation and globalisation of film culture ....................................................... 25 A weak and fragmented production culture? .................................................................. 37 Looking for the audience: the Scandinavian film user and the new film culture ......................... 43 Scandinavian Film Culture: National and Transnational Patterns ..................................... 53 A natural cultural region? Patterns of co-production and distribution of Scandinavian films .......... 53 The inter-Scandinavian cinema-market: audience patterns and genre-preferences...................... 57 Scandinavian films in a global perspective .....................................................................