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Bibliography BIBLIOGRAPHY Aaron, Michele, Death and the Moving Image: Ideology, Iconography and I. Edinburgh: Edinburgh University Press, 2015. Ebook. Agane, Ayaan. “Confations of ‘Queerness’ in 21st Century Adaptations.” In Gender and the Modern Sherlock Holmes: Essays on Film and Television Adaptations since 2009, edited by Nadine Farghaly, 160–173. Jefferson, NC: McFarland, 2015. Alberto, Maria. “‘Of dubious and questionable memory’: The Collision of Gender and Canon in Creating Sherlock’s Postfeminist Femme Fatale.” In Gender and the Modern Sherlock Holmes: Essays on Film and Television Adaptations since 2009, edited by Nadine Farghaly, 66–84. Jefferson, NC: McFarland, 2015. Ali, Dhanil. The Curse of Sherlock Holmes. London: MX Publishing, 2013. Altschuler, Eric L. “Asperger’s in the Holmes Family.” Journal of Autism and Developmental Discord 43 (2013): 2238–2239. Andrews, Hannah. Television and British Cinema: Convergence and Divergence since 1990. Basingstoke: Palgrave, 2014. 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Zero Degrees of Empathy: A New Theory of Human Cruelty and Kindness. Harmondsworth: Penguin, 2011. Barnes, Alan. Sherlock Holmes on Screen: The Complete Film and TV History. London: Titan Books, 2011. Barnes, Julian. Arthur & George. London: Vintage, 2012. Kindle editon. Barrie, J.M. Peter Pan and Other Plays. Oxford: Oxford University Press, 2008. Bayard, Pierre. Sherlock Holmes Was Wrong: Reopening the Case of the Hound of the Baskervilles. London: Bloomsbury, 2008. Beale, Lewis. “Sherlock Holmes’ appeal is elementary, even after more than a century,” Newsday. 2015. Accessed Sept 16, 2016. http://www.newsday. com/entertainment/books/sherlock-holmes-appeal-is-elementary-even-after- more-than-a-century-1.10593014. Benedetti, Jean. Stanislavski and the Actor: The Method of Physical Actions. London: Methuen, 1998. Bennion, Chris. “The Game’s Afoot is a thrilling Sherlock Holmes romp— review,” The Telegraph. 2016. Accessed July 27, 2016. http://www. telegraph.co.uk/theatre/what-to-see/the-games-afoot-is-a-thrilling-sherlock- holmes-romp–review/. Binyon, T.J. Murder Will Out: The Detective in Fiction. Oxford: Oxford University Press, 1990. Bishop, Bob. Sherlock Holmes and the Case of the Stolen Suspender: A Tense Drama in Two Acts. Unpublished typescript. British Library, London. BIBLIOGRAPHY 237 Black, Suzanne R. “The Archontic Holmes: Understanding adaptations of Arthur Conan Doyle’s Sherlock Holmes stories in the context of Jacques Derrida’s ‘Archive’.” FORUM: University of Edinburgh Postgraduate Journal of Culture and the Arts 15 (2012): 1–11. Blakeney, T.S. Sherlock Holmes: Fact or Fiction? New York: Otto Penzler Books, 1993. Bloom, Clive. “Sherlock Holmes in Fairyland: The Afterlife of Arthur Conan Doyle.” In Sherlock Holmes and Conan Doyle: Multi-Media Afterlives, edited by Sabine Vanacker and Catherine Wynne, 184–196. Basingstoke: Palgrave, 2013. Boehm-Schnitker, Nadine and Susanne Gruss, eds. Neo-Victorian Literature and Culture: Immersions and Revisitations. London & New York: Routledge, 2014. Borsch-Supan, Helmut. Caspar David Friedrich. London: Thames and Hudson, 1974. Botts, Amber. “(No) Sex and Sherlock: Asexuality, Victorian Abstinence and the Art of Ambiguity.” In Who is Sherlock?: Essays on Identity in Modern Holmes Adaptations, edited by Lynette Porter, 3294–3602. Jefferson, NC: McFarland, 2016. Kindle edition. Brennan, Clare. “A Song and Dance over Conan Doyle,” [rev. of Sherlock Holmes in The Hound of the Baskervilles] The Observer. 2016. Accessed Aug 20, 2016. https://www.theguardian.com/stage/2016/aug/07/sherlock-holmes- hound-of-the-baskervilles-review-york-theatre-royal. Bricusse, Leslie. The Revenge of Sherlock Holmes: A Musical Mystery. London: Samuel French, 1994. Brooks, Peter. Enigmas of Identity. Princeton, NJ: Princeton University Press, 2011. Brown, Jonathan. “Sherlock Holmes: The Best Kept Secret,” The Independent. 2013. Accessed June 26, 2016. http://www.independent.co.uk/arts-enter- tainment/theatre-dance/reviews/theatre-review-sherlock-holmes–the-best- kept-secret-west-yorkshire-playhouse-leeds-8630915.html. Brown, Derren. Tricks of the Mind. London: Channel 4 Books, 2006. Canny, Steven and John Nicholson. The Hound of the Baskervilles. London: Nick Hern Books, 2012. Charles, Alec. “Three Characters in Search of an Archetype: Aspects of the Trickster and the Flâneur in the Characterization of Sherlock Holmes, Gregory House and Doctor Who.” Journal of Popular Television 1, no. 1 (2013): 83–102. Cole, Toby and Helen Krich Chinoy, eds. Actors on Acting. New York: Crown, 1976. Conan Doyle, Arthur. The Penguin Complete Sherlock Holmes. Harmondsworth: Penguin, 2009. 238 BIBLIOGRAPHY Cook, Josh. “What the Sherlock archetype teaches us about ourselves,” Huffngton Post. 2015. Accessed May 25, 2016. http://www.huffngton- post.com/josh-cook/sherlock-holmes-archetype_b_6904120.html. Coppa, Franscesca. “Writing Bodies in Space: Media Fan Fiction as Theatrical Performance.” In The Fan Fiction Studies Reader, edited by Karen Hellekson and Kristina Busse, 218–237. Iowa City, IA: University of Iowa Press, 2014. Corble, Simon. The Hound of the Baskervilles: A Sherlock Holmes Play. London: MX Publishing, 2012. Crampton, Caroline. “Stop clap-shaming frst-time theatregoers who like Martin Freeman from off the telly,” New Statesman. 2014. Accessed Sept 27, 2016. http://www.newstatesman.com/culture/2014/07/stop-clap-shaming-frst- time-theatregoers-who-martin-freeman-tell. Cullin, Mitch. A Slight Trick of the Mind. Edinburgh: Canongate, 2014. Culp, Kyrie. “‘The Man Who Never Lived’: An Examination of Sherlock Holmes’ Endurance Through Time.” In The One Fixed Point in a Changing Age, edited by Kristina Manente, Maria Fleischhack, Sarah Roy and Taylor Blumenberg, 203–210. Indianapolis, IN: Gasogene, 2014. Dakin, D. Martin. A Sherlock Holmes Commentary. Ashcroft, BC (Canada): Ash- Tree Press, 2015 (1972). Ebook. Davies, David Stuart, Bending the Willow: Jeremy Brett as Sherlock Holmes, Ashcroft, B.C., Canada: Calabash, 2002. Ebook. Davies, Helen. Gender and Ventriloquism in Victorian and Neo-Victorian Fiction: Passionate Puppets. Basingstoke: Palgrave, 2012. ———. Neo-Victorian Freakery: The Cultural Afterlife of the Victorian Freak Show, Basingstoke: Palgrave, 2015. Demeter, Tamás. “A Touch of the Dramatic.” In Sherlock Holmes and Philosophy: The Footprints of a Gigantic Mind, edited by Josef Steiff, 197–208. Chicago: Open Court, 2011. DeGaetano, John. Sherlock Holmes 10 Minute Plays Collection. Print on demand. 2012. Derecho, Abigail. “Archontic Literature: A Defnition, a History, and Several Theories of Fan Fiction.” In Fan Fiction and Fan Communities in the Age of the Internet: New Essays, edited by Karen Hellekson and Kristina Busse, 61–78. Jefferson, NC: McFarland, 2006. Dex, Robert. “Play Sherlock Holmes in new immersive theatre show The Game’s Afoot at Madame Tussauds,” Evening Standard. 2016. Accessed 27 July 2016. http://www.standard.co.uk/goingout/great-days-out/play-sherlock- in-new-immersive-madame-tussauds-theatre-show-a3228511.html. Dietz, Steven. Sherlock Holmes: The Final Adventure. New York: Dramatists Play Service, 2007. Dondero, Jennifer and Sabrina J. Pippin. “It’s Traumatic Stress, My Dear Watson: A Clinical Conceptualization of Sherlock.” In Who is Sherlock?: Essays BIBLIOGRAPHY 239 on Identity in Modern Holmes Adaptations, edited by Lynette Porter, 1365– 1602. Jefferson, NC: McFarland, 2016. Kindle edition. Dowd, Tom. “The Game Has Virtually Stumbled.” In Sherlock Holmes and Philosophy: The Footprints of a Gigantic Mind, edited by Josef Steiff, 93–102. Chicago: Open Court, 2011. Duncan, Alistair. Eliminate the Impossible: An Examination of the World of
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