Charlotte Salomon Drawing on Her Own
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Listen Carefully
1 Listen Carefully Ellen Foyn Bruun1 Norwegian University of Science and Technology NTNU, Drama and Theatre Studies Abstract Voice and sounding is an integrated element in dramatherapy, as in acting and life in general. In this article I reflect on voicework that focuses on the intimate relationship between breathing, sounding and an embodied sense of self. The notion of listen carefully emphasises the receptive aspect of arts practice and introversion as a foundation for authentic and healthy expression. I address ‘the presence of absence’ and our ability to listen with awareness to what is implicit and not yet made conscious. I have been inspired by feminist philosopher Adriana Cavarero who proposes a philosophy of voice that challenges logo-centric Western philosophical thinking. Her work underpins the relationship between voice and identity. I shall draw from my experience of three different approaches that integrate vocal somatic exploration and a holistic approach to life and health. These are the legacy of Roy Hart and Alfred Wolfsohn, Movement with touch and sound (Sesame), and Fitzmaurice Voicework®. This article caters for a broad professional community that is interested in the field of voice in drama and theatre practice for educational and therapeutic purposes. Key words: dramatherapy, voicework, healthy self-regulation, philosophy of voice, Roy Hart and Alfred Wolfsohn, Sesame approach, Fitzmaurice voicework® Introduction Each individual has their unique way of breathing which for most people enables sounding. As dramatherapists we relate to body, breathing and voice in many ways. This article will present how voicework has become a core field of interest for me as a drama practitioner, teacher, therapist and researcher. -
The Zacuto Complex: on Reading the Jews in South Africa
Richard Mendelsohn, Milton Shain. The Jews in South Africa: An Illustrated History. Johannesburg: Jonathan Ball, 2008. x + 234 pp. $31.95, cloth, ISBN 978-1-86842-281-4. Reviewed by Jonathan Judaken Published on H-Judaic (August, 2009) Commissioned by Jason Kalman (Hebrew Union College - Jewish Institute of Religion) While the frst Jews to officially settle in South hand, Europeans colonized him in the name of Africa did so in the early nineteenth century, the the same basic ideas that justified European ex‐ history of their antecedents is much longer. They pansion and exploitation, notions that we can include Abraham ben Samuel Zacuto, distin‐ name in one word: racism. The "Zacuto complex," guished astronomer and astrologist at the Univer‐ as I want to call it, has played out through most of sity of Salamanca prior to the expulsion of the the history of Jews in South Africa, as this won‐ Jews from Spain in 1492. His astrological tables derful book demonstrates. were published in Hebrew, and then translated The Jews in South Africa, by two of the lead‐ into Latin, and then into Spanish. They were used ing living historians of South Africa’s Jewish past, by Christopher Columbus, and more importantly is the frst general history of South African Jewry by Vasco da Gama, for whom he also selected the in over ffty years. It is written in lively prose, scientific instruments and joined on his voyage to sumptuously illustrated, and includes rare photo‐ Africa.Zacuto, thereby, “was probably the frst Jew graphs as well as documents culled from the ar‐ to land on South African soil when, in mid-No‐ chives, which are inserted into offset “boxes” that vember 1497, the Da Gama party went ashore at help illuminate the forces at work in South St Helena Bay on the Cape west coast” (p. -
THENEWYORKER.Pdf
A 1940 self-portrait of Salomon (1917-1943), whose autobiographical work “Life? or Theatre?” is an early example of the graphic novel. Courtesy the Jewish Historical Museum © Charlotte Salomon Foundation n February, 1943, eight months before she was murdered in Auschwitz, the I German painter Charlotte Salomon killed her grandfather. Salomon’s grandparents, like many Jews, had !ed Germany in the mid-nineteen-thirties, with a stash of “morphine, opium, and Veronal” to use “when their money ran out.” But Salomon’s crime that morning was not a mercy killing to save the old man from the Nazis; this was entirely personal. It was Herr Doktor Lüdwig Grünwald, not “Herr Hitler,” who, Salomon wrote, “symbolized for me the people I had to resist.” And resist she did. She documented the event in real time, in a thirty-"ve-page letter, most of which has only recently come to light. “I knew where the poison was,” Salomon wrote. “It is acting as I write. Perhaps he is already dead now. Forgive me.” Salomon also describes how she drew a portrait of her grandfather as he expired in front of her, from the “Veronal omelette” she had cooked for him. The ink drawing of a distinguished, wizened man—his head slumped inside the collar of his bathrobe, his eyes closed, his mouth a thin slit nesting inside his voluminous beard—survives. Salomon’s letter is addressed, repeatedly, to her “beloved” Alfred Wolfsohn, for whom she created her work. He never received the missive. Nineteen pages of Salomon’s “confession,” as she called it, were concealed by her family for more than sixty years, the murder excised. -
Jewish Pilgrims to Palestine
Palestine Exploration Quarterly ISSN: 0031-0328 (Print) 1743-1301 (Online) Journal homepage: http://www.tandfonline.com/loi/ypeq20 Jewish Pilgrims to Palestine Marcus N. Adler To cite this article: Marcus N. Adler (1894) Jewish Pilgrims to Palestine, Palestine Exploration Quarterly, 26:4, 288-300, DOI: 10.1179/peq.1894.26.4.288 To link to this article: http://dx.doi.org/10.1179/peq.1894.26.4.288 Published online: 20 Nov 2013. Submit your article to this journal Article views: 6 View related articles Full Terms & Conditions of access and use can be found at http://www.tandfonline.com/action/journalInformation?journalCode=ypeq20 Download by: [Universite Laval] Date: 06 May 2016, At: 16:50 288 JEvVISH PILGRIMS TO PALESTINE. JEWISH, PILGRIMS TO PALESTINE. By MARCUS N. ADLER, M.A. IN response to th~ desire expressed by the Committee. of the Palestine Exploration Fund, I have much pleasure in furnishing a short account of the works of the early Jewish travellers in the East, and I propose also to give extracts from some of their writings which have reference to Palestine. Even prior to the destruction of the Second Temple, Jews were settled in most of the known countries of antiquity, and kept up com- munication with the land of their fathers. Passages from the Talmud prove that the sage Rabbi Akiba, who led the insurrection of the Jews against Hadrian, had visited many countries, notably Italy, Gaul, .Africa, Asia Minor, Persia, and Arabia. The Babylonian and Jerusalem Talmuds, the Midrashim and other Jewish writings up to the ninth century, contain innumerable references to the geography of Palestine. -
Why Do Singers Sing in the Way They
Why do singers sing in the way they do? Why, for example, is western classical singing so different from pop singing? How is it that Freddie Mercury and Montserrat Caballe could sing together? These are the kinds of questions which John Potter, a singer of international repute and himself the master of many styles, poses in this fascinating book, which is effectively a history of singing style. He finds the reasons to be primarily ideological rather than specifically musical. His book identifies particular historical 'moments of change' in singing technique and style, and relates these to a three-stage theory of style based on the relationship of singing to text. There is a substantial section on meaning in singing, and a discussion of how the transmission of meaning is enabled or inhibited by different varieties of style or technique. VOCAL AUTHORITY VOCAL AUTHORITY Singing style and ideology JOHN POTTER CAMBRIDGE UNIVERSITY PRESS PUBLISHED BY THE PRESS SYNDICATE OF THE UNIVERSITY OF CAMBRIDGE The Pitt Building, Trumpington Street, Cambridge CB2 IRP, United Kingdom CAMBRIDGE UNIVERSITY PRESS The Edinburgh Building, Cambridge CB2 2RU, United Kingdom 40 West 20th Street, New York, NY 10011-4211, USA 10 Stamford Road, Oakleigh, Melbourne 3166, Australia © Cambridge University Press 1998 This book is in copyright. Subject to statutory exception and to the provisions of relevant collective licensing agreements, no reproduction of any part may take place without the written permission of Cambridge University Press. First published 1998 Typeset in Baskerville 11 /12^ pt [ c E] A catalogue record for this book is available from the British Library library of Congress cataloguing in publication data Potter, John, tenor. -
JANUAR UND FEBRUAR 2019 02|03 Aktuell EXPLORE DANCE: LUCIA GLASS’ POPUP-STÜCK AUFFÜHRUNGEN | PROJEKTE 06.02
JANUAR UND FEBRUAR 2019 02|03 aktuell EXPLORE DANCE: LUCIA GLASS’ POPUP-STÜCK AUFFÜHRUNGEN | PROJEKTE 06.02. PROBEBÜHNE EINS S. 05 Ab Januar arbeitet die Hamburger Choreographin Lucia Glass im Rahmen von explore dance – Tanzpakt Stadt-Land-Bund als Artist in Residence an der Stadtteilschule MOVING HEADS S. 08 Blankenese. Dort entwickelt sie ihr mobiles und an verschiedensten Orten spielbares 14.01. HANS-JÖRG KAPP | EVA RESCH EXZESSIVE KLANGREDUKTION S. 06 25.01. OMAR RAJEH ZEITGENÖSSISCHER TANZ IM LIBANON PopUp-Stück Die Choreographie der Dinge und Geräusche (AT). Gemeinsam mit S. 10 28.01. ESSENTIALS TRANSITIONPROZESSE IN DER TANZKARRIERE Schüler*innen verschiedener Jahrgangstufen erforscht sie die Wirkung von Gegen- S. 09 11.02. RALF PETERS DIE EXTREME STIMME ständen und ihren Geräuschen auf unsere Bewegung und erprobt die Verbindung S. 07 19.02. ROUND TABLE TANZ MIT SCHULE zwischen zeitgenössischem Tanz, somatischer Körperpraxis und der eigenen Wirk- samkeit auf der Bühne. Premiere wird die Arbeit voraussichtlich Ende April feiern, WORKSHOPS S. 11 17.01. - 23.03. VHS-KURS TANZ IM GESPRÄCH S. 12 pünktlich zu unserem Festival explore dance - Tanz für junges Publikum (Save the 25.01. MASTERCLASS TANZTHEATER WUPPERTAL PINA BAUSCH S. 10 date: 30.04. - 04.05.2019). 29.01. CAROLIN ECKERT TRANSITIONBERATUNG S. 12 EMPOWERING DANCE 01.02. LEHRER*INNENWORKSHOP MOVING GENDER PROFITRAINING S. 13 Vom 09. bis 11.01. findet am K3 das erste intensive Arbeitstreffen des in dieser Spielzeit 14.12.18 - 06.01.19 TRAININGSPAUSE neu im Rahmen des EU-Programmbereichs Erasmus+ gestarteten Forschungsprojekts 07. - 10.01. RAKESH SUKESH PAYATT INTRANSIT Empowering Dance – Developing Soft Skills statt. -
The Deadly Power of the Living Voice
The Deadly Power of the Living Voice Thorey Sigthorsdottir Sustained Indepented Project MA in Advanced Theatre Practice Central School of Speech and Drama 20th September 2012 ! "! Index 1. The Beginning 2. The Background 3. Methodology 4. The Voice Workshop 5. $%&!'()&*+&,-& 6. The Results Bibliography Appendice A Nadine George. Appendice B Guy Dartnell ! #! 1. The Beginning ‘With these battlefield voices, there was no limitation of range, their voices expressed and screamed terror and agony through every range.’ (Wolfsohn: Braggins: Harrow Times book reviews 10th May 2012) These are the words of Alfred Wolfsohn, describing in writing his experience as a young man, of listening to his fellow soldiers dying in the battlefields of the First World War. A survivor of the war but these sounds hunted him as well as his traumatic experience and he lost his singing voice. This experience led him into exploration of the voice in a totally new way. A life changer for many of his students and a pioneer of the exploration of the phenomenal of the human voice and its expression. The stories of Wolfsohn and his followers Roy Hart and my work with Roy’s follower Nadine George are the inspiration for my interest in exploring the possibilities of the voice as a creative tool in devising theatre. ! When I started my research for theatre groups that were using the voice in a specific way devising theatre I came across names as The Roy Hart Theatre, Grotowski Institute, Odin Teater, Song of the Goat, Guy Dartnell, TeatrZar, and The Pan Theatre Paris, to name some. -
20Th-Century Repertory
Mikrokosmos List 585. - 2 - April 2014 ....20TH-CENTURY REPERTORY 1 Absil, Jean: Piano Works (Impromptus, Esquisse, Les Echecs) - P.Stevens pno ALPHA DB 57 A 10 2 Adams, John: Grand Pianola Music/Reich: 8 Lines, Vermont Counterpoint - Solisti EMI EL 270291 A 12 New York, cond.& fl R.Wilson S 3 Amemiya, Yasukazu: Summer Prayer, Monochrome Sea/Morton Feldman: The RCA RVC 2154 A 12 King of Denmark - Y.Amemiya percussions (Japanese issue) (1977) S 4 Amy, Gilbert: Cahiers d'epigrammes/Boucourechliev: 6 Etudes d'apres HARMONIA M HMC 5172 A 25 piranese/Manoury: Cryptophonos/Xenakis: Mists - Helffer pno (gatefold) 1985 S 5 Andriessen, Hendrik: Philomela/Pijper: Halewijn/Sem Dresden: Francois 8 x RADIO NEDE RN 475 A 50 Villon/Badings: Martin Korda operas excs - cond.Otterloo, Eichmann, de Nobel 10" 6 Anhalt, Istvan: Foci (ms, instr ens), Cento (choir) - Mailing ms, cond.comp S CBC 357 A 10 7 Ansermet: 7 Chansons/Stravinsky: Chansons Plaisantes, Berceuse du chat/J.Binet: GALLO 30214 A 12 Chansons - Retchistzka, Huttenlocher, cond.Dunand S 8 Antheil: Vln Son (I.Baker vln, Yaltah Menuhin pno)/E.Goossens: Vln Sonata Op.21 MUSIC LIBR MLR. 7006 A 12 (Michaelian vln, V.L.Hagopian pno) (plain jacket) 9 Bakikhanov: 3 Sonatas for Vla & Pno - Aslanov, Abdullaev 1988 S MELODIYA C10 29869 A 15 10 Bardos, Lajos: Mass 1, 3; Motets, Hymns - cond.A.Vinczeffy (1989) (gatefold) S RADIUS HUN BP 137 A 12 11 Barraine, Elsa: L'Homme sur Terre, Premier Mai/Kosma, Joseph: Si nous mourons; REM 10899 A 10 Chanson pour les enfants l'hiver; Parade des Cocqueleux, Les Canuts -
Demons That Resist Exorcism Second Generation Perspectives Barbara Dorrity P 15
m "^ n Volume UII No. 10 October 1998 £3 (to non-members) Don't miss... Gombrich's blotting paper Refleaions on the deformed nationalism of parts of Europe Richard Grunberger P3 Carl Sternheim Dr Anthony GrenviHe p5 Demons that resist exorcism Second generation perspectives Barbara Dorrity p 15 ationalism is a force with a gut appeal long awaits canonisation - for his opposition to Tito's Russian underestimated by Liberals and Marxists atheist communism. N alike. However, not every manifestation of And in Brussels, the political heart of Europe, a enigma it was necessarily malignant. Flemish nationalist deputy has laid a Bill before the aifa When the French invented la patrie they also Belgian parliament to compensate erstwhile collabo century ago, Ls.sued a universal Declaration of the Rights of Man. rators for punishments meted out to them after HChurchill Italian unification was inspired by Mazzini's lib Liberation. In extenuation of their wartime conduct described Russia as eralism. In our own lifetime Catalans and Basques he conjures up a prewar spectre of Flemings as a riddle wrapped fought against Franco. .second-class citizens chafing under the misrule of a up in an enigma. Nonetheless, in the la.st war the Axis powers were French-speaking elite. The observation still immeasurably helped by the slights - real or imagi There may be a grain of truth in this - but to holds good today. nary - that had been inflicted on national groups in argue that exposure to relative discrimination justi An example is Eastern Europe. In consequence, Slovaks and Croats antisemitism which fied collaborating with occupiers who wiped out caused every third actively helped to effect the breakup of Czecho Belgian independence and practised total discrimi Jew to leave in the slovakia and Yugoslavia respectively. -
Old Comrade Crafts a Fine Memory of Our Past
Old comrade crafts a fine memory of our past Memory against Forgetting: Memoirs Now he re-visits us, ever the ana Govan Mbeki and others, stood ac from a Life in South African Politics lyst, theoretician, activist, the stimu cused at the Rivonia Trial. Following 1938-1964 lating and helpful companion. Again the petty-minded and vindictive fic by Rusty Bernstein (Viking) R128 he fires my insurrectionary imagi tions presented by the prosecution, nation, as, surely, he will ignite those he alone among his comrades was Review: Alan Lipman who treat themselves to this quietly acquitted. Isolated and depressed he didactic book. bowed to the now urgent need for es Among the facets of a sustained cape into exile with his family. his is a finely crafted vol political life which Bernstein illumi If there is a need for the feminist ume: the lucid, analytic nates, the most constant is his contention that “the personal is po record of someone who propensity for incisive analysis, for litical” to be affirmed, this book does was engaged, who was em epitom ising EM Forster’s memo so. Despite the author’s reticence beddedT in the politics of South rable invitation, “only connect”. about such matters, one is reminded African resistance from the late- This is a pervasive thread, repeatedly, and always poignantly, of 1930s to the 1960s. If on entering a through events leading to and sur the effects of his wife’s and his en new century, you wish to touch the rounding the post-1948 Votes for All forced separations from their four core of those momentous decades, assembly and the Suppression of children, from each other. -
Giving Voice Bro 09 2
International Festival of the Voice 2009 18 - 26 April, Wroclaw, Poland HARMONIC ACCORD: ENCOUNTERS THROUGH SONG SPOTKANIE W PIESNI´ 2 Giving Voice 11 stanowi specjaln edycję festiwalu; Giving Voice International Festival of the Voice współorganizuj go Center for Performance Research Contents z Walii oraz Instytut im. Jerzego Grotowskiego we Harmonic Accord Wrocławiu.Tegoroczny festiwal odbywa się w ramach Venues & Access - 2 obchodów Roku Grotowskiego 2009. Encounters through Song Przez 7 dni Wrocław będzie go´scił niespotykan ró˙znorodno´s´c tradycji Giving Voice 11: A festival of extraordinary voices from around the world including those from: Armenia, Austria, głosowych całego swiata:´ Armenii, Austrii, Korsyki, Gruzji, Gwinei, Iranu,Włoch, Harmonic Accord - 3 Corsica, Georgia, Guinea, Iran, Italy, Kurdistan, Mongolia, North America, Palestine, Poland, Kurdystanu, Mongolii, Ameryki Północnej, Palestyny, Polski, Sardynii, Serbii, Sardinia, Serbia, Spain, the Ukraine and Wales. Hiszpanii, Ukrainy oraz Walii. Calendar - 4 Poprzez dzielenie się ideami oraz praktyk w ramach ró˙znych warsztatów, How to Create Giving Voice springs from a strong events programmed for the Year of our questions embrace: aesthetics; pokazów i dyskusji, festiwal gromadzi praktyków, nauczycieli, teoretyków, belief in the voice’s ability to Grotowski 2009 in addition to this technique; the culturally specific; uzdrowicieli zainteresowanych prac z głosem, którzy niekoniecznie mieli Your Own Experience - 4 communicate beyond language and special edition of Giving Voice, matters of repertoire; archaism and the okazję do spotkania na drodze swej praktyki. Workshops - 5 - 14 cultural difference, and that working information of which may be found on relationship of tradition to innovation with the voice can allow people, from www.grotowski-institute.art.pl. -
Act I, Signature V - (1)
When the audience is known to be secretly skeptical of the reality that is being impressed upon them, we have been ready to appreciate their tendency to pounce upon trifling flaws as a sign that the whole show is false [Erving Goffman, The Presentation of Self (New York: Anchor Press, 1959), p. 51]. I - v - Give Me Seventeen Dollars for This Hat. Taxed by the forces besetting Damascus, the Sultan accedes to familial intrigue. The noted medical talk show host, Mr. Ng, surges to stage a live remote into the 13 th century. The various tools at his command are listed. The participants gather: the Idiopath of Jerusalem, the chorus, the Emperor Frederick II, al-Kamil, Sultan of Egypt, and the Rabbi Ben ‘tov Shapiro. A debate over the independence of scientific thought, in which the Idiopath disputes the Frankish titles in Palestine, ensues. Al-Kamil also cites numerous correspondences contesting these claims. ~ page 63 ~ People showing up for a diagnosis of a sample of their urine to the physician Constantine the African.* Constantine Act I, Signature v - (1) Latin Constantinus Africanus Born c. 1020, Carthage or Sicily Died 1087, monastery of Monte Cassino, near Cassino, Principality of Benevento Medieval medical scholar. He was the first to translate Arabic medical works into Latin. His 37 translated books included The Total Art , a short version of The Royal Book by the 10th-century Persian physician 'Alī ibn al-'Abbās, introducing Islam's extensive knowledge of Greek medicine to the West. His translations of Hippocrates and Galen first gave the West a view of Greek medicine as a whole.