DOCSLIB.ORG

Iceage Release New Single, “Gold City,” and Announce 2022 North American/UK Tour

Total Page：16

File Type：pdf, Size：1020Kb

Download full-text PDF Read full-text
Iceage Release New Single, “Gold City,” and Announce 2022 North American/UK Tour April 22, 2021 For Immediate Release Iceage Release New Single, “Gold City,” and Announce 2022 North American/UK Tour New Album, Seek Shelter, Out May 7th on Mexican Summer Seek Shelter Concert Streaming May 22nd (photo credit: Jonas Bang) “Seek Shelter is [Iceage’s] most inviting album to date: It’s easy to imagine a new song like ‘Gold City,’ with its chattering tambourine and Springsteen-style magnitude, sung to an arena full of revelers.” - Pitchfork Today, Copenhagen-based band Iceage release a new single, “Gold City,” from their forthcoming album, Seek Shelter, out May 7th on Mexican Summer, and announce a 2022 North American and UK tour. Additionally, Iceage has announced a Seek Shelter concert streaming Saturday, May 22nd at 8pm Eastern and 8pm Pacific. The concert will feature a performance of Seek Shelter in its entirety. Previewed on the band’s last North American tour, “Gold City” is a passage in Seek Shelter’s story of scorched-earth salvation. The American gospel and blues signatures present in previous single “Vendetta” reappear here as Elias Bender Rønnenfelt rousingly sings of a vast journey: “First there was I, then there was us // Off goes the layers, as written in dust // What you have lost, I shall provide // All that you le behind, I'll pick up the supplies // Latch on // Hold still, before I forget // Remain in this passing juncture // Let it swarm, let it sit.” Rønnenfelt comments: “At home and enraptured in the fleeting moment, the sky becomes technicolor in its makeshi lucidity. A culmination made so that everything felt briefly complete. Traffic lights and the setting sun through a polluted filter, shimmering and golden.” Watch Iceage’s Visualizer for “Gold City” A decade on from their first record, Iceage continue to harness their lives together through music. Their fih album, Seek Shelter, is a collection of songs radiating warmth and a profound desire for salvation in a world that’s spinning further and further out of control. Throughout, Rønnenfelt’s lyrics reach grand heights despite its classic opacity — he sings of taking shelter, of tranquil affections that threaten to combust, and of a limp-wristed god with a cavalcade of devotees in search of relief. His expressionist imagery consistently hinges on the divine. Seek Shelter was produced by Sonic Boom (Pete Kember of Spacemen 3), the band’s first outside producer, and mixed by Shawn Everett. Watch “The Holding Hand” Video Watch “Vendetta” Video Watch “Shelter Song” Video Pre-order Seek Shelter Purchase Iceage Livestream Tickets Iceage Tour Dates Sat. Feb. 12 - San Francisco, CA @ The Chapel Sun. Feb. 13 - Felton,CA @ Felton Music Hall Wed. Feb. 16 - Los Angeles, CA @ Zebulon Thu. Feb. 17 - Los Angeles, CA @ Zebulon Sat. Feb. 19 - Pioneertown, CA @ Pappy and Harriets Sun. Feb. 20 - San Diego, CA @ Casbah Mon. Feb. 21 - Tucson, AZ @ Club Congress Thu. Feb. 24 - Houston, TX @ Secret Group Fri. Feb. 25 - New Orleans, LA @ Gasa Gasa Sat. Feb. 26 - Jacksonville, FL @ Intuition Ale Works Mon. Feb. 28 - Orlando, FL @ The Social Tue. March 1 - Atlanta, GA @ Terminal West Wed. March 2 - Nashvillle, TN @ Basement East Thu. March 3 - Asheville, NC @ The Grey Eagle Fri. March 4 - Durham, NC @ Motorco Music Hall Sat. March 5 - Baltimore, MD @ Ottobar Mon. March 7 - Cambridge, MA @ The Sinclair Tue. March 8 - Providence, RI @ Columbus Theatre Wed. March 9 - New York, NY @ Bowery Ballroom Thu. March 10 - New York, NY @ Bowery Ballroom Fri. March 11 - Holyoke, MA @ Gateway City Arts Sat. March 12 - Kingston, NY @ Tubby's Wed. March 23 - Leeds, UK @ Belgrave Music Hall Thu. March 24 - Newcastle, UK @ Cluny Fri. March 25 - Glasgow, UK @ Stereo Sat. March 26 - Nottingham, UK @ The Bodega Sun. March 27 - Birmingham, UK @ The Hare and Hounds Tue. March 29 - Bristol, UK @ Thekla Wed. March 30 - Brighton, UK @ Patterns Thu. March 31 - London, UK @ Electric Ballroom Download hi-res images & artwork Seek Shelter Album Cover (photo credit: Fryd Frydendahl) Official Website | Instagram | Facebook | Mexican Summer For more information, contact: Jessica Linker & Ahmad Asani | Pitch Perfect PR – [email protected], [email protected], 773-942-6954 ###.
Load more

Recommended publications
  • The Art of Depression with Sonic Boom
    The Art of Depression With Sonic Boom Bittles‘ Magazine Sonic Boom is not only a fantastic name for a band, it is also the nom de plume of Peter ›Sonic Boom‹ Kember, who was one of the founding members of the exceedingly excellent Spacemen 3. Spectrum is the only commercially available album he ever released under this name, yet it still stands as a momentous record that bewitches with its dense, layered sound. Released over 20 years ago, it isn’t of its time, or this time, or any time. In fact it is something else, separated from trends, fads or anything else which dilutes music to a turgid meaningless mess. By JOHN BITTLES Peter’s first band Spacemen 3 saw him, and close friend Jason Pierce (who later went on to form Spiritualized) play together with a varied assortment of musicians all linked together in their love of weird psychedelic rock. For almost ten years the band gave the world the type of scuzzy garage noise that most lost and alienated young teens only ever see in particularly vivid wet dreams. Sonic Boom. Photo by Xi Weg Since the split of Spacemen 3 back in 1991 Peter Kember has been releasing quality head music under various aliases including Spectrum (sublime indie rock) and E.A.R. (Experimental Audio Research) (strange drone type sounds). He is also equally well known as a producer having lent his production nous to the likes of MGMT, Panda Bear, Teen and, just recently, the ten tracks of psychedelic weirdness that make up the marvellous album Chambers by Lorelle Meets The Obsolete.
    [Show full text]
  • Space Rock, the Popular Music Inspired by the Stars Above Us
    SPACE ROCK, THE POPULAR MUSIC INSPIRED BY THE STARS ABOVE US JARKKO MATIAS MERISALO 79222N ASTRONOMICAL VIEW OF THE WORLD PART B S-92.3299AALTO UNIVERSITY 0 TABLE OF CONTENTS Table of contents ................................................................................................................. 1 1. Introduction ................................................................................................................... 2 2. What is space rock and how it was born? ..................................................................... 3 3. The Golden era ............................................................................................................. 5 3.1. Significant artists and songs to remember ................................................................ 5 3.2. Masks and Glitter – Spacemen and rock characters ................................................. 7 4. Modern times .............................................................................................................. 10 5. Conclusions ................................................................................................................. 12 6. References .................................................................................................................. 13 7. Appendices ................................................................................................................. 14 1. INTRODUCTION When the Soviets managed to launch “Sputnik 1”, the first man-made object to the Earth’s orbit in November 1957,
    [Show full text]
  • Playing the Bass W Ith Three Left Hands
    PLAYING THE BASS BASS THE PLAYING WITH THREE LEFT HANDS WILL CARRUTHERS ‘ Will Carruthers’ Playing The Bass With Three Left Hands is at the least the funniest rock memoir since Andrew Matheson’s Sick on You. Carruthers is a wonderfully droll narrator and the book is effectively a series of well-wrought comic set pieces’ Uncut, 9/10 Cover Playing the Bass.indd 1 25-8-2016 13:16:35 Playing the Bass with Th ree Left Hands I can confi rm that should you ever fi nd yourself on stage play- ing the bass guitar with tree left hands, it is usually he one in the middle that is the real one. Th e other two are probably phantoms. Playing the Bass with Th ree Left Hands tells the story of one of the most infl uential, revered and ultimately demented British bands of the 1980s, Spacemen 3. In classic rock n roll style they split up on the brink of their major breakthrough. As the decade turned sour and acid house hit the news, Rug- by’s fi nest imploded spectacularly, with Jason Pierce (aka Jason Spaceman) and Pete Kember (aka Sonic Boom) going their se- parate ways. Here, Will Carruthers tells the whole sorry story and the segue into Spirtualized in one of the funniest and most memorable memoirs committed to the page. Specifi cs Playing the Bass with Th ree Left Hands was published in Septem- ber 2016 by Faber Social 308 pages Agency Michaël Roumen: T: + 31 6 42136212 E: [email protected] Oscar van Gelderen: T: + 31 6 46096823 E: [email protected] Will Carruthers Playing the Bass with Th ree Left Hands Lebowski Agency, 2016 © Will Carruthers, 2016 © Lebowski Agency, Amsterdam 2016 Cover design: Peter de Lange Photograph of the author: © Fransesca Sara Cauli Typesetting: Crius Group, Hulshout www.lebowskipublishers.nl www.overamstel.com Lebowski Publishers is an imprint of Overamstel Publishers bv All rights reserved.
    [Show full text]
  • 'I Spy': Mike Leigh in the Age of Britpop (A Critical Memoir)
    View metadata, citation and similar papers at core.ac.uk brought to you by CORE provided by Glasgow School of Art: RADAR 'I Spy': Mike Leigh in the Age of Britpop (A Critical Memoir) David Sweeney During the Britpop era of the 1990s, the name of Mike Leigh was invoked regularly both by musicians and the journalists who wrote about them. To compare a band or a record to Mike Leigh was to use a form of cultural shorthand that established a shared aesthetic between musician and filmmaker. Often this aesthetic similarity went undiscussed beyond a vague acknowledgement that both parties were interested in 'real life' rather than the escapist fantasies usually associated with popular entertainment. This focus on 'real life' involved exposing the ugly truth of British existence concealed behind drawing room curtains and beneath prim good manners, its 'secrets and lies' as Leigh would later title one of his films. I know this because I was there. Here's how I remember it all: Jarvis Cocker and Abigail's Party To achieve this exposure, both Leigh and the Britpop bands he influenced used a form of 'real world' observation that some critics found intrusive to the extent of voyeurism, particularly when their gaze was directed, as it so often was, at the working class. Jarvis Cocker, lead singer and lyricist of the band Pulp -exemplars, along with Suede and Blur, of Leigh-esque Britpop - described the band's biggest hit, and one of the definitive Britpop songs, 'Common People', as dealing with "a certain voyeurism on the part of the middle classes, a certain romanticism of working class culture and a desire to slum it a bit".
    [Show full text]
  • 10 000 Russos (Fuzz Club Records. Porto,Pt)
    10 000 RUSSOS (FUZZ CLUB RECORDS. PORTO,PT) 10,000 Russos are a formidable force within modern psychedelia; their industrial psych/post-punk has been charming fuzz-heads across the globe with its stomping, shamanic mantras and otherworldly krautrock slant. Following their debut album and recent split with The Oscillation, the Portuguese trio have released their huge second LP ‘Distress Distress’ on April 7 2017 via Fuzz Club Records. This record was heavily promoted with two huge european tours (one of 50 gigs, other of 60) during the years of 2017 and 2018. Alongside sold out club gigs in 14 different european countries they have been headliners in festivals like Spacefest in Gdansk, Fuzz Club Fest in Eindhoven, Paredes de Coura in Portugal, Psych in Bloom 3D Fest in Stuttgart or Label Mates Fest in London. 10,000 Russos have once again transcended the boundaries of psychedelia as we know it today; their dark, droning noise is twisted, distorted and pushed to its limit. ‘Distress Distress’ is so ritualistic and industrial it see’s their usual post-punk sound – a primal and celestial mix of The Fall, NEU! and Spacemen 3 – pushed within an inch of techno territory with its abrasive, metronomic rhythms. Since their debut self-titled LP,Russos have been touring Europe extensively and acquiring a cult-like following at a whiplash rate - their incredible performance at Liverpool Psych Fest was widely described as a stand-out set by numerous music publications and fuzz fiends-alike. With the entrance of second record‘Distress Distress’, the band are showing no sign of slowing down either – redefining psychedelia with every hiss of feedback.
    [Show full text]
  • Drone Music from Wikipedia, the Free Encyclopedia
    Drone music From Wikipedia, the free encyclopedia Drone music Stylistic origins Indian classical music Experimental music[1] Minimalist music[2] 1960s experimental rock[3] Typical instruments Electronic musical instruments,guitars, string instruments, electronic postproduction equipment Mainstream popularity Low, mainly in ambient, metaland electronic music fanbases Fusion genres Drone metal (alias Drone doom) Drone music is a minimalist musical style[2] that emphasizes the use of sustained or repeated sounds, notes, or tone-clusters – called drones. It is typically characterized by lengthy audio programs with relatively slight harmonic variations throughout each piece compared to other musics. La Monte Young, one of its 1960s originators, defined it in 2000 as "the sustained tone branch of minimalism".[4] Drone music[5][6] is also known as drone-based music,[7] drone ambient[8] or ambient drone,[9] dronescape[10] or the modern alias dronology,[11] and often simply as drone. Explorers of drone music since the 1960s have included Theater of Eternal Music (aka The Dream Syndicate: La Monte Young, Marian Zazeela, Tony Conrad, Angus Maclise, John Cale, et al.), Charlemagne Palestine, Eliane Radigue, Philip Glass, Kraftwerk, Klaus Schulze, Tangerine Dream, Sonic Youth,Band of Susans, The Velvet Underground, Robert Fripp & Brian Eno, Steven Wilson, Phill Niblock, Michael Waller, David First, Kyle Bobby Dunn, Robert Rich, Steve Roach, Earth, Rhys Chatham, Coil, If Thousands, John Cage, Labradford, Lawrence Chandler, Stars of the Lid, Lattice,
    [Show full text]
  • Shelter Song”
    March 24, 2021 For Immediate Release Iceage Unveil New Song/Video, “Shelter Song” New Album, Seek Shelter, Out May 7th on Mexican Summer photo credit - Jonas Bang Copenhagen’s Iceage unveil a new single/video, “Shelter Song,” from their new album, Seek Shelter, out May 7th on Mexican Summer. Following “Vendetta” and “The Holding Hand,” “Shelter Song” opens the record with a dirge-like drone that gives way to a wall of reverb. It sounds fuller and brighter than anything Iceage have committed to tape, signalling a clarity of clouds breaking. Elias Bender Rønnenfelt’s instantly recognizable voice is joined by the Lisboa Gospel Collective, who add an anthemic swell: “Come lay here right beside me // They kick you when you're up, they knock you when you're down // Some shielding from the fighting // They beat you from the le, they hit you from the right // Come lay here right beside me.” The video was directed by longtime friend and collaborator Catherine Pattinama Coleman, who has worked with the band on two previous videos. It offers a rare, intimate look into the band’s life in Copenhagen amongst family and friends. Coleman elaborates: “Iceage asked me if I wanted to direct the video for ‘Shelter Song.’ As a childhood friend of theirs, it was important for me to showcase our friendship and the people we share everyday life with. So instead of making a video full of symbolism or a staged performance, I wanted to make a private and personal video close to our hearts. Aer a crazy year of COVID-19, the world in flames and structural racism peaking at such an extent, I wanted to create a meaningful piece, especially being a woman of color and fully in my third trimester.
    [Show full text]
  • Price Record Store Day 2019 Releases Price Follow Us on Twitter
    Follow us on twitter @PiccadillyRecs for Follow us on twitter @PiccadillyRecs for Price ✓ Record Store Day 2019 Releases Price ✓ Price ✓ Record Store Day 2019 Releases Price ✓ updates on items selling out etc. updates on items selling out etc. 7" SINGLES 7" 14.99 Queen : Bohemian Rhapsody/I'm In Love With My Car 12" 22.99 John Grant : Remixes Are Also Magic 12" 9.99 Lonnie Liston Smith : Space Princess 7" 12.99 Anderson .Paak : Bubblin' 7" 13.99 Sharon Ridley : Where Did You Learn To Make Love The 12" Way You 11.99Do Hipnotic : Are You Lonely? 12" 10.99 Soul Mekanik : Go Upstairs/Echo Beach (feat. Isabelle Antena) 7" 16.99 Azymuth : Demos 1973-75: Castelo (Version 1)/Juntos Mais 7" Uma Vez9.99 Saint Etienne : Saturday Boy 12" 9.99 Honeyblood : The Third Degree/She's A Nightmare 12" 11.99 Spirit : Spirit - Original Mix/Zaf & Phil Asher Edit 7" 10.99 Bad Religion : My Sanity/Chaos From Within 7" 12.99 Shit Girlfriend : Dress Like Cher/Socks On The Beach 12" 13.99 Hot 8 Brass Band : Working Together E.P. 12" 9.99 Stalawa : In East Africa 7" 9.99 Erykah Badu & Jame Poyser : Tempted 7" 10.99 Smiles/Astronauts, etc : Just A Star 12" 9.99 Freddie Hubbard : Little Sunflower 12" 10.99 Joe Strummer : The Rockfield Studio Tracks 7" 6.99 Julien Baker : Red Door 7" 15.99 The Specials : 10 Commandments/You're Wondering Now 12" 15.99 iDKHOW : 1981 Extended Play EP 12" 19.99 Suicide : Dream Baby Dream 7" 6.99 Bang Bang Romeo : Cemetry/Creep 7" 10.99 Vivian Stanshall & Gargantuan Chums (John Entwistle & Keith12" Moon)14.99 : SuspicionIdles : Meat EP/Meta EP 10" 13.99 Supergrass : Pumping On Your Stereo/Mary 7" 12.99 Darrell Banks : Open The Door To Your Heart (Vocal & Instrumental) 7" 8.99 The Straight Arrows : Another Day In The City 10" 15.99 Japan : Life In Tokyo/Quiet Life 12" 17.99 Swervedriver : Reflections/Think I'm Gonna Feel Better 7" 8.99 Big Stick : Drag Racing 7" 10.99 Tindersticks : Willow (Feat.
    [Show full text]
  • Press Release Art & Language Letters to the Jackson Pollock Bar in The
    Press Release Art & Language Letters to The Jackson Pollock Bar in the Style of The Red Krayola Featuring Matthew Jesse Jackson John Coxon and J. Spaceman Thursday, October 24, 2019 504 West 24th Street, New York Doors: 6pm Performances: 6.30 – 8.30pm RSVP required: [email protected] Lisson Gallery New York is pleased to present a night of performance, discussion and music inspired by the pioneering work of Art & Language and their 40-year collaboration with The Red Krayola, a punk band founded in Houston, Texas, by Mayo Thompson and Frederick Barthelme in 1966. The evening will also feature a discussion with Art & Language, hosted by art historian Matthew Jesse Jackson, as well as a newly commissioned homage to some of The Red Krayola’s earliest live shows, composed by musicians J. Spaceman (of Spacemen 3 and Spiritualized) and John Coxon (from Spring Heel Jack and the Treader label). After the conceptual art group known as Art & Language was formed in 1968 at Coventry College of Art in the UK, it quickly spread to New York where it centered on two important journals, Art-Language (1969-85) and then later The Fox (1975-76), by which time some 20 artists were connected in various ways with the name. It was around this time that an album entitled Corrected Slogans came out, marking the first collaboration between Art & Language in the UK and The Red Krayola, in which snippets and slogans from conceptual art theory and philosophical tracts were sung or chanted over music composed in response by Thompson’s band.
    [Show full text]
  • KOTJ Jesusshow Dec 25 2020
    The Jesus Show Dec 25 2020 www.artguy.com/KOTJ.html www.mixcloud.com/KOTJames The Velvet Underground - Jesus S/T Nick Cave & The Bad Seeds - Jesus Alone Skeleton Tree Car Seat Headrest - Joe Gets Kicked Out of School for Using Drugs With Friends But Says This Isn’t a Problem Teens of Denial Bob Dylan - In My Time of Dying S/T Tom Waits - Jesus Gonna Be Here Bone Machine Einstürzende Neubauten - Am I Only Jesus? The Jewels Larkin Grimm - Be my Host Parplar Gus Gus - Is Jesus Your Pal? Polydistortion I Break Horses - Baby You Travelled For Miles Without Love Warnings Low - If You Were Born Today (Song For Little Babby Jesus) Christmas Galaxie 500 - Tell Me On Fire Red Red Meat - Idiot Son Bunny Gets Paid William Tyler - Jesus Christ You Wish Father John Misty - Hollywood Forever Cemetery Sings Fear Fun Spritualized - Lord Let It Rain On Me Amazing Grace Black Rebel Motorcycle Club - Gospel Song Howl Fire On Fire - Toknight The Orchard Modest Mouse - Jesus Christ Was An Only Child The Lonesome Crowded West The Lumineers - Sleep On The Floor Cleopatra Her Space Holiday - Sweet Baby Jesus The Astronauts are Sleeping 2.0 CoCo Rosie - Jesus Loves Me Darcy Clay - Jesus I Was Evil S/T Sonic Jesus - Spectrum Visionary Memories Brian Jonestown Massacre - No Come Down Their Satanic Majesties' Second Request Can - Thief Delay 1968 Menomena- Muscle ’N Flow Friend And Foe King Missle - Jesus Was Way Cool Mystical Shit Pink Mountaintops - Plastic Man You’re the Devil Axis of Evol Kurt Vile - Jesus Fever Smoke Ring For My Halo Rotary Club - Running Through Calvary Vis-a-Vis Harry Nilsson - Jesus Christ You're Tall Sandman Starflyer 59 - A Good Living Talking Voices Vs.
    [Show full text]
  • RSD List 2020
    Artist Title Label Format Format details/ Reason behind release 3 Pieces, The Iwishcan William Rogue Cat Resounds12" Full printed sleeve - black 12" vinyl remastered reissue of this rare cosmic, funked out go-go boogie bomb, full of rapping gold from Washington D.C's The 3 Pieces.Includes remixes from Dan Idjut / The Idjut Boys & LEXX Aashid Himons The Gods And I Music For Dreams /12" Fyraften Musik Aashid Himons classic 1984 Electonic/Reggae/Boogie-Funk track finally gets a well deserved re-issue.Taken from the very rare sought after album 'Kosmik Gypsy.The EP includes the original mix, a lovingly remastered Fyraften 2019 version.Also includes 'In a Figga of Speech' track from Kosmik Gypsy. Ace Of Base The Sign !K7 Records 7" picture disc """The Sign"" is a song by the Swedish band Ace of Base, which was released on 29 October 1993 in Europe. It was an international hit, reaching number two in the United Kingdom and spending six non-consecutive weeks at number one on the Billboard Hot 100 chart in the United States. More prominently, it became the top song on Billboard's 1994 Year End Chart. It appeared on the band's album Happy Nation (titled The Sign in North America). This exclusive Record Store Day version is pressed on 7"" picture disc." Acid Mothers Temple Nam Myo Ho Ren Ge Kyo (Title t.b.c.)Space Age RecordingsDouble LP Pink coloured heavyweight 180 gram audiophile double vinyl LP Not previously released on vinyl Al Green Green Is Blues Fat Possum 12" Al Green's first record for Hi Records, celebrating it's 50th anniversary.Tip-on Jacket, 180 gram vinyl, insert with liner notes.Split green & blue vinyl Acid Mothers Temple & the Melting Paraiso U.F.O.are a Japanese psychedelic rock band, the core of which formed in 1995.The band is led by guitarist Kawabata Makoto and early in their career featured many musicians, but by 2004 the line-up had coalesced with only a few core members and frequent guest vocalists.
    [Show full text]
  • A – Z Index for Psychedelia by Patrick Lundborg
    A – Z index for Psychedelia by Patrick Lundborg www.lysergia.com vers 0.98, 15 July 2013 Allegro, John M, 33, 34, 35, 247, 413 A Allen, John W, 190, 193 Alpert, Richard, 25, 64, 158, 159, 160, 162, 163, Aaronson, Bernard, 172 164, 165, 167, 176, 177, 197, 200, 201, 208, Abrahamic religions, 31, 35, 136, 250, 371 261, 271, 274, 275, 301, 340, 358, 360, 365, Abrahamsson, Carl, 8, 70 371, 386, 444, 448, see Ram Dass Abramson, Harold A, 151, 156, 167, 172, 211 Altamont, 189, 210, 212, 308, 385 absinthe, 99, 445 Amanita muscaria, 33, 35, 41, 59, 81, 99, 105, Acid Archives, The, 127, 334 227, 228, 229, 230, 236, 239, 241, 242, 243, acid punk, 265 247, 376 Acid Test, 13, 31, 110, 111, 121, 127, 199, 277, Amaringo, Pablo, 7, 240, 422, 423, 462, 471, 278, 295, 296, 298, 303, 311, 326, 328, 330, 474 339, 484 Amazonia, 24, 36, 42, 43, 44, 45, 46, 47, 48, 49, Acid Test, The (LP recording), 110, 111, 127, 50, 51, 53, 54, 58, 59, 60, 61, 63, 64, 75, 181, 267, 277, 295 226, 229, 232, 234, 237, 239, 240, 241, 243, adrenochrome, 151, 155 244, 434, 457, 458, 461, 462, 465, 467, 469, adrenolutin, 155 471, 474, 475, 476, 483, 486, 495, 497, 499, Aeneid, The, 67, 68 505 Africa, entheogenic tradition, 244, 245 Amazonia, described, 47, 48 Aggregation, The, 106, 319, 447 Amon Düül II, 332 Agora project, 165, 167 amphetamine, 19, 200, 205, 206, 207, 210, 211, Agrippa, H C, 72, 83 217, 233, 258, 301, 305, 331, 399, 400, 402 Ahbez, Eden, 69, 122, 123, 124, 125, 126, 127, Anadenanthera genus (legumes), 224, 225, 345, 346, 347 226, 227, 240 Albarelli, Hank, 156 anamnesis, 14, 290, 368, 380 alchemy, 71, 72, 74, 75, 76, 77, 83, 100, 187, anatma, 136, 384 506 Anderson, Chester, 293, 297, 299 ALD-52, 210, 211 Angel's trumpet.
    [Show full text]