A – Z Index for Psychedelia by Patrick Lundborg
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The Art of Depression with Sonic Boom
The Art of Depression With Sonic Boom Bittles‘ Magazine Sonic Boom is not only a fantastic name for a band, it is also the nom de plume of Peter ›Sonic Boom‹ Kember, who was one of the founding members of the exceedingly excellent Spacemen 3. Spectrum is the only commercially available album he ever released under this name, yet it still stands as a momentous record that bewitches with its dense, layered sound. Released over 20 years ago, it isn’t of its time, or this time, or any time. In fact it is something else, separated from trends, fads or anything else which dilutes music to a turgid meaningless mess. By JOHN BITTLES Peter’s first band Spacemen 3 saw him, and close friend Jason Pierce (who later went on to form Spiritualized) play together with a varied assortment of musicians all linked together in their love of weird psychedelic rock. For almost ten years the band gave the world the type of scuzzy garage noise that most lost and alienated young teens only ever see in particularly vivid wet dreams. Sonic Boom. Photo by Xi Weg Since the split of Spacemen 3 back in 1991 Peter Kember has been releasing quality head music under various aliases including Spectrum (sublime indie rock) and E.A.R. (Experimental Audio Research) (strange drone type sounds). He is also equally well known as a producer having lent his production nous to the likes of MGMT, Panda Bear, Teen and, just recently, the ten tracks of psychedelic weirdness that make up the marvellous album Chambers by Lorelle Meets The Obsolete. -
Vinyls-Collection.Com Page 1/222 - Total : 8629 Vinyls Au 05/10/2021 Collection "Artistes Divers Toutes Catã©Gorie
Collection "Artistes divers toutes catégorie. TOUT FORMATS." de yvinyl Artiste Titre Format Ref Pays de pressage !!! !!! LP GSL39 Etats Unis Amerique 10cc Windows In The Jungle LP MERL 28 Royaume-Uni 10cc The Original Soundtrack LP 9102 500 France 10cc Ten Out Of 10 LP 6359 048 France 10cc Look Hear? LP 6310 507 Allemagne 10cc Live And Let Live 2LP 6641 698 Royaume-Uni 10cc How Dare You! LP 9102.501 France 10cc Deceptive Bends LP 9102 502 France 10cc Bloody Tourists LP 9102 503 France 12°5 12°5 LP BAL 13015 France 13th Floor Elevators The Psychedelic Sounds LP LIKP 003 Inconnu 13th Floor Elevators Live LP LIKP 002 Inconnu 13th Floor Elevators Easter Everywhere LP IA 5 Etats Unis Amerique 18 Karat Gold All-bumm LP UAS 29 559 1 Allemagne 20/20 20/20 LP 83898 Pays-Bas 20th Century Steel Band Yellow Bird Is Dead LP UAS 29980 France 3 Hur-el Hürel Arsivi LP 002 Inconnu 38 Special Wild Eyed Southern Boys LP 64835 Pays-Bas 38 Special W.w. Rockin' Into The Night LP 64782 Pays-Bas 38 Special Tour De Force LP SP 4971 Etats Unis Amerique 38 Special Strength In Numbers LP SP 5115 Etats Unis Amerique 38 Special Special Forces LP 64888 Pays-Bas 38 Special Special Delivery LP SP-3165 Etats Unis Amerique 38 Special Rock & Roll Strategy LP SP 5218 Etats Unis Amerique 45s (the) 45s CD hag 009 Inconnu A Cid Symphony Ernie Fischbach And Charles Ew...3LP AK 090/3 Italie A Euphonius Wail A Euphonius Wail LP KS-3668 Etats Unis Amerique A Foot In Coldwater Or All Around Us LP 7E-1025 Etats Unis Amerique A's (the A's) The A's LP AB 4238 Etats Unis Amerique A.b. -
Space Rock, the Popular Music Inspired by the Stars Above Us
SPACE ROCK, THE POPULAR MUSIC INSPIRED BY THE STARS ABOVE US JARKKO MATIAS MERISALO 79222N ASTRONOMICAL VIEW OF THE WORLD PART B S-92.3299AALTO UNIVERSITY 0 TABLE OF CONTENTS Table of contents ................................................................................................................. 1 1. Introduction ................................................................................................................... 2 2. What is space rock and how it was born? ..................................................................... 3 3. The Golden era ............................................................................................................. 5 3.1. Significant artists and songs to remember ................................................................ 5 3.2. Masks and Glitter – Spacemen and rock characters ................................................. 7 4. Modern times .............................................................................................................. 10 5. Conclusions ................................................................................................................. 12 6. References .................................................................................................................. 13 7. Appendices ................................................................................................................. 14 1. INTRODUCTION When the Soviets managed to launch “Sputnik 1”, the first man-made object to the Earth’s orbit in November 1957, -
Playing the Bass W Ith Three Left Hands
PLAYING THE BASS BASS THE PLAYING WITH THREE LEFT HANDS WILL CARRUTHERS ‘ Will Carruthers’ Playing The Bass With Three Left Hands is at the least the funniest rock memoir since Andrew Matheson’s Sick on You. Carruthers is a wonderfully droll narrator and the book is effectively a series of well-wrought comic set pieces’ Uncut, 9/10 Cover Playing the Bass.indd 1 25-8-2016 13:16:35 Playing the Bass with Th ree Left Hands I can confi rm that should you ever fi nd yourself on stage play- ing the bass guitar with tree left hands, it is usually he one in the middle that is the real one. Th e other two are probably phantoms. Playing the Bass with Th ree Left Hands tells the story of one of the most infl uential, revered and ultimately demented British bands of the 1980s, Spacemen 3. In classic rock n roll style they split up on the brink of their major breakthrough. As the decade turned sour and acid house hit the news, Rug- by’s fi nest imploded spectacularly, with Jason Pierce (aka Jason Spaceman) and Pete Kember (aka Sonic Boom) going their se- parate ways. Here, Will Carruthers tells the whole sorry story and the segue into Spirtualized in one of the funniest and most memorable memoirs committed to the page. Specifi cs Playing the Bass with Th ree Left Hands was published in Septem- ber 2016 by Faber Social 308 pages Agency Michaël Roumen: T: + 31 6 42136212 E: [email protected] Oscar van Gelderen: T: + 31 6 46096823 E: [email protected] Will Carruthers Playing the Bass with Th ree Left Hands Lebowski Agency, 2016 © Will Carruthers, 2016 © Lebowski Agency, Amsterdam 2016 Cover design: Peter de Lange Photograph of the author: © Fransesca Sara Cauli Typesetting: Crius Group, Hulshout www.lebowskipublishers.nl www.overamstel.com Lebowski Publishers is an imprint of Overamstel Publishers bv All rights reserved. -
The Psytrance Party
THE PSYTRANCE PARTY C. DE LEDESMA M.Phil. 2011 THE PSYTRANCE PARTY CHARLES DE LEDESMA A thesis submitted in partial fulfilment of the requirements of the School of Humanities and Social Sciences, University of East London for the degree of Master of Philosophy August 2011 Abstract In my study, I explore a specific kind of Electronic Dance Music (EDM) event - the psytrance party to highlight the importance of social connectivity and the generation of a modern form of communitas (Turner, 1969, 1982). Since the early 90s psytrance, and a related earlier style, Goa trance, have been understood as hedonist music cultures where participants seek to get into a trance-like state through all night dancing and psychedelic drugs consumption. Authors (Cole and Hannan, 1997; D’Andrea, 2007; Partridge, 2004; St John 2010a and 2010b; Saldanha, 2007) conflate this electronic dance music with spirituality and indigene rituals. In addition, they locate psytrance in a neo-psychedelic countercultural continuum with roots stretching back to the 1960s. Others locate the trance party events, driven by fast, hypnotic, beat-driven, largely instrumental music, as post sub cultural and neo-tribal, representing symbolic resistance to capitalism and neo liberalism. My study is in partial agreement with these readings when applied to genre history, but questions their validity for contemporary practice. The data I collected at and around the 2008 Offworld festival demonstrates that participants found the psytrance experience enjoyable and enriching, despite an apparent lack of overt euphoria, spectacular transgression, or sustained hedonism. I suggest that my work adds to an existing body of literature on psytrance in its exploration of a dance music event as a liminal space, redolent with communitas, but one too which foregrounds mundane features, such as socialising and pleasure. -
PIVAŘI a FRAJEŘI Průvodce Světem ZZ Top Neil Daniels Beer Drinkers & Hell Raisers: a ZZ Top Guide
Neil Daniels PIVAŘI A FRAJEŘI Průvodce světem ZZ Top Neil Daniels Beer Drinkers & Hell Raisers: A ZZ Top Guide Přeložil Milan Stejskal Translation © Milan Stejskal, 2015 Copyright © Neil Daniels, 2014 ISBN 978-80-7511-121-0 ISBN 978-80-7511-122-7 (epub) ISBN 978-80-7511-123-4 (pdf) Neil Daniels PIVAŘI A FRAJEŘI Průvodce světem ZZ Top PŘEDMLU VA od Stevena Rosena S Billym Gibbonsem a jeho kapelou ZZ Top jsem se poprvé se- známil v roce 1973. Právě vydali album Tres Hombres a já s nimi dělal rozhovor – se všemi třemi – pro nezávislý plátek jménem Los Angeles Free Press. Jakmile jsem vešel do jejich pokoje v ho- telu Continental Hyatt House – nechvalně to proslulém příbyt- ku mnoha rockových hvězd sedmdesátých let, který byl bohužel před mnoha lety zbourán – byl jsem přijat s pravou jižanskou po- hostinností, takže jsem se hned cítil v pohodě a klidu. Billy patřil mezi nejmilejší, nejzábavnější a nejbystřejší lidi, na něž jsem kdy narazil, a také díky tomu jsem si ho od první chvíle zamiloval. Během následujících let jsme se ještě mnohokrát sešli a v této před- mluvě uvedu rozhovor, který se odehrál zhruba šest let po našem prvním setkání. Podle mě právě toto vyprávění nejlépe ilustru- je, jaká kapela byla a je a jací jsou její členové po lidské stránce. Asi vám nemusím říkat, jak důležitou roli ZZ Top sehráli v šíření blues mezi širší vrstvy posluchačů. Billy Gibbons patřil a stále pa- tří mezi nejunikátnější a nejtvořivější kytaristy, kteří kdy drželi šestistrunku v ruce. O tom již napsali mnozí jiní. Ne, já vám nechci vyprávět o Billy Gibbonsovi, Franku Beardovi a Dusty Hillovi z hlediska historie, zvolím spíše osobní pohled. -
10 000 Russos (Fuzz Club Records. Porto,Pt)
10 000 RUSSOS (FUZZ CLUB RECORDS. PORTO,PT) 10,000 Russos are a formidable force within modern psychedelia; their industrial psych/post-punk has been charming fuzz-heads across the globe with its stomping, shamanic mantras and otherworldly krautrock slant. Following their debut album and recent split with The Oscillation, the Portuguese trio have released their huge second LP ‘Distress Distress’ on April 7 2017 via Fuzz Club Records. This record was heavily promoted with two huge european tours (one of 50 gigs, other of 60) during the years of 2017 and 2018. Alongside sold out club gigs in 14 different european countries they have been headliners in festivals like Spacefest in Gdansk, Fuzz Club Fest in Eindhoven, Paredes de Coura in Portugal, Psych in Bloom 3D Fest in Stuttgart or Label Mates Fest in London. 10,000 Russos have once again transcended the boundaries of psychedelia as we know it today; their dark, droning noise is twisted, distorted and pushed to its limit. ‘Distress Distress’ is so ritualistic and industrial it see’s their usual post-punk sound – a primal and celestial mix of The Fall, NEU! and Spacemen 3 – pushed within an inch of techno territory with its abrasive, metronomic rhythms. Since their debut self-titled LP,Russos have been touring Europe extensively and acquiring a cult-like following at a whiplash rate - their incredible performance at Liverpool Psych Fest was widely described as a stand-out set by numerous music publications and fuzz fiends-alike. With the entrance of second record‘Distress Distress’, the band are showing no sign of slowing down either – redefining psychedelia with every hiss of feedback. -
Drone Music from Wikipedia, the Free Encyclopedia
Drone music From Wikipedia, the free encyclopedia Drone music Stylistic origins Indian classical music Experimental music[1] Minimalist music[2] 1960s experimental rock[3] Typical instruments Electronic musical instruments,guitars, string instruments, electronic postproduction equipment Mainstream popularity Low, mainly in ambient, metaland electronic music fanbases Fusion genres Drone metal (alias Drone doom) Drone music is a minimalist musical style[2] that emphasizes the use of sustained or repeated sounds, notes, or tone-clusters – called drones. It is typically characterized by lengthy audio programs with relatively slight harmonic variations throughout each piece compared to other musics. La Monte Young, one of its 1960s originators, defined it in 2000 as "the sustained tone branch of minimalism".[4] Drone music[5][6] is also known as drone-based music,[7] drone ambient[8] or ambient drone,[9] dronescape[10] or the modern alias dronology,[11] and often simply as drone. Explorers of drone music since the 1960s have included Theater of Eternal Music (aka The Dream Syndicate: La Monte Young, Marian Zazeela, Tony Conrad, Angus Maclise, John Cale, et al.), Charlemagne Palestine, Eliane Radigue, Philip Glass, Kraftwerk, Klaus Schulze, Tangerine Dream, Sonic Youth,Band of Susans, The Velvet Underground, Robert Fripp & Brian Eno, Steven Wilson, Phill Niblock, Michael Waller, David First, Kyle Bobby Dunn, Robert Rich, Steve Roach, Earth, Rhys Chatham, Coil, If Thousands, John Cage, Labradford, Lawrence Chandler, Stars of the Lid, Lattice, -
Near the Himalayas, from Kashmir to Sikkim, at Altitudes the Catholic Inquisition, and the Traditional Use of These of up to 2700 Meters
Year of edition: 2018 Authors of the text: Marc Aixalà & José Carlos Bouso Edition: Alex Verdaguer | Genís Oña | Kiko Castellanos Illustrations: Alba Teixidor EU Project: New Approaches in Harm Reduction Policies and Practices (NAHRPP) Special thanks to collaborators Alejandro Ponce (in Peyote report) and Eduardo Carchedi (in Kambó report). TECHNICAL REPORT ON PSYCHOACTIVE ETHNOBOTANICALS Volumes I - II - III ICEERS International Center for Ethnobotanical Education Research and Service INDEX SALVIA DIVINORUM 7 AMANITA MUSCARIA 13 DATURA STRAMONIUM 19 KRATOM 23 PEYOTE 29 BUFO ALVARIUS 37 PSILOCYBIN MUSHROOMS 43 IPOMOEA VIOLACEA 51 AYAHUASCA 57 IBOGA 67 KAMBÓ 73 SAN PEDRO 79 6 SALVIA DIVINORUM SALVIA DIVINORUM The effects of the Hierba Pastora have been used by Mazatec Indians since ancient times to treat diseases and for divinatory purposes. The psychoactive compound Salvia divinorum contains, Salvinorin A, is the most potent naturally occurring psychoactive substance known. BASIC INFO Ska Pastora has been used in divination and healing Salvia divinorum is a perennial plant native to the Maza- rituals, similar to psilocybin mushrooms. Maria Sabina tec areas of the Sierra Madre Oriental Mountains of Mexi- told Wasson and Hofmann (the discoverers of its Mazatec co. Its habitat is tropical forests, where it grows between usage) that Salvia divinorum was used in times when the- 300 and 800 meters above sea level. It belongs to the re was a shortage of mushrooms. Some sources that have Lamiaceae family, and is mainly reproduced by cuttings done later feldwork point out that the use of S. divinorum since it rarely produces seeds. may be more widespread than originally believed, even in times when mushrooms were abundant. -
Multidisciplinary Association for Psychedelic Studies
MULTIDISCIPLINARY ASSOCIATION FOR PSYCHEDELIC STUDIES VOLUME X NUMBER 3 PSYCHEDELICS & CREATIVITY 2 m a p s • v o l u m e X n u m b e r 3 • c r e a t i v i t y 2 0 0 0 Creativity 2000 MAPS (Multidisciplinary Association for 1 Introductions Psychedelic Studies) is a membership-based Rick Doblin, Ph.D., Jon Hanna and Sylvia Thyssen organization working to assist psychedelic 4 Psychedelics and the Creation of Virtual Reality researchers around the world design, obtain Excerpted from an interview with Mark Pesce governmental approval, fund, conduct and report on psychedelic research in humans. 6 Visionary Community at Burning Man Founded in 1986, MAPS is an IRS approved By Abrupt 501 (c)(3) non-profit corporation funded 9 The Creative Process and Entheogens by tax-deductible donations. MAPS has Adapted from The Mission of Art previously funded basic scientific research By Alex Grey into the safety of MDMA (3,4-methylene- 12 Left Hand, Wide Eye dioxymethamphetamine, Ecstasy) and has By Connor Freff Cochran opened a Drug Master File for MDMA at the U.S. Food and Drug Administration. MAPS is 17 Huxley on Drugs and Creativity Excerpted from a 1960 interview for The Paris Review now focused primarily on assisting scientists to conduct human studies to generate 18 Ayahuasca and Creativity essential information about the risks and By Benny Shanon, Ph.D. psychotherapeutic benefits of MDMA, other 20 MAPS Members Share Their Experiences psychedelics, and marijuana, with the goal Anecdotes by Abram Hoffer, M.D., Ph.D., FRCP(C), of eventually gaining government Dean Chamberlain, Dan Merkur, Ph.D., Sam Patterson, approval for their medical uses. -
The Entheogen Review , Pob 19820, Sa Cramento , Ca 95819-0820, Usa 161 Vol Ume X, Number 4 Winter Solstice 2001
VOL UME X, NUMBER 4 WINTER SOLSTICE 2001 Index Symbols Age of Entheogens & The Angels’ Dictionary, Analog Act 84, 85 The 154 Anand, Margot 67, 154 ∞Ayes 32, 49, 50, 51 age regression 89 Anderson, E.F. 106 1,4-butanediol 84 Aguaruna Indians 10 Anderson, Rocky 41 1984 155 Aguirre, G., L.E. 3, 5, 6 Anderson, Sherry 156 2001 52 Agurell, S. 57, 58, 106 Andrews, S. 86 2C-B 22, 28, 118 ahpí 7 anesthetize 21 2C-D 20 ajucá 6 angico 6 2C-I 20 Akashic record 54 angicos brancos 6 2C-T-2 20, 22, 90 Al-Queda terrorists 123 angicos pretos 6 2C-T-4 20 Alarcón, R. 5 angiquín 6 2C-T-7 20, 85, 89, 90, 94, 105, 114 Alchemind Society, The 42, 76, 112 angiquinho 6 4-acetoxy-DET 88, 89, 90, 92, 93, 96 alcohol Angraecum fragrans 86 4-acetoxy-DIPT 29, 30, 88, 90, 91, 93 38, 52, 74, 84, 98, 99, 134, 145, 146 Anon. 151 4-hydroxy-αMT 139 alcoholic beverages 86 anonymous remailer 123 4-hydroxy-DET 88, 89, 139 Aldrich 83 anthraquinones 86 4-hydroxy-DMT 88 alfalfa 129 anti-cholinergic-like central effect 150 4-hydroxy-DPT 139 alien 32, 50, 53 anti-depressant 28 5-MeO-αMT 148 alien robots 52 anti-inflammatory 86 5-MeO-DIPT 90, 94 AllChemical Arts (conference) 115 anti-marijuana laws 46 5-MeO-DMT Allen, John W. 112 anti-nausea medications 28 1, 5, 25, 84, 89, 99, 101, 102, 103, allergy preparations 28 antibacterial 135 118, 126, 148 Alli, Antero 114 antibiotic 28 5-methoxytryptamine 150 Allison 156 antidiarrheal 104 Alpert, Richard 34 antispasmatic 28 A alpha 140, 141, 142, 143, 144, 145 Antonil, André João 4 Aardvark, David α-MT 148 ants 151 α 21, 27, 28, 30, 34, 51, -
The Moving Sidewalks at Bayou Music Center, 9/28/2013 | Houston Press
1/30/2017 The Moving Sidewalks at Bayou Music Center, 9/28/2013 | Houston Press SIGN UP LOG IN MENU The Moving Sidewalks at Bayou Music Center, 9/28/2013 BY CHRIS GRAY MONDAY, SEPTEMBER 30, 2013 AT 7 A.M. < L-R: The Moving Sidewalks' Billy Gibbons and Tom Moore Photos by Jim Bricker 0 0 0 0 A A Moving Sidewalks Bayou Music Center September 28, 2013 "We're actually remembering this shit," Billy F. advertisement Gibbons said after the Moving Sidewalks had played two choppy, fuzz-clouded songs Saturday night at Bayou Music Center. By all accounts, it was his pre-ZZ Top engagement's first public performance on a Houston stage since the LBJ administration, not to mention a glimpse of an alternate timeline any Bayou City music-history buff would find irresistible. The occasion was the Deacons of Deadwood's 12th annual charity gala, a fundraiser thrown by the large Houston motorcycle club/nonprofit whose annual donations to Houston-area children's charities number in the six figures. According to current Deacons president Steve Lamb, the Sidewalks got involved because "some friends of the band contacted us." He went on to tell me his non-Deacon position is an assets manager for Morgan Stanley, both Jimi Hendrix's and Sharon Stone's sisters were at the gala, and that http://www.houstonpress.com/music/themovingsidewalksatbayoumusiccenter92820136497257 1/8 1/30/2017 The Moving Sidewalks at Bayou Music Center, 9/28/2013 | Houston Press the Deacons have raised some $1.4 million for some very fortunate local kids in the club's 11-year history.