Mike D's Top Five Can't Miss Shows of September
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The Art of Depression with Sonic Boom
The Art of Depression With Sonic Boom Bittles‘ Magazine Sonic Boom is not only a fantastic name for a band, it is also the nom de plume of Peter ›Sonic Boom‹ Kember, who was one of the founding members of the exceedingly excellent Spacemen 3. Spectrum is the only commercially available album he ever released under this name, yet it still stands as a momentous record that bewitches with its dense, layered sound. Released over 20 years ago, it isn’t of its time, or this time, or any time. In fact it is something else, separated from trends, fads or anything else which dilutes music to a turgid meaningless mess. By JOHN BITTLES Peter’s first band Spacemen 3 saw him, and close friend Jason Pierce (who later went on to form Spiritualized) play together with a varied assortment of musicians all linked together in their love of weird psychedelic rock. For almost ten years the band gave the world the type of scuzzy garage noise that most lost and alienated young teens only ever see in particularly vivid wet dreams. Sonic Boom. Photo by Xi Weg Since the split of Spacemen 3 back in 1991 Peter Kember has been releasing quality head music under various aliases including Spectrum (sublime indie rock) and E.A.R. (Experimental Audio Research) (strange drone type sounds). He is also equally well known as a producer having lent his production nous to the likes of MGMT, Panda Bear, Teen and, just recently, the ten tracks of psychedelic weirdness that make up the marvellous album Chambers by Lorelle Meets The Obsolete. -
Space Rock, the Popular Music Inspired by the Stars Above Us
SPACE ROCK, THE POPULAR MUSIC INSPIRED BY THE STARS ABOVE US JARKKO MATIAS MERISALO 79222N ASTRONOMICAL VIEW OF THE WORLD PART B S-92.3299AALTO UNIVERSITY 0 TABLE OF CONTENTS Table of contents ................................................................................................................. 1 1. Introduction ................................................................................................................... 2 2. What is space rock and how it was born? ..................................................................... 3 3. The Golden era ............................................................................................................. 5 3.1. Significant artists and songs to remember ................................................................ 5 3.2. Masks and Glitter – Spacemen and rock characters ................................................. 7 4. Modern times .............................................................................................................. 10 5. Conclusions ................................................................................................................. 12 6. References .................................................................................................................. 13 7. Appendices ................................................................................................................. 14 1. INTRODUCTION When the Soviets managed to launch “Sputnik 1”, the first man-made object to the Earth’s orbit in November 1957, -
Playing the Bass W Ith Three Left Hands
PLAYING THE BASS BASS THE PLAYING WITH THREE LEFT HANDS WILL CARRUTHERS ‘ Will Carruthers’ Playing The Bass With Three Left Hands is at the least the funniest rock memoir since Andrew Matheson’s Sick on You. Carruthers is a wonderfully droll narrator and the book is effectively a series of well-wrought comic set pieces’ Uncut, 9/10 Cover Playing the Bass.indd 1 25-8-2016 13:16:35 Playing the Bass with Th ree Left Hands I can confi rm that should you ever fi nd yourself on stage play- ing the bass guitar with tree left hands, it is usually he one in the middle that is the real one. Th e other two are probably phantoms. Playing the Bass with Th ree Left Hands tells the story of one of the most infl uential, revered and ultimately demented British bands of the 1980s, Spacemen 3. In classic rock n roll style they split up on the brink of their major breakthrough. As the decade turned sour and acid house hit the news, Rug- by’s fi nest imploded spectacularly, with Jason Pierce (aka Jason Spaceman) and Pete Kember (aka Sonic Boom) going their se- parate ways. Here, Will Carruthers tells the whole sorry story and the segue into Spirtualized in one of the funniest and most memorable memoirs committed to the page. Specifi cs Playing the Bass with Th ree Left Hands was published in Septem- ber 2016 by Faber Social 308 pages Agency Michaël Roumen: T: + 31 6 42136212 E: [email protected] Oscar van Gelderen: T: + 31 6 46096823 E: [email protected] Will Carruthers Playing the Bass with Th ree Left Hands Lebowski Agency, 2016 © Will Carruthers, 2016 © Lebowski Agency, Amsterdam 2016 Cover design: Peter de Lange Photograph of the author: © Fransesca Sara Cauli Typesetting: Crius Group, Hulshout www.lebowskipublishers.nl www.overamstel.com Lebowski Publishers is an imprint of Overamstel Publishers bv All rights reserved. -
Absorption of Light Energy Light, Energy, and Electron Structure SCIENTIFIC
Absorption of Light Energy Light, Energy, and Electron Structure SCIENTIFIC Introduction Why does the color of a copper chloride solution appear blue? As the white light hits the paint, which colors does the solution absorb and which colors does it transmit? In this activity students will observe the basic principles of absorption spectroscopy based on absorbance and transmittance of visible light. Concepts • Spectroscopy • Visible light spectrum • Absorbance and transmittance • Quantized electron energy levels Background The visible light spectrum (380−750 nm) is the light we are able to see. This spectrum is often referred to as “ROY G BIV” as a mnemonic device for the order of colors it produces. Violet has the shortest wavelength (about 400 nm) and red has the longest wavelength (about 650–700 nm). Many common chemical solutions can be used as filters to demonstrate the principles of absorption and transmittance of visible light in the electromagnetic spectrum. For example, copper(II) chloride (blue), ammonium dichromate (orange), iron(III) chloride (yellow), and potassium permanganate (red) are all different colors because they absorb different wave- lengths of visible light. In this demonstration, students will observe the principles of absorption spectroscopy using a variety of different colored solutions. Food coloring will be substituted for the orange and yellow chemical solutions mentioned above. Rare earth metal solutions, erbium and praseodymium chloride, will be used to illustrate line absorption spectra. Materials Copper(II) chloride solution, 1 M, 85 mL Diffraction grating, holographic, 14 cm × 14 cm Erbium chloride solution, 0.1 M, 50 mL Microchemistry solution bottle, 50 mL, 6 Potassium permanganate solution (KMnO4), 0.001 M, 275 mL Overhead projector and screen Praseodymium chloride solution, 0.1 M, 50 mL Red food dye Water, deionized Stir rod, glass Beaker, 250-mL Tape Black construction paper, 12 × 18, 2 sheets Yellow food dye Colored pencils Safety Precautions Copper(II) chloride solution is toxic by ingestion and inhalation. -
10 000 Russos (Fuzz Club Records. Porto,Pt)
10 000 RUSSOS (FUZZ CLUB RECORDS. PORTO,PT) 10,000 Russos are a formidable force within modern psychedelia; their industrial psych/post-punk has been charming fuzz-heads across the globe with its stomping, shamanic mantras and otherworldly krautrock slant. Following their debut album and recent split with The Oscillation, the Portuguese trio have released their huge second LP ‘Distress Distress’ on April 7 2017 via Fuzz Club Records. This record was heavily promoted with two huge european tours (one of 50 gigs, other of 60) during the years of 2017 and 2018. Alongside sold out club gigs in 14 different european countries they have been headliners in festivals like Spacefest in Gdansk, Fuzz Club Fest in Eindhoven, Paredes de Coura in Portugal, Psych in Bloom 3D Fest in Stuttgart or Label Mates Fest in London. 10,000 Russos have once again transcended the boundaries of psychedelia as we know it today; their dark, droning noise is twisted, distorted and pushed to its limit. ‘Distress Distress’ is so ritualistic and industrial it see’s their usual post-punk sound – a primal and celestial mix of The Fall, NEU! and Spacemen 3 – pushed within an inch of techno territory with its abrasive, metronomic rhythms. Since their debut self-titled LP,Russos have been touring Europe extensively and acquiring a cult-like following at a whiplash rate - their incredible performance at Liverpool Psych Fest was widely described as a stand-out set by numerous music publications and fuzz fiends-alike. With the entrance of second record‘Distress Distress’, the band are showing no sign of slowing down either – redefining psychedelia with every hiss of feedback. -
Drone Music from Wikipedia, the Free Encyclopedia
Drone music From Wikipedia, the free encyclopedia Drone music Stylistic origins Indian classical music Experimental music[1] Minimalist music[2] 1960s experimental rock[3] Typical instruments Electronic musical instruments,guitars, string instruments, electronic postproduction equipment Mainstream popularity Low, mainly in ambient, metaland electronic music fanbases Fusion genres Drone metal (alias Drone doom) Drone music is a minimalist musical style[2] that emphasizes the use of sustained or repeated sounds, notes, or tone-clusters – called drones. It is typically characterized by lengthy audio programs with relatively slight harmonic variations throughout each piece compared to other musics. La Monte Young, one of its 1960s originators, defined it in 2000 as "the sustained tone branch of minimalism".[4] Drone music[5][6] is also known as drone-based music,[7] drone ambient[8] or ambient drone,[9] dronescape[10] or the modern alias dronology,[11] and often simply as drone. Explorers of drone music since the 1960s have included Theater of Eternal Music (aka The Dream Syndicate: La Monte Young, Marian Zazeela, Tony Conrad, Angus Maclise, John Cale, et al.), Charlemagne Palestine, Eliane Radigue, Philip Glass, Kraftwerk, Klaus Schulze, Tangerine Dream, Sonic Youth,Band of Susans, The Velvet Underground, Robert Fripp & Brian Eno, Steven Wilson, Phill Niblock, Michael Waller, David First, Kyle Bobby Dunn, Robert Rich, Steve Roach, Earth, Rhys Chatham, Coil, If Thousands, John Cage, Labradford, Lawrence Chandler, Stars of the Lid, Lattice, -
I'll Build You a Rainbow
I'll Build You A Rainbow Summary Experiments and demonstrations are used to help students understand that white visible light is composed of the colors of the spectrum. Time Frame 1 class periods of 45 minutes each Group Size Large Groups Materials For the Teacher: Shallow Baking Dish Water Small Mirror Modeling Clay White Paper 3 Flashlights Red, Green, and Blue Cellophane For the Student: Clear Plastic Cup Water Straw Pencil Penny Prism Flashlight White Paper Science Journal Background for Teachers People first thought rainbows were something of a supernatural explanation. The first person to realize that light contained color was a man in 1666 named Sir Isaac Newton. Newton discovered the colors when he bent light. We see a rainbow of colors when we use a prism or water to separate the colors of sunlight. Light is bent as it passes through the water or prism and the colors are spread apart into a spectrum. Each color becomes individually visible. Each color has a different wavelength with red being the longest and violet the shortest. When light passes through a prism or water, each color is bent at a different angle. Color is an essential part of our life. Everything we see has color. Colors are in the clothes we wear, in the plants and animals. The sky is blue. The snow is white. The asphalt is black. Can you imagine what our world would be like if there were no color? If you were asked to draw a rainbow, in which order would you put the colors? Young (and sometimes older) children may think each rainbow, like each person is unique. -
A Study to Determine the Color Preferences of School Children, 1950-1951
A study to determine the color preferences of school children, 1950-1951 Item Type text; Thesis-Reproduction (electronic) Authors Ryan, Leo Thomas, 1914- Publisher The University of Arizona. Rights Copyright © is held by the author. Digital access to this material is made possible by the University Libraries, University of Arizona. Further transmission, reproduction or presentation (such as public display or performance) of protected items is prohibited except with permission of the author. Download date 06/10/2021 16:01:14 Link to Item http://hdl.handle.net/10150/319109 A STUDY TO DETERMINE THE COLOR PREFERENCES OF SCHOOL CHILDREN 1950 - 1951 LeoL Ryanz /' v \ A Thesis submitted to the faculty of the Department of Education in partial fulfillment of the requirements for the degree of MASTER OF ARTS in the Graduate College, University of Arizona 1951 TABLE OP CONTENTS: Chapter Page ■I. INTRODUCTION«, t . 6 "II. BACKGROUND FOR THE STUDY. - . , . .18: III. METHOD OF PROCEDURE .............. 40 IVp PRESENTATION OF DATA. .............. 50 V. ANALYSIS AND INTERPRETATION .......... 64 VI. SUMMARY.-. ... V ' . .... ... ... 75 Oozig3.U1 s 2.ons o oo o a o o o o 0 a & 0 o o o 5 Recommendations® o 76 Xj im 11 a t x on s <> o ©& <» » « @ @ 6 « « © <> * © *7 7 Suggestions for Future Research • *, . <> • „ 77 BIBLIOGRAPHY o . < . , . o . , -* . , 78 AP P BIX 3D IDC ^ 0 8 o o o o o e o O © o o o © o o o o 8 ii LIST OF GH&RTS Ghart , . Page lo ■ SYMBOLISM OF COLORS Q . 0 21 II.:- SYMBOLISM OF DIRECTIONAL COLORS IN . ' DIFFERENT COUNTRIES . .. .. ... 23 III, SYMBOLISM OF COLORS OF THE ELEMENTS . -
Price Record Store Day 2019 Releases Price Follow Us on Twitter
Follow us on twitter @PiccadillyRecs for Follow us on twitter @PiccadillyRecs for Price ✓ Record Store Day 2019 Releases Price ✓ Price ✓ Record Store Day 2019 Releases Price ✓ updates on items selling out etc. updates on items selling out etc. 7" SINGLES 7" 14.99 Queen : Bohemian Rhapsody/I'm In Love With My Car 12" 22.99 John Grant : Remixes Are Also Magic 12" 9.99 Lonnie Liston Smith : Space Princess 7" 12.99 Anderson .Paak : Bubblin' 7" 13.99 Sharon Ridley : Where Did You Learn To Make Love The 12" Way You 11.99Do Hipnotic : Are You Lonely? 12" 10.99 Soul Mekanik : Go Upstairs/Echo Beach (feat. Isabelle Antena) 7" 16.99 Azymuth : Demos 1973-75: Castelo (Version 1)/Juntos Mais 7" Uma Vez9.99 Saint Etienne : Saturday Boy 12" 9.99 Honeyblood : The Third Degree/She's A Nightmare 12" 11.99 Spirit : Spirit - Original Mix/Zaf & Phil Asher Edit 7" 10.99 Bad Religion : My Sanity/Chaos From Within 7" 12.99 Shit Girlfriend : Dress Like Cher/Socks On The Beach 12" 13.99 Hot 8 Brass Band : Working Together E.P. 12" 9.99 Stalawa : In East Africa 7" 9.99 Erykah Badu & Jame Poyser : Tempted 7" 10.99 Smiles/Astronauts, etc : Just A Star 12" 9.99 Freddie Hubbard : Little Sunflower 12" 10.99 Joe Strummer : The Rockfield Studio Tracks 7" 6.99 Julien Baker : Red Door 7" 15.99 The Specials : 10 Commandments/You're Wondering Now 12" 15.99 iDKHOW : 1981 Extended Play EP 12" 19.99 Suicide : Dream Baby Dream 7" 6.99 Bang Bang Romeo : Cemetry/Creep 7" 10.99 Vivian Stanshall & Gargantuan Chums (John Entwistle & Keith12" Moon)14.99 : SuspicionIdles : Meat EP/Meta EP 10" 13.99 Supergrass : Pumping On Your Stereo/Mary 7" 12.99 Darrell Banks : Open The Door To Your Heart (Vocal & Instrumental) 7" 8.99 The Straight Arrows : Another Day In The City 10" 15.99 Japan : Life In Tokyo/Quiet Life 12" 17.99 Swervedriver : Reflections/Think I'm Gonna Feel Better 7" 8.99 Big Stick : Drag Racing 7" 10.99 Tindersticks : Willow (Feat. -
The Physics, Chemistry and Perception of Colored Flames
An earlier version appeared in: Pyrotechnica VII (1981). The Physics, Chemistry and Perception of Colored Flames Part I K. L. Kosanke SUMMARY ed analogy, semi-classical explanations, and a little hand waving in place of perfectly rigorous The first part of this three-part monograph science. In doing this, I have been careful not to presents an in-depth examination of the develop- distort the science being discussed, but only to ment of light theory; mechanisms of light genera- make the subject more understandable. I have in- tion in flames; atomic line, molecular band and cluded numerous drawings, notes and equations as continuous spectra; the definition, laws and figures. I hope the result is complete, accurate, measurement of color; chromaticity diagrams and useful, understandable, and may possibly even how the pyrotechnist can use this knowledge of makes enjoyable reading. physics in planning colored flame formulations of optimal purity. 2.0 Introduction 1.0 Preface Many of the concepts discussed in this paper are not particularly easy to understand or to work In my examination of pyrotechnic literature, I with. It is reasonable to wonder why you should have not been able to find a comprehensive dis- bother to read it and what you will get out of it. cussion of the physics, chemistry and perception The answer is slightly different depending on your of colored flames, let alone one that could be un- scientific background and on what type of pyro- derstood by the average fireworks enthusiast. The technist you are. I will assume your scientific standard texts such as Davis (1943), Weingart background is limited. -
Light and the Electromagnetic Spectrum
© Jones & Bartlett Learning, LLC © Jones & Bartlett Learning, LLC NOT FOR SALE OR DISTRIBUTION NOT FOR SALE OR DISTRIBUTION © Jones & Bartlett Learning, LLC © Jones & Bartlett Learning, LLC NOT FOR SALE OR DISTRIBUTION NOT FOR SALE OR DISTRIBUTION © Jones & Bartlett Learning, LLC © Jones & Bartlett Learning, LLC NOT FOR SALE OR DISTRIBUTION NOT FOR SALE OR DISTRIBUTION © Jones & Bartlett Learning, LLC © Jones & Bartlett Learning, LLC NOT FOR SALE OR DISTRIBUTION NOT FOR SALE OR DISTRIBUTION © Jones & Bartlett Learning, LLC © Jones & Bartlett Learning, LLC NOT FOR SALE OR DISTRIBUTION NOT FOR SALE OR DISTRIBUTION © JonesLight & Bartlett and Learning, LLCthe © Jones & Bartlett Learning, LLC NOTElectromagnetic FOR SALE OR DISTRIBUTION NOT FOR SALE OR DISTRIBUTION4 Spectrum © Jones & Bartlett Learning, LLC © Jones & Bartlett Learning, LLC NOT FOR SALEJ AMESOR DISTRIBUTIONCLERK MAXWELL WAS BORN IN EDINBURGH, SCOTLANDNOT FOR IN 1831. SALE His ORgenius DISTRIBUTION was ap- The Milky Way seen parent early in his life, for at the age of 14 years, he published a paper in the at 10 wavelengths of Proceedings of the Royal Society of Edinburgh. One of his first major achievements the electromagnetic was the explanation for the rings of Saturn, in which he showed that they con- spectrum. Courtesy of Astrophysics Data Facility sist of small particles in orbit around the planet. In the 1860s, Maxwell began at the NASA Goddard a study of electricity© Jones and & magnetismBartlett Learning, and discovered LLC that it should be possible© Jones Space & Bartlett Flight Center. Learning, LLC to produce aNOT wave FORthat combines SALE OR electrical DISTRIBUTION and magnetic effects, a so-calledNOT FOR SALE OR DISTRIBUTION electromagnetic wave. -
Act IV: Rebirth in Reprise
Act IV: Rebirth In Reprise It’s been almost a decade since Casey Crescenzo brought The Dear Hunter – both the band and the character of the same name – to life with his 2006 debut full-length, Act I: The Lake South, The River North. Although it was evident from his stint as singer of The Receiving End Of Sirens, the record revealed Crescenzo’s incredibly inventive and ambitious musical flair, something which has been evolving ever since. The two albums which followed – 2007’s Act II: The Meaning Of, And All Things Regarding Ms. Leading and 2009’s Act III: Life And Death – cemented the now 32 year-old as a maverick, idiosyncratic talent whose music, while fitting a modern aesthetic, was also from a bygone era. Anachronistic and timeless in equal measure, the narrative of The Dear Hunter existed in both the past and the present, its detailed plot standing simultaneously as an age-old and new age fable. As that tale progressed, so did Crescenzo’s art, his experimental compositions blurring the line between different genres to create a sound that was – and still is – unique to the band. But then, halfway through the six envisioned Acts of the Dear Hunter narrative, Crescenzo’s attentions shifted. Between 2010 and 2011, the band recorded a series of nine, four-track EPs, known as The Color Spectrum. Later released as a single volume edition, each EP was a musical interpretation of a color from the visible spectrum, showcasing the increasingly far-reaching ambitions for Crescenzo’s musical vision and his inventive interpretation of the world around him.