Jazz In The Pass

John Handy, Jr. Pass Christian

International Jazz Musician

& Jazz in the Pass A short history

A Pictorial Documentary by Dan Ellis

Web Site – DanEllis.Net Web Site – PassChristian.Net email – [email protected] Jazz In The Pass

Captain John Handy Sax Altoist, Clarinetist Pass Christian’s Little Known Internationally Famous Jazz Great

In April 1970, when the New Orleans Jazz and Heritage Festival was then celebrated as a 3-day weekend, events were held mainly in the Municipal Auditorium and at Beauregard Square that fronted the auditorium. Top billing was Mahalia Jackson and Captain Capt. John Handy Handy. Mahalia soulfully sang “Down by the Riverside,” “Precious Lord Take My Hand,” “Deep as the Sea,” and other gospel standards. Captain John Handy lead his jazz group, “Handy’s Louisiana Shakers” into many of his well known recorded pieces. Now famous, Ellis Marsalis was just making his first introductions to fans as he played his piano with a group called the “All Stars.” At that time, Friday night performances were held in the Municipal Auditorium; Saturday activities at noon, opened with a street parade lead by the Eureka Brass Band that brought everyone to hear the open air performances in Beauregard Square. Saturday

Dan Ellis Historical Series -2- Jazz In The Pass evening performances were with Al Hirt, Duke Ellington and others in the Auditorium. Sundays were staged with impromptu music sessions mixed with Blues, Cajun, and Gospel choirs held in Beauregard Square with food and crafts available. That was Captain Handy’s last Jazz Fair, he died at age 70 in Pass Christian, just a few days after sitting in with his Pass friends as he played some of his favorite jazz and blues. The Captain actually had two funeral observances. The Capt. John Handy first was at New Orleans where his body was taken to the Rhodes Funeral Home on North Claiborne Avenue to be waked for his many City friends. The following day his body was returned to Pass Christian for a second well-attended wake at Goodwill Baptist Church. Handy’s church, St. Harold DeJean – Olympia Brass Band Paul’s United Methodist was still under repair due to Hurricane Camille damages which occurred just six months before. Handy had described “Camille” as the bluest note he had ever heard.

Dan Ellis Historical Series -3- Jazz In The Pass Harold DeJean, head of the Olympia Brass Band, echoed out, “We come to lay him down right!” The ritual is a tradition for New Orleans old musicians that seldom varies. The band lead the hearse in a somber funereal march to the cemetery, playing hymns all along the way. The lead trumpet rolled out the first notes of “Closer Walk With Thee.” Then they let loose with a sprightly march as they came away from the grave, blaring lively Dixieland tunes. The trumpets aimed heavenward, clarinets playing lower register, and the trombones flamed like burnished gold. The mourners strutted and trucked all along the band route. Friends had come from as far as England and as near as around the corner – also in tribute were the bells from other churches in the city that began ringing – “there were the sounds of music everywhere.” The sun was bright, the earth damp from recent rains and the air clean and crisp. A young girl walking along with the band began to cry. The Grand Marshall leaned over and comforted her, saying, “The good Captain, he’s gone home now.” The procession headed for Third Street to the place where the Captain, his wife Mable, and their five children lived. Capt. John Handy on Alto Sax

Dan Ellis Historical Series -4- Jazz In The Pass Then, as the procession neared the house, a young boy broke from the procession and ran through the metal gate at 326 Third Street. He sat down on the steps of the small yellowish house. He was the grandson of Captain Handy, and this was his grandfather’s house. It was the last house on the right, next to the ballpark where his children and grandchildren played.

4500 mourners and spectators at Handy’s funeral.

Five hundred mourners were expected, but along the mile-and-a-half procession march, on both sides of the streets – were some 4,500 viewers and participants who gathered to watch as the brass band turned south and went to Second Street. The mourning procession then traveled more than a mile to the site of the Trinity Episcopal Church’s Live Oak Cemetery where he was buried. Already waiting at the cemetery was a large group including musicians Freddie Minor and Buster Holmes from New Orleans. Freddie remarked that he had given John Handy the name of Captain in 1930, when before a large audience he yelled out, “Blow it Captain John Handy, blow it.”

Dan Ellis Historical Series -5- Jazz In The Pass The Jazz Great was even greater than he was aware – he was even eulogized in Life Magazine.

• • • • • Captain Handy was born into a musically acclaimed family. His mother was a pianist and his father, who led the first walking band in Pass Christian for 14 years, had various musical talents. His younger brother Sylvester, played bass guitar, and his sister, Elizabeth, played the bass violin. Captain Handy started as a drummer and later, after going to New Orleans in 1918, to join the Tom Albert band, became a top-notch player of the clarinet. While Captain Handy led his own band — the Louisiana Shakers in the early 1920s, he also sat in with such bands as Kit Howard’s Brass, George Lewis and John Casimer’s Tuxedo Band. He also played with Barry Martyn and Pete Marble – and was featured on many occasions at Preservation Hall in New Orleans with Kid Sheik’s Storyville Ramblers. Captain Handy made one Far East Tour and two to Europe. In 1966, he traveled with Kid Sheik to England and Belgium and in 1967, with Sheik to Japan. The Handy Man in Japan He went again with the band in 1968, to England and Italy.

Dan Ellis Historical Series -6- Jazz In The Pass During his early career he played in the French Quarter and in places such as the “Hummingbird Cabaret,” the “Pelican,” and the “Astoria.” As a recording artist, the English press wrote about his “Handyman Vol. 2" a followup to a previous recording released in Europe – as music that was hot and gutty, loosely New Orleans in style, but Handy and Lionel Hampton receive Italian Gold Medals sufficiently personal in flavor to appeal to ”jump-band” enthusiasts. Bearing such tunes as Indiana – Dinah – Rosetta – C Blues – Stumblin’ – Always Be in Love – Sleepy Time Gal – Body and Soul. Accompanied with Dave Green on bass, Barry Martyn on drums, Pat Hawes at piano, Cuff Billett on trumpet, Richard Simmons at piano, Brian Turnock at bass, Some of Handy’s best friends were Louis “Satchmo” Armstrong, Mahalia Jackson, Duke Ellington, Cab Calloway, Lionel Hampton, and many other contemporary artists. Music was not Captain Handy’s only career. For additional income, he worked at Joy’s Department Store in New Orleans and later, became a janitor at Tulane University. Handy in Japan

Dan Ellis Historical Series -7- Jazz In The Pass While at Tulane, he became a friend of Richard Allen, curator of the Archives of New Orleans Jazz. After his retirement from Tulane in 1963, Captain Handy returned to Pass Christian and indulged frequently in hunting and fishing, between cutting records and making overseas tours. • • • • • Handy was born June 24, 1900, the eldest son of John Handy, Sr. and Mrs Elizabeth Golden Handy. He was raised on Davis Avenue just a few doors from St. Paul’s Methodist Church. When he was 12 years old he played as a percussionist in his father’s band. Besides John, there was John Moliere on trumpet, Frank Toles on trombone, Willie Davies on guitar, Selvin Thomas at bass, and John Handy’s father, Handy, Sr. on the violin. Young John also learned the mandolin – and at age 15, started a string trio with his two brothers, Sylvester playing the bass, and Julius playing the guitar. They played at the large Mexican Gulf Hotel located at Davis and Scenic Drive until it burned down in 1917 while being renovated. He then had learned the clarinet and played with his father’s band again while also Handy and the Watsons played at the sitting in with Tom Mexican Gulf Hotel on Davis Ave. Albert at trumpet and Charlie Watson at drums. He then left Pass Christian along with Tom Albert to participate in Albert’s new band along with Harrison Barnes at trombone, Clarence Vincent on banjo, and Shine Nolan on drums.

Dan Ellis Historical Series -8- Jazz In The Pass After a few years he also sat in with the Chris Kelly Band. In 1924, he went to Baton Rouge to play in Tut Johnson’s Band and the Steward Band. In 1927, he returned to New Orleans to play with Kid Rena and also with the Sam Morgan Band. He played at Kid Sheik Cola and Handy the Humming Bird Lounge with trumpet player Guy Kelly, and with Henry Red Allen at the Entertainer’s Club on Basin Street in 1927 and 1928. That is when he switched to the alto sax. He met with Avery Kid Howard while playing on the River boats, during which time he started his own band called the “Louisiana Shakers” with Kid Keifer, Edmond Battley, George Clark, Lionel Ferbois, Sidney Pfleuger, Henry Kimball, and Roy Evans. Eddie Watson, guitarist from Pass Christian also joined the group in addition to John’s brother Sylvester at bass. In 1932, the “Shakers” regrouped with Alvin Alcorn on trumpet, Lee Collins The Pass’s Eddie Watson

Dan Ellis Historical Series -9- Jazz In The Pass on trumpet, Willie Padjeand on trumpet, Raymond Brown on trombone, Davey James on saxophone, Raymond Davis at piano, and Roy Evans on drums. They made tours throughout Handy at Preservation Hall at New Louisiana and Texas Orleans and while at New Orleans they played at the Pelican Club. He eventually disbanded the “Shakers” for lack of success and also played at the La Vida Dance Hall while DeeDee Pierce at trumpet, Kid Martyn joining with Oscar on drums, and Capt. John Handy with “Papa” Celestin’s band altoSax. until 1941. Musicians in the group were Kid Clayton and Albert Walters on trumpet, Bill Matthews on trombone, John Handy on alto sax, Eddie Johnson on saxophone, Octave Crosby at piano, Richard Alexis Kid Martyn and Handy on bass, and Albert Jiles on drums.

Dan Ellis Historical Series -10- Jazz In The Pass After taking off a few years of illness, he joined the Young Tuxedo Brass Band lead by John Casimir in the late 1940s. In 1952, Handy joined Kid Clayton’s “Happy Pals” band and returned to Pass Christian after leaving that group. It wasn’t until 1960 at age 60, did Handy sit in on his first recording — with Punch Miller and Paul Barnes. Captain John Handy had always played with great bands that had their music recorded, but Handy was never with any of the bands at the time of their recording sessions. This was unfortunate. But, as late in life as he did get started, he managed to record at least 10 records that can only be found in jazz collector’s personal inventories . He also appeared in a 1964 Milwaukee NET television broadcast with the Alvin Alcorn Jazz Band. Other recordings were made while he was on tour performing at concerts. One recording was known as “The John and Mable (his wife) Handy Memorial Album.” He was picked up by RCA Studio and sent on tour through Mabel and John Handy at home in the Canada with the Keith Pass. Smith American All Stars, composed of Keith Smith from England on trumpet, Jimmy Archey on trombone, John Handy on alto sax, Lars Edegran (a Scandinavian) at piano, Ernie Johnson with banjo, Pops Foster on bass, and Freddy Moor on drums. While at Toronto, Handy recorded with the Claude Hopkins Orchestra, which included Doc Cheatham, Benny Morton, Scoville Brown, Claude Hopkins, Eddie Gibbs, and Gus Jonnson.

Dan Ellis Historical Series -11- Jazz In The Pass Handy was prompted to let loose with such pieces as Perdido, Handy’s Gulf Coast Boogie, and One o’clock Jump. His final televised sessions were with the Preservation Hall Band and the Eureka Brass Band, playing Bourbon Street Parade, – I want a little Girl, – St. Louis Blues, – Lord, Lord, Lord, – RCA Studio’s Brad McCuen and Capt. Panama, and –Just a John Handy in 1968. Closer Walk, with Louis Armstrong singing. Handy’s style was different. His playing was considered to be robust in nature with his own unmistakable sound. In contrast to other old New Orleans veterans, he was completely sure of his music and his ability. He had a flair for “rhythm and blues,” a style that was later picked up by Handy and Jazz Promoter Earl Bostic and Louis Jordan.

Dan Ellis Historical Series -12- Jazz In The Pass John Handy’s fame came late in life. It was during his last ten years from age 60 to 70 that he was able to assert himself and to become recognized internationally. The best known biographic study on him was written in German for his European enthusiasts. The German author, von Horst Herling, stated that Captain John Handy’s influence to New Orleans Revival Jazz was better known in Europe than in the United States, and had hoped that his music style could be better appreciated. • • • • •

Close friends of Captain Handy were Joseph L. Jackson, (Joe B.) and Harry W. Fairconnetue. Both of them, in their own right, were great musicians who often played with Handy – professionally and while sitting in on social jam sessions.

Joseph L. “Joe B” Jackson Joe B. Jackson was a famed jazz pianist, self taught by the age of 12, – who formed his own band that was known as Jobie Jackson’s Band, featuring John Handy. Also, playing with the “Joe B” Jackson Dan Ellis Historical Series -13- Jazz In The Pass group were Harry Fairconnetue and Elsworth Collins, both of Bay St. Louis, Eddie Watson of Pass Christian, J.C. James of Gulfport, Harold Dejean of New Orleans, Charles Fairley of Moss Point, and James Baker. Jackson and Handy played together off and on for a period of more than 30 years. Jackson died on April 18, 1978, at the age of 64, while attending a city council meeting at Pass Christian City Hall. His wake and Mass services were held at Mother of Mercy Church followed by a Jazz procession that was participated in by hundreds jazz aficionados.

Joe B. Jackson’s Funeral

Like Handy, Joe B. also had other jobs when he wasn’t playing music. He was employed by the L & N Railroad Company and would commute to New Orleans daily. This gave him time to play the late night gigs in New Orleans and at Gulf Coast clubs, and at the homes of friends and relatives. Jackson had another driving force, which was directed to political and civic activities – he was an ardent community activist.

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Harry W. Fairconnetue Harry W. Fairconnetue was born in 1908 at Bay St. Louis where he attended highschool and went on to study at Xavier University in New Orleans. He was a member of the Clarence Desdone Band of New Orleans before lining up with Handy Man and his Sax for an extended period of time. His special instrument was the banjo. He followed his friends in death on February 13, 1980. Harry W. Fairconnetue • • • • • •

Jeanette Salvant Kimball

Jeanette Salvant Kimball, after growing up in Pass Christian, became a pioneer jazz pianist whose career spanned most of the 20th Century. “My Gal Sal” was the first music sheet that she learned to play on her piano at age 7. As a gifted player, by age 11, she was coaching other music enthusiasts to learn the keyboard, and at age 14, made her first road show to New York City. Jeanette S. Kimball

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In Pass Christian, at the time of the 1920s, sound trucks would drive through neighborhoods seeking out musicians with special talents. One of the well known bands that played at coastal hotels and even on the Drackett ferry that crossed the Bay of St. Louis, was Papa Celestin. He was always in need of female pianists and would seek them out in the towns during which he played. Bands played on the top deck of the In 1926, a Drackett Ferry family friend recommended Jeanette Salvant to audition with Papa Celestin who liked her uplifting and driving style of jazz. In 1929, Jeanette married the band’s banjo player, Narvin Kimball. She accompanied the band during their tours of the South until 1935, when she decided to settle down to raise a family. But, not long afterwards, in 1940, Mrs Kimball returned to music and played at the Dew Drop Inn with a six- piece group led by Buddy Charles and with famed Dave Bartholomew on trumpet. She also played with the big dance band group led by Herb Leary. Once more, she joined the Papa Celestin group in 1953, that was the year before he died, and the group was then led by Albert “Papa” French. She remained with that group until 1977. As a composer, she and her husband wrote music and lyrics for several tunes, among which, “My Memphis Baby” is still played today by jazz bands. In 1980, she recorded an album under her name called, “Sophisticated Lady.”

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In her final years of playing, she became the matron of Preservation Hall in New Orleans, where she played until retiring in the late 1990s. Jeanette Salvant Kimball was regarded as a Grey Castle Hotel on Beach Ave. musical innovator in New Orleans traditional jazz and was singled out as a wonderful female musician in a world dominated by males. In 1998, she was presented “The Black Men of Labor New Orleans Jazz Legacy Award.” Pine Hills Hotel at DeLisle During the “Roaring 20s,” Black Jazz groups were in high demand at the many hotels and night club locations along the Gulf Coast. In the Pass Christian area alone, there was Bradley’s and Inn-by-the-Sea at Henderson Point, the Piney Inn by the Sea at Henderson Point Hills Hotel and Lodge at DeLisle, and the Miramar and Grey Castle hotels in Pass Christian. Bay St. Louis and Waveland also had their entertainment spots. At Gulfport, there was the Great Southern and Markham hotels. Great Southern at Gulfport

Dan Ellis Historical Series -17- Jazz In The Pass At Biloxi, the Buena Vista, the Edgewater, the White House, the Montross as well as other entertainment spots at Ocean Springs and Pascagoula. In addition, each city had its own Biloxi’s Buena Vista Yacht Club as well as a large dance pavilion at the end of its Municipal pier, extending hundreds of feet into the Mississippi Sound.

Memorialized

In honor of Captain John Handy, Jr., the City of Pass Christian renamed Third Street to Handy Street which runs from Saucier Street eastward to the other side of Davis Avenue where it deadends at the Municipal Ballpark. It runs parallel to the L&N Railroad tracks located one block to the south. It is there that the Handy Capt. Handy at home. House still remains.

• • • • • •

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Memories Never Die During thte mid-1980s, the first Jazz Festival in Pass Christian was held. The occasion commemorated both John Handy and “Joe B” Jackson – both Jazz Greats who lived as boyhood neighbors on Handy Street (formerly Third Street). Jazz musician friends of the two arrived to participate – including reed men Kid Jordan and Joe Gordon, trombonist Lester Caliste, and trumpeter Clyde Kerr, Jr. Bringing the music alive were string-man Julius Handy & Joe B.Jackson Handy, the captain’s only remaining brother and alto saxophonist John Handy III. The hall was jumping with strutting and darting umbrellas to the beat of “Down by the River Side,” and other Handy favorites. The mixed Black and white crowd were “gittin’ down to it” – clapping hands, foot-tapping and jiving. • • • • • •

In 1999, as part of the Tricentennial activities for that year, the first “Jazz in the Pass” was held to honor the memories of Handy and Jackson. The music was brought back by former friends and relatives who played the unforgettable jazz tunes that had many dancing in Memorial Jazz In The Pass Logo Park as others pulled out their umbrellas and joined in hours of fun and “Second-Lining.”

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“Capt. John Handy – der JazzFreund” by von Horst Herling

A book was written by German Jazz enthusiast von Book Cover by von Horst Herling Horst Herling about the life of John Handy. The book, written in the German language was entitled “Capt. John Handy – der JazzFreund” It was a demonstration of the vast enthusiasm that was heralded in European circles in their acclaim for what Herling referred to as the master of “New Orleans Revival Jazz.” The book was written in 1978, and was later translated to rough draft form – by someone probably from New Orleans.

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Herling signaled out that Handy’s style was different. His playing was considered to be robust in nature with his own unmistakable sound. In contrast to other old New Orleans veterans, he was completely sure of his music and his ability. He had a flair for “rhythm and blues,” – a style that was later picked up by Earl Bostic and Louis Jordan.

Dan Ellis Historical Series -20- Jazz In The Pass Although aged 70 at his death, the Handy Man’s fame climaxed during his last ten years of life. The influence of his New Orleans Revival Jazz style became world famous. It was also John Handy who put the saxophone into its proper light as a mainstream Jazz sound. Because of him, many old veterans switched to the alto sax in emulation of Handy’s style. Some of these were Leroy Robinet, Louis Cottrell, Paul Barnes, Ruben Roddy, the English musician, Sammy Rimmington, and the German, Peter Müller. Famed Handy tradition numbers such as Handy’s Boogie Woogie and Cap’n’s Blues are still played ‘round the Jazz-world.

DeeDee Pierce and Handy

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Capt. John Handy Recordings

BCD-041The Jazz Crusade Audio Sampler Catalog

BCD-041: Capt. John Handy - All Aboard Volume 1 Band Members: Kid Thomas Valentine [tp], Big Jim Robinson [tb], Capt. John Handy [asx], Sammy Rimington [cl], Bill Sinclair [pn], Dick Griffith [bn], Mouldy Dick Mc Carthy [sbs], Sammy Penn [dm] Songs: Introduction Blues, Hindustan, Sister Kate, Who's Sorry Now, I Can't Escape from You, Washington & Lee Swing, Chinatown My Chinatown, I'm Alone Because I Love You, Mack the Knife

BCD-042: Capt. John Handy - All Aboard Volume 2 Band Members: Kid Thomas Valentine [tp], Big Jim Robinson [tb], Capt. John Handy [asx], Sammy Rimington [cl], Bill Sinclair [pn], Dick Griffith [bn], Mouldy Dick Mc Carthy [sbs], Sammy Penn [dm] Songs: Bill Bailey, Someday Sweetheart, Ice Cream, Bourbon Street Parade, Moonlight & Roses, Come to the Mardi Gras, Ting-A-Ling, Cap's Blues, Tiger Rag, When the Saints Go Marching In

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BCD-191: Punch Miller & John Handy In California Vol 1 Band Members: Punch Miller [tp], Capt. John Handy [asx], Big Bill Bissonnette [tb], Sing Miller [pn], Jim Tutunjian [sbs], Sammy Penn [dm] Songs: Joe Avery's Piece, Poor Nellie Grey, Girl of My Dreams, Darktown Strutter's Ball, Somebody Stole My Gal, The Bucket's Got A Hole In It, Tuck Me to Sleep In My Old Kentucky Home, Hindustan, Sister Kate, Exactly Like You, I'm Alone Because I Love You, Shake It & Break It

BCD-192: Punch Miller & John Handy In California Vol 2 Band Members: Punch Miller [tp], Capt. John Handy [asx], Big Bill Bissonnette [tb], Sing Miller [pn], Jim Tutunjian [sbs], Sammy Penn [dm] Songs: I Like It Like That, Nagasaki, You Can Depend On Me, Milneberg Joys, Ice Cream, Jelly Jelly Jelly, Careless Love, Darktown Strutter's Ball #2, Oh, How I Miss You Tonight, Basin Street Blues, My Blue Heaven, Happy Birthday, When the Saints Go Marching In, Now Is the Hour

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BCD-325: Capt. John Handy - Very Handy Band Members: Capt. John Handy [asx], Big Bill Bissonnette [tb], Clive Wilson [tp], Sammy Rimington [cl/gu], Bill Sinclair [pn], Dick Griffith [bn], Mouldy Dick McCarthy [sbs], Art Pulver [dm] Songs: Give Me Your Telephone Number, Easy Riding, I'll Always Be In Love with You, Golden Leaf Strut, Running Wild, Rose Room, Get Out of Here, When I Grow Too Old to Dream, On Moonlight Bay, Chicken [Ain't Nothing But A Bird], Walkin' by the River, Mahogany Hall Stomp

BCD-197: The Jazz Crusade Audio Sampler Catalog

BCD-197: The December Band - Volume 1 Band Members: Kid Thomas Valentine [tp], Big Jim Robinson [tb], Capt. John Handy [asx], Sammy Rimington [cl], Bill Sinclair [pn], Dick Griffith [bn], Mouldy Dick McCarthy [sbs], Sammy Penn [dm] Songs: Introduction Blues, Lil Liza Jane, Ice Cream, You Are My Sunshine, Someday Sweetheart, Bugle Boy March

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BCD-198: The December Band - Volume 2 Band Members: Kid Thomas Valentine [tp], Big Jim Robinson [tb], Capt. John Handy [asx], Sammy Rimington [cl], Bill Sinclair [pn], Dick Griffith [bn], Mouldy Dick McCarthy [sbs], Sammy Penn [dm] Songs: High Society, Careless Love, Handy's Boogie, Uptown Bumps, You Tell Me Your Dreams, Just A Closer Walk with Thee

JC-The Jazz Crusade Audio Sampler Catalog

JCCD-3008: Capt. John Handy TV Airshots, 1968-1970 Band Members: [tracks 1-7] Capt. John Handy (asx), Punch Miller (tp), Homer Eugene (tb), Andrew Morgan (c/tsx), Dick Wellstood (pn), Sylvester Handy (sbs), Lester Alexis (dm) [tracks 8-14] Capt.John Handy (asx), Kid Sheik (tp), Louis Nelson (tb), Chester Zardis (sbs), Sammy Penn (dm), Bill Sinclair (pn), Dave Duquette (bn) John Handy Quintet Songs: Bourbon St. Parade, Joe Avery's Piece, Sister Kate, Cap's Boogie Woogie, Just A Closer Walk with Thee, Exactly Like You, Untitled Blues, Gettysburg March, Bogalusa Strut, Shake It & Break It, Sunny Side of the Street, Walk Through the Streets of the City, I'll Always be in Love with You, Telephone to Glory (Royal Telephone).

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BCD-296: Kid Thomas In California Band Members: Kid Thomas Valentine [tp], Capt. John Handy [asx], Big Bill Bissonnette [tb], Cyril Bennett [pn], Dick Griffith [bn], Jim Tutunjian [sbs], Sammy Penn [dm] Carol Leigh [vo] Songs: Over the Waves, Make Me A Pallet On Kid Thomas the Floor, Say Si Si, At the Mardi Gras, St. James Infirmary, Joe Avery's Piece/Dippermouth Blues, Rose Room, I Wonder Where My Easy Rider's Gone, Somebody Else Is Taking My Place, Just A Little While to Stay Here, See See Rider, Oh! Lady Be Good

1960s JAZZ CRUSADE / GHB SESSIONS

In the 1960s, Jazz Crusade's Bill Bissonnette produced dozens of New Orleans jazz recording sessions. These are in addition to the dozens more he produced in the 1990s. Combined, this constitutes the most extensive series of New Orleans jazz recordings ever produced by one person. Among this prolific output, are some of the most important and historic recordings of this music. They originally appeared on LP either on the Jazz Crusade or the GHB/Jazzology labels. It is a body of music that will live in jazz history long after Bissonnette and his jazz performers pass from the scene. The following list constitutes those Bissonnette sessions from the 1960s that are now available on compact disc on the GHB label. These recordings are available through either GHB/Jazzology Records or direct from Jazz Crusade.

Dan Ellis Historical Series -26- Jazz In The Pass Year - Title - Group - Label 1960 Pretty Baby - Handy, John - American 1966 Runnin Wild - Handy, John - GHB 1960 Big Old Muskrat -Handy, John - American 1966 Golden Leaf Strut - Handy, John - GHB 1960 Don'tcha Leave Before You Go - Handy, John - American 1966 Mahogany Hall Stomp - Handy, John - GHB First Recording 1965 Introduction Blues -Handy, John - GHB 1965 Bourbon Street Parade - Handy, John - GHB 1965 Cecelia - Johnson, Noon - 504 1965 Washington and Lee Swing - Handy, John - GHB 1960 Exactly Like You - Johnson, Noon - 504 1960 Sing On Like You - Kid Thomas -American 1959 Eh Las Bas - Kid Thomas -American 1959 When My Dreamboat Comes Home - Kid Thomas -American 1960 When You and I Were Young Maggie - Kid Thomas -American 1959 Confessin -Kid Thomas -American 1964 In The Evening - Kid Thomas -American 1961 Bill Bailey - Barrett, Sweeet Emma - Riverside 1961 Bell Gal's Careless Blues - Barrett, Sweeet Emma - Riverside 1961 Tishomingo Blues - Barrett, Sweeet Emma - Riverside

Dan Ellis Historical Series -27- Jazz In The Pass apt. John Handy is sometimes confused with other contemporary jazz musicians of his time period and later. To clarify such confusion, the following is a C short synopsis of each of the two personalities.

Who wrote St. Louis Blues?

W.C. Handy (1873-1958)

U.S. composer, cornetist, and bandleader known for integrating blues elements into ragtime, changing the course of popular music. Born in Florence, Ala., Handy worked as a soloist and conductor with several bands around the turn of the century and became active as a music publisher in Memphis (1908) and later New York (1918). Handy's compositions, including "St. Louis Blues," "Beale Street Blues," and "Memphis Blues," became favorites for singers and instrumentalists in the 1920s, helping to codify the blues as a WC Handy framework within which to improvise.

Dan Ellis Historical Series -28- Jazz In The Pass W.C. Handy (born William Christopher Handy) Date of Birth: Nov. 16, 1873 Date of Death: March 28, 1958 His greatest geographic impact was in Florence, Alabama and New York City. W.C. Handy is memorialized in Clarksdale, MS because he had spent some of his professional time there in that city. Clarksdale,MS

Is there another John Handy?

Yes! . . . Born in Dallas in 1933, John Handy moved to Oakland in 1948. As a teenager, he played around the San Francisco Bay Area in blues bands led by Roy Hawkins, Pee Wee Crayton, Little Willie Littlefield, Jimmy McCracklin, Wild Willie Moore, and Dell Graham, and other jazz artists such as Gerald Wilson, Teddy Edwards, and Frank Morgan. He made his recording debut in 1953 with Lowell Pulson. Later, Handy earned a B.A. in Music from San Francisco State University, and served as a music educator beginning in 1968, teaching history and performance at a number of colleges, universities and special clinics - Stanford University, UC Berkeley and San Francisco State John Handy of California University among them.

Dan Ellis Historical Series -29- Jazz In The Pass Handy went on to compose and play classical pieces, performing "Concerto for Jazz Soloist and Orchestra" with the San Francisco Symphony in 1970, and in more recent years he composed with the UC San Francisco Orchestra. Although Handy was a member of Mingus's band for less than a year, the association brought him a contract with Roulette Records. Because his distinctive approach didn't fit into either the prevailing East Coast or West Coast schools of the period, the company labeled Handy's music "No Coast Jazz." In response to extraordinary pressure from his fans, Koch Jazz has recently reorganized, digitally re-mastered, reproduced, and re-released John Handy's Live at the Monterey Jazz Festival recording from 1965.

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azz in the Pass Pass Christian, Mississippi J The first "Jazz in the Pass" was held on May 8, 1999 as one of many events during Pass Christian’s Tricentennial celebration. The mission then, and is now, to show support and appreciation of the community's' heritage. Jazz in the Pass emanates the historic musical legacies as put forth by Capt. John Handy, saxophone; Joe B. Jackson, pianist; and the Watson Brothers' Band, who were all from this community. The festival has grown with each year, with the potential of becoming a major event. The "Jazz in the Pass" mission is to continue celebrating our heritage with the emphasis on the joy of music, which is a universal language that instinctively encourages community spirit. This very festive and family oriented festival introduces and encourages our community students to engage with all types of instruments and music. A vision that originated with its first Director Jennie Lou Mintz is to establish a Jazz Educational Program in the Pass Christian Junior and Senior High Schools; whereby musicians would demonstrate their instruments and lecture to the students. The Pass Christian Mayor, The Board of Aldermen, The Harrison County Board of Supervisors as well as the residents and many from neighboring states have each year coninued their active support for the "Jazz in the Pass" event.

Dan Ellis Historical Series -1- Jazz in the Pass Jazz in the Pass — 1999 The first "Jazz in the Pass" Music Festival was held on Saturday, May 8, 1999. This event had been in planning since May 1998 by its chairperson, Jennie Lou Mintz. The program schedule of six hours of jazz music included a one hour performance by the students of the Pass Christian School System with their special Jazz Ensemble. As a result of Jennie Lou’s persuasion and active involvement in the Jazz Community in Louisiana and Jennie Lou Mintz at right with Mississppi, four professional Jeanette Westfall and famed groups volunteered to play at no Wynton Marsalis cost. To add to its success, was Ron "Cadillac" Henry, a longtime music promoter who was called upon to provide a spectacular old-time Jazz session with the theme being, "jus' like the Captain use to play it!" He was refering to world famous Captain John Handy, also noted for the first Jazz Funeral in Mississippi, which was staged in Pass Christian in 1970.

As reported in a series of monthly Tricentennial newsletters, the following was noted. “The "Jazz in the Pass" Music Festival scheduled for Saturday, May 8, 1999 is moving ahead in ‘High Fashion.’ This event has been in planning for nearly a year with Chairperson Jennie Lou Mintz plugging for all available resources. She is excited by the program confirmations of six hours of a variety of jazz music performances which will culminate with a jam session. The all day event will be held at Memorial Park on Scenic Drive at Fleitas Avenue next to the VFW Hall and guarantees great food booths, ‘suds’ and soda, contests, prizes-prizes-prizes, and around the park Second Lining.

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One of the jazz groups is S.P.I.C.E. (Spirited People Interjecting Creative Energies) which is promoted by Ron "Cadillac" Henry. He assures us that his troupe of players include trumpet, alto-sax, tenor-sax, base, drums, and keyboards. They will present a musical spectacular of Jazz, Blues, and Dixieland "jus' like the Capt'n use to play!" They have recorded copies of world famous saxophonist Captain John Handy and jazz pianist "Joe B." Jackson. Both who are noted for having had the only New Orleans styled Jazz Funerals in Mississippi — held right here in Pass Christian. Not to slight the younger set, Pass Christian Schools Music Director Tim Farnsworth has organized a Pass Jazz Ensemble from the Middle and High schools. They promise a "flair that will tilt the air" which will start the day's programming at 11 A.M. For an air of soulful spirituality, the Mother of Mercy Gospel Choir will perform under the direction of Otis Gates and Gene Bradley. Other scheduled groups include Mo Calvert's Mississippi Mud-Bugs, the St. Tammany Jazzers, Perfect Mixx, and Doc Baldera's Dixie Dots of New Orleans. A spectacular all banjo session will be led by Joan Pizzolato with the N.O. Banjo, while sending a hand Mississippi Mud Bugs in support have been Ronnie Kole and Pete Fountain. What's a Jazz Festival in the Park without food. There will be a large selection from some of the Pass's local chefs. ranging from hot dogs, hamburgers, barbecued ribs and chicken, muffaletas, gyros, and baklava to salve the sweet-toothed palates. A special commemorative Jazz T-Shirt is on sale for $12 — while they last. Be a winner and buy your shirt early to "wear

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at the park and give you a spark." Shirts are available from the Chamber of Commerce or Hancock Bank. A special logo was designed by Jessie Heitzmann for the Festival occasion. Be sure to bring a lounge chair for your special comfort. Umbrellas anybody? Jennie Lou is giving workshops on how to make Jazz Umbrellas and Jazz Hankies. These are scheduled for April 13 and 14 and will include sessions on how to high-step, zig-zag, and Jazzle to Second-Line music.”

The next newsletter reported in March:

Ocho de Mayo is Here! Jennie Lou Mintz has a full slate of musicians and a full plate of savoring foods to satiate our passions and palates. Come in comfortable dress and bring along a chair or rug to sit upon while the music keeps us all hopping. Memorial Park will be swinging with a full cast of bands from here and afar. Starting promptly at 11 a.m. until 9 p.m., the festive occasion is one you will remember. Call your friends and make a day of it. The food fare includes the We Care Group with Bar-B-Q Ribs and Chicken, the Booster Club flipping hot-dogs and hamburgers, and Nick's Beach Side Pizza serving up Baklava and Kaitiazi, and Mufalettas and Gyros. Voodoo Rain will be popping Cold Health Drinks, also available will be beer and soft drinks. With nearly a year of preparations, Jennie Lou still needs a few volunteers to handle some of the day's events and activities. Her support team consists of her husband Bob who has handled a myriad of things, Ellie Brown, Stan Weidman, Virgil Harris, Tim Farnsworth, Otis Gates, Toby Erwin, and Kelly Levi. On Sunday, May 8 (Ocho de Mayo) starting early will be other support volunteers including Dayton Robinson, Dan Ellis, Avery Allen, Charles Melson, Jim Sager, Tracy Gordon Goff, A.C. Smith, Roy Stoddard, Ron & Rosie Daley, Helen Davis,

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Karen Parsel, Ermagene Delony, Zander Halloway, Natasha & Norma Davis, Lark Johnson, Marge Justice, Tina vanOord, Mary Ann Hubmann, Brigitte Ballaron, Russ & June Wirt, Robin DiGiacomo, and many more. Special ongoing support has been provided by the mayor and city aldermen, Chief John Dubuisson and the volunteer police, Dave LaRosa and the Board of Supervisors, the Harrison County Public Works Department, and a special salute to Ms. Simmons and the High School Beta Club who will be monitoring clean-up on Sunday. Organizational support has been contributed by the Chamber of Commerce, Kiwanis Club, Rotary Club, Gulf Coast Newcomers Club, Friends of the Library, and the Pass Alumni Association. T-Shirts are available at the Chamber of Commerce and local banks. Additional Tricentennial memorabilia will be on sale at the Jazz in the Pass. In case of RAIN — the program will go on! — at the VFW Hall — so don't miss out!

JAZZ MUSIC MENU — Saturday, May 8th

11:00 AM PC Middle/High School, Tim Farnsworth, Director PC Elementary School, Mary Bowser, Director 12 Noon Our Mother of Mercy Gospel Choir, Georgette Cox, Director 1:00 PM The Perfect Mixx, (Soul, R&B, Blues, Pop, etc.) A.J. Brown, Manager and Background vocalist; Jesse Flowers, Assistant Manager & Keyboardist; Keven Brame, Lead Guitar; Lloyd Rushing, Lead Vocalist; Craig Flowers, Drummer; Mitchell Hutson, Bass Guitar; Barbara Seymour, Lead Vocalist. 2:00 PM The Mississippi Mud-Bugs, (Traditional Jazz) M.O. Calvert, Coronet; Dr. Rory Duffour, Clarinet; Thomas Carleton, Trombone; Leroy Sparky Penton, drums; Joan Pizzolato, Banjo; Arnold C. Johnson, Piano; Joe Larane, Bass Guitar.

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3:00 PM Gulf Breeze, (Blues, Pop, Rock, Country) Nick Trout plus his Dazzlin Seven. 4:00 PM Dixie Dots, (Traditional Jazz) Doc Balderas, Bass Guitar; Jack Seghers, Trumpet; Bill Lee, Saxophone; Arnie Johnson, Piano; Joe Lorane, Bass; Mo Calvert, Trumpet. 5:00 PM S.P.I.C.E. Spirited People Interjecting Creative Energies. Jazz, Blues, and Dixieland Jazz -- "jus' like the Capt'n use to play it!" Music styles commemorating the past Pass Jazz International Greats - Captain John Handy and Joe B. Jackson. Ron "Cadillac" Henry, promoter; Fairley Richards, Manager; Players on trumpet, alto-sax, tenor-sax, base, drums, and keyboards. 6:00 PM New Orleans Banjos, (Traditional Jazz and Dixieland) Joan "Johnny" Pizzolato, Plectrum Banjo; Emmett Smith, Jr., Tenor Banjo; Avery Stirratt, Plectrum Banjo; Dr. Arthur Payzant, Electric Bass; Jim Pizzolato, Piano and Keyboard. 7:00 PM S.P.I.C.E. Spirited People Interjecting Creative Energies. Jazz, Blues, and Dixieland Jazz -- Second Set. 8:00 PM JAM SESSION -- All remaining band members and anyone who wants to sit in!

And the Tricentennial Newsletter following the Festival reported . . .

Outstanding! Jazz in the Pass was a huge success. The phones at City Hall and the Chamber of Commerce continued to ring for weeks afterward in commendations favoring the Umbrella carrying Jennie with continuance of the event as an Mayor Billy McDonald annual affair.

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Jennie Lou's committee and volunteers are to be congratulated. It was estimated that between 1500 to 1800 residents and visitors found comfort under the extended Live Oak branches. Every tree embraced a conclave of And more umbrellas — Jennie relaxing absorbers of the live with Banjoist Joan Pizzolato music that started at 11 a.m. and lasted until 9 p.m. The weather was remarkably resplendent. With sea breezes lasting through the coming of dusk, the audience gathered around the Gazebo as most everyone grabbed an umbrella or handkerchief to kick their heels in time to a Second Line which sometimes bordered The Gazebo makes a beautiful on pandemonium.” center piece. * * * This was the “kick-off” as superbly effected by Jennie Lou Mintz and her large team of volunteers. Everything operated well and the stage was set to continue the event annually. But, Jennie Lou realized an uphill battle. She knew well that she could not persuade her musician friends to perform again on a non-compensatory basis. She rolled up her sleeves and got on the telephone and first called her faithful volunteers. When armed with their support she contacted the City of Pass Christian officials and the Harrison County Board of Supervisors to underwrite the costs to make the following year’s program a reality.

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Result, the year 2000 was a success. The City officials and County Board of Supervisors were pleased. The few vendors that participated were pleased and promised to return for future years. By progression, year after year became a new challenge. Seeking contributions and gathering the right mix of Food and Beverage Vendors and Arts and Crafts Vendors was time consuming and could be most envigorating. Publicity, promotions, advertising — all necessary ingredients — also took much needed time with continuous contacts to media, personnel, and agents. The most interesting Pass Christian Elementary part of her efforts was in selecting the performing bands. In this regard, she was able to call on previous business experiences in negotiating contracts at reasonable fees. As each year passed, new innovations were added, while other endeavors eliminated. A Website was added, as part of the bigger picture in making each year better than the one before. (www.JazzInThePass.Com) A Ticket Booth was tried but done Undeterred by away with in later events. negative factors and always pushed by her positive attitudes, each year did get better.

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* * *

Jennie Lou Mintz devoted six full years to the creation of Jazz In The Pass — from May 1998 through February 2004. For this, the Pass Christian community is grateful — and extends its heartfelt thanks and blessings.

Jennie Lou Queen of Jazz

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An outgrowth from the Jazz In The Pass and the annual St. Paddy’s Day parades was the formation of “The Jazz-a-Belle Strutters” by the effervescent Lark Johnson who drew upon her coastwide contacts in the Newcomers Club. Sparked by the Lark — the group of ladies adapted a uniform dress of Black and White costumery toting ornately designed Jazz umbrellas. It’s truly a great thrill to see the dozen or so ladies doing the traditional Second Line Strut.

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Where ever they go, crowds gather around as many of the onlookers are harangued into joining in at the back of the line with their handkerchiefs flowing in mimicking a good old New Orleans style Jazz funeral. Lead Strutter, Lark Johnson exuberantly explains that, “We love a parade and love to be in a parade that has jazzed- up music.” Each year, the Jazz-a- Belles strut their stuff around the flagpole fronting the Gazebo. They encourage the spirited members amongst the spectators to join them in Second-Lining to Pete and the Lark the welcome sounds of jazz music.

2001 Jazz Band Performers Pass Christian High School Pass Christian Elementary Praise and Worship Ensemble New Orleans Banjos + 2 New Orleans RendezVous Revelers Mississippi Mud Bugs Butch Gomez and the Regal Jazz Band Marva Wright and the BMWs Jazz-a-Belle Strutters

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Jazz In The Pass — 2002

Jazz In The Pass — 2002 Band Performers Pass Christian HighSchool Pass Christian Elementary Gordon Merrill Jazz Trio Bo & Miss Dee Band Butch Gomez Regal Jazz Band MS Coast Jazz Society At that year’s Dr. Rock and the Interns event, the Mississippi Original Jazz Ensemble Coast Jazz Society Patrick Weathers Band joined in with an emphasis placed on its 25 years of providing Original Jazz and Dixieland sounds to the many lovers of heritage music. One of their many groups was showcased in the Gazebo’s bandstand to the great enjoyment by the audience. The MSC Jazz Society, through the years has moved their monthly dances to various places along the coast as they reach out to a widening membership. Monthly dances are currently offered on the Second Sunday of each month at the Elks Club in Gulfport from 3: p.m. to 8:pm. The general public is invited and may attend any dance for only $3- Harold Lassare, young a-person charge. at 83, never fails to Membership in the MSC Jazz attend the monthly Society is open to the public for only sessions. $15 per individual or $25 per couple, which provides a monthly newsletter and free admittance to the monthly

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dances. A strong part of its membership base consists of musicians who originally founded the organization as a means of preserving the MS Coast Jazz Society Jazz culture of song and dance. During the monthly dance sessions, it is not surprising to find three or four different groups that are quickly put together by musician members or anyone who cared to bring along their instrument in order to sit in for the “next set.”

As an outreach, the Jazz Society offers free concerts to many of the schools along the Coast and annualy present used or repaired instruments to recommended students. Harold Lassere and Jennie Lou More information is available at their website (www.mscjazz.org)

Dan Ellis Historical Series -13- Jazz in the Pass Big Boy comes to Town Another innovation manifested by Jennie Lou was the recruitment of Geri Dendis’ BigBoy. Big Boy the Cat was reported as alive and well at Pass Christian's 2002 Jazz Festival. At Jennie Lou, Mayor Billy least in the eyes of Artist/Author McDonald, and Geri Geri Dendis. Dendis holding Big Boy. Big Boy's story was first told by the Sun Herald newspaper in January 2001as describing the cat living in an oak tree at the Gulfport Small Craft Harbor as a result of Hurricane Georges having blown him from his Bait Shop rooftop home. Soon afterward, he became a celebrity due to a national story about his being catnapped that brought about a public outcry. Many rumors of his whereabouts followed, but no definitive sighting. Longtime Pass Christian Artist Geri Dendis, known for her Ghosts of the Coast series of Lighthouses, wrote an illustrated book and story about Big Boy which she called the "Harrowing tale of the Catnapping of Big Boy." Prompted by Jennie Lou, she eagerly accepted the offer Big Boy — Jazzing the Pass to do a special painting for the 2002 Jazz in the Pass. The original painting was a prize winning gift for the winning raffle ticket holder.

-14- Dan Ellis Historical Series Jazz in the Pass Jazz In ThePass — 2003 Jazz fans who don’t get enough of the New Orleans Jazz and Heritage Festival, just don’t know of the laid back fun that is available at Jazz In The Pass under the many Oaks in War Memorial Park. The prevailing Gulf breezes from the Mississippi Sound provides a wonderful balance to the Sun’s gentle heat. Those who frequent this annual event are accustomed to bringing Dustin Savoie in Concert their lounging chairs or blanket. Many event bring books to read, lay back, and listen to the great music, while letting their feet involuntarily keep tempo with the beat. The music Jazz In The Pass — 2003 arrangements are Band Performers scheduled to provide Dara Factor Band different Pass Christian Elementary performances for Pass Christian High School Original Jazz Ensemble everyones’ taste for St. Rose DeLima Choir Jazz. Some bands MS Coast Jazz Society play Blues, others Mark Guest Jazz Quartet perform Traditional Some Like It Hot Female Band Jazz, Smooth Jazz, Bo & Miss Dee Band Modern Jazz, Dixieland, or Strait

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Ahead Jazz. To the ear of the Connoisseur, these distinctions are quite meaningful, while to most, they just love the sound and the beat of all the performers. The Pass Christian school bands bring out the parents, grandparents, cousins and aunts and uncles. The Gospel Choirs ring out to the multitude. One of the favorite bands has changed names on occasion, and have rearranged their membership, but the Dixieland sounds of band leader and banjoist Joan Pizzolato are not to be missed. She has become a Orleans Original Jazz Ensemble permanent delight since she first offered her time in ‘99. The volunteers who participate each year are essential to the success of theprogramming. The Vendors also contribute to the Music Faire by providing food and beverages of varying types as well as arts and crafts.

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During the JazzFest’s last two years, Dan Ellis joined by Al Hooks, made a good team effort and brought better talents and extended the Festival to a Two-Day Mother’s Day Weekend delight for all. A special tent was erected to accomodate more than 150 celebrants for a Mother’s Day outing the Pass had never seen. Jazz aficionados arrived from all parts east, west and north to listen to the great music sounds of Jazz, Jive, Blues and Latin syncopation.

Dan Ellis Historical Series -17- As it Happened for 2005!

Saturday, May 7, 2005 — Schedule Mayor's Welcome Opening Ceremonies — 11:00 a.m. Pass Christian High School Band – 11:10 a.m. Preppy Jazz Some Like it Hot – 12:00 p.m. Traditional Jazz U.S. Navy Show Band – 1:15 p.m. Jazz, Swing and More Orleans Original Jazz Ensemble – 2:30 p.m. Dixieland Jazz Mississippi Jazz Society – 3:45 p.m. Traditional Jazz Mark Guest Jazz Quartet – 5:00 p.m. Straightahead Jazz Steve Warren Blues Quartet — with Lady Linelle – 6:15 p.m. Blues as you like it! John Handy Style Jam Session – 7:30 p.m Blues and Traditional Jazz

All Day Special — Fun and Frolic with the Jazz-A-Belle Strutters

-18- As it Happened for 2005! Sunday, May 8, 2005 — Schedule 12:00 Noon - 3:pm — Special Champagne Jazz Brunch under the Big Tent 12:00 Noon — Mother's Day Blessing Observance accompanied by Mariachi group — The Erubiel Trio 1:15 pm — Gospel Choir Goodwill Baptist Church Choir 44 singers present a masterful and passionate performance 2:15 p.m. — Traditional Jazz Mississippi Coast Jazz Society Mike Birtwhistle, Band Leader- Tenor Sax; Eric Nye - Trombone; Leo Renaud -Trumpet; Johnny Koons- Piano; Charles Blackwood - Drums; Jerry Ross - Guitar; Jim Schnur - Tuba 3:30 p.m. — Jazz and Blues Shane!, Shane!, Shane! Susan Shane, Band Leader, Guitar, vocals; Rodney Hoffman -Trumpet/Flugel-Horn; DeDe Wilson - Keyboard; Joseph Mitchell - Flute; Harry Anderson - String Bass; Lamar Merchant -Drums. 4:45 p.m. —Latin Jazz Ensemble Otra! Sam Price, Band Leader - Bass; Humberto "PuPi" Menes - Congas; Gabriel Vasquez -Timbales; Hugo Sanchez - Piano; Brent Rose - Sax; Eric Lucero - Trumpet. 6:00 p.m.– Jazz, Blues, Variety Barbara & Co. BarbaraSeymour, Band Leader-Vocalist; Lloyd Rushin - Singer; Craig Flowers - Drummer; Roy Bullard - Keyboard, Maurice Trijull - Guitar.

-19- The Jazz in the Pass Committee members were more than satisfied with the musical production. There were 18 Craft and Food Vendors who all made money that weekend. The organizers gloated amongst themselves for their successes. The Two Day Venue was a great contribution to the City and the Gulf Coast. The Mother’s Day observance with a Jazz Brunch under the Big Tent was overwhelming. Tickets were sold out for the Special Treat honoring mothers. Vendors were asking for next year’s application forms. Compliments were received far and wide. Each of the organizers were eager for another year to further grow the JazzFest. However, Katrina, the Horrible Hurricane, ended those plans. Key promoters, Dan Ellis and Al Hooks are no longer residents, but continue with fond reverence for the Pass. Dan Ellis has maintained web sites for Pass Christian covering its history and culture. This book, “Jazz in the Pass” and the web site at www.Jazz.PassChristian.Net show continued interest and support for his former city

-20- he called Paradise. All with the interest of furthering the Recovery process of Pass Christian. Another event started in 1995 by Ellis is the St. Paddy Parade lead by the Kaptains Klub of the Krewe of Blarney Halfast Walkin’ Klub. This has been revived successfully by a new group of Kaptains.

A Potential Rebirth for Jazz Fest

City Hall Complex Courtyard

June 4, 2011 And now stepping forward is a new group of music lovers spurred by the production of the upcoming Smithsonian Roots Music Exhibition at the Library under librarian Wendy Allard’s charge. One exhibit will be on Pass Christian Jazz artists such as Captain John Handy and the other exhibit will feature Vietnamese culture and music on the Gulf Coast and in Pass Christian. As part of the New Harmonies Roots music exhibit at the library was a “Taste for Jazz.” The Grand Opening was followed by a mini “Jazz in the Pass.” The organizers are hopeful that a flame will be ignited to re-start “Jazz in the Pass” as an annual event.

-21- Performing bands for the special event were the New Orleans based U.S. Navy Jazz Band, followed by the nearly-all ladies ensemble called, “Some Like It Hot.”

For those who appreciate jazz and blues improvisation, the Jerry Ball Jazz and Blues Quintet captures unique musical expressions.

-22- Playing a part in this instilled interest was the planting of a new monument on U.S. Hwy. 90 by the Mississippi Blues Commission. A dedication of the “Blues and Jazz in the Pass” marker was held on Friday, March 4, 2011, recognizing the vital role played by past jazz musicians in Pass Christian as being part of the Mississippi Blues Trail by further celebrating the African American musical heritage of the Pass.

With more than 120 markers, the Mississippi Blues Trail is a museum without walls taking visitors on a musical history journey through Mississippi and beyond. The trail started with the first official marker in Holly Ridge, the resting place of the blues guitarist Charley Patton. The trail winds its way to sites honoring B.B. King, Muddy Waters, Son House and others.

-23- The Blues Trail Marker reads:

Blues & Jazz in the Pass - Pass Christian The histories of blues and jazz are often traced along separate pathways, but, especially on the Gulf Coast, the two genres were intertwined from the earliest days. Blues was a key element in the music of Pass Christian’s illustrious native son Captain John Handy (1900-1971) and other locals who played traditional jazz or rhythm & blues. Pass Christian has celebrated its rich African American musical heritage with various festivals, including "Jazz in the Pass," first held here in 1999.

-24- The Sounds of Music on the Mississippi Gulf Sound

“The Gulf Coast played a major role in spreading the sound of Mississippi musicians to fans from New Orleans to Mobile,” Gov. Haley Barbour said. “I am glad we have the opportunity to recognize great artists from Pass Christian who contributed so much to blues Cap’n John Handy and jazz.”

Captain John Handy, Pass Christian’s most famous musical native son and was an important figure in New Orleans, is honored on the marker along with others,

Joe B. Jackson

—including Sonny Wimberley, who moved to Chicago and joined the Muddy Waters blues band.

Eddie Watson

-25- Saxophonist and promoter Don “Cadillac” Henry, managed a local band from the 1950s called the Claudettes, and Pass Christian musicians Jeannette Kimball, Joe B. Jackson and the Watson brothers are also named on the marker. Cadillac Henry played a significant part in the 1999 Jeannette Kimball original “Jazz in the Pass” by promoting and producing a group that emphasized the spirit of John Handy.

Marker supporters hope to revive the local “Jazz in the Pass” festival, which was held annually from 1999 to 2005.

Laissez les bon temps Rouler! www.PassChristian.Net www.DanEllis.Net

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