Hebrew Works by Arab Authors Literary Critiques of Israeli Society A.J. Drijvers Studentnumber: 0828912
[email protected] Research Master Middle Eastern Studies Final Thesis Supervisor: Dr. H. Neudecker Second Reader: Dr. A.M. Al-Jallad Table of Contents 1. Introduction 3 2. Israeli Arab Hebrew Literature: A Review 6 3. Atallah Mansour - Biography 14 - A Long Career 14 - Beor Ḥadash – In a New Light 17 - Language, Identity and Critique 82 4. Naim Araidi - Biography 31 - Career 11 - Tevila Katlanit –Fatal Baptism 11 - Language, Identity and Critique 11 5. Sayed Kashua - Biography 14 - Career 44 - Aravim Rokdim – Dancing Arabs 46 - Language, Identity and Critique 56 6. Conclusion 59 7. Bibliography 63 2 Introduction Modern Hebrew literature originated and developed in Europe since the late 18th century as an exclusive Jewish affair. Over time Hebrew literature in Europe became interconnected with the ideology of Zionism and Jewish nationalism and society became central themes of the modern Hebrew canon.1 In 1948 Zionism culminated into the establishment of the state of Israel and since then Israel was the main center of Hebrew literary production. However, there is also a substantial Arab minority living in Israel, something that was not foreseen by the Zionist establishment, and led to the placement of the Arab minority under a military administration from 1949 until 1966.2 The modern Hebrew canon until this time had served as a national Jewish literature which was exclusively produced by Jewish authors, but since the second half of the 1960s, after the military administration had ended, Hebrew literary works by Arab authors who are citizens of the state of Israel have also started to appear.