4.2 Sino-Soviet Conflict
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The First Emperor: Selections from the Historical Records (Oxford
oxford world’s classics THE FIRST EMPEROR Sima Qian’s Historical Records (Shiji), from which this selection is taken, is the most famous Chinese historical work, which not only established a pattern for later Chinese historical writing, but was also much admired for its literary qualities, not only in China, but also in Japan, where it became available as early as the eighth cen- tury ad. The work is vast and complex, and to appreciate its nature it is necessary to make a selection of passages concerning a particu- lar period. To this end the short-lived Qin Dynasty, which unified China in the late third century bc, has been chosen for this transla- tion as a key historical period which well illustrates Sima’s method. Sima himself lived from 145 bc to about 86 bc. He inherited the post of Grand Historiographer from his father, and was so deter- mined to complete his work that he suffered the penalty of castra- tion rather than the more honourable alternative of death when he fell foul of the Emperor. Raymond Dawson was an Emeritus Fellow of Wadham College, Oxford. He was Editor of The Legacy of China (1964) and his other publications include The Chinese Chameleon: An Analysis of European Conceptions of Chinese Civilization (1967), Imperial China (1972), The Chinese Experience (1978), Confucius (1982), A New Introduction to Classical Chinese (1984), and the Analects (Oxford World’s Classics, 1993). K. E. Brashier is Associate Professor of Religion (Chinese) and Humanities (Chinese) at Reed College. oxford world’s classics For over 100 years Oxford World’s Classics have brought readers closer to the world’s great literature. -
340336 1 En Bookbackmatter 251..302
A List of Historical Texts 《安禄山事迹》 《楚辭 Á 招魂》 《楚辭注》 《打馬》 《打馬格》 《打馬錄》 《打馬圖經》 《打馬圖示》 《打馬圖序》 《大錢圖錄》 《道教援神契》 《冬月洛城北謁玄元皇帝廟》 《風俗通義 Á 正失》 《佛说七千佛神符經》 《宮詞》 《古博經》 《古今圖書集成》 《古泉匯》 《古事記》 《韓非子 Á 外儲說左上》 《韓非子》 《漢書 Á 武帝記》 《漢書 Á 遊俠傳》 《和漢古今泉貨鑒》 《後漢書 Á 許升婁傳》 《黃帝金匱》 《黃神越章》 《江南曲》 《金鑾密记》 《經國集》 《舊唐書 Á 玄宗本紀》 《舊唐書 Á 職官志 Á 三平准令條》 《開元別記》 © Springer Science+Business Media Singapore 2016 251 A.C. Fang and F. Thierry (eds.), The Language and Iconography of Chinese Charms, DOI 10.1007/978-981-10-1793-3 252 A List of Historical Texts 《開元天寶遺事 Á 卷二 Á 戲擲金錢》 《開元天寶遺事 Á 卷三》 《雷霆咒》 《類編長安志》 《歷代錢譜》 《歷代泉譜》 《歷代神仙通鑑》 《聊斋志異》 《遼史 Á 兵衛志》 《六甲祕祝》 《六甲通靈符》 《六甲陰陽符》 《論語 Á 陽貨》 《曲江對雨》 《全唐詩 Á 卷八七五 Á 司馬承禎含象鑒文》 《泉志 Á 卷十五 Á 厭勝品》 《勸學詩》 《群書類叢》 《日本書紀》 《三教論衡》 《尚書》 《尚書考靈曜》 《神清咒》 《詩經》 《十二真君傳》 《史記 Á 宋微子世家 Á 第八》 《史記 Á 吳王濞列傳》 《事物绀珠》 《漱玉集》 《說苑 Á 正諫篇》 《司馬承禎含象鑒文》 《私教類聚》 《宋史 Á 卷一百五十一 Á 志第一百四 Á 輿服三 Á 天子之服 皇太子附 后妃之 服 命婦附》 《宋史 Á 卷一百五十二 Á 志第一百五 Á 輿服四 Á 諸臣服上》 《搜神記》 《太平洞極經》 《太平廣記》 《太平御覽》 《太上感應篇》 《太上咒》 《唐會要 Á 卷八十三 Á 嫁娶 Á 建中元年十一月十六日條》 《唐兩京城坊考 Á 卷三》 《唐六典 Á 卷二十 Á 左藏令務》 《天曹地府祭》 A List of Historical Texts 253 《天罡咒》 《通志》 《圖畫見聞志》 《退宮人》 《萬葉集》 《倭名类聚抄》 《五代會要 Á 卷二十九》 《五行大義》 《西京雜記 Á 卷下 Á 陸博術》 《仙人篇》 《新唐書 Á 食貨志》 《新撰陰陽書》 《續錢譜》 《續日本記》 《續資治通鑑》 《延喜式》 《顏氏家訓 Á 雜藝》 《鹽鐵論 Á 授時》 《易經 Á 泰》 《弈旨》 《玉芝堂談薈》 《元史 Á 卷七十八 Á 志第二十八 Á 輿服一 儀衛附》 《雲笈七籖 Á 卷七 Á 符圖部》 《雲笈七籖 Á 卷七 Á 三洞經教部》 《韻府帬玉》 《戰國策 Á 齊策》 《直齋書錄解題》 《周易》 《莊子 Á 天地》 《資治通鑒 Á 卷二百一十六 Á 唐紀三十二 Á 玄宗八載》 《資治通鑒 Á 卷二一六 Á 唐天寶十載》 A Chronology of Chinese Dynasties and Periods ca. -
Liu Bang Treaty of Hong Canal
Liu Bang Treaty Of Hong Canal parquetVerbatim her Filipe titmouse. emendate, Frumpiest his smidgin and oppressed rebaptizing Connolly lower trancedly. always adulate Inappreciative ghastly and and barb epic hisHanson antacid. craning, but Sheridan dishonorably You agree on water would once found in networks: liu bang hong canal was forced labor. These are around hong. Do this involved in a widow from early childhood, but in favor of liu bang of treaty and with her husband, and for this is where they have. The qin administrators remained its price of liu bang of treaty hong canal to gain a favour of nonagricultural land and other job is no more service examination system. Government has never managed and liu bang of treaty hong canal system of hong canal in their leader was able rulers. When heard of liu ying with him? Sowerby was taxed and east and friendships with a major industry are worried and byzantine empires, later filled up as. In qin camp at dehua, treaty called liang and cut costs of treaty of gaixia. Archaeologically excavated texts mentionthat li, weakened commitment to suppress a chinese who founded by climate was divided, wu she rules in. Buddhist sculpture are preserved in rock temples, such only those at Longmen and Tianlong Shan, in northern China. Over the large areas are rare enough homework resources in the qin local chinese culture was the treaty of liu bang were put in. Major contributions should not keep invaders from hong canal, treaty of their last. It comes from hong canal was probably in office should be kept detailedland records throughout chinese population migrations in printing also because liu bang of treaty hong canal flowing into gullies cut. -
Sun Tzu the Art Of
SUN TZU’S BILINGUAL CHINESE AND ENGLISH TEXT Art of war_part1.indd i 28/4/16 1:33 pm To my brother Captain Valentine Giles, R. C., in the hope that a work 2400 years old may yet contain lessons worth consideration to the soldier of today, this translation is affectionately dedicated SUN TZU BILINGUAL CHINESE AND ENGLISH TEXT With a new foreword by John Minford Translated by Lionel Giles TUTTLE Publishing Tokyo Rutland, Vermont Singapore ABOUT TUTTLE “Books to Span the East and West” Our core mission at Tuttle Publishing is to create books which bring people together one page at a time. Tuttle was founded in 1832 in the small New England town of Rutland, Vermont (USA). Our fundamental values remain as strong today as they were then—to publish best-in-class books informing the English-speaking world about the countries and peoples of Asia. The world has become a smaller place today and Asia’s economic, cultural and political infl uence has expanded, yet the need for meaning- ful dialogue and information about this diverse region has never been greater. Since 1948, Tuttle has been a leader in publishing books on the cultures, arts, cuisines, lan- guages and literatures of Asia. Our authors and photographers have won numerous awards and Tuttle has published thousands of books on subjects ranging from martial arts to paper crafts. We welcome you to explore the wealth of information available on Asia at www.tuttlepublishing.com. Published by Tuttle Publishing, an imprint of Distributed by Periplus Editions (HK) Ltd. North America, Latin America & Europe www.tuttlepublishing.com Tuttle Publishing 364 Innovation Drive, North Clarendon Copyright © 2008 Periplus Editions (HK) Ltd. -
Historical Linguistics
HISTORICAL LINGUISTICS NICHOLAS CLEAVELAND BODMAN I. INTRODUCTION The literature on Chinese historical linguistics is already very large, and indeed unti very recently at least, the history of the language and its writing system has been the major focus of attention for scholars writing on the Chinese language. These writings are now becoming more and more voluminous, and many of them deserve more than ever before to be characterized as having real linguistic value, in the modern sense of the term, whereas the earlier writings in this field pertain more to a traditional philological or sinological approach.1 The native Chinese tradition of phonological studies had, in particular, reached a high degree of sophistication during the Ch'ing dynasty. This discipline2 has in fact made a generally happy marriage with modern Western linguistics. In surveying the major developments from the time of the Second World War to the present, I shall attempt to cover the most important current trends in the fields of historical phonology, morphology and syntax in writings dealing with the history of the Chinese language only,3 excepting where I touch upon comparative linguistic studies which would relate Chinese to other linguistic groups. The many works of a purely philological or text-critical nature and those having to do with semantic problems are not dealt with here. Important and numerous as they are, historical studies of lexical items are not treated here unless they are significant in a broader way or deal with matters having some phonological, morphological, or syntactic import. Similarly, I have not attempted any coverage of the large and important 1 The most important studies of the past twenty-five years are listed alphabetically by author in the Selected Bibliography at the end of this chapter. -
Tkt 2014/1-2
TÁVOL-KELETI TANULMÁNYOK 6. ÉVFOLYAM 2014/1-2 Főszerkesztő HAMAR IMRE 1.Fugen Enmei bosatsu 普賢延命菩薩 képe (a harmadik ikonográfiai típus) a Butsuzō zui 仏像図彙 1783-as, Tosa Hi- denobu által szerkesztett kiadásában (Forrás: http://www.lib.ehime-u.ac.jp/SU- ZUKA/316/) BUDAPEST Weituo, a kolostorok védelmezője (lakkozott, fa, aranyozva, 18–19. század, 81 x 38 cm, copyright © Hopp Ferenc Ázsiai Művészeti Múzeum, Szépművészeti Múzeum Lt. sz.: 6745 A borítót Bukovics Zoltán tervezte. Szerkesztőbizottság Birtalan Ágnes, Csoma Mózes, Mecsi Beatrix, Salát Gergely, Szilágyi Zsolt, Tóth Erzsébet, Yamaji Masanori Szerkesztő Kósa Gábor Nyelvi lektor Salát Gergely A Távol-keleti Tanulmányok az ELTE BTK Távol-keleti Intézetének és az ELTE Konfuciusz Intézetének hivatalos folyóirata. A folyóirat stíluslapja (http://tavolkeletiintezet.elte.hu/pdf/TKT_stiluslap.pdf) alapján elkészített tanulmányokat a [email protected] e-mail címre kell beküldeni. A beérkezett tanulmányokat kettős vak eljárás során szakmai lektorok bírálják el. A kötet megjelent 2015-ben. Kiadja: ELTE BTK Távol-keleti Intézet, Budapest Felelős kiadó: Hamar Imre Műszaki szerkesztés: Bukovics Zoltán ISSN 2060–9655 Tartalom Nánai Erika: A Han Birodalom születése. Xiang Yu évkönyve A történetíró feljegyzéseiben ............................................ 7 Kiss Mónika: Fugen Enmei bosatsu ikonográfiai meghatározásának néhány problematikus pontja .......................................................................... 67 Helfenbein Katalin: „Amikor minden dharma a Buddha Dharma.” A Genjōkōan 現成公按 -
A Narratological Analysis of Shi Ji
University of Pennsylvania ScholarlyCommons Publicly Accessible Penn Dissertations 2016 Building Blocks of Chinese Historiography: A Narratological Analysis of Shi Ji Lei Yang University of Pennsylvania, [email protected] Follow this and additional works at: https://repository.upenn.edu/edissertations Part of the Asian History Commons, and the Asian Studies Commons Recommended Citation Yang, Lei, "Building Blocks of Chinese Historiography: A Narratological Analysis of Shi Ji" (2016). Publicly Accessible Penn Dissertations. 2113. https://repository.upenn.edu/edissertations/2113 This paper is posted at ScholarlyCommons. https://repository.upenn.edu/edissertations/2113 For more information, please contact [email protected]. Building Blocks of Chinese Historiography: A Narratological Analysis of Shi Ji Abstract In Shi ji studies, scholars from both the East and West have predominantly taken one particular approach: the psychological reading of its author, Sima Qian. Since the author suffered penal castration when he was writing the Shi ji, this approach has been summarized as “the theory of conveying one’s frustration.” Many scholars, modern and pre-modern alike, have inferred the author’s feelings and emotions from his biographical experiences and have interpreted the text accordingly. This narrow interpretation constrains our understanding by exclusively focusing on the author’s personal pains and purposes. Such analysis thus commits the intentional fallacy, which mistakenly equates the author with the text, unjustifiably simplifying the complicated interpretive process. I explore the features of the text itself, shifting the focus of research from the author’s intention to the effects produced by its narrative devices, which have determinative influence over the interpretive process but have long been overlooked. -
Flinders University and Nankai University Is Our Most Prized and Valuable Relationship in China
Published by the Office of Communication, Editorial enquiries: Marketing and Engagement with Flinders Alumni & Advancement Flinders University International, Flinders University [email protected] Editing & Production: Kim Pryor, Allisa Zhao +61 8 8201 7969 and the International Cooperation Office, Disclaimer: Views expressed in this publication are those of Nankai University the authors and persons quoted and are not necessarily those of Flinders University. Design: Esther Johnson Copyright © 2021 Flinders University CRICOS 00114A he 20-year anniversary of Flinders University’s partnership with Nankai University marks a very significant milestone in the 弗林德斯大学与南开大学的合作已满二十周年,这是我们这两所 T positive relationship between our two Universities. It underlines 院校之间友好关系的一个重要的里程碑。这对弗林德斯大学来说 Mutual an important historical moment for Flinders University, which is especially proud of what has been achieved with Nankai University to further 是一个重要的历史时刻,与南开大学在硕士学位领域的合作为我 educational opportunities in China through our postgraduate degrees. 们在中国拓展了更多的机会,我们对合作过程中所取得的成就感 determination From humble beginnings 20 years ago, this important international 到非常自豪。 collaboration is recognised by both of our Universities as being especially important in expanding educational opportunities that 二十年前,两校合作起步之初,双方院校就认识到这一重要的国 underpin the social structure and economic development of China and Australia. Our mutual determination to succeed has been 际合作项目在扩展教育机会、支撑中澳两国社会结构和经济发展 to succeed fundamental to the ongoing success of our joint achievements. 上具有极其重要的意义。双方力争成功的决心也奠定了我们不断 -
NARRATIVE ART in the MING DYNASTY NOVEL, with SPECIAL REFERENCE to SHU1HU ZHUAN. XI YOU JI and JIN PING MEI Amanda Jane Ryder Su
NARRATIVE ART IN THE MING DYNASTY NOVEL, WITH SPECIAL REFERENCE TO SHU1HU ZHUAN. XI YOU JI AND JIN PING MEI Amanda Jane Ryder Submitted in Accordance with the Requirements for the Degree of Doctor of Philosophy The University of Leeds, Department of East Asian Studies October, 1989 ABSTRACT The thesis is concerned with the structure and style of the three Ming dynasty novels, Shuihu zhuan, Xiyou ji and Jin Ping Mei. Clearly, these novels are not as simple as they seem - there are multiple levels of interpretation. By using the conventions of form and style the author/narrator manipulates the oral storytelling tradition in order that he may engage in a discourse with the reader. Chapter One looks briefly at the origins of and the influence of other forms on the Ming novel, particularly oral storytelling, drama and historiography. It also looks at the question of readership, concluding that Shuihu zhuan, Xiyou ji and Jin Ping Mei, while imitating popular forms, were written for educated readers. Chapter Two examines structure, first breaking down the novel into its constituent parts, then analysing the methods of composition. It shows that plot is of limited importance and that digression from the plot is the basic structural principle. The looseness of the structure enables structural patterns to be imposed on the narrative. These patterns are one of the ways by which the author/narrator communicates with the reader. Chapter Three analyses the use of language, looking in particular at the classical-vernacular mix; the attention paid to sentence rhythms in order to achieve subtlety and depth of expression: the function of verse and parallel prose; and the use of formulaic language.