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Angriff Der Melancholie Malen, Anti-Kriegs-Demos, Fußball: Für Musik Haben Die Einst So Coolen Futuristen Von Massive Attack Nur Noch Wenig Zeit
Angriff der Melancholie Malen, Anti-Kriegs-Demos, Fußball: Für Musik haben die einst so coolen Futuristen von Massive Attack nur noch wenig Zeit. VON CHRISTOPH DALLACH Dummerweise hat das neue Album jede nur mögliche Werbung nötig. Denn so hoch die Erwartungen an das einstige Pop-Avantgarde-Genie wa- rfolg im Pop ist auch immer eine Frage des ren, so bitter werden sie nun enttäuscht: neun Moll-Electro-Hop-Balladen, Timings. Und was das betrifft, hat das pa- die grau und bedeutungsschwanger ohne jeden Pep dahinwummern. Auch Ezifistische britische Musiker-Kollektiv, das die üblichen Gastsänger wie Reggae-Veteran Horace Andy und die kurz- sich ganz martialisch Massive Attack nennt, kei- haarige Heulsuse Sinéad O’Connor helfen da nichts mehr. ne glückliche Hand. Als Anfang der neunziger Der Aussetzer der Bristoler Elektro-Stars zeigt, wie schwierig es ist, im Mu- Jahre die erste Single seines Debüt-Albums ãBlue sikgeschäft über mehrere Jahre innovativ zu bleiben. Das ist umso trauri- Lines“ erschien, verscheuchten die Amerikaner ger, als es der ganzen Branche derzeit an Innovationen mangelt. Dabei gerade Saddam Hussein aus Kuweit. Die Musiker waren Massive Attack mal eine Institution, die Ma§stäbe für die moderne beschlossen, zeitweilig die Attacke aus ihrem Na- Popmusik gesetzt hat. Ende der achtziger Jahre, hervorgegangen aus der men zu streichen. HipHop-DJ-Künstler-Gang Wild Bunch in der britischen Hafenstadt Bristol, In diesem Monat erscheint mit ã100th Window“ hatten Massive Attack prägenden Anteil an der Entstehung des so genann- (Virgin) das vierte Werk von Massive Attack, wie- ten TripHop. Einem Sound, der von gebremsten HipHop-Beats und ge- der gibt’s Krach zwischen dem Chef der Iraker pflegter Melancholie bestimmt wurde und bis heute in Cafés, Clubs und und den Vereinigten Staaten von Amerika, und Boutiquen nachhallt. -
April's Fools
APRIL'S FOOLS ' A LOOK AT WHAT IS REAL f ( i ON IN. TOWN NEWS VIEWS . REVIEWS PREVIEWS CALENDARS MORMON UPDATE SONIC YOUTH -"'DEOS CARTOONS A LOOK AT MARCH frlday, april5 $7 NOMEANSNO, vlcnms FAMILYI POWERSLAVI saturday, april 6 $5 an 1 1 piece ska bcnd from cdlfomb SPECKS witb SWlM HERSCHEL SWIM & sunday,aprll7 $5 from washln on d.c. m JAWBO%, THE STENCH wednesday, aprl10 KRWTOR, BLITZPEER, MMGOTH tMets $10raunch, hemmetal shoD I SUNDAY. APRIL 7 I INgTtD, REALITY, S- saturday. aprll $5 -1 - from bs aqdes, califomla HARUM SCAIUM, MAG&EADS,;~ monday. aprlll5 free 4-8. MAtERldl ISSUE, IDAHO SYNDROME wedn apri 17 $5 DO^ MEAN MAYBE, SPOT fiday. am 19 $4 STILL UFEI ALCOHOL DEATH saturday, april20 $4 SHADOWPLAY gooah TBA mday, 26 Ih. rlrdwuhr tour from a land N~AWDEATH, ~O~LESH;NOCTURNUS tickets $10 heavy metal shop, raunch MATERIAL ISSUE I -PRIL 15 I comina in mayP8 TFL, TREE PEOPLE, SLaM SUZANNE, ALL, UFT INSANE WARLOCK PINCHERS, MORE MONDAY, APRIL 29 I DEAR DICKHEADS k My fellow Americans, though:~eopledo jump around and just as innowtiwe, do your thing let and CLIJG ~~t of a to NW slam like they're at a punk show. otherf do theirs, you sounded almost as ENTEIWAINMENT man for hispoeitivereviewof SWIM Unfortunately in Utah, people seem kd as L.L. "Cwl Guy" Smith. If you. GUIIBE ANIB HERSCHELSWIMsdebutecassette. to think that if the music is fast, you are that serious, I imagine we will see I'mnotamemberofthebancljustan have to slam, but we're doing our you and your clan at The Specks on IMVIEW avid ska fan, and it's nice to know best to teach the kids to skank cor- Sahcr+nightgiwingskrmkin'Jessom. -
Hothouse Flowers
MTM Checks Out Europe's Own MTV Unplugged. Also, GrooveMix Looks At French Club Charts. See page 10 & 12. Europe's Music Radio Newsweekly Volume 10 . Issue 11 . March 13, 1993 . £ 3, US$ 5, ECU 4 Radio Wins UK PolyGram Operating Copyright Battle Income Up 7% broadcasting revenue, including by Thom Duffy & income from sponsorship, barter Mike McGeever and contra deals for the first time, by Steve Wonsiewicz Record companies inthe UK as well as advertising revenue. Worldwide music and entertain- have been dealt a major setback The ratefor stations with net ment group PolyGram reported in their bid to boost the royalty broadcastingrevenuebetween a 7.3% increaseinoperating payments they receive from com- US$1.02 million and US$525.000 income to Dfl 789 million (app. mercial radio stations, under a will drop to 3% and 2% for those US$448 million) on a 4.6% rise ruling handed down March 2 by with net income below in sales to Dfl 6.62 billion last the Copyright Tribunal. US$525.000. The royaltiesare year, despite a severe recession DANISH GRAMMIES - Danish band Gangway (BMG/Genlyd Den- In an action brought by the retroactive to April 1, 1991. in several of its key European mark) received four prizes in this year's Danish Grammy Show while Association ofIndependent The total operating profit of markets. Lisa Nilsson (Diesel Music, Sweden) took two awards. Pictured (4) are: Radio Contractors (AIRC) to set the commercial UK radio indus- Net income for thefiscal Tonja Pedersen (musician, Lisa Nilsson), Lasse Illinton (Gangway), BMG new broadcast royalty rates for 79 try in 1990-91 was approximately year ended December 31 was up label manager Susanne Kier, Diesel Music MD Torbjorn Sten, Lisa Nils- commercialradiocompanies, US$11 millionwithCapital 13.5% to Dfl 506 million. -
Their Lived Experience in the Pediatric Intensive Care Unit Andrea Prentiss Baptist Hospital of Miami, [email protected]
Baptist Health South Florida Scholarly Commons @ Baptist Health South Florida All Publications 2014 Hearing the Child's Voice: Their Lived Experience in the Pediatric Intensive Care Unit Andrea Prentiss Baptist Hospital of Miami, [email protected] Follow this and additional works at: https://scholarlycommons.baptisthealth.net/se-all-publications Part of the Critical Care Nursing Commons, Maternal, Child Health and Neonatal Nursing Commons, and the Pediatrics Commons Citation Prentiss, Andrea, "Hearing the Child's Voice: Their Lived Experience in the Pediatric Intensive Care Unit" (2014). All Publications. 649. https://scholarlycommons.baptisthealth.net/se-all-publications/649 This Article -- Open Access is brought to you for free and open access by Scholarly Commons @ Baptist Health South Florida. It has been accepted for inclusion in All Publications by an authorized administrator of Scholarly Commons @ Baptist Health South Florida. For more information, please contact [email protected]. FLORIDA INTERNATIONAL UNIVERSITY Miami, Florida HEARING THE CHILD’S VOICE: THEIR LIVED EXPERIENCE IN THE PEDIATRIC INTENSIVE CARE UNIT A dissertation submitted in partial fulfillment of the requirements for the degree of DOCTOR OF PHILOSOPHY in NURSING by Andrea S. Prentiss 2014 To: Dean Ora Lea Strickland Nicole Wertheim College of Nursing & Health Sciences This dissertation, written by Andrea S. Prentiss entitled Hearing the Child’s Voice: Their Lived Experience in the Pediatric Intensive Care Unit, having been approved in respect to style and intellectual content, is referred to you for judgment. We have read this dissertation and recommend that it be approved. _______________________________________ Dionne Stephens _______________________________________ Jean Hannan _______________________________________ Dorothy Brooten _______________________________________ JoAnne Youngblut, Major Professor Date of Defense: November 12, 2014 The dissertation of Andrea S. -
UNBOUNDLATE NIGHTS at the EDINBURGH INTERNATIONAL BOOK FESTIVAL 10 25 AUG 2014 an Introduction to Jura Unbound 2014
UNBOUNDLATE NIGHTS AT THE EDINBURGH INTERNATIONAL BOOK FESTIVAL 10 25 AUG 2014 An Introduction to Jura Unbound 2014 he Edinburgh International Book Festival is once more that it’s not just in August that the T18 days of bookish brilliance bursting out of literary sun shines bright in Edinburgh. the tents inside Charlotte Square Gardens. 16 It wouldn’t be a proper Jura Unbound of those days transform into nights of literary programme without a delicious collision of delight with Jura Unbound, the Book Festival’s words and music, and the lovely Willy Vlautin eclectic programme of fantastic, free events and legendary Vic Galloway both host their own inviting you to discover the makers of some truly special evenings. Importantly, we remain rooted magnificent stories. in books and stories, with the ethereal tales Jura Unbound is a mischievously magical of E.O. Higgins and the literary fitness freak thing. Quietly created from dreams and schemes, Andy Miller. To top it all, Spoken Word takes to ideas and frivolous fancies, it unleashes our centre stage with Nasty Little Press plus a word- unique creative chaos onto the world from inside wrestling battle-to-the-death independence the magnificent Guardian Spiegeltent. Each debate with a difference. night, enveloped by the velvet roof and mirrored Look out for Jura Unbound’s special series walls, a little bit of magic happens. Maybe of #shelfies from participants, performers and, it's because of the mysterious stilt-walking hopefully, you. Belgians who build the venue, or perhaps it’s the And the most magical thing about Jura audience, who are looking to fend off the festival Unbound? It is still completely free. -
Record Store Day 2015 Releases Price Record
Record Store Day 2015 Releases Price Record Store Day 2015 Releases Price Record Store Day 2015 Releases Price Record Store Day 2015 Releases Price 7" SINGLES 7" J Dilla : Fuck The Police - Badge Shaped 7" Edition29.99 7" Soko : Ocean Of Tears 6.99 10" The Replacements : Alex Chilton 12.99 7" Adam And The Ants : Kings Of The Wild Frontier / Ant8.99 Music7" Jagaara : In The Dark 6.49 7" The Spaceape Feat Kode9 & The Bug : Ghost Town8.99 / At War10" With Time Roxy- Gold Music Vinyl :Edition Ladytron 14.99 7" Ryan Adams : Come Pick Me Up 10.99 7" Bert Jansch : Needle Of Death EP 9.99 7" Dusty Springfield : What's It Gonna Be / Spooky 11.99 10" Tracey Thorn : Songs From The Falling 7.99 7" A-ha : Take On Me 13.99 7" Jay-Z / Ghostface Killah : U Don't Know / Whip You11.99 With A7" Strap Stealing Sheep / The Voyeurs : Split 7" 7.99 10" The Waterboys : Puck's Blues 8.99 7" Air : Playground Love 12.99 7" Sharon Jones & The Dap-Kings : Little Boys With Shiny5.49 Toys7" The Subways : Taking All The Blame 7.49 10" Young Knives : Something Awful 12.99 7" A$ap Rocky : LPFJ2 / Multiply 7.99 7" Tom Jones : Chills & Fever / Breathless 11.99 7" Supergrass : Sofa (Of My Lethargy) 11.99 10" Various : An On-U Sound Journey Through Time & 8.99Space 7" B-Movie : They Forget / Trash & Mystery 6.49 7" Joy Division : Love Will Tear Us Apart / Leaders Of14.99 Men 7" Temples / Fever The Ghost : Split 7" 7.99 12" SINGLES 7" Syd Barrett / R.E.M. -
The Pluralist December 2020 So Near, and Yet So Far
The Pluralist December 2020 1 So near, and yet so far... The Pluralist December 2020 The Pluralist December 2020 So near, and yet so far... 2 3 So near, and yet so far... The Pluralist December 2020 The Pluralist December 2020 Editors’ letters.6 Keep Kissing.32 Lera Kelemen & Louise Gholam Yimin Qiao Sealed with a Kiss.10 Café Nostalgia.35 So!a Pia Belenky & Anna-Luise Lorenz Mattie O’Callaghan Dear Charlotte, Dear Hannah.16 Pillow Pets.36 Hannah Charlotte Mason Emma O’Regan-Reidy In Defence of Dust.18 Dog Days.40 Fann Xu Anders Aarvik Ancient Lights.20 What Will Become of my Soul.42 Melanie King Jooyeon Lee Witch, Witch Wanders.24 Gutzoom.44 Jooyeon Lee Rieko Whit!eld, Jesse May Fisher, Treeney Harki Call Me by Your Sign.26 A Glass Envelope.46 Linda Zagidulina Sally Stenton momsamasaba.28 Y Hanner Lle.49 Saba Mundlay Hattie Morrison Contents So near, and yet so far... 4 5 So near, and yet so far... The Pluralist December 2020 The Pluralist December 2020 Editors letter Dear Readers Our !rst issue as editors at The Pluralist comes out as this year ends, hopefully sealing it as a gentle goodbye letter. After my !rst term online at the RCA, meeting my colleagues and tutors for the !rst time on Zoom while tucked away in my studio in Timisoara, my sense of displacement is more acute than ever. This collection of statements on Proximity stands as a testament to what 2020 has brought in our collective So near, yet so far… Can’t think of a more !tting phrase to describe the feeling. -
Support Local Music & Arts
Contents OCTOBER 2015 Vol. 18 # 8 THE GOODS 4 Le Beat: Who’s who and what’s happening locally 11 Rock ‘n’ Roll Moment of the month 12 11 Questions: Jan Peters 20 Calendar 32 Monthly Pin-Up: Moongrass 34 Tales from the Road: Minor Plains 35 Stuff Yer Face: Hotpoint Tea & Express SPOTLIGHTS 6 Scotty Sensei: New dimensions 7 Panda Panda Panda: 1, 2, 3, GO 8 Zion I: The resurgence 9 Crushed out: Music and marriage FEATURES 14 Katie Johnson: The face of expression 15 I Found My Friends: The Oral History of Nirvana 16 Mark Pickerel and His Helping Hands: Still screaming 18 Beats Antique: Melding performance, music and art REVIEWS NEXT ISSUE: NOV. 2015 10 Live Shows DEADLINE: Oct. 19 25 Recordings 360.398.1155 • P.O. Box 30373, Bellingham, WA 98228 www.whatsup-magazine.com • [email protected] CO-PUBLISHER/EDITOR-IN-CHIEF: Brent Cole CO-PUBLISHER/DESIGN DIRECTOR: Becca Schwarz Cole CONTRIBUTING WRITERS: Tommy Calderon, Jared Curtis, Thea Hart, Adam Walker, Mark Broyles, Jackson Main, Hayden Eller, Charlie Walentiny, Halee Hastad, Keenan Ketzner, Raleigh Davis, Aaron Apple, Aaron Kayser CONTRIBUTING PHOTOGRAPHERS: Tommy Calderon, David Johnson, Sarah Day, Ryan Russell, Aaron Brick AD SALES: Brent Cole, Victor Gotelaere DISTRIBUTION: David Johnson, Brent Cole COVER ARTIST: Katie Johnson WEB GENIUS: Django @ Seatthole SUPPORT: Harrison, Ruby, Autumn, Lulu What’s Up! is a free, independent monthly music magazine covering the Bellingham/Whatcom County scene, and is locally owned and operated by Brent Cole and Becca Schwarz Cole. What’s Up! is a member of Sustainable Connections, and a sister publication of Grow Northwest. -
Haruomi Hosono, Shigeru Suzuki, Tatsuro Yamashita
Haruomi Hosono Pacific mp3, flac, wma DOWNLOAD LINKS (Clickable) Genre: Electronic / Jazz Album: Pacific Country: Japan Released: 2013 Style: Fusion, Electro MP3 version RAR size: 1618 mb FLAC version RAR size: 1203 mb WMA version RAR size: 1396 mb Rating: 4.1 Votes: 218 Other Formats: AA ASF VQF APE AIFF WMA ADX Tracklist Hide Credits 最後の楽園 1 Bass, Keyboards – Haruomi HosonoDrums – Yukihiro TakahashiKeyboards – Ryuichi 4:03 SakamotoWritten-By – Haruomi Hosono コーラル・リーフ 2 3:45 Piano – Ryuichi SakamotoWritten-By – Shigeru Suzuki ノスタルジア・オブ・アイランド~パート1:バード・ウィンド/パート2:ウォーキング・オン・ザ・ビーチ 3 9:37 Keyboards – Ryuichi SakamotoWritten-By – Tatsuro Yamashita スラック・キー・ルンバ 4 Bass, Guitar, Percussion – Haruomi HosonoDrums – Yukihiro TakahashiKeyboards – Ryuichi 3:02 SakamotoWritten-By – Haruomi Hosono パッション・フラワー 5 3:35 Piano – Ryuichi SakamotoWritten-By – Shigeru Suzuki ノアノア 6 4:10 Piano – Ryuichi SakamotoWritten-By – Shigeru Suzuki キスカ 7 5:26 Written-By – Tatsuro Yamashita Cosmic Surfin' 8 Drums – Yukihiro TakahashiKeyboards – Haruomi Hosono, Ryuichi SakamotoWritten-By – 5:07 Haruomi Hosono Companies, etc. Record Company – Sony Music Direct (Japan) Inc. Credits Remastered By – Tetsuya Naitoh* Notes 2013 reissue. Album originally released in 1978. Track 8 is a rare early version of the Yellow Magic Orchestra track. Translated track titles: 01: The Last Paradise 02: Coral Reef 03: Nostalgia of Island (Part 1: Wind Bird, Part 2: Walking on the Beach 04: Slack Key Rumba 05: Passion Flower 06: Noanoa 07: Kiska Barcode and Other Identifiers Barcode: 4582290393407 -
People Like Ourselves
University of New Orleans ScholarWorks@UNO University of New Orleans Theses and Dissertations Dissertations and Theses Fall 12-20-2017 People Like Ourselves Harper D. Hair University of New Orleans, [email protected] Follow this and additional works at: https://scholarworks.uno.edu/td Part of the Painting Commons Recommended Citation Hair, Harper D., "People Like Ourselves" (2017). University of New Orleans Theses and Dissertations. 2408. https://scholarworks.uno.edu/td/2408 This Thesis is protected by copyright and/or related rights. It has been brought to you by ScholarWorks@UNO with permission from the rights-holder(s). You are free to use this Thesis in any way that is permitted by the copyright and related rights legislation that applies to your use. For other uses you need to obtain permission from the rights- holder(s) directly, unless additional rights are indicated by a Creative Commons license in the record and/or on the work itself. This Thesis has been accepted for inclusion in University of New Orleans Theses and Dissertations by an authorized administrator of ScholarWorks@UNO. For more information, please contact [email protected]. People Like Ourselves A Thesis Submitted to the Graduate Faculty of the University of New Orleans in partial fulfillment of the requirements for the degree of Master of Fine Arts in Fine Arts By Harper Hair B.F.A. Kansas City Art Institute, 2010 December 2017 Table of Contents Page List of Figures………………………………………………………………………………...…..iii Abstract………………………………………………………………………………………...…iv Section 1…………………………………………………………………………………………...1 Section 2…………………………………………………………………………………………...9 Section 3………………………………………………………………………………………….23 References…………………………………….………………………………………………….59 Vita……………………………………………………………………………………………….61 ii List of Figures Page 1. -
Coping with Babylon: the Proper Rastology (2005): Mutabaruka
Coping with Babylon: The Proper Rastology (2005): Mutabaruka, Half P... http://www.popmatters.com/pm/film/reviews/50538/coping-with-babylo... CALL FOR PAPERS: PopMatters seeks feature essays about any aspect of popular culture, present or past. Coping with Babylon: The Proper Rastology Director: Oliver Hill Cast: Mutabaruka, Half Pint, Luciano, Freddie McGregor, Barry Chevannes (2005) Rated: Unrated US DVD release date: 7 October 2007 (MVD) by Matthew Kantor Burning All Illusion Tonight Rastafari is known to the world through reggae music. Many interviewees in Oliver Hill’s Coping with Babylon: the Proper Rastology, who live Rastafari in their daily lives, cite Bob Marley, Peter Tosh, and Dennis Brown in particular as ambassadors of Jamaica’s great folk religion, never seeking to diminish these musicians’ roles in spreading the word. Rastafarian imagery has infiltrated popular culture not just through reggae and other kindred music, but also in the form of clothing, fashion, and general iconography. Despite the well-established co-option of the religion’s trappings and the tremendous popularity of many reggae, dub, and dancehall artists, Coping with Babylon: the Proper Rastology takes a sober, relatively non-musical path in broadcasting the views and roles of Rastafari in the early twenty-first century. Musicians including Luciano and Freddie McGregor are interviewed but so are leaders of various Rastafarian sects in addition to everyday followers of the faith in both Jamaica and New York. The film serves to remind viewers that Rastafarianism is a religion that deeply affects its practitioners and that music is only one aspect of it. And, like most religions, different sects vary in some of their more significant approaches and practices. -
King Creosote Pr 2016
KING CREOSOTE (SCOT) Astronaut Meets Appleman Label: Domino Records Release Date: 2. September 2016 Web: http://www.kingcreosote.com EPK: irascible.ch/de/releases/king-creosote/astronaut-meets-appleman Astronaut Meets Appleman explores the tension and harmony between tradition and technology – between analogue and digital philosophies – and also invokes a feeling, King Creosote (other- wise known as Fife’s Kenny Anderson) says, of “being caught between heaven and earth”. Astro- naut Meets Appleman follows King Creosote’s breakthrough record From Scotland With Love (2014) and his Mercury-nominated collaboration with Jon Hopkins, Diamond Mine (2011). It ar- rives replete with a chamber-rock rabble and then some: harps and bagpipes come as standard, as does silence. The first track to be shared is the album’s opener ‘You Just Want’. A seven- minute piece of hymnal drone-pop, its touchstones are the art of patience, scenes of mild bon- dage and Venus (in Furs). Elsewhere on the record, ‘Melin Wynt’ is a lilting bagpipe-techno odyssey. KC explains “It’s an anti-wind turbine song, from a place called windmill. There are no windmills there.” This sense of place, disorientation and absence (in space, time, nature, hearts) underpins Astronaut Meets Appleman – most literally, perhaps, in the silence that unfolds amidst crestfallen lullaby ‘Rules of Engagement’. Or, as he intones on philharmonic lament 'Faux Call', “it's the silence that somehow says it all”. The KC idiom – equal parts geometry, self-deprecation, cosmic wonder and seafaring poetry – remains intact on the forthcoming album, as does his knack for a killer couplet (see drive-pop calypso ‘Love Life’: “Her jealous accusations know no bounds / Scarlett Johansson was never in my house”).