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Download Date 05/10/2021 09:44:54 Conversations in Sculpture Item Type Show/Exhibition Authors Turner, Jeremy Citation Turner, J. (2019). Conversations in Sculpture. Exhibition at Huddersfield Art Gallery. [Exhibition] . Huddersfield Art Gallery, 6 July - 28 September 2019. Publisher Huddersfield Art Gallery Rights Attribution-NonCommercial-NoDerivatives 4.0 International Download date 05/10/2021 09:44:54 Item License http://creativecommons.org/licenses/by-nc-nd/4.0/ Link to Item http://hdl.handle.net/10034/624036 Huddersfield Art Gallery Saturday July 6th 2019 from 1.30pm Huddersfield Art Gallery Princess Alexandra Walk Huddersfield HD1 2SU 01484 221964 www.kirklees.gov.uk/museums Exhibition dates July 6th ~ September 28th 2019 Open Tuesdays to Saturdays 11.00am ~ 4.00pm Closed on Bank Holidays Admission Free 1 2 Foreword This exciting exhibition brings together a identity, isolation, history and ecology wonderful range of work from Royal Society to more formal concerns of colour, light, of Sculptors artists based in the North and space, construction and deconstruction. the Midlands. Their materials, approach and For the viewer they can form their ideas are all different but under the careful own perceptions, bring their own curation of Lewis Robinson and Grant Scanlan ideas and feelings, build their own they start a conversation; between the works links between the pieces and create themselves, the artists who made them and their own interpretation of what the those of you reading this catalogue and works are about. visiting the exhibition. I hope you will enjoy the relationships set up by the sculptures The Royal Society of Sculptors is a charity and that the range of materials, processes that is a home for sculpture and sculptors. and ideas may broaden your definition of To become a member artists must have a what sculpture can be. professional practice with critical integrity and distinctive visual quality, and must be As well as traditional methods and materials approved by a panel of their peers. such as bronze and stone a contemporary sculptor’s practice might include anything The Society is a place of conversation about from; light, augmented reality, film and all aspects of sculpture from the practical performance to plastic and building to the theoretical and we welcome anyone materials. What is so special about an interested to visit either our website or our exhibition such as this is that we can walk headquarters in London and to seek out work within the sculptures, becoming a physical by our members. This exhibition captures the part of the space and spend time thinking essence of what we are about by opening and wondering. For the artists in this up dialogue and access to interesting exhibition their inspiration ranges from contemporary work for many to enjoy. Clare Burnett, President, Royal Society of Sculptors 3 Victoria Ferrand Scott MRSS Victoria Ferrand Scott is a Yorkshire based sculptor with a first class BA in Sculpture and an MA in Fine Art. She pursues an exploratory sculptural practice, significantly informed by a 2010–2011 Leverhulme Trust residency in Civil Engineering at the University of Leeds, experimenting with fluid concrete and flexible forming. Elected a member of the Royal Society of Sculptors in 2009 she has exhibited in London at the RSS and the Royal Academy and also at the Royal West of England Academy and exhibition venues in the North. Her abstract sculptures develop through investigating fluid materials and processes. She is particularly interested in harnessing natural forces of flow, elasticity and expansion allowing the material to dictate its own form. As a sculptor she provides the materials and means for physical formation without having absolute control over the final outcome. Recent works have played with polarities, combining concrete—often seen as a brutal construction material—with silky stretching fabrics tailored into moulds. The concrete flows and bulges, straining at the seams, demonstrating its capacity for creating sensual forms and recording tactile surfaces. The resul­ ting minimalist sculptures retain the memory of their production together with the suggestion of simple life forms and processes. www.sculptors.org.uk/artists/victoria­ferrand­scott www.axis.org/p/victoriaferrandscott www.yorkshiresculptorsgroup.org/victoria­ferrand­scott 4 Victoria Ferrand Scott Pulling Asunder 2017 Fabric formed cast concrete 17cm x 65cm x 25cm Photograph ~ Victoria Ferrand Scott Victoria Ferrand Scott Overarch 2018 Fabric formed cast concrete 28cm x 50cm x 35cm Photograph ~ Victoria Ferrand Scott 5 Lorna Green FRSS Lorna Green is a sculptor and environmental artist who works on public art and environmental projects throughout the UK and widely overseas. Utilising site-specific materials relevant to each commission such works vary between those that are permanent and those that are transitory, the large and the small and those that operate indoors and in external environments. She has permanent works in schools, universities and hospitals and has created several large­scale earthworks in the UK, Australia, New Zealand, Canada, China, Korea, Japan, Israel, Gran Canarias, Lapland and widely throughout Europe. Since 2016, Lorna has been working on a series of five sculptures, the final one being The News: Remember, Remember. These works respond to subjects as diverse as the cessation of the First World War, the prisoners and fatalities of war and Brexit. More recently the work Framed was originally conceived for KEMS Concert Band’s performance at The Barnaby Festival at Tegg’s Nose in Macclesfield in 2018. It references a bandstand as an external and public performance space and also acts as a framing device through which the viewer can be photographed against the backdrop of any given landscape. When situated in a gallery context the outdoors will in effect be brought inside, the gallery itself framed within a sculpture. www.sculptors.org.uk/artists/lorna­green www.lornagreen.com www.artundertheflightpath.com 6 Lorna Green River 2011 Limestone grit, glass, paint, blue tarmac 800cm x 1200cm x 50cm Photograph ~ Lorna Green Commissioned by Blackburn with Darwen Council Lorna Green Lorna Green Framed (at Tegg’s Nose, Macclesfield) The News: Remember, Remember 2018 2018 Painted wood, painted steel, copper Wood, paint, silk poppies and peace lilies Dimensions variable, largest 195cm x 90cm x 80cm 160cm x 60cm x 60cm Photograph ~ Lorna Green Photograph ~ Lorna Green 7 Mark Houghton MRSS Born in Warrington, Mark trained initially, and gained his first degree at Middlesex University (formerly the Hornsey School of Art) and subsequently at the Cardiff Metropolitan University (MA Fine Art), at the Cardiff School of Art & Design. His work has long been concerned with our relationship to the built environment, and often incorporates objects and materials encountered there. His practice highlights overlooked characteristics of the everyday, in order to isolate and represent aspects of the urban environment. His aim is to forge a visual poetry of the commonplace, to elevate the irrelevance of the ordinary, in an attempt to decode and decipher the complexity of the environments that we inherit and inhabit. In relation to the works shown, the material shift is about the realisation of a greater metaphoric or poetic potential. The objects are now the same, but different. Therefore, they have to be responded to differently. All viewers will bring their own memories and experiences to the work, and therefore a different reading will be elicited each time the work is viewed. This is part of the work’s intended function. The objects chosen for casting will be selected to ensure they exude both a sense of nostalgia and pathos. A nostalgia for the past can induce a nostalgia for the present, as we sense the constant passage of time, and everyday objects sliding towards obsolescence. The objects chosen may often constitute the detritus of daily life, and exhibit a sense of poignancy, associated with failed utopian ideals. https://sculptors.org.uk/artists/mark­houghton#pid=4 www.markhoughton.com 8 Mark Houghton Folded Blue 2018 23cm x 18cm x 3cm Bronze with blue patina Photograph ~ Mark Houghton Mark Houghton Progress 2019 180cm x 5cm x 5cm Cast aluminimum Photograph ~ Mark Houghton 9 Graham Keddie MRSS Graham Keddie’s sculptural practice explores linguistics across visual, written and spoken language. As a research practitioner his sculptural works operate as philosophical, open­ended enquiries. In this context he is a voyeur of himself, experiencing contem porary post­modernist environments of constant momentum and complexity. He immerses himself in the algorithms The sculptural work The Lancaster is part of a of multi­layered information, perceptions, group research project exploring the potential views, comments and conversations that offered by an initial measurement of one metre relate to place, time and memory. of place and/or material The video work, The Infinite Fraction The making of this work is underpinned by Part 4, Driving to Huddersfield, Keddie’s family history and house during the deliberately avoids a singular illustrated war, and includes reference to texts concerning narrative by playing simultaneously with that house, and the flight paths over it, the games multiple perceptions relating to place, played with Airfix models on the stair carpet and time and space. The work combines the Axminster factory that produced it. Keddie’s footage with the text an Similarly Keddie makes reference to his reading amalgamation of extracts from social matter of that particular time, Jean Baudrillard’s media messages, contemporary dramas, The Ecstasy of Communication, 1987, and his news reports, overheard public discourse connection to Robert Malaval’s poem The Ghost. and person­to­person conversations The book itself was published on the same date recorded in real time. as the carpet was laid. The film is also available for free in 3 parts on the first of each month via; Twitter; @grahamkeddie Instagram; @gkeddie http://www.grahamkeddie.com http://aplaceintime.info https://twitter.com/grahamkeddie www.sculptors.org.uk/artists/graham­keddie 10 Graham Keddie The Lancaster Axminster carpet and string stitching.
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