DOCSLIB.ORG

Summer 2018 • August 5, 2018 • 2 P.M

Total Page：16

File Type：pdf, Size：1020Kb

Download full-text PDF Read full-text
Summer 2018 • August 5, 2018 • 2 P.M POMP, CIRCUMSTANCE, AND OTHER SONGS OF A LIFETIME —by Professor David Citino, 1947–2005, Late University Poet Laureate (Originally presented as the 2000 Winter Commencement address) If you’re like me, you’ve got a big head, not to mention a funny robe, full of music— to do your best. Tennessee Ernie Ford, poems and melodies, the tunes “Sixteen Tons”: St. Peter don’t you we move to, shower and shave by, call me ‘Cause I can’t go. I owe study, write to. Not just the incidental, my soul to the company store. but the momentous music keeping time. You have been digging deep in mines Our histories are measures of song. of knowledge. We all owe our souls Listen to your heart: drums of Africa, to Ohio State, company store of learning, sea-spume of blind, far-sighted Homer, shared experience—precious ore Sappho’s honeyed love lyrics. Often, we have in common forever. music speaks for us, one note saying Now I hear Domenico Modugno’s a thousand words. Like Rodolpho fervent urging to wish, sing, fly, in Puccini’s La Boheme, Sono un poeta. Volare, Wo-oo. Cantare, Wo-o-o-o. I am a poet. Che cosa faccio? What My grandfather was a peasant farmer, do I do? Scrivo. I write. This ceremony a contadino in Calabria in the toe is loud music—pomp and circumstance of Italy. He knew it’s the human lot of the life you began freshman year to dream of flying. Lucky, lucky, or that first day of graduate school. lucky me, I’m a lucky son-of-a-gun. In my head I press Play, and the CD I work eight hours, I sleep eight hours, of Big Days kicks on. I leap and linger That leaves eight hours for fun. over moments too sweet, nearly, for words. Hey! He sailed in steerage across I’ll never escape rhymes from the nursery. the Atlantic, came to Cleveland, where Up above the world so high, like a diamond he stayed long enough to work 52 years in the sky. We knew from the start for the B&O Railroad, before lying down our universe was aglow with wonder. to rest in good Ohio soil. So many of us Italian, Latin, English songs in nasal accents here today came from elsewhere, of Cleveland. Gaudeamus igitur, Juvenes or ancestors did. From Tennessee, Italy, dum sumus. So, let us rejoice, while Africa, Asia, Appalachia—even, we are young. Youth is that gift we can’t President Kirwan, the wilds of Kentucky comprehend while we’re young. This ceremony and Maryland. Women and men with backs means you all are less young than you were. supple as birch trunks. The courage Don’t let the heavy knowledge gained it took to pick up stakes and begin again from your studies deprive you of the gifts in a new world! Think of the work of youth, to be able to rejoice at the drop those older ones did. For you. You all of a hat, to care for, be moved by others. are facing a change right now. Now I hear golden hits of five decades. This sheepskin is your passport. Big Mama Thornton, and that so-called King You’re bound for emigration to (King of what, fried butter sandwiches?) the next song of your life. Ohio State who stole away her hound dog. You ain’t is the ark on which you’ve been sailing. never killed a rabbit, you ain’t no friend You’ve been the precious cargo. of mine. As with those profs and TAs, But, as Noah once said, I can see course after course, you had to produce— clearly now the rain is gone. The ark, kill some rabbits—to earn respect. our university, was filled to overflowing And at times OSU may have seemed with the diversity of us. Diversity. like Heartbreak Hotel, down at the end Networks and talk shows devalue the word. (continued on inside back cover) THE OHIO STATE UNIVERSITY 419TH COMMENCEMENT SUMMER 2018 • AUGUST 5, 2018 • 2 P.M. • JEROME SCHOTTENSTEIN CENTER Presiding Officer Commencement Address Alma Mater—Carmen Ohio Michael V. Drake Alan C. Michaels Graduates and guests led by President Dean and Edwin M. Cooperman Weilong Tao Chair in Law Michael E. Moritz College of Law Oh! Come let’s sing Ohio’s praise, Prelude—1:30 to 2 p.m. The Ohio State University Faculty Brass Quintet And songs to Alma Mater raise; Conferring of Distinguished While our hearts rebounding thrill, Welcome Service Award With joy which death alone can still. Recipient presented by Javaune Adams-Gaston Michael J. Gasser, Chair Summer’s heat or winter’s cold, Senior Vice President for Student Life Board of Trustees The seasons pass, the years will roll; John C. Fisher Processional Time and change will surely show Conferring of How firm thy friendship—O-hi-o! Degrees in Course National Anthem Colleges presented by Recessional Graduates and guests led by Bruce A. McPheron Weilong Tao Executive Vice President and Provost Class of 2018 Awarding of Diplomas Invocation Amanda J. Conley Welcome to New Alumni Chaplain James E. Smith Department of Chaplaincy and Senior Vice President of Alumni Relations Clinical Pastoral Education President and CEO Wexner Medical Center The Ohio State University Alumni Association Excerpts from the commencement ceremony will be broadcast on WOSU-TV, Channel 34, on Monday, August 6, at 5:30 p.m. Livestream coverage and a replay of the ceremony in its entirety can be viewed at commencement.osu.edu/video.html. 1 COMMENCEMENT ADDRESS Alan C. Michaels A noted legal scholar, educator with increased financial aid and professor at the University of Michigan and administrator, Alan C. Michaels limited tuition growth. Through its School of Law. has served on the faculty of The Ohio deep commitment to teaching and Prior to joining Ohio State, State University Moritz College of professional training, the college is Dean Michaels spent three years Law for more than 20 years. The ranked among the top five public in private practice representing Edwin M. Cooperman Chair in Law, law schools nationally for successful the Major League Baseball Players he has served as dean since 2008. employment outcomes. Association and four years as a During this time, he has taught criminal In addition to his academic duties, prosecutor in the office of the New law and procedure, white-collar crime Dean Michaels is the co-managing York County District Attorney. and sports law. His research has been editor of the Ohio State Journal of Dean Michaels graduated magna widely published in journals such Criminal Law. He was the recipient of cum laude from Harvard University in as the Columbia Law Review, the the 1998–99 Outstanding Scholarly 1983 and earned his Juris Doctor from Harvard Law Review and the Paper Award from the Association of the Columbia University School of Law Southern California Law Review. American Law Schools; named Moritz in 1986. After graduation, he clerked Under Dean Michaels’ leadership, Law’s Outstanding Professor by the for Chief Judge Wilfred Feinberg of Moritz has become an exemplar of graduating classes of 1999 and 2000; the 2nd U.S. Circuit Court of Appeals legal education in the 21st century and received Ohio State’s Alumni and later Justice Harry A. Blackmun of — balancing superior student Award for Distinguished Teaching in the U.S. Supreme Court. preparation and faculty excellence 2007. In 2003, he served as a visiting 2 RECIPIENT OF HONORS John C. “Jack” Fisher DISTINGUISHED SERVICE AWARD An Ohio native and lifelong the construction of the Nationwide Ohio Department of Agriculture supporter of The Ohio State University, & Ohio Farm Bureau 4-H Center – and a board member for BioOhio. Jack Fisher has more than three the first LEED-certified building on Mr. Fisher has received numerous decades of experience in agribusiness, the Columbus campus. He also accolades for his dedication to Ohio government and higher education. served as co-chair of the CFAES State and the broader agricultural After earning his bachelor’s and But for Ohio State Campaign community. He is a recipient of the master’s degrees in animal sciences Committee, which raised more CFAES Meritorious Service at Ohio State, Mr. Fisher went on to than $154 million to support vital to Students and Distinguished hold several leadership positions scholarships and research. Service awards, The Ohio State at the university. He is a former Beyond his contributions to Ohio University Alumni Association’s member of the Board of Trustees State, Mr. Fisher was executive vice Dan L. Heinlen Award and the and the alumni association’s Board of president of the Ohio Farm Bureau National Agricultural Alumni and Directors. Currently, he is a member Federation, from which he retired Development Association’s Volunteer of the Buckeye Advocates Program, in 2016 after more than 20 years Service Award. Additionally, he holds President’s Club and Animal Science of service. To honor Mr. Fisher’s an Honorary State Future Farmers Hall of Fame. contributions, the bureau presented of America (FFA) Degree and an Mr. Fisher’s support for the him with its Distinguished Service to Honorary American FFA Degree, College of Food, Agricultural and Agriculture Award and established and is an inductee into the Ohio Environmental Sciences (CFAES) has the Fisher Fund for Lifelong Learning Agricultural Hall of Fame. helped realize some of the college’s – an educational fund that prepares Mr. Fisher and his wife, Judy, most transformative advances. students for careers in agriculture. reside in Columbus. They have three He was a principal advocate for He was also deputy director of the children and eight grandchildren.
Load more

Recommended publications
  • Study Buddy CASSETTE DION ELVIS GUITAR IPOD PHONOGRAPH RADIO RECORD RHYTHM ROCK ROLL Where The
    Rhythm, Blues and Clues I V J X F Y R D L Y W D U N H Searchin Michael Presser, Executive Director A Q X R O C K F V K K P D O P Help the musical note find it’s home B L U E S B Y X X F S F G I A Presents… Y C L C N T K F L V V E A D R Y A K O A Z T V E I O D O A G E S W R R T H K J P U P T R O U S I D H S O N W G I I U G N Z E G V A Y V F F F U E N G O P T V N L O T S C G X U Q E H L T G H B E R H O J H D N L P N E C S U W Q B M D W S G Y M Z O B P M R O Y F D G S R W K O F D A X E J X L B M O W Z K B P I D R V X T C B Y W P K P F Y K R Q R E Q F V L T L S G ALBUM BLUES BROADWAY Study Buddy CASSETTE DION ELVIS GUITAR IPOD PHONOGRAPH RADIO RECORD RHYTHM ROCK ROLL Where the 630 Ninth Avenue, Suite 802 Our Mission: Music Inside Broadway is a professional New York City based children’s theatre New York, NY 10036 12 company committed to producing Broadway’s classic musicals in a Music Lives Telephone: 212-245-0710 contemporary light for young audiences.
    [Show full text]
  • Collection Highlights
    COLLECTION HIGHLIGHTS “LATINOS AND BASEBALL” COLLECTING INITIATIVE Latino baseball players have been interwoven in the fabric of Major League Baseball for years. They've been some of the greatest, well-known names in baseball history. To reflect and celebrate that rich history, the National Museum of American History (“NMAH”) in collaboration with the Smithsonian Latino Center, launched Latinos and Baseball: In the Barrios and the Big Leagues. The multi-year community collecting initiative focuses on the historic role that baseball has played as a social and cultural force within Latino communities across the nation. The project launched a series of collecting events in late February in San Bernardino, California. A second event will be held in Los Angeles on July 17, 2016, and a third will be held in Syracuse, New York, on September 15, 2016. The events are designed to generate interest in the initiative, build on community relationships, record oral histories, and identify objects for possible acquisition by local historical associations as well as for the Smithsonian collections. The collaborative initiative seeks to document stories from across the U.S. and Puerto Rico and plans to collect a number of objects that could include baseball equipment; stadium signs; game memorabilia, such as handmade or mass-produced jerseys and tickets; food vendor signs; home movies; and period photographs. Curators will select objects based on the stories they represent and the insight they provide into the personal, community, and national narratives of the national pastime. “Baseball has played a major role in everyday American life since the 1800s, providing a means of celebrating both national and ethnic identities and building communities,” said John Gray, director of NMAH.
    [Show full text]
  • The Korean Wave As a Localizing Process: Nation As a Global Actor in Cultural Production
    THE KOREAN WAVE AS A LOCALIZING PROCESS: NATION AS A GLOBAL ACTOR IN CULTURAL PRODUCTION A Dissertation Submitted to the Temple University Graduate Board In Partial Fulfillment of the Requirements for the Degree DOCTOR OF PHILOSOPHY by Ju Oak Kim May 2016 Examining Committee Members: Fabienne Darling-Wolf, Advisory Chair, Department of Journalism Nancy Morris, Professor, Department of Media Studies and Production Patrick Murphy, Associate Professor, Department of Media Studies and Production Dal Yong Jin, Associate Professor, School of Communication, Simon Fraser University © Copyright 2016 by Ju Oak Kim All Rights Reserved ii ABSTRACT This dissertation research examines the Korean Wave phenomenon as a social practice of globalization, in which state actors have promoted the transnational expansion of Korean popular culture through creating trans-local hybridization in popular content and intra-regional connections in the production system. This research focused on how three agencies – the government, public broadcasting, and the culture industry – have negotiated their relationships in the process of globalization, and how the power dynamics of these three production sectors have been influenced by Korean society’s politics, economy, geography, and culture. The importance of the national media system was identified in the (re)production of the Korean Wave phenomenon by examining how public broadcasting-centered media ecology has control over the development of the popular music culture within Korean society. The Korean Broadcasting System (KBS)’s weekly show, Music Bank, was the subject of analysis regarding changes in the culture of media production in the phase of globalization. In-depth interviews with media professionals and consumers who became involved in the show production were conducted in order to grasp the patterns that Korean television has generated in the global expansion of local cultural practices.
    [Show full text]
  • Big Bang – Shout out to the World!
    Big Bang – Shout Out To The World! (English Translation) [2009] Shout out to the World: TOP “I came here because of that string of hope. Where do I stand now? I ask myself this but even I don’t have a specific answer yet. During the process where I search for my other self, all my worries will fade away because I must find the person who will lend his shoulders to me.” ~TOP Name: Choi Seung-hyun Date of Birth: November 4, 1987 Skills: Rap, Writing lyrics, Beatbox *Starred in the KBS Drama, ‘I am Sam’ The power to awaken a soul, sometimes it takes pain to be re-born. [~ Pt.One~] -I once wanted to be a lyric poet that composed and recited verses.- I became mesmerized with ‘Hip-Hop’ music when I was in Grade 5. I went crazy for this type of music because I listened to it all day and carefully noted all the rap lyrics. If we have to talk about Hip-Hop music, I have to briefly talk about the roots of American Hip-Hop. When I first started listening to Hip-Hop, it was divided up into East Coast and West Coast in America. Wu Tang Clan and Notorius B.I.G. represented the East Coast (New York) scene and they focused largely on the rap and the lyrics, while representing the West Coast (LA) was 2Pac who focused more on the melody. Although at that time in Korea and from my memory, more people listened to West Coast hip hop but I was more into the East Coast style.
    [Show full text]
  • Big Mama and the Whistlin' Woman: a Theory of African
    BIG MAMA AND THE WHISTLIN’ WOMAN: A THEORY OF AFRICAN-AMERICAN ARCHETYPES A DISSERTATION SUBMHTED TO THE FACULTY OF CLARK ATLANTA UNIVERSITY IN PARTIAL FULFILLMENT OF THE REQUIRMENTS FOR THE DEGREE OF DOCTOR OF ARTS IN HUMANITIES BY JAN ALEXIA HOLSTON DEPARTMENT OF ENGLISH ATLANTA, GEORGIA DECEMBER 2010 ABSTRACT ENGLISH HOLSTON, JAN A. B.S. GA SOUTHERN UNIVERSITY, 1998 M.ED. MERCER UNIVERSITY, 2005 BIG MAMA AND THE WHISTLIN’ WOMAN: A THEORY OF AFRICAN-AMERICAN ARCHETYPES Committee Chair: Georgene Bess-Montgomery, Ph.D. Dissertation dated December 2010 This study introduces a literary Theory of African-American Archetypes, which is an outgrowth of two parent theories, Archetypal Criticism and African-American Literary Criticism. The theory posits that the folklore of Africana peoples created and inform culturally specific archetypes, which are deeply seeded in the collective unconscious of many African Americans. As in life, such archetypes are prevalent in African-American literature, which is momentous because they are both historic and perpetual within the community. The African-American Archetypal Big Mama is the character that will be used to demonstrate the theory as a viable form of literary criticism, using Gloria Naylor’s Mama ~y. Examination of her opposite, the Whistlin’ Woman, in Tina McElroy Ansa’s Ugly Ways and Taking After Mudear will substantiate and define the African-American Archetypal Big Mama by negation. Elucidation and application of the theory to African American literature are significant because they widen the criticism particularly for texts I by and for African Americans. Additionally, the application opens the doors for critics of multi-ethnic literature to examine their own cultural idiosyncrasies and subsequent lore for archetypes explicit to their literary traditions.
    [Show full text]
  • Ohio State Fair Nominations
    TWO YEAR OLD FILLY PACE ADORABELLA HOPES N FEAR ROCKIN CALL ALL ABOUT AMY HOTTERTHANHILL ROCKIN MEGAN L AVALINE HANOVER I GOT THE DIAMONDS ROCKIN PRO BABY RHINO IDEAL DRAGON ROCKIN THE RUNWAY BAD GIRLS DON’T CRY IFEELLIKESASSY ROCKING ZOE BAD SAMMIE IN LOVE AGAIN ROCKSTAR HILL BE NOT NOBODY IN STYLE ROSE RUN ULTIMATE BEACH ROYALTY INTHEMIDNIGHTHOUR ROSE RUN UPTOWNGAL BEAUTIFUL LIZ JOYOUS GHEE ROSIES APPLES BEST PLACE TO ROCK KAROLYIS FIVE RYLEE ROO BET YOU IM ROCKIN LACEY RIBBONS SAINT ROSE BETTY BARLEY LADY ROCK ON SANTA ROSA HOOSIER BIG BAD DIVA LADY WOODHULL SARAHS SYMPHONY BIG BAD PRINCESS LEXIWONAGAIN SHADOW OF TOMORROW BIG MAMA LISA RAMONA SHE DRAGONS BLACK ROSA LITTLE BIG SHE'S ON CRUISE BLOOMING SUNFLOWER LOFTY BEACH SIMPLY STUNNING BLUE AINT MY COLOR MACH THE ROCK SLATE OF HAND BLUE HOTTIE MACHBOOK PRO SLEEPIN IN THE SUN BROWN MAGIC WOMAN MACH'S DRAGON SLY MARS DRAGON CAMS STARRY NIGHT MAEVYN MARIE ROCKS SMARTYS FILLY CARMEN OHIO MCSTROLLIN SOME STYLISH PET CATS CRISIS MCSTUNNING SOMEBEACHTREA BABE CHARADE MEDOLAND KENDALLOU SONA HANOVER CHICKEN FOR DINNER MI NINA BONITA SOUTHWIND RAPUNZEL COOKIES EMPIRE MISS MARTHA JONES STAY GOLD CORNERD BEACH MISS VARNA STAYSOUT LATE CRUISIN WITH JOHN MY CAM GIRL STOLEN AMADEOUS DAWNNA MARIE MY JOY SUGAR AND SPITE DAZZLING GEMSTONE NATIVE AND UP SUGARCANE JANE DIABLU LADI ODDS ON OLENTANGY SWEET SHE ROCK DOROTHY GALE OFFICIAL LINE SWEETLADYLAVENDER DRAGONETTE OFFICIALLY MY WAY TEQUILLA PEANUT FEARLESS OH MISS RYLEE THANEEYA FEEL IT GLIDE ONE SWEET TRIP THELMA JUNE FEELINEXCITED OOZIES BEACH
    [Show full text]
  • The Liberty Champion, Volume 16, Issue 10)
    Scholars Crossing 1998 -- 1999 Liberty University School Newspaper 11-10-1998 11-10-98 (The Liberty Champion, Volume 16, Issue 10) Follow this and additional works at: https://digitalcommons.liberty.edu/paper_98_99 Recommended Citation "11-10-98 (The Liberty Champion, Volume 16, Issue 10)" (1998). 1998 -- 1999. 8. https://digitalcommons.liberty.edu/paper_98_99/8 This Article is brought to you for free and open access by the Liberty University School Newspaper at Scholars Crossing. It has been accepted for inclusion in 1998 -- 1999 by an authorized administrator of Scholars Crossing. For more information, please contact [email protected]. Liberty University, Lynchburg, Va. Tuesday, November 10, 1998 Vol. 16, No. 10 f\ T H E LIBERTY CHAMPION NATIONAL SGA votes to loosen LlTs movie code u DATE BY JENNIFER PILIATH which passed Senate with a 25-10 also Included." ued. "I think is purely ludicrous." Editor in Chief vote, would allow Liberty students Bingham claims that the Motion Now that the bill has been vetoed to watch R-rated movies. The cur­ Picture Association of America by Thompson, Senate will have the GOP faces leadership fight Liberty's Student Government rent policy, as stated in the Liberty (MPAA) rates movies according to opportunity to override the veto if a The resignation of House Speaker Newt Gingrich Association (SGA) attempted to Way, prohibits viewing of any who the viewers should be. two thirds majority is reached. If has touched off a scramble to succeed him and to change school policy this past movies rated R, NC-17 or X. Therefore, movies which contain this occurs, the bill will head to challenge other House Republican leaders.
    [Show full text]
  • Read an Excerpt
    SHAKIN' THE MESS OUTTA MISERY A Play by SHAY YOUNGBLOOD Dramatic Publishing Wocxhtock, lllioois • London, England • ldeIboume, Austmlia © The Dramatic Publishing Company, Woodstock, Illinois *** NOTICE *** 1be amateur and stock acting rights to this wa-k are cootrolled exclusively by THE DRAMATIC PUBUSIUNG COMPANY without whose remUssioo in writing no perfcnnance of it may be given. Royalty fees are given in our current catalogue and are subject to change without notice. Royalty must be JXlid every time a play is perfooned whether or not it is JreSeIlted for profit and whether or not admissicn is charged A play is perfamed anytime it is acted befcre an audience. All inquiries calCeIning amateur and stock rights should be ~ to: DRAMATIC PUBliSHING P. O. Box 129, Woodstock, lllinois 60098. COPYRIGHT UW GIVES THE AlTI1IOR OR THE AUTHOR'S AGENT THE EXCLUSIVE RIGlIT TO MAKE COPIES. This law provides at.Jthoo; with a fair retmn for their creative efforts. Autin's earn their living fum the royalties they receive fum book sales and fn:m the perfcnnance of their wOOc. CooscientiolE ob5ervance of cqJyright law is not ooly ethical, it encour­ ages autin's to continue their creative work This work is fully putected by cq>yrighl No altelations, deletioos or substitutions may be made in the work without the ¢cr vvritten coosent of the publisher. No IXUt of this work may be reproduced <X' transmitted in any fann or by any means, electrooic or me­ charJcal, including photocopy, recording, videotape, fllm, or any infonnatioo skrage and retrieval system, without remUssion in writing fn:m the publisher.
    [Show full text]
  • Here at the Beginning
    Dixieland Monterey Presents SCHEDULE & VENUE MAP MONTEREY, CALIFORNIA INSIDE 1 Bands 4th Street Five Jazz Band Cow Bop 20th Century Jazz Band Cornet Chop Suey Gremoli Monterey Bay Classic Specs 101st Army Dixieland Band Cocuzzi All-Star Quintet G-Whiz Boogie Band Jass Band Spirit of ‘29 Allan Vaché’s Big Four Cocuzzi/Vaché Swing All-Stars Hal’s Angels Natural Gas Jazz Band State Street with Marsha K Au Brothers Jazz Band Commander’s Jazz Ensemble Hangtown Jazz Band New Reformation Band Steve Lucky & the Rhumba Avalon Swing Crescent Katz High Sierra Jazz Band Night Blooming Jazzmen Bums Banjo Buddies Dixieland Band Crazy Rhythm Hogin’s Heroes Nuclear Whales Saxophone Stumptown Jazz Band Barehanded Wolfchokers Creole Jazz Kings Holland-Coots Jazz Quintet Orchestra Sweet Thursday Jazz Band Barnhart-Midiri Quartet Creole Syncopators Holy Crow Old Friends Swinging Gate Jazz Band Beale Street Jazz Band Crown Syncopators Hot Cotton Jazz Band Olive Street Stompers Swing City! BED Ragtime Trio Hot Frogs Jumping Jazz Band Original Wildcat Jass Band Swing Design Beverly Hills Unlisted Custer’s Last Band Howard Alden Trio Pacific Brass Taking Stock with Jackson Big Mama Sue & Friends Desert City Six Igor’s Jazz Cowboys Parlor Jam Tenth Avenue Jazz Band Big Tiny Little Desolation Jazz Ensemble Illuminati Pat Yankee & Her Gentlemen Titan Hot Seven Bill Allred’s Classic Jazz Band Devil Mountain Jazz Band The International Sextet of Jazz Titanic Jazz Band Black Diamond Jazz Band Dick Johnson’s Mardi Gras Ivory&Gold® Pieter Meijers Quartet Tom Rigney & Flambeau Black Dog Jazz Band Jazz Band Jake Stock & the Abalone Polly’s Hot Paupers Tom Saunders’ Midwest Black Swan Classic Jazz Band Dixieland Express Stompers Port City Jazz Band All-Stars Blue Street Jazz Band Dixieland Inc.
    [Show full text]
  • Roxbox by Artist (Hed) Planet Earth 2 Play Feat
    RoxBox by Artist (Hed) Planet Earth 2 Play Feat. Thomas Jules & Bartender Jucxi D Blackout Careless Whisper Other Side 2 Unlimited 10 Years No Limit Actions & Motives 20 Fingers Beautiful Short Dick Man Drug Of Choice 21 Demands Fix Me Give Me A Minute Fix Me (Acoustic) 2Pac Shoot It Out Changes Through The Iris Dear Mama Wasteland How Do You Want It 10,000 Maniacs Until The End Of Time Because The Night 2Pac Feat Dr. Dre Candy Everybody Wants California Love Like The Weather 2Pac Feat. Dr Dre More Than This California Love These Are The Days 2Pac Feat. Elton John Trouble Me Ghetto Gospel 101 Dalmations 2Pac Feat. Eminem Cruella De Vil One Day At A Time 10cc 2Pac Feat. Notorious B.I.G. Dreadlock Holiday Runnin' Good Morning Judge 3 Doors Down I'm Not In Love Away From The Sun The Things We Do For Love Be Like That Things We Do For Love Behind Those Eyes 112 Citizen Soldier Dance With Me Duck & Run Peaches & Cream Every Time You Go Right Here For You Here By Me U Already Know Here Without You 112 Feat. Ludacris It's Not My Time (I Won't Go) Hot & Wet Kryptonite 112 Feat. Super Cat Landing In London Na Na Na Let Me Be Myself 12 Gauge Let Me Go Dunkie Butt Live For Today 12 Stones Loser Arms Of A Stranger Road I'm On Far Away When I'm Gone Shadows When You're Young We Are One 3 Of A Kind 1910 Fruitgum Co.
    [Show full text]
  • Title Format Released Abyssinians, the Satta Dub CD 1998 Acklin
    Title Format Released Abyssinians, The Satta Dub CD 1998 Acklin, Barbara The Brunswick Anthology (Disc 2) CD 2002 The Brunswick Anthology (Disc 1) CD 2002 Adams Johnny Johnny Adams Sings Doc Pomus: The Real Me CD 1991 Adams, Johnny I Won't Cry CD 1991 Walking On A Tightrope - The Songs Of Percy Mayfield CD 1989 Good Morning Heartache CD 1993 Ade & His African Beats, King Sunny Juju Music CD 1982 Ade, King Sunny Odu CD 1998 Alabama Feels So Right CD 1981 Alexander, Arthur Lonely Just Like Me CD 1993 Allison, DeAnn Tumbleweed CD 2000 Allman Brothers Band, The Beginnings CD 1971 American Song-poem Anthology, The Do You Know The Difference Between Big Wood And Brush CD 2003 Animals, The Animals - Greatest Hits CD 1983 The E.P. Collection CD 1964 Aorta Aorta CD 1968 Astronauts, The Down The Line/ Travelin' Man CD 1997 Competition Coupe/Astronauts Orbit Kampus CD 1997 Rarities CD 1991 Go Go Go /For You From Us CD 1997 Surfin' With The Astronauts/Everything Is A-OK! CD 1997 Austin Lounge Lizards Paint Me on Velvet CD 1993 Average White Band Face To Face - Live CD 1997 Page 1 of 45 Title Format Released Badalamenti, Angelo Blue Velvet CD 1986 Twin Peaks - Fire Walk With Me CD 1992 Badfinger Day After Day [Live] CD 1990 The Very Best Of Badfinger CD 2000 Baker, Lavern Sings Bessie Smith CD 1988 Ball, Angela Strehli & Lou Ann Barton, Marcia Dreams Come True CD 1990 Ballard, Hank Sexy Ways: The Best of Hank Ballard & The Midnighters CD 1993 Band, The The Night They Drove Old Dixie Down: The Best Of The Band [Live] CD 1992 Rock Of Ages [Disc 1] CD 1990 Music From Big Pink CD 1968 The Band CD 1969 The Last Waltz [Disc 2] CD 1978 The Last Waltz [Disc 1] CD 1978 Rock Of Ages [Disc 2] CD 1990 Barker, Danny Save The Bones CD 1988 Barton, Lou Ann Read My Lips CD 1989 Baugh, Phil 64/65 Live Wire! CD 1965 Beach Boys, The Today! / Summer Days (And Summer Nights!!) CD 1990 Concert/Live In London [Bonus Track] [Live] CD 1990 Pet Sounds [Bonus Tracks] CD 1990 Merry Christmas From The Beach Boys CD 2000 Beatles, The Past Masters, Vol.
    [Show full text]
  • Black-Is-Black-Aint-Transcript.Pdf
    BLACK IS ... BLACK AIN'T PRODUCED AND DIRECTED BY MARLON T. RIGGS (TRANSCRIPT) © 1995 Signifyin' Works 2600 10th St. Ste 401 Berkeley, Ca 94710 (510) 548-3884 BLACK IS ... BLACK AIN'T TRANSCRIPT MARLON RIGGS: Has anybody talked to you at all about what we're doing? You just got dragged here? Okay, we're gonna tell you a little bit. This is a documentary we're doing for public television. It's called "Black Is ... Black Ain't." We've finally begun production . Two hundred and twenty five . I thought the number would be higher ... T-cell count down, weight down too I'm worried but I keep this to . myself ... My weight and T-cell count are the same. What's happening to my body? AIDS forces you, because of the likelihood that you could die at this moment, AIDS forces you to deal with that and to look around you and say, "Hey, I'm wasting my time if I'm not devoting every moment to thinking about how can I communicate to black people, so that we start to look at each other, we start to see each other." TEXT: MARLON RIGGS CHALLENGED RACISM AND HOMOPHOBIA WITH HIS WORK AND IN HIS LIFE. DURING THE MAKING OF THIS FILM, HE DIED OF AIDS. THIS FILM WAS COMPLETED IN TRIBUTE TO HIS VISION AND HUMANITY. TITLE: BLACK IS ... BLACK AIN'T A PERSONAL JOURNEY THROUGH BLACK IDENTITY. [PERFORMANCE - BLACK IS ... BLACK AIN'T CALL AND RESPONSE] MARLON T. RIGGS: I said, Black is! Black ain't! Black is! Black ain't! Black is blue! (So blue! so bluel) And Black is red! (Bloody red!) Black is tan! (Light as white!) And Black is light! (Tell it!) Black Is ..
    [Show full text]