DOCSLIB.ORG

Classical Categories

Total Page：16

File Type：pdf, Size：1020Kb

Download full-text PDF Read full-text
Classical Categories DR-Classics Production Categories UPC #: 4715212211057 - Product Details Long Yu & China Philharmonic Orchestra -The Song from the earth Format: 33.3 RPM Vinyl LP Number of Discs: 1LP Label: DR Classics Price: $ 45 Track Listings DRMA-CPO-LP07 Ye Xiaogang Song from the Earth(completeverson),Op.47(On the poems by Li Bai, Meng Haoran,Qian qi and Wang Wei), MOV:I;II;III,20:35 Ye Xiaogang Song from the Earth(completeverson),Op.47(On the poems by Li Bai, Meng Haoran,Qian qi and Wang Wei), MOV IV;V;VI,22:34 DRMA-CPO-LP08 Gustav Mahler Das Lied von der Erde(The Song of theEarth)-6th movment Part1,14:44 Gustav Mahler Das Lied von der Erde(The Song of theEarth)-6th movment Part2,12:38 _____________________________________________________ _____________________________________ UPC #: 4715212211071 - Product Details China Philharmonic Orchestra- Long Yu &Jian Wang - Reflet d'un temps disparu pour violoncelle et orchestra Format: 33.3 RPM Vinyl LP Number of Discs: 1LP Label: DR Classics Price: $ 45 Track Listings DRMA-CPO-LP01 Franz Joseph haydn Cello Concerto in C major， Hob.VIIb:1,23:28 Chen Qigang Reflet d'un temps disparu（1995-1996）pour violoncelle et orchestre,26:08 _____________________________________________________ _____________________________________ UPC #: 4715212211095 - Product Details Long Yu - Faure-Requiem,Op.48 Format: 33.3 RPM Vinyl LP Number of Discs: 1 LP Label: DR Classics Price: $ 45 Track Listings DRMA-CPO-LP02 Gabriel Fauré Requiem Op.48,MOV:I-IV，19:45 Gabriel Fauré Requiem Op.48,MOV:V-VII Gabriel Fauré Pavane,Op.50,05:23，18:31 _____________________________________________________ _____________________________________ UPC #: 9787883049524 - Product Details China Philharmonic Live 100 CD Collection Format: Box Set CD Number of Discs: 100 CD Label: DR Classics Price: $ 300 Introduction: In 2012,the China Philharmonic Orchestra (CPO), in cooperation with DR Classics and under the direction of China Philharmonic Artistic Director Long Yu, will release China's first commercial series of 100 orchestra performance albums, as well as 10 vinyl LPs. Not only is this amilestone in the history of Chinese philharmonic music, it is also a daring experiment on behalf of the Chinese classical music and recording industries. Taking a broad perspective of today's classical music market, the Back to Live series, which has renewed audiences' interest in recordings of live concerts, has begun an unexpected trend.Since the London Symphony Orchestra's LSO Live, followed by the Chicago Symphony Orchestra's CSO Live and the Amsterdam Royal Concert Hall Orchestra's RCO Live, the world's most outstanding orchestras have successfully created an era of commercially-released live concert albums. In China, along with this release of the CPO and DR Classics CPO Live series,will establish the place of Chinese symphonic music and the Chinese record industry in this new wave of international musical excellence. The vast majority of the works included on the CPO Live series of records are from performances by the CPO from concerts held after 2008, which is considered to be when the CPO reached its full artistic maturity. This series consists of a selection of concerts, which collectively act as testimony to the monumental progress made by Chinese symphonic music since the turn of the century, and which have now become milestones. From the large-scale symphonies of Mahler and Bruckner, to grand performances such as Wagner's opera Tristan und Isolde, this compilation includes the exceptional demonstrations which have contributed to the evolution of the symphonic music of China. The series of 100 CDs and 10 LPs includes 105 concerts by the CPO, and 213 classic works of eastern and western music. Not only does the CPO show you their highest level of skill at performing works by great western composers, such as those of Bach, Mozart, Beethoven, Brahms,Bruckner, Mahler and Wagner, but they also offer you their renditions of works by Chinese composers such as Chen Qigang, Ye Xiaogang, Guo Wenjing, and Zhou Long. Behind every album is a concert well worth revisiting, and CPO Live serves as the first opportunity for symphonic music fans in China to return to the same moment of concerts they've attended personally, and at the same time is a chance for those new to the scene to experience the wonder that the China Philharmonic Orchestra has to offer. _____________________________________________________ _____________________________________ UPC #: 9787883049524-10 - Product Details Wang Yijing -Zou Ye: The Drunken Concubine for Peking Opera and Orchestra From: China Philharmonic Live 100CD Collection CD-10 Format: CD Number of Discs: 1 Label: DR Classics Price: $ 9.99 Track Listings 1. Zou Ye: The Drunken Conqubine for Jinghu and Orchestra，28:00 2. Richard Wagner: Prelude and ―Liebestodǁfrom Act III of Tristan undIsolde, WWV. 90,16:29 _____________________________________________________ _____________________________________ UPC #: 9787883049531 - Product Details Long Yu & CPO Live Vinyl Collection Limited Edition Format: 33.3 RPM Vinyl LP Number of Discs: 10 Vinyl LP Label: DR Classics Price: $ 1500 In 2012,the China Philharmonic Orchestra (CPO), in cooperation with DR Classics and under the direction of China Philharmonic Artistic Director Long Yu, will release China's first commercial series of 100 orchestra performance albums, as well as 10 vinyl LPs. Not only is this amilestone in the history of Chinese philharmonic music, it is also a daring experiment on behalf of the Chinese classical music and recording industries. Taking a broad perspective of today's classical music market, the Back to Live series, which has renewed audiences' interest in recordings of live concerts, has begun an unexpected trend.Since the London Symphony Orchestra's LSO Live, followed by the Chicago Symphony Orchestra's CSO Live and the Amsterdam Royal Concert Hall Orchestra's RCO Live, the world's most outstanding orchestras have successfully created an era of commercially-released live concert albums. In China, along with this release of the CPO and DR Classics CPO Live series,will establish the place of Chinese symphonic music and the Chinese record industry in this new wave of international musical excellence. The vast majority of the works included on the CPO Live series of records are from performances by the CPO from concerts held after 2008, which is considered to be when the CPO reached its full artistic maturity. This series consists of a selection of concerts, which collectively act as testimony to the monumental progress made by Chinese symphonic music since the turn of the century, and which have now become milestones. From the large-scale symphonies of Mahler and Bruckner, to grand performances such as Wagner's opera Tristan und Isolde, this compilation includes the exceptional demonstrations which have contributed to the evolution of the symphonic music of China. The series of 100 CDs and 10 LPs includes 105 concerts by the CPO, and 213 classic works of eastern and western music. Not only does the CPO show you their highest level of skill at performing works by great western composers, such as those of Bach, Mozart, Beethoven, Brahms,Bruckner, Mahler and Wagner, but they also offer you their renditions of works by Chinese composers such as Chen Qigang, Ye Xiaogang, Guo Wenjing, and Zhou Long. Behind every album is a concert well worth revisiting, and CPO Live serves as the first opportunity for symphonic music fans in China to return to the same moment of concerts they've attended personally, and at the same time is a chance for those new to the scene to experience the wonder that the China Philharmonic Orchestra has to offer. _____________________________________________________ _____________________________________.
Load more

Recommended publications
  • Download Article
    Advances in Economics, Business and Management Research, volume 70 International Conference on Economy, Management and Entrepreneurship（ICOEME 2018) Research on the Path of Deep Fusion and Integration Development of Wuhan and Ezhou Lijiang Zhao Chengxiu Teng School of Public Administration School of Public Administration Zhongnan University of Economics and Law Zhongnan University of Economics and Law Wuhan, China 430073 Wuhan, China 430073 Abstract—The integration development of Wuhan and urban integration of Wuhan and Hubei, rely on and Ezhou is a strategic task in Hubei Province. It is of great undertake Wuhan. Ezhou City takes the initiative to revise significance to enhance the primacy of provincial capital, form the overall urban and rural plan. Ezhou’s transportation a new pattern of productivity allocation, drive the development infrastructure is connected to the traffic artery of Wuhan in of provincial economy and upgrade the competitiveness of an all-around and three-dimensional way. At present, there provincial-level administrative regions. This paper discusses are 3 interconnected expressways including Shanghai- the path of deep integration development of Wuhan and Ezhou Chengdu expressway, Wuhan-Ezhou expressway and from the aspects of history, geography, politics and economy, Wugang expressway. In terms of market access, Wuhan East and puts forward some suggestions on relevant management Lake Development Zone and Ezhou Gedian Development principles and policies. Zone try out market access cooperation, and enterprises Keywords—urban regional cooperation; integration registered in Ezhou can be named with “Wuhan”. development; path III. THE SPACE FOR IMPROVEMENT IN THE INTEGRATION I. INTRODUCTION DEVELOPMENT OF WUHAN AND EZHOU Exploring the path of leapfrog development in inland The degree of integration development of Wuhan and areas is a common issue for the vast areas (that is to say, 500 Ezhou is lower than that of central urban area of Wuhan, and kilometers from the coastline) of China’s hinterland.
    [Show full text]
  • Ideophones in Middle Chinese
    KU LEUVEN FACULTY OF ARTS BLIJDE INKOMSTSTRAAT 21 BOX 3301 3000 LEUVEN, BELGIË ! Ideophones in Middle Chinese: A Typological Study of a Tang Dynasty Poetic Corpus Thomas'Van'Hoey' ' Presented(in(fulfilment(of(the(requirements(for(the(degree(of(( Master(of(Arts(in(Linguistics( ( Supervisor:(prof.(dr.(Jean=Christophe(Verstraete((promotor)( ( ( Academic(year(2014=2015 149(431(characters Abstract (English) Ideophones in Middle Chinese: A Typological Study of a Tang Dynasty Poetic Corpus Thomas Van Hoey This M.A. thesis investigates ideophones in Tang dynasty (618-907 AD) Middle Chinese (Sinitic, Sino- Tibetan) from a typological perspective. Ideophones are defined as a set of words that are phonologically and morphologically marked and depict some form of sensory image (Dingemanse 2011b). Middle Chinese has a large body of ideophones, whose domains range from the depiction of sound, movement, visual and other external senses to the depiction of internal senses (cf. Dingemanse 2012a). There is some work on modern variants of Sinitic languages (cf. Mok 2001; Bodomo 2006; de Sousa 2008; de Sousa 2011; Meng 2012; Wu 2014), but so far, there is no encompassing study of ideophones of a stage in the historical development of Sinitic languages. The purpose of this study is to develop a descriptive model for ideophones in Middle Chinese, which is compatible with what we know about them cross-linguistically. The main research question of this study is “what are the phonological, morphological, semantic and syntactic features of ideophones in Middle Chinese?” This question is studied in terms of three parameters, viz. the parameters of form, of meaning and of use.
    [Show full text]
  • Representing Talented Women in Eighteenth-Century Chinese Painting: Thirteen Female Disciples Seeking Instruction at the Lake Pavilion
    REPRESENTING TALENTED WOMEN IN EIGHTEENTH-CENTURY CHINESE PAINTING: THIRTEEN FEMALE DISCIPLES SEEKING INSTRUCTION AT THE LAKE PAVILION By Copyright 2016 Janet C. Chen Submitted to the graduate degree program in Art History and the Graduate Faculty of the University of Kansas in partial fulfillment of the requirements for the degree of Doctor of Philosophy. ________________________________ Chairperson Marsha Haufler ________________________________ Amy McNair ________________________________ Sherry Fowler ________________________________ Jungsil Jenny Lee ________________________________ Keith McMahon Date Defended: May 13, 2016 The Dissertation Committee for Janet C. Chen certifies that this is the approved version of the following dissertation: REPRESENTING TALENTED WOMEN IN EIGHTEENTH-CENTURY CHINESE PAINTING: THIRTEEN FEMALE DISCIPLES SEEKING INSTRUCTION AT THE LAKE PAVILION ________________________________ Chairperson Marsha Haufler Date approved: May 13, 2016 ii Abstract As the first comprehensive art-historical study of the Qing poet Yuan Mei (1716–97) and the female intellectuals in his circle, this dissertation examines the depictions of these women in an eighteenth-century handscroll, Thirteen Female Disciples Seeking Instructions at the Lake Pavilion, related paintings, and the accompanying inscriptions. Created when an increasing number of women turned to the scholarly arts, in particular painting and poetry, these paintings documented the more receptive attitude of literati toward talented women and their support in the social and artistic lives of female intellectuals. These pictures show the women cultivating themselves through literati activities and poetic meditation in nature or gardens, common tropes in portraits of male scholars. The predominantly male patrons, painters, and colophon authors all took part in the formation of the women’s public identities as poets and artists; the first two determined the visual representations, and the third, through writings, confirmed and elaborated on the designated identities.
    [Show full text]
  • The Hundred Surnames: a Pinyin Index
    names collated:Chinese personal names and 100 surnames.qxd 29/09/2006 12:59 Page 3 The hundred surnames: a Pinyin index Pinyin Hanzi (simplified) Wade Giles Other forms Well-known names Pinyin Hanzi (simplified) Wade Giles Other forms Well-known names Ai Ai Ai Zidong Cong Ts’ung Zong Cong Zhen Ai Ai Ai Songgu Cui Ts’ui Cui Jian, Cui Yanhui An An An Lushan Da Ta Da Zhongguang Ao Ao Ao Taosun, Ao Jigong Dai Tai Dai De, Dai Zhen Ba Pa Ba Su Dang Tang Dang Jin, Dang Huaiying Bai Pai Bai Juyi, Bai Yunqian Deng Teng Tang, Deng Xiaoping, Bai Pai Bai Qian, Bai Ziting Thien Deng Shiru Baili Paili Baili Song Di Ti Di Xi Ban Pan Ban Gu, Ban Chao Diao Tiao Diao Baoming, Bao Pao Bao Zheng, Bao Shichen Diao Daigao Bao Pao Bao Jingyan, Bao Zhao Ding Ting Ding Yunpeng, Ding Qian Bao Pao Bao Xian Diwu Tiwu Diwu Tai, Diwu Juren Bei Pei Bei Yiyuan, Bei Qiong Dong Tung Dong Lianghui Ben Pen Ben Sheng Dong Tung Dong Zhongshu, Bi Pi Bi Sheng, Bi Ruan, Bi Zhu Dong Jianhua Bian Pien Bian Hua, Bian Wenyu Dongfang Tungfang Dongfang Shuo Bian Pien Bian Gong Dongguo Tungkuo Dongguo Yannian Bie Pieh Bie Zhijie Dongmen Tungmen Dongmen Guifu Bing Ping Bing Yu, Bing Yuan Dou Tou Dou Tao Bo Po Bo Lin Dou Tou Dou Wei, Dou Mo, Bo Po Bo Yu, Bo Shaozhi Dou Xian Bu Pu Bu Tianzhang, Bu Shang Du Tu Du Shi, Du Fu, Du Mu Bu Pu Bu Liang Du Tu Du Yu Cai Ts’ai Chai, Cai Lun, Cai Wenji, Cai Ze Du Tu Du Xia Chua, Du Tu Du Qiong Choy Duan Tuan Duan Yucai Cang Ts’ang Cang Xie Duangan Tuankan Duangan Tong Cao Ts’ao Tso, Tow Cao Cao, Cao Xueqin, Duanmu Tuanmu Duanmu Guohu Cao Kun E O E
    [Show full text]
  • Research on the Customs of Festival Sports Entertainment in Tang Dynasty from Angles of Poems and Proses
    International Academic Workshop on Social Science (IAW-SC 2013) Research on the Customs of festival sports entertainment in Tang Dynasty from Angles of Poems and Proses Junli Yu Department of Sports Media and Cultural Studies Xi’an Physical Education University Xi’an 710068,China e-mail: [email protected] Abstract—This paper textually investigates festival sports and recreational custom in the Tang Dynasty—its origin, II. FESTIVAL SPORTS AND RECREATIONAL CUSTOMS underlying cultural implication, spectacularity and evolution A. Ascending a height on Man Day in the Tang Dynasty by document research method. There were a great number of festivals at that time to stage so many Man Day had been celebrated before the Tang Dynasty. colorful festival folk custom activities,such as Man Day, Festivals in Jinchu Area records, “Man Day is celebrated on Shangyuan Festival, Shangsi Festival (3rd day of 3rd lunar January 7 (lunar calendar)… when people ascend a height month),Qingming Festival and Cold Food Day,Dragon Boat and compose poetic proses.”[2] This is the very festival Festival, Double Ninth Festival,Lari Festival,Winter Solstice which is themed by human, demonstrating the rich cultural Festival and New Year’s Eve.Some Poems and Proses of the implications of valuing human, birth and new things, which Tang Dynasty feature festival sports and recreational activities, apparently were enriched and developed in such a vigorous presenting clear pictures of such spectacular events and society of the Tang Dynasty. helping preserve our fine folk customs, their rites and more. On Man Day, plants begin to sprout in new spring, and if the weather was cooperative, people in the Tang Dynasty Keywords—the Tang Dynasty; Sports; Poems and Proses; usually ascended a height for celebration.
    [Show full text]
  • Songs of Contentment and Transgression
    Songs of Contentment and Transgression Discharged Officials and Literati Communities in Sixteenth-Century North China Tian Yuan Tan Published by the Harvard University Asia Center Distributed by Harvard University Press Cambridge (Massachusetts) and London 2010 © 2010 by the President and Fellows of Harvard College Printed in the United States of America The Harvard-Yenching Institute, founded in 1928 and headquartered at Harvard University, is a foundation dedicated to the advancement of higher education in the humanities and social sci- ences in East and Southeast Asia. The Institute supports advanced research at Harvard by faculty members of certain Asian universities and doctoral studies at Harvard and other universities by junior faculty at the same universities. It also supports East Asian studies at Harvard through con- tributions to the Harvard-Yenching Library and publication of the Harvard Journal of Asiatic Studies and books on premodern East Asian history and literature. Library of Congress Cataloging-in-Publication Data Tan, Tian Yuan. Songs of contentment and transgression : discharged officials and literati communities in six- teenth-century north China / Tian Yuan Tan. p. cm. -- (Harvard-Yenching Institute monograph series ; 75) Includes bibliographical references and index. ISBN 978-0-674-05604-6 1. Qu (Chinese literature)--Ming dynasty, 1368-1644--History and criticism. 2. Chinese drama-- Ming dynasty, 1368-1644--History and criticism. 3. Intellectuals--China--History--16th century. 4. China--Intellectual life--16th
    [Show full text]
  • Mirror, Dream and Shadow: Gu Taiqing's Life and Writings a Dissertation Submitted to the Graduate Division of the University O
    MIRROR, DREAM AND SHADOW: GU TAIQING‘S LIFE AND WRITINGS A DISSERTATION SUBMITTED TO THE GRADUATE DIVISION OF THE UNIVERSITY OF HAWAI‗I AT MANOĀ IN PARTIAL FULFILLMENT OF THE REQUIREMENTS FOR THE DEGREE OF DOCTOR OF PHILOSOPHY IN EAST ASIAN LANGUAGES AND LITERATURES (CHINESE) May 2012 By Changqin Geng Dissertation Committee: David McCraw, Chairperson Giovanni Vitiello Hui Jiang Tao-chung Yao Roger Ames ACKNOWLEDGMENTS I would like to express my deepest gratitude to my advisor Prof. David McCraw for his excellent guidance, caring and patience towards my study and research. I really appreciate for his invaluable comments and insightful suggestions throughout this study. I also want to thank my dissertation committee members, Prof. Giovanni Vitiello, Prof. Hui Jiang, Prof. Tao-chung Yao and Prof. Roger Ames, for their intellectual instruction, thoughtful criticism and scholarly inspiration. I want to especially thank Prof. Tao-chung Yao for his guidance and support in my development as a teacher. I am also grateful to my husband, Sechyi Laiu, who helped me with proofreading and shared with me the pleasures and pains of writing. His patience, tolerance and encouragement helped me overcome the difficulties in finishing this dissertation. Finally, I would like to thank my parents and my little sister. They have always mentally encouraged and supported me throughout my academic endeavors. ii ABSTRACT Gu Taiqing is one of the most remarkable and prolific poetesses of the Qing dynasty. This study attempts to present critical and comprehensive research on Gu Taiqing‘s writing so to unearth and illustrate Taiqing‘s own life and mentality, in order to enrich our understanding of the role that writing has played in the lives of the pre-modern women.
    [Show full text]
  • The Hanzhong Written Poetry of Tang Dynasty and Contemporary Urban Construction in Hanzhong
    2019 International Conference on Social Science and Education (ICSSAE 2019) The Hanzhong Written Poetry of Tang Dynasty and Contemporary Urban Construction in Hanzhong Zhongjun Wang Xi'an Peihua University, Xi'an, Shanxi Province, China [email protected] Keywords: poetry of the Tang Dynasty; Hanzhong writing; urban construction Abstract: Hanzhong is geographically located in the center of the map of China. Its geographical feature is "strategically located and difficult to access in four stoppages". Hanshui River’s origin is through-flowed and has a long history. In the poets’ pens of the Tang Dynasty, its traffic was very convenient, the history and culture were profound, the natural environment was beautiful, and the cultural atmosphere was strong. This paper aims to explore the new findings, new ways to realize the spread of modern Hanzhong City image through the study of Hanzhong's written poetry in the Tang Dynasty in combination with the transformation of Hanzhong's City, and explore the importance of urban communication, endow Hanzhong, a historic and cultural city with a special and innovative connotation in visual form, and provide a feasible proposal and plan. Hanzhong crosses the north and south, and has two water systems of Hanshui and Jialing River. It is known as the “Jiangnan in the Northwest”. Thanks to the city’s profound historical and cultural heritage and outstanding humanities, Tang Dynasty’s countless poets stopped to enjoy them, some sang, some contemplated, some exclaimed, some were curious, some evoked memories of the past while living in the present, some indulged without scruples, all of these injected the romantic and fanatical blood of the Tang Dynasty into Hanzhong City, providing more colorful content for the spread of contemporary Hanzhong City.
    [Show full text]
  • The Hundred Surnames: a Pinyin Index
    names collated:Chinese personal names and 100 surnames.qxd 29/09/2006 12:59 Page 3 The hundred surnames: a Pinyin index Pinyin Hanzi (simplified) Wade Giles Other forms Well-known names Pinyin Hanzi (simplified) Wade Giles Other forms Well-known names Ai Ai Ai Zidong Cong Ts’ung Zong Cong Zhen Ai Ai Ai Songgu Cui Ts’ui Cui Jian, Cui Yanhui An An An Lushan Da Ta Da Zhongguang Ao Ao Ao Taosun, Ao Jigong Dai Tai Dai De, Dai Zhen Ba Pa Ba Su Dang Tang Dang Jin, Dang Huaiying Bai Pai Bai Juyi, Bai Yunqian Deng Teng Tang, Deng Xiaoping, Bai Pai Bai Qian, Bai Ziting Thien Deng Shiru Baili Paili Baili Song Di Ti Di Xi Ban Pan Ban Gu, Ban Chao Diao Tiao Diao Baoming, Bao Pao Bao Zheng, Bao Shichen Diao Daigao Bao Pao Bao Jingyan, Bao Zhao Ding Ting Ding Yunpeng, Ding Qian Bao Pao Bao Xian Diwu Tiwu Diwu Tai, Diwu Juren Bei Pei Bei Yiyuan, Bei Qiong Dong Tung Dong Lianghui Ben Pen Ben Sheng Dong Tung Dong Zhongshu, Bi Pi Bi Sheng, Bi Ruan, Bi Zhu Dong Jianhua Bian Pien Bian Hua, Bian Wenyu Dongfang Tungfang Dongfang Shuo Bian Pien Bian Gong Dongguo Tungkuo Dongguo Yannian Bie Pieh Bie Zhijie Dongmen Tungmen Dongmen Guifu Bing Ping Bing Yu, Bing Yuan Dou Tou Dou Tao Bo Po Bo Lin Dou Tou Dou Wei, Dou Mo, Bo Po Bo Yu, Bo Shaozhi Dou Xian Bu Pu Bu Tianzhang, Bu Shang Du Tu Du Shi, Du Fu, Du Mu Bu Pu Bu Liang Du Tu Du Yu Cai Ts’ai Chai, Cai Lun, Cai Wenji, Cai Ze Du Tu Du Xia Chua, Du Tu Du Qiong Choy Duan Tuan Duan Yucai Cang Ts’ang Cang Xie Duangan Tuankan Duangan Tong Cao Ts’ao Tso, Tow Cao Cao, Cao Xueqin, Duanmu Tuanmu Duanmu Guohu Cao Kun E O E
    [Show full text]
  • EXPANDING the LANDSCAPE of EARLY and HIGH TANG LITERATURE by XIAOJING MIAO B.A., Minzu University of China, 2011 M.A., Minzu University of China, 2014
    BEYOND THE LYRIC: EXPANDING THE LANDSCAPE OF EARLY AND HIGH TANG LITERATURE by XIAOJING MIAO B.A., Minzu University of China, 2011 M.A., Minzu University of China, 2014 A thesis submitted to the Faculty of the Graduate School of the University of Colorado in partial fulfillment of the requirement for the degree of Doctor of Philosophy Department of Asian Languages and Civilizations 2019 This thesis entitled: Beyond the Lyric: Expanding the Landscape of Early and High Tang Literature written by Xiaojing Miao has been approved for the Department of Asian Languages and Civilizations Dr. Paul W. Kroll, Professor of Chinese, Committee Chair Dr. Antje Richter, Associate Professor of Chinese Dr. Ding Xiang Warner, Professor of Chinese Dr. Matthias L. Richter, Associate Professor of Chinese Dr. Katherine Alexander, Assistant Professor of Chinese Dr. David Atherton, Assistant Professor of Japnanese Date The final copy of this thesis has been examined by the signatories, and we find that both the content and the form meet acceptable presentation standards of scholarly work in the above mentioned discipline. ii Miao, Xiaojing (Ph.D., Asian Languages and CivilizationEnglish) Beyond the Lyric: Expanding the Landscape of Early and High Tang Literature Thesis directed by Professor Paul W. Kroll This dissertation investigates what Tang (618-907) literature was in its own time, as opposed to how it has been constructed at later times and for different critical purposes. The core of this dissertation is to diversify and complicate our understanding of Tang literature, including Tang poetry, from the perspective of self-(re)presentation, and by bringing out certain genres, works, and literati that have been overlooked.
    [Show full text]
  • Appropriation and Representation Feng Menglong and the Chinese Vernacular Story
    Appropriation and Representation Feng Menglong and the Chinese Vernacular Story Shuhui Yan CENTER FOR CHINESE STUDIES THE UNIVERSITY OF MICHIGAN ANN ARBOR Open access edition funded by the National Endowment for the Humanities/ Andrew W. Mellon Foundation Humanities Open Book Program. MICHIGAN MONOGRAPHS IN CHINESE STUDIES ISSN 1081-9053 SERIES ESTABLISHED 1968 VOLUME 79 Published by Center for Chinese Studies The University of Michigan Ann Arbor, Michigan 48104-1608 ©1998 The Regents of the University of Michigan Printed and made in the United States of America Library of Congress Cataloging-in-Publication Data Yang, Shuhui. Appropriation and representation : Feng Menglong and the Chinese vernacular story / Shuhui Yang p. cm. — (Michigan monographs in Chinese studies ; 79) Includes bibliographical references and index. ISBN 0-89264-125-8 (alk. paper) Feng, Meng-lung, 1574-1646— Criticism and interpretation. 2. Feng, Meng-lung, 1574-1646. Yii shih ming yen. 3. Feng, Meng-lung, 1574-1646. Ching shih t'ung yen. 4. Feng, Meng-lung, 1574-1646. Hsing shih heng yen. 5. Folk literature, Chinese— History and criticism. 6. Women in literature. I. Title, n. Series PL2698.F4Z98 1998 895.134609— dc21 9746019 CIP ISBN 978-0-89264-125-3 (hardcover) ISBN 978-0-472-03810-7 (paper) ISBN 978-0-472-12756-6 (ebook) ISBN 978-0-472-90151-7 (open access) The text of this book is licensed under a Creative Commons Attribution-NonCommercial-NoDerivatives 4.0 International License: https://creativecommons.org/licenses/by-nc-nd/4.0/ . Ct h if: t Af r r To Yunqin Contents Acknowledgments vii Notes on Romanization and Citations viii Introduction 1 Elite Uses of Popular Material.
    [Show full text]
  • Download Booklet
    BIS-SACD-1547 Sung in Chinese BIS-SACD-1547 Mahler:booklet 31/8/07 12:53 Page 2 This Chinese-language version of Das Lied von der Erde brings Mahler’s inspiration full circle, replacing the original German texts inspired by Tang Dynasty poetry with Daniel Ng’s reconstruction of the original Chinese poems combined with a new Chinese trans- lation of Mahler’s own four closing lines of text. As these lines had no actual Chinese antecedent, we also provide the option of an ‘all-original’ version with Mahler’s German ending, simply by omitting track 7. This alternative follows the approach of Universal Edition’s forthcoming publication of Daniel Ng’s Chinese edition, with text settings assisted by Glen Cortese and Joanna C. Lee. 2 BIS-SACD-1547 Mahler:booklet 31/8/07 12:53 Page 3 MAHLER, Gustav (186o–1911) Das Lied von der Erde / 大地之歌 (Universal Edition, Wien) 66'47 Chinese version: Daniel Ng 1 1. Das Trinklied vom Jammer der Erde / 悲歌行 8'48 2 2. Der Einsame im Herbst / 效古秋夜長 9'58 3 3. Von der Jugend / 宴陶家亭子 3'05 4 4. Von der Schönheit / 採蓮曲 7'21 5 5. Der Trunkene im Frühling / 春日醉起言志 4'48 6 6. Der Abschied / 送別 – until bar 459 · 7 Chinese ending 32'01 Appendix 8 Der Abschied – ending with Mahler’s original German text 3'21 TT: 71'14 Ning Liang / 梁寧 mezzo-soprano [2, 4, 6–8] Warren Mok / 莫華倫 tenor [1, 3, 5] Singapore Symphony Orchestra / 新加坡交響樂團 Lan Shui / 水藍 conductor 3 BIS-SACD-1547 Mahler:booklet 31/8/07 12:53 Page 4 f Mahler and the four Chinese poets from inant ideology, foreign musical instru ments passed Das Lied von der Erde were some how to through the Silk Road into Chinese consciousness ‘I meet for a drink they would certainly have a (witness the oud’s trans formation into the pipa), and good time,’ claims the Hong Kong-born business - the country’s military wielded a decid ed ly imperial man and self-styled ‘music entre preneur’ Daniel Ng.
    [Show full text]