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The Rise and Fall of the FCC's Financial Interest and Syndication Rules
View metadata, citation and similar papers at core.ac.uk brought to you by CORE provided by Villanova University School of Law: Digital Repository Volume 1 Issue 1 Article 5 1994 The Rise and Fall of the FCC's Financial Interest and Syndication Rules Christopher J. Pepe Follow this and additional works at: https://digitalcommons.law.villanova.edu/mslj Part of the Communications Law Commons, and the Entertainment, Arts, and Sports Law Commons Recommended Citation Christopher J. Pepe, The Rise and Fall of the FCC's Financial Interest and Syndication Rules, 1 Jeffrey S. Moorad Sports L.J. 67 (1994). Available at: https://digitalcommons.law.villanova.edu/mslj/vol1/iss1/5 This Comment is brought to you for free and open access by Villanova University Charles Widger School of Law Digital Repository. It has been accepted for inclusion in Jeffrey S. Moorad Sports Law Journal by an authorized editor of Villanova University Charles Widger School of Law Digital Repository. Pepe: The Rise and Fall of the FCC's Financial Interest and Syndication Comment THE RISE AND FALL OF THE FCC'S FINANCIAL INTEREST AND SYNDICATION RULES I. INTRODUCTION Historically, three major broadcast television networks (net- works)1 dominated the television industry. The networks main- tained their dominance into the 1970s by developing an extensive communications system of network owned and operated television stations and independently owned stations affiliated with the net- works.2 The networks' market dominance enabled them to com- 1. In 1992, the Code of Federal Regulations defined a network as: any person, entity, or corporation providing on a regular basis more than fifteen (15) hours of prime time programming per week.., to intercon- nected affiliates that reach, in aggregate, at least of seventy-five (75) per- cent of television households nationwide; and/or any person, entity, or corporation controlling, controlled by, or under common control with such person, entity, or corporation. -
Bono, the Culture Wars, and a Profane Decision: the FCC's Reversal of Course on Indecency Determinations and Its New Path on Profanity
Bono, the Culture Wars, and a Profane Decision: The FCC's Reversal of Course on Indecency Determinations and Its New Path on Profanity Clay Calvert* INTRODUCTION The United States Supreme Court has rendered numerous high- profile opinions in the past thirty-five years regarding variations of the word "fuck." Paul Robert Cohen's anti-draft jacket,' Gregory Hess's threatening promise, 23George Carlin's satirical monologue,3 and Barbara Susan Papish's newspaper headline 4 quickly come to mind. 5 These now-aging opinions address important First Amendment issues of free speech, such as protection of political dissent,6 that continue to carry importance today. It is, however, a March 2004 ruling * Associate Professor of Communications & Law and Co-director of the Pennsylvania Center for the First Amendment at The Pennsylvania State University. B.A., 1987, Communication, Stanford University; J.D. with Great Distinction and Order of the Coif, 1991, McGeorge School of Law, University of the Pacific; Ph.D., 1996, Communication, Stanford University. Member, State Bar of California. 1. Cohen v. California, 403 U.S. 15 (1971) (protecting, as freedom of expression, the right to wear ajacket emblazoned with the words "Fuck the Draft" in a Los Angeles courthouse corridor). 2. Hess v. Indiana, 414 U.S. 105, 105 (1973) (protecting, as freedom of expression, defendant's statement, "We'll take the fucking street later (or again)," made during an anti-war demonstration on a university campus). 3. FCC v. Pacifica Found., 438 U.S. 726 (1978) (upholding the Federal Communications Commission's power to regulate indecent radio broadcasts and involving the radio play of several offensive words, including, but not limited to, "fuck" and "motherfucker"). -
Media Ownership Rules
05-Sadler.qxd 2/3/2005 12:47 PM Page 101 5 MEDIA OWNERSHIP RULES It is the purpose of this Act, among other things, to maintain control of the United States over all the channels of interstate and foreign radio transmission, and to provide for the use of such channels, but not the ownership thereof, by persons for limited periods of time, under licenses granted by Federal author- ity, and no such license shall be construed to create any right, beyond the terms, conditions, and periods of the license. —Section 301, Communications Act of 1934 he Communications Act of 1934 reestablished the point that the public airwaves were “scarce.” They were considered a limited and precious resource and T therefore would be subject to government rules and regulations. As the Supreme Court would state in 1943,“The radio spectrum simply is not large enough to accommodate everybody. There is a fixed natural limitation upon the number of stations that can operate without interfering with one another.”1 In reality, the airwaves are infinite, but the govern- ment has made a limited number of positions available for use. In the 1930s, the broadcast industry grew steadily, and the FCC had to grapple with the issue of broadcast station ownership. The FCC felt that a diversity of viewpoints on the airwaves served the public interest and was best achieved through diversity in station ownership. Therefore, to prevent individuals or companies from controlling too many broadcast stations in one area or across the country, the FCC eventually instituted ownership rules. These rules limit how many broadcast stations a person can own in a single market or nationwide. -
Jazz and Radio in the United States: Mediation, Genre, and Patronage
Jazz and Radio in the United States: Mediation, Genre, and Patronage Aaron Joseph Johnson Submitted in partial fulfillment of the requirements for the degree of Doctor of Philosophy in the Graduate School of Arts and Sciences COLUMBIA UNIVERSITY 2014 © 2014 Aaron Joseph Johnson All rights reserved ABSTRACT Jazz and Radio in the United States: Mediation, Genre, and Patronage Aaron Joseph Johnson This dissertation is a study of jazz on American radio. The dissertation's meta-subjects are mediation, classification, and patronage in the presentation of music via distribution channels capable of reaching widespread audiences. The dissertation also addresses questions of race in the representation of jazz on radio. A central claim of the dissertation is that a given direction in jazz radio programming reflects the ideological, aesthetic, and political imperatives of a given broadcasting entity. I further argue that this ideological deployment of jazz can appear as conservative or progressive programming philosophies, and that these tendencies reflect discursive struggles over the identity of jazz. The first chapter, "Jazz on Noncommercial Radio," describes in some detail the current (circa 2013) taxonomy of American jazz radio. The remaining chapters are case studies of different aspects of jazz radio in the United States. Chapter 2, "Jazz is on the Left End of the Dial," presents considerable detail to the way the music is positioned on specific noncommercial stations. Chapter 3, "Duke Ellington and Radio," uses Ellington's multifaceted radio career (1925-1953) as radio bandleader, radio celebrity, and celebrity DJ to examine the medium's shifting relationship with jazz and black American creative ambition. -
Medicaid Member Handbook
Healthy Blue Member Handbook: Integrated Health Services For Physical and Behavioral Health Services 844-521-6941 (TTY 711) myhealthybluela.com 1007662LAMMLHBL 02/21 Healthy Blue Member Handbook: Integrated Health Services For Physical and Behavioral Health Services 844-521-6941 (TTY 711) 10000 Perkins Rowe, Suite G-510 Baton Rouge, LA 70810 myhealthybluela.com Revised: February 10, 2021 1007662LAMENHBL 02/21 HEALTHY BLUE QUICK GUIDE Read this quick guide to find out about: How to see a doctor and get medicines Choosing a primary care provider (PCP) The difference between routine medical care and an emergency Important phone numbers Renewing your benefits Seeing the doctor With Healthy Blue, you get a primary care provider (PCP). Your PCP is the family doctor or provider you’ll go to for routine and urgent care. When you enrolled you were given a PCP. To find or change a PCP, physical or behavioral health provider: Visit us online at myhealthybluela.com. Create a secure account by clicking “Register.” You’ll need your member ID number. Once you create an account, you’ll be able to choose your PCP online. Call Member Services at 844-521-6941 (TTY 711) Monday through Friday from 7 a.m. to 7 p.m. To see the doctor, you can call his or her office directly and make an appointment. Don’t forget to bring your Healthy Blue member ID card with you. Medicines When you go to your PCP or another provider, you might get a prescription for medicine. You have pharmacy benefits as part of your Medicaid plan. -
Broadcast Television (1945, 1952) ………………………
Transformative Choices: A Review of 70 Years of FCC Decisions Sherille Ismail FCC Staff Working Paper 1 Federal Communications Commission Washington, DC 20554 October, 2010 FCC Staff Working Papers are intended to stimulate discussion and critical comment within the FCC, as well as outside the agency, on issues that may affect communications policy. The analyses and conclusions set forth are those of the authors and do not necessarily reflect the view of the FCC, other Commission staff members, or any Commissioner. Given the preliminary character of some titles, it is advisable to check with the authors before quoting or referencing these working papers in other publications. Recent titles are listed at the end of this paper and all titles are available on the FCC website at http://www.fcc.gov/papers/. Abstract This paper presents a historical review of a series of pivotal FCC decisions that helped shape today’s communications landscape. These decisions generally involve the appearance of a new technology, communications device, or service. In many cases, they involve spectrum allocation or usage. Policymakers no doubt will draw their own conclusions, and may even disagree, about the lessons to be learned from studying the past decisions. From an academic perspective, however, a review of these decisions offers an opportunity to examine a commonly-asserted view that U.S. regulatory policies — particularly in aviation, trucking, and telecommunications — underwent a major change in the 1970s, from protecting incumbents to promoting competition. The paper therefore examines whether that general view is reflected in FCC policies. It finds that there have been several successful efforts by the FCC, before and after the 1970s, to promote new entrants, especially in the markets for commercial radio, cable television, telephone equipment, and direct broadcast satellites. -
IN the UNITED STATES DISTRICT COURT for the NORTHERN DISTRICT of ALABAMA SOUTHERN DIVISION in RE: BLUE CROSS BLUE SHIELD ) Ma
Case 2:12-cv-02532-RDP Document 263 Filed 11/25/14 Page 1 of 162 FILED 2014 Nov-25 PM 03:40 U.S. DISTRICT COURT N.D. OF ALABAMA IN THE UNITED STATES DISTRICT COURT FOR THE NORTHERN DISTRICT OF ALABAMA SOUTHERN DIVISION IN RE: BLUE CROSS BLUE SHIELD ) Master File No. 2:13-CV-20000-RDP ANTITRUST LITIGATION ) (MDL No. 2406) ) This document relates to: ) THE PROVIDER TRACK _________________________________________ ) Jerry L. Conway, D.C., ) CORRECTED CONSOLIDATED Corey Musselman, M.D., ) SECOND AMENDED PROVIDER The San Antonio Orthopaedic Group, L.L.P., ) COMPLAINT Orthopaedic Surgery Center of San ) Antonio, L.P., ) Charles H. Clark III, M.D., ) Crenshaw Community Hospital, ) Bullock County Hospital, ) Fairhope Cosmetic Dentistry and Fresh ) Breath Center, P.C., ) Sports and Ortho, P.C., ) Kathleen Cain, M.D., ) Northwest Florida Surgery Center, L.L.C., ) Wini Hamilton, D.C., ) North Jackson Pharmacy, Inc., ) Neuromonitoring Services of America, Inc. ) Cason T. Hund, D.M.D., ) ProRehab, P.C., ) Texas Physical Therapy Specialists, L.L.C., ) BreakThrough Physical Therapy, Inc., ) Dunn Physical Therapy, Inc., ) Gaspar Physical Therapy, P.C., ) Timothy H. Hendlin, D.C., ) Greater Brunswick Physical Therapy, P.A., ) Charles Barnwell, D.C., ) Brain and Spine, L.L.C., ) Heritage Medical Partners, L.L.C., ) Judith Kanzic, D.C., ) Brian Roadhouse, D.C., ) Julie McCormick, M.D., L.L.C., ) Harbir Makin, M.D., ) Saket K. Ambasht, M.D., ) John M. Nolte, M.D., ) Bauman Chiropractic Clinic of Northwest ) Florida, P.A., ) Joseph S. Ferezy, D.C. d/b/a Ferezy Clinic of ) Case 2:12-cv-02532-RDP Document 263 Filed 11/25/14 Page 2 of 162 Chiropractic and Neurology, ) Snowden Olwan Psychological Services, ) Ear, Nose & Throat Consultants and Hearing ) Services, P.L.C., ) and ) U.S. -
XM Launches Original Comedy Interview Show 'Unmasked'
NEWS RELEASE XM Launches Original Comedy Interview Show 'Unmasked' 9/12/2007 NEW SERIES KICKS OFF SEPTEMBER 22 WITH COMEDIC ICON GEORGE CARLIN WASHINGTON, Sept. 12 /PRNewswire-FirstCall/ -- XM, the nation's leading satellite radio service with more than 8.2 million subscribers, today announced the launch of "Unmasked," a new, original comedy series that will feature one-on-one interviews with some of the most talked about names in comedy. Comedic legend George Carlin will be the inaugural guest when "Unmasked" premieres exclusively on XM Saturday, September 22 at 8 p.m. ET. "Whenever I do an in-depth interview like this, I'm surprised that I learn things about myself and my work I hadn't realized before. It always opens my eyes," said George Carlin. Recorded before a live studio audience, "Unmasked" offers up candid, one- on-one interviews with both established and emerging comedic talent for an uncensored look into their creative process and the lives that shape their comedy. In addition to being the series premiere, the "Unmasked: George Carlin" episode will also be featured in the upcoming George Carlin career retrospective DVD box set, George Carlin: All My Stuff, which will be released September 25. The 14-disc collection includes Carlin's full "Unmasked" interview, filmed live in the Performance Theater at XM's Washington, D.C. studios. "We at XM are thrilled that George Carlin, celebrating his 50th year in comedy, will be the first guest as we launch this new thought-provoking show that offers an inside look into some of today's most compelling comedic minds," said Eric Logan, executive vice president, programming for XM. -
Zen in the Art of Writing – Ray Bradbury
A NOTE ABOUT THE AUTHOR Ray Bradbury has published some twenty-seven books—novels, stories, plays, essays, and poems—since his first story appeared when he was twenty years old. He began writing for the movies in 1952—with the script for his own Beast from 20,000 Fathoms. The next year he wrote the screenplays for It Came from Outer Space and Moby Dick. And in 1961 he wrote Orson Welles's narration for King of Kings. Films have been made of his "The Picasso Summer," The Illustrated Man, Fahrenheit 451, The Mar- tian Chronicles, and Something Wicked This Way Comes, and the short animated film Icarus Montgolfier Wright, based on his story of the history of flight, was nominated for an Academy Award. Since 1985 he has adapted his stories for "The Ray Bradbury Theater" on USA Cable television. ZEN IN THE ART OF WRITING RAY BRADBURY JOSHUA ODELL EDITIONS SANTA BARBARA 1996 Copyright © 1994 Ray Bradbury Enterprises. All rights reserved under International and Pan-American Copyright Conventions. Owing to limitations of space, acknowledgments to reprint may be found on page 165. Published by Joshua Odell Editions Post Office Box 2158, Santa Barbara, CA 93120 Library of Congress Cataloging-in-Publication Data Bradbury, Ray, 1920— Zen in the art of writing. 1. Bradbury, Ray, 1920- —Authorship. 2. Creative ability.3. Authorship. 4. Zen Buddhism. I. Title. PS3503. 167478 1989 808'.os 89-25381 ISBN 1-877741-09-4 Printed in the United States of America. Designed by The Sarabande Press TO MY FINEST TEACHER, JENNET JOHNSON, WITH LOVE CONTENTS PREFACE xi THE JOY OF WRITING 3 RUN FAST, STAND STILL, OR, THE THING AT THE TOP OF THE STAIRS, OR, NEW GHOSTS FROM OLD MINDS 13 HOW TO KEEP AND FEED A MUSE 31 DRUNK, AND IN CHARGE OF A BICYCLE 49 INVESTING DIMES: FAHRENHEIT 451 69 JUST THIS SIDE OF BYZANTIUM: DANDELION WINE 79 THE LONG ROAD TO MARS 91 ON THE SHOULDERS OF GIANTS 99 THE SECRET MIND 111 SHOOTING HAIKU IN A BARREL 125 ZEN IN THE ART OF WRITING 139 . -
Happy Endings: the Tales of a Meaty-Breasted Zilch Free
FREE HAPPY ENDINGS: THE TALES OF A MEATY- BREASTED ZILCH PDF Jim Norton,Colin Quinn | 269 pages | 10 Jun 2008 | Simon Spotlight Entertainment | 9781416961055 | English | New York, NY, United States Editions of Happy Endings: The Tales of a Meaty-Breasted Zilch by Jim Norton Uh-oh, it looks like your Internet Explorer is out of date. For a better shopping experience, please upgrade now. Javascript is not enabled in your browser. Enabling JavaScript in your browser will allow you to experience all the features of our site. Learn how to enable JavaScript on your browser. NOOK Book. Time spent with family became something to look forward to and feel grateful for, as opposed to years ago when it felt like an irritating obligation. Is it because the older I get the more human my parents become? When their hair began turning gray, did I suddenly value their company more because I finally and tangibly understood that they're growing older and are someday going to die? Or maybe I just relate to them a bit more on an eye-to-eye level now that I'm older. And things that used to mean so much have kind of lost their value a bit. Watching sports is still enjoyable but the importance of my team winning and the agony of them losing have both softened into feelings almost indistinguishable from each other. It's a saddening realization that this softening is only a pit stop on the road to indifference. It's amazing that it took until this day, in my thirty-seventh year God, that sounds so old to have what I will consider from here on to be the greatest moment in my life. -
University Microfiims 300 North Zeeb Road Ann Artwr
INFORMATION TO USERS This dissertation was produced from a microfilm copy of the original document. While the most advanced technological means to photograph and reproduce this document have been used, the quality is heavily dependent upon the quality of the original submitted. The following explanation of techniques is provided to help you understand markings or patterns which may appear on this reproduction. 1. The sign or “target" for pages apparently lacking from the document photographed is "Missing Page(s)". If it was possible to obtain the missing page(s) or section, they are spliced into the film along with adjacent pages. This may have necessitated cutting thru an image and duplicating adjacent pages to insure you complete continuity. 2. When an image on the film is obliterated with a large round black mark, it is an indication that the photographer suspected that the copy may have moved during exposure and thus cause a blurred image. You will find a good image of the page in the adjacent frame. 3. When a map, drawing or chart, etc., was part of the material being photographed the photographer followed a definite method in "sectioning" the material. It is customary to begin photoing at the upper left hand corner of a large sheet and to continue photoing from left to right in equal sections with a small overlap. If necessary, sectioning is continued again — beginning below the first row and continuing on until complete. 4. The majority of users indicate that the textual content is of greatest value, however, a somewhat higher quality reproduction could be made from "photographs" if essential to the understanding of the dissertation. -
Fox Television”), Rehearing Granted, 293 F 3D 537 (D C Cir 2002) (“Fox Television Re-Hearing”) (Addressing the National TV Ownership Rule) Sinclolr Broodcasf Group
Federal Communications Commission FCC 03-127 Before the Federal Communications Commission Washington, D.C. 20554 In the Matter of ) c.. rc: ) L 2002 Biennial Regulatoxy Review - Review of the ) MB Docket 02-277 Commission’s Broadcast Ownership Rules and ) Other Rules Adopted Pursuant to Section 202 of ) the Telecommunications Act of 1996 ) ) Cross-Ownership of Broadcast Stations and ) MM Docket 01-235 Newspapers ) Ci: 1 IbJ Rules and Policies Concerning Multiple ) MM Docket 01-317 Ownership of Radio Broadcast Stations in Local ) Markets ) ) Definition of Radio Markets ) MM Docket 00-244 ) ) Definition of Radio Markets for Areas Not ) MB Docket 03-130 Located in an Arbitron Survey Area ) REPORT AND ORDER AND NOTICE OF PROPOSED RULEMAKING Adopted: June 2,2003 Released: July 2, 2003 Comments due: 30 days after publication in the Federal Register Reply Comments due: 45 days after publication in the Federal Register By the Commission: Chairman Powell, Commissioners Abernathy and Martin issuing separate statements; Commissioners Copps and Adelstein dissenting and issuing separate statements. TABLE OF CONTENTS Paragraph I. INTRODUCTION ........................................... 11. LEGAL FRAMEWORK. I11 POLICYGOALS .. ..................................... .................................. B. Competition. ............................................. ............................ 53 C. Localism .................................. .................... 80 A Introduction - The Evolution of Media ........................... .......................