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Klas Art Auction 202O Malaysian & Southeast Asian Art Sunday, 12 July 2O2o
PETALING JAYA, SUNDAY 12 JULY 2020 KLAS ART AUCTION 202O MALAYSIAN & SOUTHEAST ASIAN ART SUNDAY, 12 JULY 2O2O Auction Day Sunday, 12 July 2020 1.00 pm Registration & Brunch Starts 11.30 am Artworks Inspection From 11.30 am onwards KL Lifestyle Art Space 31, Jalan Utara 46200 Petaling Jaya Selangor, Malaysia Supported by Lot 34 Awang Damit Ahmad Iraga “Memori Kelabu” 2004 KL Lifestyle Art Space c/o Mediate Communications Sdn Bhd 31, Jalan Utara 46200 Petaling Jaya Selangor t: +6019 333 7668 e: [email protected] Contact Information General Enquiries Nik +6019 260 9668 [email protected] Bill +6013 361 2668 [email protected] Datuk Gary Thanasan [email protected] Payment and collection Shamila +6019 333 7668 [email protected] Lot 36 Tay Mo Leong, Dato Goddess of Mercy Temple - Georgetown Penang, 1970’s Full Preview Date: 26 June - 11 July 2020 Venue: KL Lifestyle Art Space 31, Jalan Utara 46200 Petaling Jaya Selangor, Malaysia Auction Day Date: Sunday, 12 July 2020 Venue: KL Lifestyle Art Space 31, Jalan Utara 46200 Petaling Jaya Selangor, Malaysia Time: 1.00 pm Lot 73 Syed Thajudeen Lightness of Being, 1999 Map to KL Lifestyle Art Space 5 Contents Auction Information 5 Glossary 9 Lot 1 - Lot 91 20 Auction Terms and Conditions 158 Lot 21 Chen Wen Hsi Squirrels Index of Artists 168 Lumi-May (OL).pdf 1 16/04/2020 2:54 AM SALE 40 2020 Catalogue.indd 8-9 26/06/2020 11:27 AM Glossary 6 TAJUDDIN ISMAIL, DATO 1 ISMAIL ABDUL LATIFF OASIS, 2012 PUNCAK MALAM.. -
A Short Tour of Metro Manila Exhibits
THE REPUBLIC Metro Manila 1-31 December 1976 5 BRIEFING □ Rosalinda G. Roxas A short tour of Metro Manila exhibits HE current festival of visual arts in 31, 1977. It consists of cultural treasures China’s cultural revolution. They result dolls, depicting the history, games, folk TMetropolitan Manila started last from the dawn of Egyptian civilization from surveys and preservation work car lore and folk dances of the Philippines September 27. Under the patronage of some 5,000 years ago to the products of ried out at many important sites and including the evolution of national cos the First Lady and Governor of Metro Islamic civilization. Sponsored by the ancient tombs. The artifacts present a tumes. The doll collection, first started politan Manila, Mrs. Imelda Romualdez Egyptian Antiquities Organization in bold outline of the development of his in 1953 as the Alto Doll Museum by Dr. Marcos, the festival’s start was held to Cairo, Egypt, the art treasures-100 tory and culture in ancient China. Aleli Guzman Quirino, was donated to coincide with the International Mone pieces covering 5,000 years, from pre There are magnificent stone and the Museum of Philippine Costumes. tary Fund-World Bank meetings. During historic 4,000 BC to the 18thcentuiy- bronze vessels and images dating from a most of last October, residents and were brought to the Philippines through thousand or fifteen hundred years before Bicentennial Exhibit visitors of Metro Manila were regaled the encouragement of the First Lady. Christ showing a highly developed cul with top-flight music, dance and drama. Mrs. -
Important Philippine Art Saturday, 14 March 2020 Fine Jewelry & Timepieces Sunday, 15 March 2020
Important Philippine Art Saturday, 14 March 2020 Fine Jewelry & Timepieces Sunday, 15 March 2020 NEX Tower, 6786 Ayala Avenue, Makati City Important Philippine Art Saturday, 14 March 2020 Fine Jewelry & Timepieces Sunday, 15 March 2020 NEX Tower, 6786 Ayala Avenue, Makati City Prestige Real Estate Purveyor 3 Important Philippine Art | Fine Jewelry & Timepieces Message For the past ten years, we have had the honor of mounting Bannering the selection of antique furniture is a ten- sales of fine art and collectibles for a discerning audience seater kamagong and balayong dining table by the whose taste both diversified and transformed over time. In famed ilustrado, Máximo Viola. It is joined by a selection this exciting juncture in Salcedo Auctions’ history, we have showcasing the indigenous arts such as a large pukok or rice the privilege of featuring not only such a rich diversity of granary, a pair of dancing bul’ul, and a ceremonial shield artists and works, but also collections of individuals who are ornamented with a carved face of a man. redefining legacy - a value we all hold dearly. And so it gives me great pleasure to present the collection for this year’s A stunning selection of fine jewelry adorns the sale, ‘Important Philippine Art’ including ‘Important Philippine including a resplendent 18k white gold emerald fringe Furniture’ and ‘Important Philippine Tribal & Ethnographic necklace composed of five Zambian emeralds, a striking Art,’ and our signature ‘Fine Jewelry & Timepieces’ auction. Asscher-cut diamond crucifix, and an exquisite pair of 18k white gold drop earrings lined with Asscher We begin with a trio of oil on canvas works by cut diamonds. -
Victorio C. Edades
TUESDAY, JANUARY 17, 2012 Victorio C. Edades Victorio C. Edades (1895-1985) Philippine National Artist Father of Modern Philippine Art This special post is dedicated to a great Filipino master who spent his retirement years with his family in Davao City from 1967 until he breath his last on 1985 at age 89. He was a Philippine National Artist, and co-founder of the Mindanao Ethnoculture Foundation that focused on the indigenous culture and heritage of Mindanao. He was Victorio C. Edades, "Father of Modern Philippine Art." Born on December 13, 1895 in Barrio Bolosan in Dagupan, Pangasinan, Victorio Edades was the youngest of ten children, six of whom died from smallpox epidemic shortly before the turn of the 20th century. Edades' artistry began at an early age. He obtained his early education in barrio schools and went to a high school in Lingayen, Pangasinan. By seventh grade, his teachers were so impressed with his talent that he was fondly named, "apprentice teacher" in his art class. He was very good in class from the very beginning, having earned several awards in school debates and writing competitions. University of Washington in Seattle, USA In 1919, after high school, Edades left for the United States to study arts. He initially worked in salmon canneries in Alaska and eventually moved to Seattle where he took up Architecture at the University of Washington and earned a Master of Fine Arts in Painting. It was also during his stay in the U.S. that he married American Jean Garrott, with whom he had his only daughter, Joan. -
FRISSON: the Collected Criticism of Alice Guillermo
FRIS SON: The Collected Criticism of Alice Guillermo Reviewing Current Art | 23 The Social Form of Art | 4 Patrick D. Flores Abstract and/or Figurative: A Wrong Choice | 9 SON: Assessing Alice G. Guillermo a Corpus | 115 Annotating Alice: A Biography from Her Bibliography | 16 Roberto G. Paulino Rendering Culture Political | 161 Timeline | 237 Acknowledgment | 241 Biographies | 242 PCAN | 243 Broadening the Public Sphere of Art | 191 FRISSON The Social Form of Art by Patrick D. Flores The criticism of Alice Guillermo presents an instance in which the encounter of the work of art resists a series of possible alienations even as it profoundly acknowledges the integrity of distinct form. The critic in this situation attentively dwells on the material of this form so that she may be able to explicate the ecology and the sociality without which it cannot concretize. The work of art, therefore, becomes the work of the world, extensively and deeply conceived. Such present-ness is vital as the critic faces the work in the world and tries to ramify that world beyond what is before her. This is one alienation that is calibrated. The work of art transpiring in the world becomes the work of the critic who lets it matter in language, freights it and leavens it with presence so that human potential unerringly turns plastic, or better still, animate: Against the cold stone, tomblike and silent, are the living glances, supplicating, questioning, challenging, or speaking—the eyes quick with feeling or the movements of thought, the mouths delicately shaping speech, the expressive gestures, and the bodies in their postures determined by the conditions of work and social circumstance. -
This Book Belongs To: Copyright 2011 by CANVAS All Rights Reserved
This book belongs to: Copyright 2011 by CANVAS All rights reserved. First printed in softcover, 2011 Printed in the Republic of the Philippines Book Layout and Graphic Design by Daniel Palma Tayona Artworks by various artists Recommended entry: KULAYAN - Every page is an artwork; c2011. 44 pp. ISBN number: (softcover) 1. Art, Philippine 2. Children’s activity book I. CANVAS Every page is an artwork. About KULAYAN Kulayan is a new project by CANVAS, a non-profit organization dedicated to promoting greater awareness and appreciation for Philippine art, culture and the environment; as well as fostering a love of books and reading among Filipino children everywhere. In the pursuit of this mission, CANVAS publishes original children’s books written and illustrated by Filipino authors and artists. And, to ensure full accessibility and affordability, all these stories are then made available for free by downloading from our website (http://www.canvas.ph). Kulayan is our modest attempt to go one step further in reinforcing the natural love of children for the arts, and to introducing Filipinos to the talents and works of some of the best contemporary artists in the Philippines. For this publication, we are not only making these artworks freely available on the Web, several thousand copies of Kulayan have been published and will be donated directly to children in public schools, hospitals and orphanages all over the Philippines. Kulayan was made possible in part by the support and participation of MasterCard and the BenCab Art Foundation, for which we are deeply grateful. Most of all, needless to say, we would like to thank the artists who generously contributed their time and talents for this project. -
The Spectacular Mid-Year Auction 2020
León Gallery FINE ART & ANTIQUES The Spectacular Mid-Year Auction 2020 20 June 2020 | 2:00 PM Marc Aran Reyes (b. 1996) The Audacious Future (The Onerrific Timepiece Series) León Gallery FINE ART & ANTIQUES Auction Saturday | June 20, 2020 2:00 PM Preview June 13 - 19, 2020 9:00 AM - 7:00 PM Venue G/F Eurovilla 1 Rufino corner Legazpi Streets Legazpi Village, Makati City Philippines Contact www.leon-gallery.com [email protected] +632 8856 2781 Be@rbrick x MEDICOM Jackson Pollock Be@rbrick - 1000% Limited Director Jaime L. Ponce de Leon Curator Research and Text Lisa Guerrero Nakpil Jed Nathan Daya Andrea Lim Consultants Martin I. Tinio, Jr (+) Graphic Arts Ramon N. Villegas (+) Joemari Barbacena Aldrene Harold Carillo Management Patricia Louisse Dato Jane Daria Edwin Hurry Jr. Aliana Jannie Bricenio Richelle Custodio Gallery Support Team Magdalina Juntilla Nestorio Capino Jr. Reymar Jurado Zinister Allan Carmona Geller Nabong Ramil Flores Nyza Mae Neri Robert Gotinga Aleza Nevarez Jayson Lopez Rouel Sanchez Wilfredo Manalang Louise Sarmiento Generoso Olaco Celina Sta. Ana Manuel Sintos Joanna Tamayo Allan Jules Torrion Reneliza de Taza Published by León Gallery G/F Eurovilla 1 Rufino corner Legazpi Streets, Legazpi Village, Makati City, Metro Manila, Philippines This catalogue is published to accompany the auction by León Gallery entitled The Spectacular Mid-Year Auction 2020 All rights reserved. No part of this catalogue may be reproduced or reprinted without the express written consent of León Gallery. While all reasonable efforts have been made to ensure accuracy of details in this publication, Leon Gallery does not, under any circumstances, accept full responsibility for errors, omissions and representations expressed or implied. -
View E-Catalog
LOT 154 Charlie Co (b.1960) Untitled Auction Saturday | 25 April 2020 Preview with the Guest Curators Thursday | 26 March 2020 10:00 AM - 8:00 PM Refreshments will be served Preview 21 - 27 March 2020 9:00 AM - 7:00 PM Venue G/F Eurovilla 1 Rufino corner Legazpi Streets, Legazpi Village, Makati City Philippines Contact www.leon-gallery.com [email protected] +632 8856 2781 LOT 257 Plum-Shaped Celadon Container porcelain LOT 120 Ryan Villamael (b. 1987) Untitled vi | LEON GALLERY THE SUMMER AUCTION 2020 | vii Director Jaime L. Ponce de Leon Curator Lisa Guerrero Nakpil Consultants Martin I. Tinio, Jr (+) Ramon N. Villegas (+) Management Jane Daria Aliana Jannie Bricenio Richelle Custodio Magdalina Juntilla Reymar Jurado Geller Nabong Nyza Mae Neri Aleza Nevarez Rouel Sanchez Louise Sarmiento Celina Sta. Ana Joanna Tamayo Reneliza de Taza Guest Editors Mark Wilson Jazmine B. Tena Research and Text Jed Nathan Daya Maureen Ann Doma Design and Layout Aldrene Harold Carillo Jedlyn Espiritu Photography and Graphics Joemari Barbacena Aldrene Harold Carillo Patricia Louisse Dato Jedlyn Espiritu Edwin S. Hurry Jr. Kate Lynn Naval Gallery Support Team Nestorio Capino Jr. Zinister Allan Carmona Ramil Flores Robert Gotinga Jayson Lopez Wilfredo M. Manalang Generoso Olaco Manuel Sintos Allan Jules Torrion Published by León Gallery G/F Eurovilla 1 Rufino corner Legazpi Streets, Legazpi Village, Makati City, Metro Manila, Philippines This catalogue is published to accompany the auction by León Gallery entitled THE SUMMER AUCTION 2020 All rights reserved. No part of this catalogue may be reproduced or reprinted without the express written consent of León Gallery. -
Raymundo Albano: Texts
RAYMUNDO ALBANO 2 TEXTS 3 RAYMUNDO ALBANO Editor: Patrick D. Flores Research Coordinators: Louise Anne M. Salas Carlos Quijon, Jr. Encoder: Erlinda M. Pabico Designer: Dino Brucelas Acknowledgement Fe Albano MacLean Ateneo de Manila University Cultural Center of the Philippines Lopez Museum and Library Judy Freya Sibayan Raymundo Albano Alice M. Esteves Texts Veronica Fuentes Huwaran Mapalarin Sinag Galora Cheska Gatpayat Introduction/5 Juan Martin Magsanoc Danilo O. Nataba Milagros Pasion Mercedita B. Servida Responding/10 Krista Tiglao Randel C. Urbano Cultural: Life Form/16 Curatorial: Sense Scape/24 Critical: Thought Process/54 4 Creative: Make Believe/102 Asking/124 TEXTS “Roots, Basics, Beginnings” BY PATRICK D. FLORES To introduce the writing and the textual work quite akin to Michel Foucault’s “sudden vicinity of Raymundo Albano (1947-1985) is to sort of of things.” glide across terrains of “serious games.” Serious because Albano ponders. But he also plays a True to the spirit of Albano’s expositions, lot. Thus, the game of figuring out, challenging, this introduction will not be long-drawn, or contesting, losing, gaining, testing, teasing, “extenuate.” It keeps to the register and acuity baiting, biting. He does not seem to mind that of his improvisations on the essay, criticism, the thinking meanders, or that no thought think-piece, polemics and poetics, theoretical coheres. That being said, he, too, stakes certain tract, manual or memorandum, field notes, claims, and with conviction at that. He rolls journalism, diary. To weave in and out of the dice, makes his moves, and leaps into the these circuits of rhetoric and reflection is an “unthought known” of Mieke Bal. -
Philippine Studies Ateneo De Manila University • Loyola Heights, Quezon City • 1108 Philippines
philippine studies Ateneo de Manila University • Loyola Heights, Quezon City • 1108 Philippines Conversations on Philippine Art, edited by Reyes Review Author: Rene B. Javellana, S.J. Philippine Studies vol. 39, no. 1 (1991): 124 Copyright © Ateneo de Manila University Philippine Studies is published by the Ateneo de Manila University. Contents may not be copied or sent via email or other means to multiple sites and posted to a listserv without the copyright holder’s written permission. Users may download and print articles for individual, noncom- mercial use only. However, unless prior permission has been obtained, you may not download an entire issue of a journal, or download multiple copies of articles. Please contact the publisher for any further use of this work at [email protected]. http://www.philippinestudies.net Fri June 27 13:30:20 2008 124 PHILIPPINE STUDIES CONVERSATIONS ON PHILIPPINE ART. EditedbyCidReyes. Manila: Sentrong Pangkultura ng Pilipinas, 1989. 198 pages, illus. Think of a balmy afternoon by the sea. You're sipping a glass of iced tea. In comes a coterie of artists, critics, art historians and gallery owners. The con- versation turns to sundry things about Philippine art: art movements, artists' careers, the gallery scene, influences on Filipino artists, art schools, critics and their critiques. Conversation gets stuck on "Filipinism" and defining that elusive Filipino quality, occasionally on some tsismis, fond memories of failure and triumph, nostalgia for some master who has since crossed the bar. There are moments of near agreement, but sometimes emotions get ruffled. There is never a dull moment as the artists, once stereotyped as inarticulate, become strangely articulate. -
1 Art Elements and Principles with Distinct Characteristics
Lesson Art Elements and Principles with Distinct Characteristics 1 What I Need to Know In this lesson you are expected to: • analyze art elements and principles in the production of work following a specific art style from the various art movements • identify distinct characteristics of arts from the various art movements What I Know Pre –Assessment Directions: Complete the crossword puzzle by identifying the term/words described in each item below. 1 Pattern Color Scale Unity Value Shape Emphasis Rhythm Space Proportion Balance Texture Intensity Form Line 2 What’s In “A Line is a Dot that went for a walk”- Paul Klee Lines can communicate an idea or express a feeling. They can appear static or active. Lines define objects and depict emotions too. Let’s Practice Lines! Directions: Draw the types of line in each of the given boxes below. THIN THICK VERTICAL WAVY ZIGZAG HORIZONTAL 3 What’s new? Starry Night Vincent van Gogh, 1889 Oil on canvas Directions: Let us examine and interpret the meaning behind this painting. Give your insights by writing it inside the box provided below. ________________________________________________________________ ______________________________________________________________________ ______________________________________________________________________ ____________________________________________________ __________________ ______________________________________________________________________ ______________________________________________________________________ ______________________________________________________________________ -
College of Fine Arts
294 College of Fine Arts COLLEGE OF FINE ARTS KOLEHIYO ng SINING BISWAL Location: Bartlett Hall, E. Jacinto St., University of the Philippines, Diliman, Quezon City 1101, Philippines Telephone Number: +63-2-981-8500 local 3976 and 3977 | +63-2-918-8737 | +63-2- 920-9910 (telefax) Email Address: [email protected] Website: www.cfa.upd.edu.ph he University of the Philippines College of Fine Arts (UPCFA) is the oldest arts and design educational institution in the country. In 2008, the CFA celebrated its centennial. T Its history can be traced back to the early 19th century, when the country’s first art school, the Academia de Dibujo y Pintura, was founded on 08 October 1823 by Damian Domingo in Binondo, Manila with the help of the Sociedades Económicas de Amigos del Pais (Economic Society of Friends of the Country). It was closed in 1834 but was reopened by the Spanish government eleven (11) years later in 1845 with the support of Queen Isabela II. The second Academia brought over Spanish art professors who introduced European Classical traditions in art-making. It produced artists such as Simon Flores, who won a silver medal at the Philadelphia Universal Exposition of 1876—the first Filipino of native blood to win a prize from an international exhibition—and Juan Luna, whose Spoliarium won a gold medal at the Madrid Exposition of Fine Arts in 1884. In 1891, the Academia became the Escuela Superior de Pintura y Grabado. In 1908, the Philippine Assembly under the American colonial administration enacted Act. No.