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Klas Art Auction 202O Malaysian & Southeast Asian Art Sunday, 12 July 2O2o
PETALING JAYA, SUNDAY 12 JULY 2020 KLAS ART AUCTION 202O MALAYSIAN & SOUTHEAST ASIAN ART SUNDAY, 12 JULY 2O2O Auction Day Sunday, 12 July 2020 1.00 pm Registration & Brunch Starts 11.30 am Artworks Inspection From 11.30 am onwards KL Lifestyle Art Space 31, Jalan Utara 46200 Petaling Jaya Selangor, Malaysia Supported by Lot 34 Awang Damit Ahmad Iraga “Memori Kelabu” 2004 KL Lifestyle Art Space c/o Mediate Communications Sdn Bhd 31, Jalan Utara 46200 Petaling Jaya Selangor t: +6019 333 7668 e: [email protected] Contact Information General Enquiries Nik +6019 260 9668 [email protected] Bill +6013 361 2668 [email protected] Datuk Gary Thanasan [email protected] Payment and collection Shamila +6019 333 7668 [email protected] Lot 36 Tay Mo Leong, Dato Goddess of Mercy Temple - Georgetown Penang, 1970’s Full Preview Date: 26 June - 11 July 2020 Venue: KL Lifestyle Art Space 31, Jalan Utara 46200 Petaling Jaya Selangor, Malaysia Auction Day Date: Sunday, 12 July 2020 Venue: KL Lifestyle Art Space 31, Jalan Utara 46200 Petaling Jaya Selangor, Malaysia Time: 1.00 pm Lot 73 Syed Thajudeen Lightness of Being, 1999 Map to KL Lifestyle Art Space 5 Contents Auction Information 5 Glossary 9 Lot 1 - Lot 91 20 Auction Terms and Conditions 158 Lot 21 Chen Wen Hsi Squirrels Index of Artists 168 Lumi-May (OL).pdf 1 16/04/2020 2:54 AM SALE 40 2020 Catalogue.indd 8-9 26/06/2020 11:27 AM Glossary 6 TAJUDDIN ISMAIL, DATO 1 ISMAIL ABDUL LATIFF OASIS, 2012 PUNCAK MALAM.. -
Cesar Legaspi
Cesar Legaspi (1917-1994) National Artist, Visual Arts 1990 One of the Thirteen Moderns Cesar Legaspi, honored as a National Artist in Visual Arts in 1990, is considered the pioneer of neo-realism in the Philippines. Aside from the monochromatic works in his early years, he exploited the full potential of color in his paintings. A proponent of modern art in the country, Legaspi developed cubism in the Philippine context. He was also identified as one of the Thirteen Moderns, a group of modernists led by Victorio C. Edades whose works went against the conservative academic art of that period. Legaspi was born to Manuel Legaspi and Rosario Torrente on April 2, 1917 in Tondo, Manila. He took up painting for one term at the University of the Philippines School of Fine Arts before he decided to take commercial art courses instead. There he received medals for perspective and illustration projects. He earned his Certificate of Proficiency in 1936, after which he continued his education in art under Pablo Amorsolo. He went to Madrid in 1953 and pursued Art Studies under a scholarship at the Cultura Hispanic until 1954. He also went to Paris to study at the Academie Ranson for one month under Henri Goetz. Back in the Philippines, he had his first one-man show at the Luz Gallery in 1963. While this led to an active phase with his major pieces, he also worked as a magazine illustrator and artistic director at an advertising agency. He finally left the agency in 1968 to focus on his painting. -
ELMER MISA BORLONGAN Artiste Philippin
www.creationcontemporaine-asie.com ELMER MISA BORLONGAN Artiste philippin Elmer Borlongan, Dynamite Kid, oil on canvas, 2012 ELMER MISA BORLONGAN est un artiste contemporain philippin, connu pour son expressionisme figuratif. Il a obtenu de multiples prix dont le Cultural Center of the Philippines (CCP) 13 Artist Award en 1994 et le 2004 Award for Continuing Excellence and Service, Metrobank Foundation. De nombreux travaux de l’artiste ont été vendus aux enchères comme 'Quiapo' vendu 209.385 $, son record, par la Leon Gallery, Makati, lors de 'The Magnificent September Auction 2016'. L’ARTISTE Elmer Borlongan est né en 1967 à Manille. Il s’est formé à la peinture sous la direction de Fernando Sena dès l’âge de 11 ans. Il est diplômé de l’University of the Philippines' College of Fine Arts (Major in Painting) (1987). Elmer Borlongan et sa femme, artiste, Plet C. Bolipata, vivent à San Antonio, Zambales. SON OEUVRE Elmer Borlongan peint des histoires du quotidien, de survie et d’endurance au milieu de la pauvreté et du désespoir. Son travail est caractérisé par une figuration stylisée, des têtes chauves, de grands yeux et des membres allongés. Elmer Borlongan a passé son enfance dans les centres-villes urbains de Manille. De fait, ses sensibilités, son choix de sujets et de thèmes, étaient dès le début en phase avec les luttes quotidiennes de la classe ouvrière philippine. C'est surtout sa représentation des sans- abris et des enfants des rues qui a attiré l'attention du monde de l’art philippin sur le jeune artiste au début des années 1990. -
Agnes Arellano
Pintô Manhattan Manila October 4, 2018 Franklin St, New York An exhibition to benefit the Asian Cultural Council and Pintô Art Museum Pintô Manhattan Manila 2 Pintô Manhattan Manila Catalog Artists Produced by Text Aba Lluch Dalena Jigger Cruz. Pintô International Luca Parolari Agnes Arellano Jim Orencio Pintô Art Museum Carlomar Daoana Alfredo Esquillo & Anthony Victoria Johanna Helmuth Anthony Palomo JP Duray Initiative by Photography Antipas Delotavo Julius Redillas Pintô International At Maculangan Anton Del Castillo Keiye Miranda Pintô Art Museum Antonio Leano Lec Cruz Asian Cultural Council Graphic Design Arturo Sanchez Lynyrd Paras Trisha Tan Bernardo Pacquing Mark Andy Garcia Curated by Cian Dayrit Miles Villanueva Antonio Leaño Cover Image Cris Villanueva Miquel Miro “Connecting Leaves, Connecting Lives” by Raffy Napay Dexter Sy Raffy Napay Special thanks Elmer Borlongan Renato Habulan Alta Fairs & Exhibits Edition Emmanuel Garibay Reynaldo Samson Luca Parolari Ferdie Montemayor Riel Hilario Contact Gino Bueza Ronald Ventura Pintô International Print Ian Quirante Ryan Villamael 431 East 12th Street (Suite 5B) Terrapin Stationers Igan D’Bayan Wesley Valenzuela New York, NY, 10009 Jana Benitez Winner Jumalon Jason Montinola Wire Tuazon Email: [email protected] Jay Virina Yasmin Sison Instagram: @pinto.art Jayson Oliveria Zean Cabangis JC Jacinto Pintô International Pintô Manhattan – One Year Later Manila 2 Luca Parolari, MD Carlomar Daoana, MA Director at Pintô International Curator and Lecturer at Ateneo de Manila University “Pintô Manhattan Manila 2” will be the third pop-up exhibition of electric cellist, a violinist, two jazz bands, and pop music producers, Pintô International, in partnership with the Asian Cultural Council, Pintô International, after Pintô Manhattan Manila in May 2017, and amongst others. -
Important Philippine Art Saturday, 14 March 2020 Fine Jewelry & Timepieces Sunday, 15 March 2020
Important Philippine Art Saturday, 14 March 2020 Fine Jewelry & Timepieces Sunday, 15 March 2020 NEX Tower, 6786 Ayala Avenue, Makati City Important Philippine Art Saturday, 14 March 2020 Fine Jewelry & Timepieces Sunday, 15 March 2020 NEX Tower, 6786 Ayala Avenue, Makati City Prestige Real Estate Purveyor 3 Important Philippine Art | Fine Jewelry & Timepieces Message For the past ten years, we have had the honor of mounting Bannering the selection of antique furniture is a ten- sales of fine art and collectibles for a discerning audience seater kamagong and balayong dining table by the whose taste both diversified and transformed over time. In famed ilustrado, Máximo Viola. It is joined by a selection this exciting juncture in Salcedo Auctions’ history, we have showcasing the indigenous arts such as a large pukok or rice the privilege of featuring not only such a rich diversity of granary, a pair of dancing bul’ul, and a ceremonial shield artists and works, but also collections of individuals who are ornamented with a carved face of a man. redefining legacy - a value we all hold dearly. And so it gives me great pleasure to present the collection for this year’s A stunning selection of fine jewelry adorns the sale, ‘Important Philippine Art’ including ‘Important Philippine including a resplendent 18k white gold emerald fringe Furniture’ and ‘Important Philippine Tribal & Ethnographic necklace composed of five Zambian emeralds, a striking Art,’ and our signature ‘Fine Jewelry & Timepieces’ auction. Asscher-cut diamond crucifix, and an exquisite pair of 18k white gold drop earrings lined with Asscher We begin with a trio of oil on canvas works by cut diamonds. -
FRISSON: the Collected Criticism of Alice Guillermo
FRIS SON: The Collected Criticism of Alice Guillermo Reviewing Current Art | 23 The Social Form of Art | 4 Patrick D. Flores Abstract and/or Figurative: A Wrong Choice | 9 SON: Assessing Alice G. Guillermo a Corpus | 115 Annotating Alice: A Biography from Her Bibliography | 16 Roberto G. Paulino Rendering Culture Political | 161 Timeline | 237 Acknowledgment | 241 Biographies | 242 PCAN | 243 Broadening the Public Sphere of Art | 191 FRISSON The Social Form of Art by Patrick D. Flores The criticism of Alice Guillermo presents an instance in which the encounter of the work of art resists a series of possible alienations even as it profoundly acknowledges the integrity of distinct form. The critic in this situation attentively dwells on the material of this form so that she may be able to explicate the ecology and the sociality without which it cannot concretize. The work of art, therefore, becomes the work of the world, extensively and deeply conceived. Such present-ness is vital as the critic faces the work in the world and tries to ramify that world beyond what is before her. This is one alienation that is calibrated. The work of art transpiring in the world becomes the work of the critic who lets it matter in language, freights it and leavens it with presence so that human potential unerringly turns plastic, or better still, animate: Against the cold stone, tomblike and silent, are the living glances, supplicating, questioning, challenging, or speaking—the eyes quick with feeling or the movements of thought, the mouths delicately shaping speech, the expressive gestures, and the bodies in their postures determined by the conditions of work and social circumstance. -
Marika Constantino
Marika Constantino [email protected] / [email protected] 14 Wisdom Street St. Florence corner St. Dominic Quezon City St. Francis Subdivision Philippines, 1100 Tanque, Roxas City, Capiz +63917.831.1943 Philippines, 5800 Marika Constantino is an artist who has participated in significant exhibitions in the Philippines and abroad. As an extension of her art practice, she works as an independent curator and researcher. She is also a freelance writer who has contributed to a number of globally distributed publications. Her early exposure to art and her boundless fascination for the creative process resulted to a degree from the UP College of Architecture to further studies at the UP College of Fine Arts, with Art History as her major. Constantino is continually striving to strike the balance between the cerebral, conceptual and experiential aspects of art with life in general, thus, fueling her fervent passion for artistic endeavors. In 2017, she was selected to be one of the Global Cultural Fellows of the Institute of International Cultural Relations at the University of Edinburgh, United Kingdom. On that same year she was supported by the British Council, Manila to participate in a cultural leadership program at the Kings College in London, United Kingdom. Aside from her individual art practice, she co-directed the programs and activities of 98B COLLABoratory (2012-2018), curated and coordinated the undertakings of the First United Building Community Museum in Escolta, Manila (2015-2018) and curated the Destileria Limtuaco Museum in Intramuros, Manila. For 2018-2019 she was awarded the New York Fellowship from the Asian Cultural Council. -
The Spectacular Mid-Year Auction 2020
León Gallery FINE ART & ANTIQUES The Spectacular Mid-Year Auction 2020 20 June 2020 | 2:00 PM Marc Aran Reyes (b. 1996) The Audacious Future (The Onerrific Timepiece Series) León Gallery FINE ART & ANTIQUES Auction Saturday | June 20, 2020 2:00 PM Preview June 13 - 19, 2020 9:00 AM - 7:00 PM Venue G/F Eurovilla 1 Rufino corner Legazpi Streets Legazpi Village, Makati City Philippines Contact www.leon-gallery.com [email protected] +632 8856 2781 Be@rbrick x MEDICOM Jackson Pollock Be@rbrick - 1000% Limited Director Jaime L. Ponce de Leon Curator Research and Text Lisa Guerrero Nakpil Jed Nathan Daya Andrea Lim Consultants Martin I. Tinio, Jr (+) Graphic Arts Ramon N. Villegas (+) Joemari Barbacena Aldrene Harold Carillo Management Patricia Louisse Dato Jane Daria Edwin Hurry Jr. Aliana Jannie Bricenio Richelle Custodio Gallery Support Team Magdalina Juntilla Nestorio Capino Jr. Reymar Jurado Zinister Allan Carmona Geller Nabong Ramil Flores Nyza Mae Neri Robert Gotinga Aleza Nevarez Jayson Lopez Rouel Sanchez Wilfredo Manalang Louise Sarmiento Generoso Olaco Celina Sta. Ana Manuel Sintos Joanna Tamayo Allan Jules Torrion Reneliza de Taza Published by León Gallery G/F Eurovilla 1 Rufino corner Legazpi Streets, Legazpi Village, Makati City, Metro Manila, Philippines This catalogue is published to accompany the auction by León Gallery entitled The Spectacular Mid-Year Auction 2020 All rights reserved. No part of this catalogue may be reproduced or reprinted without the express written consent of León Gallery. While all reasonable efforts have been made to ensure accuracy of details in this publication, Leon Gallery does not, under any circumstances, accept full responsibility for errors, omissions and representations expressed or implied. -
An Examination of the Significance of Soviet Socialist Realist Art and Practice in the Asia Pacific Region
An examination of the significance of Soviet Socialist Realist art and practice in the Asia Pacific region. Alison Carroll Student Number: 196621690 ORCID Number: 0000-0001-8068-2694 Thesis Submission for Doctor of Philosophy degree October 2016 This thesis is submitted in total fulfilment of the degree. School of Culture and Communication University of Melbourne Supervisors: Associate Professor Alison Inglis (University of Melbourne) Professor Anthony Milner (University of Melbourne and Australian National University) 1 An examination of the significance of Soviet Socialist Realist art and practice in the Asia Pacific region. Table of contents: 2 Abstract 4 Declaration 5 Acknowledgements 6 List of illustrations 7 Preface 20 Introduction: Western art historical practice and recent Asian art; some alternative ways of thinking. 22 1. Art and politics: Soviet Socialist Realism and art history in the Asia Pacific region. 46 2. Policy and practice: The significance of the new policies and practices created in the Soviet Union in the direction for art in Asia. 70 1. Political leaders on art 70 2. Arts leaders on politics 77 3. The Soviet practice of art in Asia: organisation 80 4. The Soviet practice of art in Asia: ideological innovations 95 5. The transmission of information from West to East 103 3. The Art: The influence of Soviet Socialist Realism on the art of the Asia Pacific region, 1917-1975. 113 1. Social realism in the Asia Pacific region 114 2. Socialist Realism in the Asia Pacific region 1. Russia and China: (a) Socialist in content 121 Russia and China: (b) Realist in style 131 2. -
Mark Justiniani
Mark Justiniani Mark Justiniani (b. 1966. Bacolod, Philippines), often identified with the lineage of Social Realism through the 80’s and 90’s in the Philippines through artist-activist initiatives like Salingpusa (1984) and Sanggawa (1994), have been working with notions of how we perceive reality. After returning from the USA in 2006, he has developed his oeuvre through “magic realist strains” and has moved to configurations of space, the nature of vision and their ever vacillating relationship with time through the use of reflective media in recent years. His practice has had him represent the Philippines in conferences and exhibitions in overseas since 1992. Mark Justiniani Born: April 25, 1966 Manila, Philippines STUDIES Arts Education, University of the Philippines, College of Fine Arts, Diliman, Q.C. ORGANIZATIONAL 1987 - 1990 BACKGROUND ABAY 1985 – 1992 Grupong Salingpusa 1994 – 1998 Sanggawa Collective AWARDS 2013 Outstanding Bosconian, Don Bosco Techinical Institute, Victorias, Negros,Philippines 2009 Judge, CCP Thirteen Artists Awards 2009, Cultural Center of the Philippines 2005 Solidarity Award, Pilipino Workers’ Center (PWC), Los Angeles, California 2004 Award for Continuing Excellence in the Arts, Metrobank Foundation, Manila,Philippines 2002 Juror, Arts Council for Long Beach Grant Program, Long Beach California 2000 Finalist, Philippine Art Awards, Metropolitan Museum, Manila, Philippines 1999 Jurors Choice Award, Philip Morris Group of Companies, Philippine Art Awards, Manila, Philippines. Philippine Representative. -
2017 Traditional University Awards
2017 Traditional university awards Special Academic Convocation 3:00 PM, Tuesday, 26 September 2017 Henry Lee Irwin Theatre, Ateneo de Manila University Loyola Heights, Quezon City, Philippines Programme Processional National Anthem James B Simpas PhD Invocation Emerito Salustiano R de la Rama SJ Head Chaplain for Basic Education Opening of the Special Academic Convocation Maria Luz C Vilches PhD Vice President for the Loyola Schools Welcome Remarks Jose Ramon T Villarin SJ President CONFERMENT OF TRADITIONAL UNIVERSITY AWARDS upon Fr Mark Lesage CICM Bukas Palad Award Synergeia Foundation under the leadership of Milwida M Guevara PhD Ozanam Award Br Carlito M Gaspar CSsR Parangal Lingkod Sambayanan Intermission Number Pundaquit Virtuosi Patricia B Licuanan PhD Government Service Award Alfonso C Bolipata Gawad Tanglaw ng Lahi Closing of the Special Academic Convocation Maria Luz C Vilches PhD Song for Mary Recessional Maria Assunta C Cuyegkeng PhD Master of Ceremonies 3 Bukas Palad Award Fr Mark Lesage CICM r Mark Lesage, a missionary of the Congregatio Immaculati Cordis Mariae (CICM), was ordained during Vatican I but being a dreamer, his Fheart ran ahead of history. Early in his first parish assignment in 1962 in Kapitolyo Pasig, seeing the same handful of people in different church meetings, he thought of how the whole ‘people of God’ could live and participate in church life and mission. In 1969, he was assigned to the Parish of St Joseph in Las Piñas, where he would stay for 30 years. The wind of Vatican II in his wings, he spent all his energy 4 in facilitating the emergence of small faith communities in neighborhood settings (popularly called basic ecclesial communities or BECs) and, in a special way, built up the leadership responsibilities of everyone involved. -
CULTURAL CENTER of the PHILIPPINES HIGHLIGHTS of ARTISTIC PROGRAMS and PROJECTS January to June 2020
CULTURAL CENTER OF THE PHILIPPINES HIGHLIGHTS OF ARTISTIC PROGRAMS AND PROJECTS January to June 2020 CCP Mission 1 To create, produce, and present excellent and engaging cultural experiences from the Philippines and all over the world – onsite, offsite, and online; and CCP Mission 2 Showcase the best examples of Filipino art and culture FESTIVALS (multi-venue, multi-arts) FESTIVAL OF PLAYS BY WOMEN (FORUM, READATHON, PERFORMANCE) (Co - Production - Women Playwrights International Philippines) Reach No. of Production/Shows: 1/9 (forum: 3, readathon: 3, performance: 3) No. of Performers: 106 (Forum - 14, Readathon - 32, Performance - 60) No. of Audience: 1,266 (100%) Artistic/Production Staff: 43; crew: 11; volunteers: 8 Names of Resource Persons/Speakers/Performers: Forum: Resource Persons: August Melody Andong, NA Amelia Lapeña-Bonifacio, Dessa Quesada-Palm,Dr. Elena Pernia,Elsa Martinez Coscolluela,Dr. Glecy Cruz Atienza, Jehanne Mutin,Leticia Arbelo,Liza Magtoto,Ma.Luna Sicat-Cleto Maria Theresa Belleza, Maria Lourdes Jacob, Rosemary Johns, Saturnina Rodil Readathon:Speakers - Eunice Joy Bacalando,Geene Sabrina Saddul Basilio,Josephine V. Roque,Maria “Lorelie” A. Diño,Patricia C. Velasco,Pneuma Lorenzo,Wenah Nogales of KolabCo; Performers - Maskara Theatre Ensemble (10):Ezra Mae Divino,Gloven Gerogalin, Jackie Aguilar,Jing Torrecampo,Mary June Ambino,Michelle Alcayde,Nicole Belgera,Noel Pahayupan,Roger Joshua Venzal,Venise Buenaflor;Manila Tytana Colleges (1):Claudine Francia;Twin Bill Theater (5):Francis Matheu,Lei Ann Oro Quinquilleria, Michael Angelo Lopez, Pie Manuel, Tasha Guerrero; Ateneo Fine Arts (9): Ash Nicanor, Conn Sy, Danielyn Joy V. Del Rosario, Joy Cerro,Joy Delos Santos, Liway Gabo, Pau Benitez, Rainbow Guttierez, Raye Baquirin Performance: Dulaang Pasay (6) - Bea ChryzsandraAraojo, Jake Boltron, Kyle Lim, Mark Jacob Panganiban, Ma.