Notes on Victorio C. Edades, with Carlos V. 'Botong
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The Kingly Treasures Auction 2018 1 December 2018 | 2:00 PM Marina Cruz Untitled Ronald Ventura Embrace León Gallery FINE ART & ANTIQUES
León Gallery FINE ART & ANTIQUES The Kingly Treasures Auction 2018 1 December 2018 | 2:00 PM Marina Cruz Untitled Ronald Ventura Embrace León Gallery FINE ART & ANTIQUES AuctionAuction SaturdaySaturday || DecemberDecember 1,1, 20182018 2:002:00 PMPM PreviewPreview NovemberNovember 2424 -- 30,30, 20182018 9:009:00 AMAM -- 7:007:00 PMPM VenueVenue G/FG/F EurovillaEurovilla 11 RufinoRufino cornercorner LegazpiLegazpi StreetsStreets LegazpiLegazpi Village,Village, MakatiMakati CityCity PhilippinesPhilippines ContactContact www.leon-gallery.comwww.leon-gallery.com [email protected]@leon-gallery.com +632+632 856-27-81856-27-81 Fernando Amorsolo Planting Rice Mark Justiniani Lutaw-Lutaw 9 Foreword 10 - 249 Lots 1 - 167 256 Index 257 Terms and Conditions 258 Registration Form León Gallery FINE ART & ANTIQUES Director Jaime L. Ponce de Leon Curator Lisa Guerrero Nakpil Consultants Martin I. Tinio, Jr Augusto M.R Gonzalez III Ramon N. Villegas (+) Writer Earl Digo Book Design and Layout Jefferson Ricario Senior Graphic Designer Dia Marian P. Magculang Graphic Design & Photography John Gabriel Yu Christine Marie Tabiosas Dana de Vera Kyle Kenneth Bautista Project Assistants Nestorio Capino Jane Daria Ramil Flores Robert Gotinga Generoso Olaco Catalino Mallabo Jr. Anjello Bueno Reneliza de Taza Laurence Anne Torres Wilfredo M. Manalang Anna Lyn Calizo Richelle Custodio Published by León Gallery G/F Eurovilla 1 Rufino corner Legazpi Streets Legazpi Village, Makati City Metro Manila, Philippines This catalogue is published to accompany the auction by León Gallery entitled The Kingly Treasures Auction 2018 All rights reserved. No part of this catalogue may be reproduced or re-printed without the express written consent of León Gallery. -
The Oblation Ritualized
From the Sacred to the Profane: The Oblation Ritualized FROM THE SACRED TO THE PROFANE: THE OBLATION RITUALIZED Reuben Ramas Cañete ABSTRACT The study approaches the historical construction of the narratives surrounding the statue titled Oblation, deemed as the symbol of the University of the Philippines (UP), from the theoretical perspective of Eric Hobsbawn’s notion of “invented traditions,” as well as Judith Butler’s theory of performativity. The study looks at the genesis of this narrative as informed by the anti-colonial struggle of the late-19th and early 20th century, but amplified and “sacralised” through the symbolic power of the UP Presidency, particularly under Jorge C. Bocobo (1935-1939) under whose auspices the Oblation was erected on November 30, 1935. The study also foregrounds the key term “Sacrificial Body” as a determinant of the Oblation’s narrational focus of itself as subject, and its function as idealized model or template to be “followed” by the UP community. The ambivalence of this narrative, however, is central to the production of contradicting discourses throughout its history, from the “sacred” Pre-War image akin to a secular Crucifixion upon which rituals supervised by a “priesthood” composed of the University’s officials were enacted; to the Post- War secular (and thus “profane”) image of the Oblation as that “representing academic freedom” from the viewpoint of its progressive student body and faculty. The common assertion of a sacrificial representation of anti-colonial struggle, however, is intuited by -
Klas Art Auction 202O Malaysian & Southeast Asian Art Sunday, 12 July 2O2o
PETALING JAYA, SUNDAY 12 JULY 2020 KLAS ART AUCTION 202O MALAYSIAN & SOUTHEAST ASIAN ART SUNDAY, 12 JULY 2O2O Auction Day Sunday, 12 July 2020 1.00 pm Registration & Brunch Starts 11.30 am Artworks Inspection From 11.30 am onwards KL Lifestyle Art Space 31, Jalan Utara 46200 Petaling Jaya Selangor, Malaysia Supported by Lot 34 Awang Damit Ahmad Iraga “Memori Kelabu” 2004 KL Lifestyle Art Space c/o Mediate Communications Sdn Bhd 31, Jalan Utara 46200 Petaling Jaya Selangor t: +6019 333 7668 e: [email protected] Contact Information General Enquiries Nik +6019 260 9668 [email protected] Bill +6013 361 2668 [email protected] Datuk Gary Thanasan [email protected] Payment and collection Shamila +6019 333 7668 [email protected] Lot 36 Tay Mo Leong, Dato Goddess of Mercy Temple - Georgetown Penang, 1970’s Full Preview Date: 26 June - 11 July 2020 Venue: KL Lifestyle Art Space 31, Jalan Utara 46200 Petaling Jaya Selangor, Malaysia Auction Day Date: Sunday, 12 July 2020 Venue: KL Lifestyle Art Space 31, Jalan Utara 46200 Petaling Jaya Selangor, Malaysia Time: 1.00 pm Lot 73 Syed Thajudeen Lightness of Being, 1999 Map to KL Lifestyle Art Space 5 Contents Auction Information 5 Glossary 9 Lot 1 - Lot 91 20 Auction Terms and Conditions 158 Lot 21 Chen Wen Hsi Squirrels Index of Artists 168 Lumi-May (OL).pdf 1 16/04/2020 2:54 AM SALE 40 2020 Catalogue.indd 8-9 26/06/2020 11:27 AM Glossary 6 TAJUDDIN ISMAIL, DATO 1 ISMAIL ABDUL LATIFF OASIS, 2012 PUNCAK MALAM.. -
St. Louis Review Center, Inc-Davao Tel. No. (082) 224-2515 Or 222-8732 1 Types of Perspective: One Point – a Representation of Distance by Means of Converging Lines
Music, Arts, Physical Education and Health (MAPEH) Focus: The Visual Arts Competencies: 1. Distinguish and analyze the different elements, principles, and mediums of different visual arts 2. Identify and classify the different themes of visual arts in the Philippines 3. Appreciate and be proud of Philippine visual art masterpiece as part of cultural enrichment PART I – CONTENT UPODATE I. Definition of terms: 1. Painting – refers to the application of color, pigment, or paint to a surface or support. These surfaces may include paper, wood, canvas, metal or walls. Paint is made of pigment mixed in a binder. 2. Sculpture – a three dimensional artwork which may be through different processes, such as carving, modeling, assembling or casting. It may be executed as a free- standing object, in relief, or in environments, and a variety of media may be used. 3. Architecture – the art and science of designing and constructing buildings (structures), and other environmental features. II. The elements of Visual Arts 1. Line – the most basic of all elements. A line is an identifiable path traced by a moving point. Lines vary in types. They can be horizontal, vertical, diagonal, straight or curved thick or thin. Different lines are used to signify, different feelings. For example: Horizontal line – suggests a feeling of rest, serenity, or perfect stability Vertical line – dominance, height, power Diagonal line – uncertainty, unrest, movement or action Curved line – flow, softness, flexibility, grace 2. Shape – shapes and forms are figures which define object s in space. A shape is a two- dimensional figure. Circles, triangles, and squares are common examples of shapes. -
December 7, 2008
Pahayagan ng Partido Komunista ng Pilipinas ANG Pinapatnubayan ng Marxismo-Leninismo-Maoismo English Edition Vol. XXXIX No. 23 December 7, 2008 www.philippinerevolution.net Editorial Unite to fight and defeat cha-cha! he Communist Party of the Philippines (CPP) ly rushing Congress to pass various resolutions to ef- strongly condemns Arroyo's stepped-up cha-cha fect cha-cha in whatever form and planning on using T(charter change) offensive and calls on the en- the Supreme Court in 2009 once it is dominated by Ar- tire Filipino people to resist and defeat her attempts royo appointees to give their offensive a semblance of to perpetuate her rule. legality. Arroyo is now attempting all kinds of manipula- With the people's wrath against Arroyo and their tions and schemes to be able to hold on to power. As refusal for her to rule much longer written all over, she the end of her term in 2010 nears, she has now be- is determined to employ her military, police and oth- come all the more desperate to extend her stay in er security forces to crush the mass demonstrations Malacañang to avoid the people's verdict for the innu- and other protests expected to erupt against her cha- merable heinous crimes she has committed against cha. Arroyo is deathly afraid that these protests will the country and people. snowball into a mass uprising against her rule. Should The Arroyo family and its cohorts are now brazen- this not be enough, she has in reserve another impo- ly revving up their cha-cha offensive by distorting sition of "emergency rule" or outright martial law. -
Cesar Legaspi
Cesar Legaspi (1917-1994) National Artist, Visual Arts 1990 One of the Thirteen Moderns Cesar Legaspi, honored as a National Artist in Visual Arts in 1990, is considered the pioneer of neo-realism in the Philippines. Aside from the monochromatic works in his early years, he exploited the full potential of color in his paintings. A proponent of modern art in the country, Legaspi developed cubism in the Philippine context. He was also identified as one of the Thirteen Moderns, a group of modernists led by Victorio C. Edades whose works went against the conservative academic art of that period. Legaspi was born to Manuel Legaspi and Rosario Torrente on April 2, 1917 in Tondo, Manila. He took up painting for one term at the University of the Philippines School of Fine Arts before he decided to take commercial art courses instead. There he received medals for perspective and illustration projects. He earned his Certificate of Proficiency in 1936, after which he continued his education in art under Pablo Amorsolo. He went to Madrid in 1953 and pursued Art Studies under a scholarship at the Cultura Hispanic until 1954. He also went to Paris to study at the Academie Ranson for one month under Henri Goetz. Back in the Philippines, he had his first one-man show at the Luz Gallery in 1963. While this led to an active phase with his major pieces, he also worked as a magazine illustrator and artistic director at an advertising agency. He finally left the agency in 1968 to focus on his painting. -
UNIVERSITY of CALIFORNIA RIVERSIDE Naming
UNIVERSITY OF CALIFORNIA RIVERSIDE Naming the Artist, Composing the Philippines: Listening for the Nation in the National Artist Award A Dissertation submitted in partial satisfaction of the requirements for the degree of Doctor of Philosophy in Music by Neal D. Matherne June 2014 Dissertation Committee: Dr. Deborah Wong, Chairperson Dr. René T.A. Lysloff Dr. Sally Ann Ness Dr. Jonathan Ritter Dr. Christina Schwenkel Copyright by Neal D. Matherne 2014 The Dissertation of Neal D. Matherne is approved: Committee Chairperson University of California, Riverside Acknowledgements This work is the result of four years spent in two countries (the U.S. and the Philippines). A small army of people believed in this project and I am eternally grateful. Thank you to my committee members: Rene Lysloff, Sally Ness, Jonathan Ritter, Christina Schwenkel. It is an honor to receive your expert commentary on my research. And to my mentor and chair, Deborah Wong: although we may see this dissertation as the end of a long journey together, I will forever benefit from your words and your example. You taught me that a scholar is not simply an expert, but a responsible citizen of the university, the community, the nation, and the world. I am truly grateful for your time, patience, and efforts during the application, research, and writing phases of this work. This dissertation would not have been possible without a year-long research grant (2011-2012) from the IIE Graduate Fellowship for International Study with funding from the Andrew W. Mellon Foundation. I was one of eighty fortunate scholars who received this fellowship after the Fulbright-Hays Doctoral Dissertation Research Abroad Program was cancelled by the U.S. -
Chinese Influences in Philippine Culture
Miclat FEATURE ARTICLE Tradition, Misconception, and Contribution: Chinese Influences in Philippine Culture Maningning C. Miclat ABSTRACT This paper discusses Chinese influence on Philippine arts and crafts, as shown in artifacts from the Sino-Philippine trade of pre-Hispanic times—the churches, religious icons, and paintings of the Spanish period— and in the contemporary art of the Chinese Filipinos. The Chinese traditional elements are given new meanings in a new environment, and it is these misconceptions and misinterpretations of the imported concepts that influence and enrich our culture. THE PRE-HISPANIC PAST The Sino-Philippine trade is believed to have begun in AD 982. The History of the Sung Dynasty or Sung Shi, published in 1343- 1374, confirmed that trade contact started during the 10th century. A 13th century Sung Mandarin official, Chau Ju-kua, wrote a geographical work entitled “A Description of Barbarous Peoples” or Chu Fan Chi, the first detailed account on Sino-Philippine trade. The 14th century account of Ma Tulin entitled “A General Investigation of Chinese Cultural Sources” or Wen Shiann Tung Kuo referred to the Philippines as Ma-i.1 The presence of trade is further proven by the Oriental ceramics from China, Vietnam, and Thailand that have been excavated from many places in the archipelago (Zaide: 1990). The Chinese came to the Philippines and traded with the natives peacefully, exchanging Chinese goods with hardwood, pearls, and turtle shells that were valued in China. Traditional Chinese motifs that symbolize imperial power are found in the trade ceramics found in the Philippines. These are the 100 Humanities Diliman (July-December 2000) 1:2, 100-8 Tradition, Misconception, and Contribution dragon and the phoenix; auspicious emblems of prosperity, long life, and wealth, such as fishes, pearls, and blossoms, like peonies; and the eight precious things or Pa Bao, namely, jewelry, coins, open lozenges with ribbons, solid lozenges with ribbons, musical stones, a pair of books, a pair of horns, and the Artemisia leaf. -
Philippine Labor Group Endorses Boycott of Pacific Beach Hotel
FEATURE PHILIPPINE NEWS MAINLAND NEWS inside look Of Cory and 5 Bishop Dissuades 11 Filipina Boxer 14 AUG. 29, 2009 Tech-Savvy Spiritual Leaders from to Fight for Filipino Youth Running in 2010 World Title H AWAII’ S O NLY W EEKLY F ILIPINO - A MERICAN N EWSPAPER PHILIPPINE LABOR GROUP ENDORSES BOYCOTT OF PACIFIC BEACH HOTEL By Aiza Marie YAGO hirty officers and organizers from different unions conducted a leafleting at Sun Life Financial’s headquarters in Makati City, Philippines last August 20, in unity with the protest of Filipino T workers at the Pacific Beach Hotel in Waikiki. The Trade Union Congress of the ternational financial services company, is Philippines (TUCP) had passed a resolu- the biggest investor in Pacific Beach Hotel. tion to boycott Pacific Beach Hotel. The Sun Life holds an estimated US$38 million resolution calls upon hotel management to mortgage and is in the process of putting rehire the dismissed workers and settle up its market in the Philippines. the contract between the union and the “If Sun Life wants to do business in company. the Philippines, the very least we can ex- Pacific Beach Hotel has been pect in return is that it will guarantee fair charged by the U.S. government with 15 treatment for Filipino workers in the prop- counts of federal Labor Law violations, in- erties it controls,” says Democrito Men- cluding intimidation, coercion and firing doza, TUCP president. employees for union activism. In Decem- Rhandy Villanueva, spokesperson for ber 2007, the hotel’s administration re- employees at Pacific Beach Hotel, was fused to negotiate with the workers’ one of those whose position was termi- legally-elected union and terminated 32 nated. -
Facts & Figures
The Capiz Times THE VOICE OF THE CAPICEÑO ENTERED AS SECOND-CLASS MAIL AT THE ROXAS CITY POST OFFICE ON FEB. 25, 1982 VOL. XXXI NO. 43 August 12–18, 2013 P15 IN CAPIZ Social Action Center mission serves 472 patients Roxas City—Some 472 patients from the St. Damien of Molokai Mission Station benefited from the various medical services during the Medical-Dental-Circumcision Mission and Bloodletting Activity led by the Social Action Center, Aug. 17 in Brgy. Maindang, Cuartero, Capiz. Of the total patients, 162 adults and 97 children availed themselves of medical checkup; 120, dental services; and 93 boys, free circumcision. The Mission Station was Red Cross and the Local likewise supportive of the Government Unit of Cuartero Bloodletting Activity of the through its Municipal Health Capiz Red Cross through its Office, The St. Damien of volunteer blood donors. The Molokai Mission Station patients were served through covers six neighboring volunteer doctors, dentists barangays in Cuartero and nurses from the Philippine including Agdahon, Mainit, Army, the Capiz Red Cross, Maindang, Balingasag, the Cuartero’s health unit and Sinabsaban and Lunayan. other volunteers. Rev. Mark Granflor, Medicines dispensed to SAC director, said it was no the beneficiaries came from less than the bishop of the donations of doctors, the 61st Archdiocese of Capiz, Most Infantry Battalion, drugstores, Rev. Jose Advincula, Jr. drug companies and various D.D., accompanied by Rev. individual donors collected Fr. Digno V. Jore, Jr. who by the Social Action Center dropped by during the event. (SAC). Granflor said the bishop SAC worked in wanted to surprise the group partnership with the 61st with his visit but it turned out WITHIN THE WALLS Infantry Battalion, Philippine that he was the one who got Members of the Sarayawan Dance Company of the Colegio de la Purisima Concepcion wow audiences with their Army headed by LTC. -
A Short Tour of Metro Manila Exhibits
THE REPUBLIC Metro Manila 1-31 December 1976 5 BRIEFING □ Rosalinda G. Roxas A short tour of Metro Manila exhibits HE current festival of visual arts in 31, 1977. It consists of cultural treasures China’s cultural revolution. They result dolls, depicting the history, games, folk TMetropolitan Manila started last from the dawn of Egyptian civilization from surveys and preservation work car lore and folk dances of the Philippines September 27. Under the patronage of some 5,000 years ago to the products of ried out at many important sites and including the evolution of national cos the First Lady and Governor of Metro Islamic civilization. Sponsored by the ancient tombs. The artifacts present a tumes. The doll collection, first started politan Manila, Mrs. Imelda Romualdez Egyptian Antiquities Organization in bold outline of the development of his in 1953 as the Alto Doll Museum by Dr. Marcos, the festival’s start was held to Cairo, Egypt, the art treasures-100 tory and culture in ancient China. Aleli Guzman Quirino, was donated to coincide with the International Mone pieces covering 5,000 years, from pre There are magnificent stone and the Museum of Philippine Costumes. tary Fund-World Bank meetings. During historic 4,000 BC to the 18thcentuiy- bronze vessels and images dating from a most of last October, residents and were brought to the Philippines through thousand or fifteen hundred years before Bicentennial Exhibit visitors of Metro Manila were regaled the encouragement of the First Lady. Christ showing a highly developed cul with top-flight music, dance and drama. Mrs. -
The Churches of Leandro V. Locsin in the Philippines
DOCUMENTATION ISSUES subject to humidity, have not only moulded the development of architecture, but also have limited our knowledge of its history by leaving little if no vestiges of the past.6 Religious Tropical Architecture: the churches He thus put forward an approach, for him of Leandro V. Locsin in the Philippines fundamental, which had previously tended to be ignored. Church renewal BY JEAN-CLAUDE GIRARD in the aftermath of WWII At the beginning of the Spanish period, existing buildings were repurposed and The focus of this contribution is on the importance of tropical architecture in the work of Leandro enlarged, in order to provide sufficient space V. Locsin, in the context of post-WWII in Asia. Based in the Philippines, Locsin is immersed in the for the gathering of the faithful. However, the Christian tradition – the main religion of a country that was dominated by the Spanish crown from successive destruction caused by typhoons the mid 16th-century to 1898, and where the Catholic Church remains powerful across much of and earthquakes leads to the re-evaluation of the construction method. Church structures, the archipelago today. Attention is focused on Locsin’s religious buildings and projects, where he still arranged on a basilica plan, were built succeeded in giving a new treatment to the tropical architecture of faith-based structures, through of stone and stabilized by lateral buttresses. the integration of climate considerations and the reinterpretation of vernacular architecture of the If the plan reflected a form of organization Philippines. imposed by the Eucharist, the profile was stockier, and the bell tower separated, in order to resist telluric movements.7 After independence in 1946 new religious Leandro V.