Libraries for Children and Young Adults Section Playground Credibility
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Independent Scholar Shivaun Plozza the Troll Under the Bridge
Plozza The troll under the bridge Independent scholar Shivaun Plozza The troll under the bridge: should Australian publishers of young adult literature act as moral-gatekeepers? Abstract: In the world of Young Adult Literature, the perceived impact of certain texts on the moral, social and psychological development of its readers is a cause for debate. The question ‘what is suitable content for a pre-adult readership’ is one guaranteed to produce conflicting, polarising and impassioned responses. Within the context of this debate, the essay explores a number of key questions. Do publishers have a moral obligation to avoid certain topics or should they be pushing the boundaries of teen fiction further? Is it the role of the publisher to consider the impact of books they publish to a teenage audience? Should the potential impact of a book on its reader be considered ahead of a book’s potential to sell and make money? This article analyses criticism and praise for two ‘controversial’ Australian Young Adult books: Sonya Hartnett’s Sleeping Dogs (1997) and John Marsden’s Dear Miffy (1997). It argues that ‘issues-books’ are necessary to the development of teens, and publishers should continue to push the envelope of teen fiction while ensuring they make a concerted effort to produce quality, sensitive and challenging books for a teen market. Biographical note: Shivaun Plozza is a project editor, manuscript assessor and writer of YA fiction. Her debut novel, Frankie, is due for publication by Penguin in early 2016. She has published short stories, poetry and articles in various journals, both online and print, and has won numerous awards and fellowships. -
Discover Outstanding Picturebooks from Around the World
FOYER 5.1/6.1 “dPICTUS showcases today’s finest children’s Discover outstanding picturebooks books from all over the world. We use it to introduce a selection from our publishers’ lists from around the world and we’ve sold rights thanks to the platform.” Emilie Boujon dPICTUS is a curated platform where international HANNELE & ASSOCIATES | FRANCE picturebook publishers and agents promote their titles globally throughout the year – generating foreign rights deals, business opportunities and new publishing industry “A beautiful and comfortable meeting point connections to meet at book fairs. where we can share our brand new projects with interesting publishers.” Our members can look at exciting new releases and backlist Isabel Minhós Martins titles in full from award-winning publishers, including PLANETA TANGERINA | PORTUGAL winners of the BolognaRagazzis and the Bologna BOP ‘Best Children’s Publishers’ Prize. From 2018, we’re working with picturebook specialists from different countries – curating “On dPICTUS, I feel like I really belong to a titles on dPICTUS and selecting picturebooks to be exhibited community of like-minded publishers with at international book fairs. a mutual understanding of what makes a beautiful, modern picturebook. It’s a wonderful tool for business.” dPICTUS is an excellent place for exposure and discovery. It gives all showcased picturebooks – whether from high-profile Alīse Nigale or unfamiliar sources – the year-round opportunity to be seen LIELS UN MAZS | LATVIA by publishing professionals around the world. Learn more at dpictus.com by Kitty Crowther Illustration The ‘100 outstanding picturebooks’ exhibition We invited a team of picturebook experts to help us curate 100 international picturebooks for the dPICTUS exhibition at the Frankfurt Book Fair 2018. -
Different Drummers
Special Issue: Different Drummers March/April 2013 Volume LXXXIX Number 2 ® Features Barbara Bader 21 Z Is for Elastic: The Amazing Stretch of Paul Zelinsky A look at the versatile artist’s career. Roger Sutton 30 Jack (and Jill) Be Nimble: An Interview with Mary Cash and Jason Low Independent publishers stay flexible and look to the future. Eugene Yelchin 41 The Price of Truth Reading books in a police state. Elizabeth Burns 47 Reading: It’s More Than Meets the Eye Making books accessible to print-disabled children. Columns Editorial Roger Sutton 7 See, It’s Not Just Me In which we celebrate the nonconforming among us. The Writer’s Page Polly Horvath and Jack Gantos 11 Two Writers Look at Weird Are they weird? What is weird, anyway? And will Jack ever reply to Polly? Different Drums What’s the strangest children’s book you’ve ever enjoyed? Elizabeth Bird 18 Seven Little Ones Instead Luann Toth 20 Word Girl Deborah Stevenson 29 Horrible and Beautiful Kristin Cashore 39 Embracing the Strange Susan Marston 46 New and Strange, Once Elizabeth Law 58 How Can a Fire Be Naughty? Christine Taylor-Butler 71 Something Wicked Mitali Perkins 72 Border Crossing Vaunda Micheaux Nelson 79 Wiggiling Sight Reading Leonard S. Marcus 54 Wit’s End: The Art of Tomi Ungerer A “willfully perverse and subversive individualist.” (continued on next page) March/April 2013 ® Columns (continued) Field Notes Elizabeth Bluemle 59 When Pigs Fly: The Improbable Dream of Bookselling in a Digital Age How one indie children’s bookstore stays SWIM HIGH ACROSS T H E SKY afloat. -
IBBY Biennial Report 2006-2008
Farbprofil: Generisches CMYK-Druckerprofil Komposit Standardbildschirm I N T E R N L E A T I O P O N A P E L B O O U N G A R D O N B O O K S F O R Y BIENNIAL REPORT 2006 – 2008 K:\Kunden\IBBY\Biennial Report 06-08\Titelseite Report 06-08.cdr Freitag, 25. Juli 2008 08:38:31 Nonnenweg 12 Postfach CH-4003 Basel Switzerland Tel. +41 61 272 29 17 IBBY Biennial Report Fax +41 61 272 27 57 E-mail: [email protected] 2006 – 2008 www.ibby.org Preface: Children: our first and only priority by Patricia Aldana 2 1 Membership 5 2 General Assembly 6 3 Executive Committee 7 4 Subcommittees 8 5 Executive Committee Meetings 8 6 President 10 7 Executive Committee Members 11 8 Secretariat 13 9 Finances and Fundraising 14 10 Bookbird 16 11 Congresses 17 12 Hans Christian Andersen Awards 19 13 IBBY Honour List 21 14 IBBY-Asahi Reading Promotion Award 22 15 International Children's Book Day 24 16 IBBY Documentation Centre of Books for Disabled Young People 25 17 IBBY Project Programme and Workshops: IBBY-Yamada Fund 25 18 IBBY Project Programme and Workshops: IBBY Children in Crisis 27 19 IBBY Regional Co-operation 29 20 Co-operation with Other Organizations 30 21 Publications and Posters 33 22 Exhibitions 36 Reporting period: July 2006 to July 2008 Complied by Elizabeth Page, IBBY Secretariat Basel, July 2008 Cover: From International Children's Book Day poster 2007 by Zac Waipara, New Zealand Page 4: International Children's Book Day poster 2008 by Chakrabhand Posayakrit, Thailand Children: our first and only priority IBBY is only as strong as our individual sections. -
Sonya Hartnett Author of the Children of the King HC: 978-0-7636-6735-1 • E-Book: 978-0-7636-7042-9 272 Pages • Age 10 and Up
A conversation with sonya hartnett author of the Children of the King HC: 978-0-7636-6735-1 • E-book: 978-0-7636-7042-9 272 pages • Age 10 and up Q: You start with a scary opening scene. If I hadn’t been told that this was a “mild ghost story,” I might not have gotten past it. Some of your other writing can be very unsettling. What made you decide that this story would be more mild? A: Questionsofmildnessnevercameintoit.Anideacomestoyou,anditbringswithititsown spirit—someareeerie,somearequiet,someareloud,someareslinky,somearestrange.Iknew thiswouldbeastoryforchildrensetduringthewar.Theagegroupcreatescertainlimitsaround whatyoucanandcan’twrite.IneverthoughtofitasbeingaghoststoryasIwroteit,soIdidn’t spendanytimemakingtheboysscary.Iwantedthemtobeabletobemistakenforrealchildren bythereader,soIkeptalidontheirscariness.Theopeningsceneis,I’mtold,alittlescary.Ithink abookshouldstartwithabang,andsothesceneisakindofbang.IusedtoplayMurderinthe Darkasakid;itterrifiedme.Iplayitwithmydogsometimes;itstillterrifiesme. Q: What inspired you to write the story-within-the story, weaving the tale of a family evacuating from London to a country estate during World War II with the mystery of the missing princes, nephews of King Richard? How do those two elements, World War II and the mystery of the princes, resonate for you, if they do? A: I’vealwaysbeeninterestedinthestoryofRichardandtheprinces,andI’vealludedtoitafew timesinvariousnovels,butIalwayswantedtowritesomethingmoresubstantialaboutit—to reallylookinsidethecharacters’heads.I’vealsoalwaysfoundthewholeevacuationsagatobe -
Nominees for the Astrid Lindgren Memorial Award 2018 to Be Announced on October 12
Oct 02, 2017 12:06 UTC Nominees for the Astrid Lindgren Memorial Award 2018 to be announced on October 12 The candidates for the Astrid Lindgren Memorial Award 2018 will be presented on October 12 at the Frankfurt Book Fair. So far, seventeen laureates have received the Award, the latest recipient is the German illustrator Wolf Erlbruch. The award amounts to SEK 5 million (approx. EUR 570 000), making it the world's largest award for children's and young adult literature. The list of nominated candidates is a gold mine for anyone interested in international children’s and young adult literature – and would not be possible without the work of more than a hundred nominating bodies from all over the world. Welcome to join us when the list of names is revealed! Programme 12 October at 4 pm CET 4.00 pm Welcome by Gabi Rauch-Kneer, vice president of Frankfurter Buchmesse 4.05 pm Prof. Boel Westin, Chairman of the ALMA Jury and Journalist Marcel Plagemann, present the work of Wolf Erlbruch. 4.40 pm Helen Sigeland, Director of ALMA, about upcoming events. 4.45 pm Prof. Boel Westin, Chairman of the ALMA Jury, reveals the candidates for the 2018 award. The event is a co-operation with the Frankfurt Book Fair and takes place at the Children's Book Centre (Hall 3.0 K 139). The nomination list of 2018 will be available on www.alma.se/en shortly after the programme. Earlier ALMA laureates 2017 Wolf Erlbruch, Germany 2016 Meg Rosoff, United Kingdom/United States 2015 PRAESA, South Africa 2014 Barbro Lindgren, Sweden 2013 Isol, Argentina 2012 Guus Kuijer, -
QUT Digital Repository
QUT Digital Repository: http://eprints.qut.edu.au/ Muller, Vivienne (2008) Lost children and imaginary mothers in Sonya Hartnett's "Of a Boy". Hecate, 34(1). pp. 159-174. © Copyright 2008 please consult the author. Lost children and imaginary mothers in Sonya Harnett’s Of A Boy In Powers of Horror, Julia Kristeva writes about lost children.1 These are what she calls ‘dejects’, 2 who, in the psychodrama of subject formation, fail to fully absent the body of the mother, to accept the Law of the Father and the Symbolic, and subsequently to establish ‘clear boundaries which constitute the object-world for normal subjects’.3 Dejects are ‘strays’ looking for a place to belong, a place that is bound up with the Imaginary mother of the pre-Oedipal period. Kristeva’s sketch of the deject as one who is unable to negotiate a proper path to the Symbolic is useful to a reading of Hartnett’s Of A Boy (2002)4, a novel that also deals with lost children and imaginary mothers. However in its portrayal of children who are doomed to never achieve adulthood, Of A Boy enacts a haunting retrieval of the pre-Oedipal from the dark side of phallocentric representation, privileging the semiotic (Kristeva’s concept) and the maternal as necessary disruptive checks on a patriarchal Symbolic Order. In reading the narrative in this way, this essay does not seek to foreclose on other interpretations which may more fully illuminate the material and historical contexts in which Hartnett’s stories of abandoned and lost mothers and children are activated. -
Locating the Gothic in Four Australian Novels
‘No storied windows, richly dight’: Locating the Gothic in Four Australian Novels An Exegesis Accompanying ‘Twigs from a Hedge in Winter: an Australian Gothic Novel’ Henry Ashley-Brown Submitted as part of the requirement for the Degree of Doctor of Philosophy Discipline of English School of Humanities The University of Adelaide South Australia August, 2009 Abstract After completing the first draft of ‘Twigs from a Hedge in Winter’, I discovered that my novel contained several elements that placed it within the Gothic genre. Wanting to account for how this happened, I decided to research the genre. In this exegesis I pose the following questions: what defines the Gothic genre and what are the Gothic elements in arguably the world’s first example, Horace Walpole’s The Castle of Otranto. I ask if these can be traced in early Australian literature through to Elizabeth Harrower’s The Watch Tower, Elizabeth Jolley’s The Well and Sonya Hartnett’s Surrender. I examine how my novel is situated within the context of the genre in Australia and account for how my original draft came to display Gothic elements. I also note the adjustments I made to enhance some of these elements in ‘Twigs from a Hedge in Winter’. The words that comprise the title of my novel were uttered in the Old Bailey in eighteenth-century London, when Jack Cooper was sentenced to transportation for life for stealing twigs from a hedge to keep warm in winter. The hedge was on the common land that Jack’s family had owned before Judge Christian Wilson enclosed it, leaving the Coopers to fend for themselves. -
Guía De Libros Recomendados Para Niños Y Jóvenes 2014
Un niño a solas con sus libros es, para mí, la verdadera imagen de una felicidad potencial, de algo que siempre está a punto de ser. Un niño, solitario y con talento, utilizará una historia o un poema maravillosos para crearse un compañero. Ese amigo invisible no es una fantasmagoría malsana, sino una mente que aprende a ejercitar todas sus facultades. Quizás es también ese momento misterioso en que nace un nuevo poe- ta, un nuevo narrador. Harold Bloom IBBY México / A leer trabaja para generar encuentros gozosos con la lec- tura para que, de esta manera, la cultura escrita sea parte fundamen- tal de la vida de los mexicanos. Una manera de lograrlo es asesorar a maestros, padres de familia, bibliotecarios y promotores de lectura en la formación de acervos y selección de libros. Año con año, la Asociación, en colaboración con el Consejo Nacional para la Cultura y las Artes, la Cámara Nacional de la Industria Editorial Mexicana y la Fundación Mexicana para el Fomento de la Lectura, publi- ca una lista comentada de libros que las editoriales hacen llegar, desin- teresadamente, a la Biblioteca BS y que un grupo de especialistas evalúa para conformar las recomendaciones. La Guía de libros recomendados para niños y jóvenes 2014 contiene reseñas de obras clasificadas por etapas lectoras, datos de editoriales, li- brerías y bibliotecas, así como información sobre premios internacionales de literatura infantil y juvenil. Asociación para Leer, Escuchar, Escribir y Recrear, A.C. Guía de libros recomendados para niños y jóvenes 2014 Goya 54, Col. Mixcoac, C.P. 03920, México, D.F. -
Robin Morrow
The International Board on Books for Young People (IBBY) is a non-profit organisation which represents an international network of people from all over the world committed to bringing books and children together NEWSLETTER No 12 February, 2012 President’s Letter Dear IBBY members and supporters Welcome to our first newsletter for 2012. We are proud that IBBY Australia Inc is now firmly established as an independent section. Last year we increased our membership, funded our commitments and made nominations for the major international awards. We also reached out the hand of friendship by supporting a Children in Crisis program in Japan. This year we are confident that IBBY Australia will flourish and grow, to benefit many children and adults. Please spread the word about IBBY, renew your membership when it is due, and consider a gift membership for friends who share your enthusiasm for reading. We‟ll celebrate International Children‟s Book Day on 31st March (see next pages for events in WA and NSW). It is wonderful that both Christobel Mattingley and Bob Graham, the Australian nominees for the 2012 Hans Christian Andersen awards, have agreed to travel to Sydney to speak at the NSW event. It is good to read of scientific research that vindicates our enthusiasm for the importance of reading. Gail Rebuck wrote in The Guardian recently about the remarkable findings from brain scan studies of what happens inside the heads of readers when they read stories. New neural pathways result. This evidence backs up what so many of us have known instinctively: that a transformation takes place when we read. -
Anuario Sobre El Libro Infantil Y Juvenil 2009
122335_001-006_AnuarioInfantilJuvenil_09 27/2/09 11:27 PÆgina 1 gifrs grterstis FUNDACIÓN seromri e 122335_001-006_AnuarioInfantilJuvenil_09 27/2/09 11:27 PÆgina 2 www.grupo-sm.com/anuario.html © Ediciones SM, 2009 Impresores, 2 Urbanización Prado del Espino 28660 Boadilla del Monte (Madrid) www.grupo-sm.com ATENCIÓN AL CLIENTE Tel.: 902 12 13 23 Fax: 902 24 12 22 e-mail: [email protected] ISBN: 978-84-675-3466-5 Depósito legal: Impreso en España / Printed in Spain Gohegraf Industrias Gráficas, SL - 28977 Casarrubuelos (Madrid) Cualquier forma de reproducción, distribución, comunicación pública o transformación de esta obra solo puede ser realizada con la autorización de sus titulares, salvo excepción prevista por la ley. Diríjase a CEDRO (Centro Español de Derechos Reprográficos, www.cedro.org) si necesita fotocopiar o escanear algún fragmento de esta obra. 122335_001-006_AnuarioInfantilJuvenil_09 27/2/09 11:27 PÆgina 3 ÍNDICE Presentación 5 1. Cifras y estadísticas: 7 LA LIJ en 2009 Departamento de Investigación de SM 2. Características y tendencias: 27 AÑO DE FANTASY, EFEMÉRIDES Y REALISMO Victoria Fernández 3. Actividad editorial en catalán: 37 TIEMPO DE BONANZA Te re s a M a ñ à Te r r è 4. Actividad editorial en gallego: 45 PRESENCIA Y TRASCENDENCIA Xosé Antonio Neira Cruz 5. Actividad editorial en euskera: 53 BUENA COSECHA Xabier Etxaniz Erle 6. La vida social de la LIJ: 61 DE CLÁSICOS Y ALLEGADOS, DE HONESTIDAD Y OPORTUNISMO... Sara Moreno Valcárcel 7. Actividad editorial en Brasil: 113 VIGOR Y DIVERSIDAD João Luís Ceccantini 8. Actividad editorial en Chile: 135 ANIMAR A LEER: ¿SALTOS DE ISLOTE EN ISLOTE? María José González C. -
La Revue Des Livres Pour Enfants N° 287, Février 2016
118_185_Dossier287_Mise en page 1 16/02/16 19:43 Page140 140 RLPE 2 8 7 Que serions- nous sans la Belgique ? PAR MICHEL DEFOURNY Les albums de langue française doivent beaucoup à l’extraordinaire richesse de la création belge. Michel Defourny, fin connaisseur de la littérature jeunesse et belge francophone, en dresse pour nous un inventaire à l’admiration communicative. ↓ Gabrielle Vincent : Ernest et Célestine ont perdu Siméon, Duculot, 1981. 118_185_Dossier287_Mise en page 1 16/02/16 19:43 Page141 D O S S I E R 100 % BELGIQUE S ! 141 n 2008, Le « Prix Baobab » décerné par le Salon du livre et de la presse Michel Defourny jeunesse de Seine-Saint-Denis a été attribué à Benoît Jacques pour Docteur en Histoire et Littératures orientales, La Nuit du visiteur. Benoît Jacques y détourne à sa façon le conte du Michel Defourny fut maître Petit Chaperon rouge, mettant en scène une grand-mère sourde de conférences à l’Université comme un pot ; ce qui nous vaut une série de malentendus des de Liège et chargé de mission Eplus cocasses. La vieille dame résiste et refuse d’ouvrir sa porte, tandis qu’à auprès de la direction du Service général des Lettres l’extérieur le personnage qui cherche à pénétrer dans la maisonnette, séduc- et du livre du ministère teur au départ, devient de plus en plus menaçant. La linogravure sert par- de la Communauté française faitement le projet de Benoît Jacques, la simplification des formes renforce Wallonie-Bruxelles. Il a créé le côté extravagant et expressionniste des personnages. Quant à la mère- en 2010 le Centre de littérature de jeunesse de la grand, son portrait est inoubliable.