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R E V I S T a D E D a N Z susyQ * E D I C I Ó N E S P E C I A L | S P E C I A L E D I T I O N | 特刊 R E V I S T A D E D A N Z A * 21 SEP 3 2019 sQ FESTIVAL Y PLATAFORMA DE CREACIÓN PARA LA DANZA EN LAS 15 CIUDADES ESPAÑOLAS PATRIMONIO DE LA HUMANIDAD NIO M O UN IM D R T IA A L • P • W L O A I R D L D N H O E M R I E TA IN G O E • PATRIM Organización Patrimonio Mundial de las Naciones Unidas en España para la Educación, la Ciencia y la Cultura ELEPHANT IN THE BLACK BOX ALCALÁ DE HENARES IRON SKULLS ÁVILA VISITANTS BAEZA SARA CANO CÁCERES LAVA TENERIFE DANZA CÓRDOBA PORTADA COVER 封面： OTRADANZA María Cabeza de Vaca. Las Alegrías, Paula Quintana. CUENCA CDAAEEDA Javier Pino @jpfotographie LA PHARMACO IBIZA/EIVISSA EDITORIAL EDITORIAL BALLET FLAMENCO DE ANDALUCÍA MÉRIDA 社论 MATARILE ASÍ THE WAY SALAMANCA 我们这样起舞 ALICIA SOTO- HOJARASCA BAILAMOS WE DANCE SAN CRISTÓBAL DE LA LAGUNA susyQ, la revista de danza de España, susyQ, the dance magazine of Spain, 西班牙舞蹈杂志susyQ，和西班牙 CLÁUDIA DIAS & PABLO FIDALGO LAREO en colaboracion con MATERIAIS DIVERSOS hace alianza con Acción Cultural joins forces with Acción Cultural 文化组织AC/e以及西班牙舞蹈公司 SANTIAGO DE COMPOSTELA Española (AC/E) y FECED, la federación Española (AC/E) and FECED, the Spanish 联合会FECED联盟，旨于提供一个 MARIANTÒNIA OLIVER nacional de compañías de danza, para Federation of Dance Companies, to offer 全面的视角，强调舞蹈的多元化与 SEGOVIA ofrecer esta panorámica que pone de a comprehensive overview evidencing 创造性，这也是西班牙目前的舞蹈 COLECTIVO LAMAJARA relieve la diversidad y creatividad de la the diversity and creativity of the dance 形势。回顾与总结那些大量西班牙 TARRAGONA danza que se está haciendo ahora mismo that is being done right now in our 团体带来的贡献，近年来正丰富着 FRAN SIERIA en el país. Repasamos y reseñamos las country. We review the contributions 各个类型的主流国际舞蹈。从现代 TOLEDO aportaciones con las que cerca de un that around a hundred Spanish groups 舞，到以家人或路人为观众的街头 MANUEL RODRÍGUEZ ÚBEDA centenar de agrupaciones españolas are making, enriching the mainstream of 舞蹈，当然了，弗朗门戈舞蹈深刻 vienen enriqueciendo el mainstream international dance in all its genres: from 的创新也是不可磨灭的，成就了我 de la danza internacional en todos los contemporary dance to urban dances, for 们最本土与个性的贡献。 géneros. Desde la danza contemporánea, family audiences to enthusiasts of more pasando por las danzas urbanas, para experimental trends, without forgetting CON EL APOYO DE: público familiar o experimentales, of course the significant innovations sin olvidar desde luego las profundas in flamenco, our most authentic and innovaciones en el flamenco, nuestra personal contribution. aportación más autóctona y personal. + info: www.ciudadespatrimonio.org RODRÍGUEZ ©MANUEL FOTOGRAFÍA: 5 susyQ | | 特刊 R E V I S T A D E D A N Z A * * E D I C I Ó N E S P E C I A L S P E C I A L E D I T I O N Compañía Nómada. 13 27 30 O T ARRE ORERA RNAY B M A A A T IGUEL IGUEL AR Compañía Irene Cantero. Aracaladanza. M PEDRO M CONTENIDOS CONTENTS 内容 06 AC/E. ENTREVISTA. 34 FLAMENCO 06 AC/E. INTERVIEW. 34 CONTEMPORARY 06 西班牙文化组织 32 街头舞蹈 Eduardo Fernández Palomares, 。 组织负责人， Eduardo Fernández Palomares, CONTEMPORÁNEO. FLAMENCO. AC/E 34 现代弗朗门戈。投身于 director de la institución, Ha crecido enormemente director of this public The art community devoted 爱德华多·费尔南德 新弗朗门戈舞蹈的艺术 nos explica sus líneas de la comunidad artística institution, talks about its to New Flamenco has grown 斯·帕洛马雷斯向我们 家团体已飞速壮大，我 acción para la danza dedicada al Nuevo Flamenco. courses of action for dance tremendously. We offer trends 介绍该组织舞蹈方面的 们将介绍该领域的不通 10 DANZA CONTEMPORÁNEA. Ofrecemos líneas y nombres 10 CONTEMPORARY DANCE. and names 活动纲领。 风格以及他们的名称。 La amplitud del género, 42 Flamenco The broad spectrum of this 42 Flamenco 10 现代舞。该舞种因其类 弗朗门戈 genre allows artists to address 型的多样性，使艺术家 42 permite a los artistas hablar 46 DANZA ESPAÑOLA. 46 SPANISH daNCE. 46 西班牙舞蹈。 这是西 desde la danza de los temas La riqueza patrimonial de la spiritual, earthly, and universal The rich heritage of the dance 们得以通过舞蹈的方式 班牙的国家舞蹈文化遗 espirituales, terrenales y danza hecha en el país se abre topics of their concern made in our country makes its 表达一些让他们躁动的 产，该舞蹈为我们开启 universales que les inquietan camino hacia la modernidad through dance way into modernity 主题：心灵上的，尘俗 了现代化道路。 Danza Teatro 24 Dance Theater 的以及普遍性的。 24 52 Ballet Nacional de España 52 Ballet Nacional de España 52 西班牙国家芭蕾舞团 Experimental 24 戏剧舞蹈 26 Experimentales 54 Compañía Nacional de Danza 26 54 Compañía Nacional de Danza 54 国家舞蹈团 Dance for family audiences 26 实验性舞蹈 30 Danza para público familiar 56 Índice 30 56 Index 56 目录 Urban dance 30 家庭式（少儿受众）舞 32 Danza urbana 58 Neofolk 32 58 Neofolk 蹈表演 58 新民谣 El equipo Our team 我们的团队 Gerente general Managing director 总监: Carlos Anzola Director Publisher 主管: Omar Khan Textos Texts: Alba Anzola, Omar Khan, Carlos A. Gómez Diseño y maquetación Design and layout 美术设计和排版: Juanjo Jiménez, Pepa Ortiz Traducción al inglés English translation 英文翻译: Rodolfo Amilivia Traducción al chino Chinese translation 中文翻译: Fundación Orient （诚信基金会） Gestión comercial, Website y Redes sociales Sales management, Website and Social networks: Grisel Tolstow Administración y Atención a suscriptores, Business manager and Assistance to subscribers, 行政， 订阅服务: [email protected] Edita Publishing company 出版社: Asociación susyQ Danza Sistemas informáticos Information systems 信息系统管理: Informática Delphi Redacción, publicidad y administración Editing, advertising, and administration 采写，广告和行政办公地址: Embajadores, 154 - 2º 3. 28045 Madrid. 0034 648508758 Con la colaboración de: Imprenta Printing house 印刷: Imedisa. C/ Alfareros 20. Polígono Industrial Urtinsa. 28923 Alcorcón (Madrid) Depósito legal Legal deposit 发行刊号: M-49788-2005 ISSN 2174-8640 Contacto Contact: [email protected] Esta publicación no comparte necesariamente la opinión de sus colaboradores This publication does not necessarily share the opinion of its contributors 所刊登内容仅代表作者个人观点，与本杂志无关 Nuestro especial agradecimiento a Special thanks to 特别鸣谢: Claudia Morgana Síguenos en Follow us on: WEB: www.susyq.es / FACEBOOK: susyqdanza / TWIttER: @susyqdanza / INSTAGRAM: @susyqdanza ) E 7 JULIO GONZÁLEZ (AC/ GONZÁLEZ JULIO EL DIRECTOR DE ACCIÓN CULTURAL ESPAÑOLA (AC/E) PROMUEVE LA INTERNACIONALIZACIÓN DE LAS CREACIONES ESPAÑOLAS. Acción Cultural Española (AC/E) es un carencia en el caso de la danza, relativa a organismo público dedicado a impulsar y su participación en ferias internacionales promocionar la cultura y el patrimonio de especializadas, eventos que tradicional- España, dentro y fuera de sus fronteras. mente no suelen contar ni siquiera con En sus líneas de actuación, que abarcan financiación para cubrir el desplazamiento todas las disciplinas dentro de las Artes de los artistas. Con la idea de contribuir Escénicas figura, como no podría ser de a subsanar esta carencia, AC/E firmó en otra forma, la danza como uno de los diciembre de 2018 un acuerdo con la Fe- activos principales. deración Estatal de Compañías de Danza “Uno de los objetivos de AC/E es la coor- (FECED) dirigido a apoyar la presencia dinación con las instituciones y los agen- de nuestros artistas en estos importantes tes del sector para no duplicar funciones mercados. y así rentabilizar los recursos” advierte Eduardo Fernández Palomares, director “Desde AC/E financiero de la institución. “Cada entidad tiene asignadas funciones específicas. El establecemos nuestras INAEM, por ejemplo, centra sus ayudas relaciones a nivel en las giras internacionales y nosotros institucional, cooperamos priorizamos la internacionalización a través de las instituciones extranjeras”. con una feria o un festival Estas ayudas para dar visibilidad a la extranjero para facilitar creación y la producción artística nacional la presencia de nuestros funcionan en dos sentidos. En el caso de la danza, impulsan la participación de ar- creadores en su evento” tistas españoles en festivales y programa- EDUARDO FDEZ. PALOMARES ciones internacionales y facilitan la visita a España de programadores y promotores “FECED coordina esta colaboración, extranjeros para que conozcan in situ la pero es también una oportunidad abierta producción nacional. Lo hace a través de a cualquier artista nacional que tenga su Programa de Internacionalización de una invitación en firme a una feria en la Cultura Española (PICE), desde donde el exterior, independientemente de que canaliza y gestiona estos fructíferos inter- sea o no asociado de esta federación, cambios. que además elaborará un informe anual AC/E “Desde AC/E establecemos nuestras rela- que nos permitirá evaluar el impacto y ciones a nivel institucional, cooperamos mejorar la ayuda, un mecanismo similar con una feria o un festival extranjero para al del programa PICE, que suele extender facilitar la presencia de nuestros creadores un cuestionario a los beneficiarios, para EDUARDO en su evento, fomentando las redes de tener una evaluación y seguimiento trabajo y colaboraciones futuras, entre los de resultados para la incorporación de creadores españoles y las instituciones futuras mejoras”.Ñ receptoras en el exterior”. FERNÁNDEZ Como indicaba Fernández Palomares, las competencias para las ayudas artísticas están repartidas entre diversas institucio- PALOMARES nes (Instituto Cervantes, AECID, ICEX, el mismo INAEM…), pero se reconocía una Ò 8 9 Acción Cultural Española (AC/E) is a public says Eduardo Fernández Palomares, Chief AC/E agency committed to boost and promote Financial Officer of this institution. “Each the Spanish culture and its heritage, within agent has specific roles. For instance, the country and abroad, through a wide- INAEM (The National Stage Arts and Mu- ranging program of activities and initiatives sic Institute) offers aids to support partici- EDUARDO to encourage the mobility of creators and pation in national tournées. We are specifi- professionals from the cultural sector. Such cally focused on internationalization.” 西班牙文化组织 AC/E program covers all art forms and disci- The grants offered by AC/E for enhancing FERNÁNDEZ plines, and dance is of course included un- the global presence of our national scenic 爱德华多·费尔南 der its Performing Arts’broad action plan.
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